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Brick house with wooden colonnade, 1941. During the 1950s, Hicks Street was transformed by the construction of the Brooklyn-Queens Expressway trench, to the south. These buildings have since been demolished. Ironically, the lot is now occupied by a seven-story parking garage.

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160 Atlantic Avenue Designed by Ebenezer L. Roberts This stately building was originally constructed in 1871 for the South Brooklyn Savings Bank, which moved to a larger building at 130 Court Street (site # 13) in 1922. The bank had a number of influential board members, including merchant James Van Nostrand and businessman and politician James S. T. Stranahan, who, during his time as president of the Brooklyn Park Commission, was largely responsible for securing funding and support for the creation of Prospect Park. The Neo-Grec style, Tuckahoe Marble-clad building features round and square pilasters, corner quoins, arched windows supported by colonettes, and a bracketed cornice. Many of its original details have been lost, however, including a two-story pedimented temple front entrance and a balustrade with decorative urns on the roof. The ground floor has also been remodeled. The bank interior had been clad in marble and black walnut woodwork, but was refurbished many times over the years to accommodate new uses. The buildings are located in the Cobble Hill Historic District.

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Sometimes deciphering a neighborhood name can be pretty simple. It doesn't take a genius to puzzle out how Brooklyn Heights or the Navy Yard got their names, but other 'hoods have a little history behind their monikers. This story examines the background of some of Brooklyn's neighborhoods.

The Friends Meeting House, seen at right, was completed in 1857 and is attributed to architect Charles T. Bunting. In 1867 the building, which served as the religious home of the community, also became the home to a Quaker school. The school began with one teacher and 17 students. The educational operations moved into a new building next door at 112 Schermerhorn in 1902. Today the meeting house is still in regular use as a house of worship.

1840s row houses on Warren Street in Cobble Hill, Brooklyn, October 9, 1960. These three-story row houses were built by John Greacen, Jr. between 1845-47, on land purchased by his father, John Greacen, Sr. in 1832. The elder Greacen lived in both Nos. 225 (far right) and 229 (second from right — No. 227 is obscured by the angle of the photograph). At the time, Warren Street was known as John Street, named for the father-and-son duo who spurred its development.

Side view of No. 46 Willow Place from State Street, December 7, 1958. This mid-19th century column-fronted house is the only\* surviving structure of a former row of four, opposite the extant "colonnade row" on the block's east side. \*No. 42 retains parts of the original structure, but its columns have been removed while other elements have been substantially altered.

Though its name seems to suggest otherwise, Saint Ann's is a non-sectarian school known for its non-traditional education style. How it came to be named after a Saint comes from its eclectic history.

Row houses on Willow Place, October 19, 1959.

Packer Collegiate Institute ca. 1922 One of the earliest of our many ivy-covered Collegiate Gothic buildings. The exterior of this structure, designed by Minard Lafever and published by him in his Architectural Instructor, was particularly expressive of the functions within. A recent addition has been intelligently carried out completely in character with the original.

Clinton Street row houses, following the construction of the Insurance Building (extreme right), August 5, 1934.

Foster Building, New Year’s Eve 1958. Built in 1898, the four-storefront-wide brick building retains much of its original detail, including pediments above each of its four residential entrances and the bold “Foster” name on a panel above the shared cornice. The origin of the Foster name is unclear; it was built by William B. Tubby for owners Mary J.F. Pratt and Ida F. Grampton.

St. Peter’s Roman Catholic Church and School, 1934. Designed by Patrick Charles Keeley, the Romanesque Revival church was dedicated in 1860. The St. Peter’s School at 101 Warren Street was added in 1866. The church closed in 1975 and was converted into condominiums, retaining much of its exterior features.

274 Hicks, 1959. Founded in 1886 as Engine 24 of the City of Brooklyn, the firefighters originally fought blazes in a horse-drawn engine. The current building was constructed in 1903 (five years after the fire company had become part of the New York citywide department following consolidation). Described as a "Gilded Age mansion for NY’s Bravest," the building is a Renaissance Revival structure. It was designed by the firm of Adams & Warren, who largely built massive mansions for well-heeled Long Islanders. The copper-clad dormers and roof tiles, green with age, are especially eye-catching on a block with older and very attractive townhouses.

Berean Buildings, 1922. The Berean Buildings — three adjoining three-story brownstone structures — were erected in 1867 at the northwest corner of Court and State Streets. The buildings, included street-level storefronts and large hall for social functions, lectures, and performances. The Brooklyn branch of the New York Conservatory of Music was an early tenant, and late 19th century newspapers included advertisements for music lessons held there. From 1903 to 1922, the newly created Children's Court was held here. Part of the Court of Special Sessions "Inferior Courts," local courts that dealt with "neighborhood affairs," the Children's Court was for legal matters concerning children under the age of 16. Until the late 19th century, criminal courts tried both youth and adults. The Brooklyn Children's Court was among the first efforts at juvenile justice reform. Since 1924, the Berean Buildings have hosted a succession of theaters: first, as the Boro Hall Theatre, a vaudeville house equipped with a new Kimball organ; from 1949 to 1967, as the Teatro Amor, showing Spanish-language films; and finally, from 1968 to 1989, as the Cine-Art Theatre, which showed pornographic films with occasional live strip shows. The building was torn down in the 1990s, and the current large multiplex UA Court Street Stadium 12 opened in 2000.

Northeast corner of Court and Amity streets, New Year’s Eve 1958. Built for grocer Thomas McGlinn in 1848, a 20th century remodel added 160 Court Street’s signature black marble storefront.

Apartment building at the corner of Amity and Clinton Streets (No. 173 Amity), February 8, 1960. Built in 1900, No. 173 Amity features curved bays matching its neighbors on Clinton Street, and a combination of limestone and brickwork on its Amity Street facade, interrupted by two-story bay windows. The Landmarks Preservation Commission cites the influence of the Chicago World’s Fair in its architectural “eclecticism.”

St. Charles Borromeo Church ca. 1980 New York Catholics ranked parishes in terms of status. The Church of St. Charles Borromeo founded in Brooklyn Heights in 1849 was the Sixth Catholic Parish in Brooklyn. While it wasn't the first, it was regarded as "select," according to the anonymous inscription on the reverse of a stereoscopic view card depicting the church. The note continues: "The church is also frequented by the most wealthy Catholics, showing however nothing remarkable inside or out. Even the organ is of small capacity." The present church was dedicated in 1869, in the red Philadelphia brick edifice trimmed with Belleville stone, and in the English Gothic style, designed by Patrick C. Kelley, a premiere Catholic architect of the day.

219 Clinton Street, 1960. Described in the 1969 Historic District Designation Report as “without a doubt the most imposing property in the Cobble Hill Historic District,” 219 Clinton Street includes the first electric passenger elevator built in a private building, dating to an early 1890s renovation of the 1844 home.

Berean Buildings, Court Street, April 13, 1931. By then, the former court house had been converted to the Boro Hall Theatre, a vaudeville house.

No. 260 Hicks Street (red door) at Joralemon Street, June 17, 1974.

Abrahim Sahadi opened A. Sahadi & Co. on Washington Street in Manhattan in 1890. In the first few decades of the 20th century, the store catered to the sizable Syrian and Lebanese populations that lived on the "Lower West Side." Construction of the Hugh L. Carey Tunnel (formerly the Brooklyn-Battery Tunnel) pushed the thriving business out of the neighborhood and into a storefront on Atlantic Avenue in Brooklyn. There the three generation family-owned and run business continued to grow. They purchased a factory building in Sunset Park in the 1980s to house their expanding wholesale business. And from the small storefront seen here in 1958 at 187 Atlantic Avenue Sahadi Importing Co. has grown into the two adjacent storefronts at nos. 189 and 191.

Intersection of Joralemon and Court Streets, with Borough Hall (at left) and the Fulton Street Elevated tracks (in the distance), July 23, 1907. The entrances to the soon-to-be opened IRT subway station at Borough Hall are visible on either side of Joralemon Street, flanked by the iconic subway globe lights. The manure noticeable on the street testifies to the continued employment of horses for the transportation of goods (if no longer people).

Willow Place, nos. 43-49, May 14, 1936. Built in 1846 by an unknown architect, Colonnade Row is a series of Greek Revival houses. Four structures remain on this side of the street, while the across the street, one colonnade home survives. The surrounding three structures have been renovated in a 20th century modern style. The homes at nos. 43-49, with their single long porch and tall columns, have been painstakingly preserved.

Colonnade Row ca. 1936 This Greek Revival residential row between Joralemon and State Streets in Brooklyn, dating perhaps to the mid 1840s, had a single occupant in each house, all of Irish descent: Meehan at No 43, Sullivan at No. 45, McKenna at No. 47, and Dowling at No. 49. In a decrepit state at the time of Abbott's photograph, all the houses have been rehabilitated and survive today.

Engine 224 firehouse and carriage houses next door, Hicks Street, June 18, 1962.

St. Ann’s Church (now part of Packer Collegiate Institute) Begun in 1867, St. Ann's was designed by James Renwick, one of the 19th century’s great American architects who also designed St. Patrick’s Cathedral and Grace Church in Manhattan. The church is one of the best examples of “Ruskinian Gothic” in New York. Ruskin, the famous Victorian art critic, advocated using color in architecture often through polychrome stone and brickwork. Here, this is accomplished with alternating bands of rough New Jersey brownstone and smooth, yellowish Ohio sandstone. As with St. Patrick’s, Renwick designed a grand central entrance with magnificent stained glass windows and two flanking entrances all topped with freestanding gables. The interior was built to seat over two-thousand. Large, undisguised cast-iron columns run down each side of the nave supporting the gallery and roof. There is also cast-iron wainscotting along the side aisle walls. St. Ann's is among the earliest American churches to use cast iron in such a way. Organized in 1787, St. Ann’s is the oldest Episcopal parish in Brooklyn. This church was its third home, and the parish wanted a to build the largest and most imposing church in Brooklyn. The new church was expensive, and the parish went into debt to to build it. By 1878, the debt amounted to over $135,000, the church was delinquent on its payments, and Union Dime Bank began foreclosure proceedings. Only a last minute gift of $60,000 from a wealthy banker kept the parish in their church. Wall Street benefited St. Ann’s church again in 1951 when the daughter of Hetty Green, the “Witch of Wall Street” left it a surprise bequest of $500,000. However, nothing could stem the steady decrease of the congregation. In 1967, the parish sold the church to Packer Collegiate school and moved up Clinton Street to The Church of the Holy Trinity, renaming it St. Ann’s and the Holy Trinity. The church building remained closed for years until 2003 when Packer extensively renovated the interior to accommodate classrooms and offices.

124-128 Atlantic Avenue Built in 1854, this Italianate commercial building was originally home to the area’s largest dry-goods store, Journeay & Burnham. The business was known for stocking fine quality fabrics and fashionable clothing. The business moved to Flatbush Avenue near Fulton Street in 1892, and closed in 1907. The building was subsequently home to the Atlantic-Pacific Chandlery Manufacturing Company, suppliers of ship provisions. The company’s name remains above the storefront, providing a reminder of Atlantic Avenue’s nautical past and its link to New York City’s bustling harbor. These buildings are located in the Cobble Hill Historic District.

Townhouses on Henry Street, opposite Hunts Lane, October 19, 1959.

Bay window and garden on the Congress Street side of 367 Henry Street, Cobble Hill; December 15, 1958. This Italianate brownstone was one of three constructed between 1850-1853 for merchant Charles F.A. Hinrichs. The sheetmetal bay window, painted black, was a later addition.

"View of west side of Court Street between Amity Street & Congress Streets looking south. Whelan Drugs on corner right."

Colonnaded Row Houses ca. 1970 Collectively impressive, these very small two-story houses would have had a mean, undistinguished appearance had they not been united by their colonnade. This was an early instance of town planning and was doubtless inspired by Underhill's grander Greek Revival colonnade- long since vanished- on Brooklyn Heights overlooking the harbor.

Located at 170 Joralemon Street, between a rapidly changing downtown Brooklyn and the historic residential neighborhood of Brooklyn Heights, The Packer Collegiate Institute is a designated New York City landmark.

Court Street at Warren Street, June 5, 1961. No. 212 Court Street (right), at the southwest corner of Warren Street was at the time occupied by a bar and restaurant. In 1985, the Community Bookstore moved into the renovated space, and would become a beloved neighborhood fixture. Proprietor John Scioli, with his wife Susan, opened the first Community Bookstore in Park Slope in 1971, and later expanded with an outpost in Brooklyn Heights. When the couple divorced, in 1980, John kept the Brooklyn Heights store, while Susan retained the original Park Slope location. In 1985, after a rent hike forced the Community Bookstore to abandon its Montague Street storefront, Scioli purchased 212 Court Street for $500,000. Making his home in an upstairs apartment, Scioli amassed a collection of tens of thousands of books — rare, forgettable, and otherwise — stacked haphazardly throughout the dusty and claustrophobic ground floor. Scioli kept his own hours, usually opening in the afternoon and closing up shop late at night, and could often be found perched on his folding chair out front, cigarette in hand, sorting through new arrivals. In 2015, Scioli sold the property for $5.5 million and closed up shop for the final time a year later. The building has since been renovated, and a spare real estate office occupies the once cluttered former bookstore.

Poster notifying passengers of service changes, 1946. The Court Street station is a two-track stub-end station, constructed as a terminus for local trains of the IND Fulton Street Line. Opened on April 9, 1936, the station was meant to northern end of the HH Fulton Street Local, and possibility a Brooklyn connection along the long proposed Second Avenue Subway. In reality the only train service that the station operated was the Court Street Shuttle, which left Court Street and traveled the three underground blocks to the nearby transfer station at Hoyt–Schermerhorn. Given the proximity to the next station, Court Street was never heavily used and the station was closed (and the shuttle service discontinued) on June 1, 1946. The station was in active use for only 10 years and just under two months. With most of its entrances sealed the station was used for various activities after 1946 including as a testing ground for station cleaning activities, as storage for transit equipment, and as a filming location for movies. On July 4, 1976 the New York City Transit Exhibit opened in the station as part of the United States Bicentennial celebrations. The exhibit was organized by transit employees. Meant to be on display only until Labor Day of that year, the exhibit proved to be immensely popular and remained open, eventually being transformed into a permanent museum.

Street-level decking for the construcion of the IND Fulton Line's Court Street station, at Court and Schermerhorn Streets; November 20, 1930. At right is the German Evangelical Church, a Romanesque structure completed in 1890 to accommodate the City of Brooklyn's growing German population. The church shuttered in 1969 and was demolished in 2006.

Medical Arts Building, 1929. The Medical Arts Building was completed in 1927 to the designs of Mortimer E. Freehof, an architect of a number of Brooklyn Heights apartment buildings. The Art Deco structure is rendered in a tan brick. Its decoration (which gives it a bit of a Gothic feel) is fun and whimsical with lions bracketing the balcony whose sole purpose seems to be to highlight the building's carved name, while plaques of intertwined cranes separating the windows.

North side of Atlantic Avenue, center building, is Montero's Bar and Grill, 1958 Opened in 1939 in a space across Atlantic Avenue, Montero's is the last of the longshoreman bars in a neighborhood once filled with them. An iconic Brooklyn dive, it has a classic neon sign out front, and the dark interior is decorated with model ships and other maritime trinkets.

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By the start of the 19th century, the urbanization of Brooklyn was happening at a breakneck pace. What had once been quiet Dutch farming villages was now a thriving area. Brooklyn Heights was the first incorporated village in the original city of Brooklyn. In the 1820s the prevailing architectural style was the elegant but simple wood-frame Federal style home. The entire neighborhood, starting with a couple of dozen homes in the 1810s and growing exponentially, was built in wood. Given the strong historic preservation ethic and legal protections that were enacted in this neighborhood during the mid 20th century, many of the older homes that had made it until then, still stand today. This walk will take you past some of Brooklyn’s oldest and most well preserved wood-frame homes. 🏠 It was inspired and informed by the excellent work done by The Wooden House Project!

My Archive Spring 2019 "Outside Dr. Altchek's office (see the sign on the building) with two of the neighbors. Dr. Altchek was known in the neighborhood as the doctor who treated everyone, and at the time, several of his patients that were infants when he treated them were mature adults still living in 2002." —Jane Wolff

Court Street buildings, including the unusual Neo-Tudor at No. 93, June 21, 1959. The steep, shingled gable and detailed brickwork at No. 93 stand out from the neighborhood's more common brick and brownstone structures, and the Art Deco skyscrapers closer to Borough Hall. The Tudor outlier was built by architects Martyn Weinstein and Samuel Malkind in 1927. Its exposed beams have long since been covered by stucco and, at present, the building is without Landmarks protection.

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Since the founding of the city, Brooklyn has had many civic groups dedicated to encouraging education. In the mid-19th century, a number of libraries emerged that would form the basis of the Brooklyn Library today. This is the story of how it came to be.

Plank Road Collapse Along Schermerhorn Street, September 9, 1929. Following heavy rains on the night of September 7th, the entire plank road on Schermerhorn Street between Smith Street and Boerum Place—in place for the construction of the IND Fulton Line— collapsed. The area of collapse was 100 feet long and 50 feet wide, from curb to curb. Just before 1:00 AM, four people stepped out of a car in front of 123 Schermerhorn Street and following a loud roar turned around to see the car they had just vacated no longer on the street, but instead deep in the excavation hole. No injuries were reported.

260 Hicks Street, 1958. Originally built in 1847 as one in a row of 21 homes by William and Harriet Packer, 260 Hicks originally matched the style of its immediate neighbors west on Joralemon Street. The building was expanded and made into a mansion in Queen Anne and Romanesque Revival styles in 1887. The brick home has been drastically and unfortunately altered, since the late 1880s work. The architectural details at the third story have been removed and the fourth floor has been expanded to a flat roof with brick and mortar that does not match the original materials. Given the historic photographic evidence seen in the collection of photographer John Morrell the alterations happened between 1958 and 1964, perhaps when the building was converted from a single family to multi-unit residence.

Joralemon Street, Brooklyn Heights, November 9, 1959. Some things are not as they seem: the Greek Revival townhouse at No. 58 Joralemon Street (center, with dark windows) was once a residence, but is now the site of a subway ventilation system and emergency exit from the Joralemon Street Tunnel.

The Brooklyn Academy of Music, opening in 1861, was the Athenaeum’s greatest rival, and BAM was larger, closer to the homes of the Heights elite, and attracted first class orchestras and performers. The Athenaeum adapted, and became a meeting place for organizations, rallies, and revivals, as well as a more traditional lecture and performance venue. It worked for a long time, until 1902, when the City of New York took over the third floor, which contained the auditorium and ante-rooms, as a courtroom for the Court of Special Sessions. The court stayed until at least 1932.

Joralemon Street, north side, west from Hicks Street, to the East River. 260 Hicks Street is the corner building, at right, with the double chimney, 1935.

Gothic Revival Houses (2-8 Willow Place) ca. 1975 Despite their individual porches, these charming town houses have a remarkable feeling of unity and coherence. This is due to the very original window treatment, where the recessed spandrels with their chevron patterns lend a vertical emphasis, foreshadowing the spandrel panel arrangement later employed on high buildings.

Gundolt Carpet Workroom, 1962. The single story workshop and adjacent three-plus story facility were built from “clinker brick,” dark, dense bricks produced at very high heat. Once unfashionable, clinkers rose to popularity as a building material during the Arts and Crafts movement. The taller building at right was built in 1920 as a stable and parking facility for the Riley & Latimer trucking company. The design included a three-story elevator shaftway, in order to accommodate wagon storage on the roof itself. Riley & Latimer closed around 1936. A 1947 ad for Gundolt Carpet touts “good pay” and “steady work” for carpet sewers.

135 Joralemon Street, 1925. Although a few blocks south of the main cluster of remaining wood-frame Heights homes, this two-story home with attic and twin dormer windows is a remnant of a period when all of Brooklyn Heights was populated by Federal style buildings. The intricate ironwork on the broad porch (though not original) calls out this building as special even among its early wood-frame brethren. And, but for dedicated owners and a considerable sum of money, this house might have been lost just in the last decade. A substantial fire gutted the home in 2004, causing extensive damage, and many in the neighborhood worried about its survival. But, by 2008, it was beautifully restored inside and out.

Clinton Street, Brooklyn Heights, February 12, 1960. This Brooklyn Heights street scene includes No. 182 Clinton Street (center, second from corner), known as the New York residence of Bill W., the founder of Alcoholics Anonymous. A World War I veteran and stock speculator who lost money in the 1929 crash, Bill was a sufferer of alcoholism who began his recovery in 1934. The next year, Bill began to host growing meetings of recovering alcoholics like himself at his Brooklyn home. Since Bill's death, the building has become a nondescript landmark (contrary to local legend, the stoop has nine steps, not twelve), unlike Bill's Akron, Ohio home, which has been converted to a museum.

Brooklyn Union Gas Company ARCHITECT: Frank Freeman DATE: 1914 STYLE: Neo-Classical The substantial neo-Classical style Brooklyn Union Gas Company Building was constructed in 1914 as the new headquarters for the borough’s oldest and most important utility company and was designed by noted architect Frank Freeman. The Brooklyn Union Gas Company traces its origins to 1824 when a group of entrepreneurs including Joseph Sprague and Alden Spooner proposed establishing the Brooklyn Gas Light Company. Competition between the gas companies grew particularly heated in the 1880s but all seven of the major Brooklyn firms eventually merged in 1895 to form the Brooklyn Union Gas Company. As an indication of its success, in 1912 the company began to plan for a new headquarters and inaugurated this building in 1914. Frank Freeman’s design for the Brooklyn Union Gas Company Building employs the Classically-inspired architectural vocabulary that characterized many of Freeman’s post-Columbian Exposition commissions. Much of the building’s architectural decoration is also symbolic of the structure’s original role as the headquarters of an important gas company, depicting such devices as flaming torches and blazing oil lamps.

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Clinton Street, Brooklyn Heights, 1927.

The Brooklyn Athenaeum and Reading Room was founded in 1852 by a group of prominent Brooklyn citizens as a library and respite for young men. There they could gather for instruction and that "innocent relaxation," which the wear and tear of mercantile life so imperiously demands, according to its first president, John Taylor, in his first annual report. The three story building, designed by William Field, had commercial storefronts on the ground floor, including a book store, the reading room and library on the second, and the concert/lecture hall, which could hold 2,000 people, on the third.

Famed Brooklyn architect (and Quaker) William B. Tubby designed the Richardsonian-Romanesque-style Friends School. Completed in 1902, the three- story red brick building had a few additons completed by the same architect (who was also an early graduate of the school while it was located in the Meeting House next door). Originally an elementary school, the 1902 building also included space for a kindergarden and was expanded to include a high school in 1907. In the early 1970s the school moved into 375 Pearl Street, a 1928, former Brooklyn Law School building.

Brooklyn Gas Co., cooking class, ca. 1913. The new headquarters for the Brooklyn Union Gas Company opened in 1914 at 180 Remsen Street. As the headquarters, it included a ground floor showroom for gas appliances, the president's private offices, and large spaces for public gatherings and classes. A February 1915 gas-focused journal noted the graduation of the domestic science division. It notes: "The course consists of six lectures. At the conclusion of the course each student will receive a certificate certifying that she is able to scientifically conduct a household."

Five attached row houses, Nos. 136-144 Clinton Street (right to left), at Aitken Place, 1922. According to photographer Eugene Armbruster, the Italianate row houses were built by Wm. Evans in about 1845. City directory records confirm the houses were completed by 1855. The two houses at right were torn down ahead of the 1925 construction of the 12-story Insurance Building. Likewise, the corner building, No. 144, was replaced by a single-story Art Moderne structure in 1937. The St. Charles Borromeo Roman Catholic Church is visible at extreme left.

Henry Street townhouses, across from Hunts Lane, June 26, 1961.

This site is located to a lot Sites that are located through addresses show up as as lots. Locating sites through addresses enables Urban Archive to tie them to lots in the associated lot in New York's Pluto database.

The former Second Unitarian Church of Brooklyn, 1934. Affectionately known as the “Church of the Holy Turtle” for its squat cruciform footprint and low, green roof, the church was built in 1858 on land leased from the Catholic Church. Its founding minister included the abolitionist Reverend Samuel Longfellow, brother of the poet Henry Wadsworth Longfellow. The church’s final service was held in December 1924; it was later rented to various tenants. In 1962 — three years before the establishment of the Landmarks Preservation Commission — the church was razed ahead of a planned supermarket development. That plan was defeated by the Cobble Hill Association, who successfully petitioned for the creation of Cobble Hill Park, dedicated in July 1965.

The forty foot-wide Gothic Revival house at 223 Congress Street, 1960. Built in 1849 for use by St. Paul’s Roman Catholic Church and the Free School for Boys, it was leased to Reverend John Hughes, Bishop of New York, until at least 1870. Originally two stories with a high basement, the third floor and mansard roof were added later in the 19th century. Subsequent changes to the top-floor dormer windows provoked an uncharacteristic rebuke in the 1969 Historic District Preservation report: “It is for alterations such as these that the Commission could aid owners in achieving a distinguished result!”

Twin rowhouses on Strong Place, 1958. Built in 1897 for developer James Dunne, both houses were designed as residences for multiple families, one per floor. The Romanesque Revival pair are notable for their full-height curved bay windows and ground level stonework.

Opening in 1867, the Brooklyn Friends School started in the basement of the Quaker meeting house in Boerum Hill. One of the earliest New York schools to encourage diversity amongst its students, it still operates today on Pearl Street.

Brooklyn Elks Lodge, 1929. The Beaux-Arts Elks lodge was designed by McKim, Mead & White and completed in 1926. The handsome limestone and terra cotta building featured amenities including a pool, bowling alley, and a theater. However, the Elks tenure was the be short lived: in 1940, the building became the headquarters of the New York Department of Education. The city sold the building in 2003, and it has since been adapted for high-end residential. The theater, accessed by the 22 Boerum Place entrance, has been home to the ISSUE Project Room avant-garde performance arts organization since 2012.

130 Court Street, designed by McKenzie, Voorhees & Gmelin, 1922; addition: Charles A. Holmes, 1936 This formidable civic building stands on the site of the formerly sizeable Cobble Hill or “Cobleshill,” as it was known in the late 18th century. Before this steep hill was flattened in the mid-19th century, it was the location of the Cobble Hill Fort, from which it is believed that General George Washington oversaw the Battle of Brooklyn in 1776 (a plaque on the building commemorates this). During the War of 1812, the fort was reestablished as Fort Swift, named after General Joseph G. Swift. The Renaissance Revival style building resembles a Florentine palace, with its heavily rusticated façades, large arched windows and distinctive cornice held up by sculpted eagle brackets. It was originally home to the South Brooklyn Savings Institution, which formerly operated from 160 Atlantic Avenue at the corner of Clinton Street. The building now houses a grocery store, and is located in the Cobble Hill Historic District.

"Northwest corner of Court and Kane Streets, “Dr. P.I. Adesso, dental surgeon, has offices on 2nd floor,” 1958." This brick and terra cotta Queen Anne building dates to 1886, when Kane was known as Harrison Street. In addition to the dental surgeon upstairs, the ground floor pharmacy features a prominent advertisement for Ex-Lax, the laxative product then manufactured on Atlantic Avenue.

Packer Collegiate Institute ca. 1922 The Packer Collegiate Institute was established as the Brooklyn Female Academy on Joralemon Street in 1845. It was formed by a committee of local citizens who were interested in the education of young women. The school’s first president was Dr. Alonzo Crittenden, who presided over a student body of 350 girls from 19 states. Between the 1800s and 1850s, there was a profound transformation in female education in the United States, and a number of specialized secondary schools for young women, referred to as academies or seminaries, were founded. The school burned down on New Years’ Day, 1853, and reopened in 1854 with the assistance of a generous $65,000 gift—the largest donation to aid American secondary education at the time—from Mrs. Harriet Packer, widow of William Packer, and former trustee of the Brooklyn Female Academy. One condition of Packer’s donation was her request for the dissolution of the Brooklyn Female Academy Corporation, which was to be replaced by what is today’s Packer Collegiate Institute. Prominent Brooklyn architect Minard LaFever designed the Gothic Revival building, presently known as Founders Hall.

Long Island College Hospital, ca. 1908. Founded in 1858, LICH was a pioneering institution in many regards: the first medical school to employ bedside teaching (1860), Brooklyn’s first ambulance service (1873), and the first medical school to use cadavers in its anatomy curriculum (1875).

Atlantic Avenue at the intersection of Court Street, facing west along Atlantic, 1944.

Gross Studio, located on Atlantic Avenue. People are visible in the door and window of the building, possible the proprietors of the studio. By the mid 19th century Americans (and Brooklynites) were enthralled with the new technology of photography. The Gross Brothers Photography Studio was open as early as 1850 and provided the neighborhood citizens with cartes-de-visite, stereoscopes, ambrotypes and tintypes, all exciting new features of commerical photography.

Amity Street, between Court and Clinton Streets, February 12, 1960. The Landmarks Preservation Commission’s 1969 Designation Report for Cobble Hill describes No. 179 (center-right, with mansard roof) as “an unusually interesting example of the French Second Empire style as modified by Neo-Grec decorative motifs,” noting it’s prominent triangular pediments, mansard roof, and ironwork. The townhouse was built in the early 1870s for John Shuster, the owner of “a successful marble works."

Three Neo-Grec townhouses on Amity Street, February 28, 1960. These townhouses, Nos. 129-133 Amity Street, were originally part of a row of ten built between 1875-81.

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Clinton Street, south from Livingston Street in Brooklyn Heights. August 5, 1934. The steps at bottom left lead to St. Ann’s Church, now part of the Packer Collegiate Institute. The building visible across Livingston Street (farthest left) is No. 133 Clinton Street, formerly the clubhouse of the Brooklyn Excelsiors, the early baseball club whose descendants would become the Brooklyn Dodgers. The Excelsiors were founded as a team of the “Jolly Young Bachelors” fraternal organization and are credited with expanding the sport’s popularity via recreational games during the Civil War.

Eastward view of the intersection of Court and Schermerhorn Streets, October 12, 1928. The storefronts at center-left are Nos. 97 an 99 Court Street. The descending stairway on the Schermerhorn side of the building marks the location of a contemporary entrance to the New York Transit Museum, itself housed in the then-unbuilt Court Street subway station . The station opened in 1936 as the terminus for westbound local trains on the IND Fulton Line (Manhattan-bound express trains split from the local route at Hoyt-Schermerhorn). At extreme right, the facade of Sts. Constantine and Helen Greek Orthodox Cathedral, founded 1913.

"Henry Street, north from Kane Street (formerly Harrison Street). In the right foreground is Public School No. 29; in the left center, at Warren Street, St. Peter's Hospital."

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Improvised pool Caption: "Improvised pool--These city kids can't cool off by plunging into the old swimming hole, so they've made their own swimming pool out of a tank used by builders in construction work. Bobbie Perkins of 183 Congress St. sprays hose on pals, Jackie Kennedy, 3 1/2, of 175 Congress St., and Jackie's brother, Jimmy, 5;" another boy is sitting in background; portion of front steps and railing in right background.

Nos. 2-8 Willow Place, ca. 1975. 2, 4, 6 and 8 Willow Place are a group of four residential brick buildings located in what is known as the "Willowtown" section of Brooklyn Heights. The area is bounded by Joralemon Street and Atlantic Avenue at its north and south, and Furman and Hicks Streets at its east and west. As seen in the picture, the buildings look like they might have original fences and railings. Note the metal panels that unite the second and third floors. These are known as “Davisean” windows: multistoried, recessed and paneled at floor levels. Named after the architect Alexander Jackson Davis, who made good use of them, they are popular in Willowtown and have the effect of making buildings appear much taller than they actually are.

Home Made Delicatessen at the corner of Court and Warren Streets, 1958. No. 210 is part of a set of Greek Revival rowhouses built between 1845-47, notable for its distinctive twin chimneys. The houses were built for John Greacen Jr., whose father John Greacen had purchased a block-and-a-half parcel of land on Warren Street (then John Street), west of Court Street (then Red Hook Lane) in 1832.

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The Spencer Memorial Presbyterian Church was founded in 1838 and has a history of radical and controversial pastors, most notably William Glenesk who took over pastoral duties in 1955. He was outspoken on topics such as homosexuality and drug use, including telling his congregation in one sermon that the hallucinatory drug LSD contained properties that “contribute to the creation and glory of God.” He created a hospitable space for the LGBTQ community, hosting discussions and events, as well as providing a meeting space for LGBTQ organizations, such as the Gay Alliance of Brooklyn (GAB), a civil rights advocacy group. During his tenure, Pastor Glensk included artists and performers in his services. At this time, Brooklyn Heights was an artistic neighborhood with a number of well-known LGBTQ residents, including Truman Capote, Carson McCullers, Benjamin Britten, and others. The church closed in the mid-1970s was plagued “with grave financial difficulties” and had not been able to “maintain sufficient congregation.”

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You can create posts on any image on the platform. Posts appear under their associated photos in Urban Archive. The first post that is written about a location is automatically pinned to the location page. On any post you write, your organization’s name will be added to the bottom of the post to ensure proper accreditation. You can create a post by going to any image and clicking the “🖋️ Create a new Post” button. Similarly, you can edit a post by clicking “Published” to reveal the “Edit” option.

It's time to get old school with these noteworthy temples to education. Brooklyn's schools are impressive and fascinating for many reasons. They are home to famous alumni; are housed in architecturally stunning buildings; act as incubators of resistance against racism and discrimination; and are consistently pioneering innovative approaches to education. Most importantly, they teach civic engagement and provide opportunities for academic and economic empowerment to Brooklyn's children and young adults. Read on and get schooled.

1890s apartment building at the corner of Clinton and Pacific Streets, 1960. According to the Cobble Hill Historic District Designation Report, the building is typical of the transitional architectural styles of the area, featuring a rusticated Romanesque Revival ground floor and sheetmetal bay windows.

Jenny Jerome, Winston Churchill's mother, was born in 1854 just a few blocks away at 197 Amity St. However it's the house on the corner at 426 Henry St., where Jenny later lived with her uncle that (inaccurately) bears a plaque to mark the event. In 1953 (seven years before this photo was taken) Churchill at the age of 74 made a visit to New York, and came to the house, to the delight of the neighborhood and city. He stood in front of the house and proclaimed “I am most grateful to those who have put up this tablet in commemoration of my mother, who was born here in Brooklyn.” The plaque has been there ever since.

St. Paul’s Convent, 1960. Built in the 1840s for the wife of Captain Isaac Brewer 👨‍✈️, a wealthy ship captain, 235 Clinton later became the home of the Convent for the Sisters of Charity of St. Paul's Roman Catholic Church. The Sisters left in 1978, but the stained glass windows remain.

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"Clinton Street, st the S.W. corner of Kane Street, showing the Christ Protestant Episcopal Church." Designed by famed church architect Richard Upjohn for the fourth Epsicopal congregation established in Brooklyn, the cornerstone of this church was laid in 1842. Louis C. Tiffany designed an altar, altar railing,pulpit, lectern and chairs in 1917 and these interior features were entirely restored following the fire that devastated the church in 1939. In 2012, lighting hit the tower and falling debris killed a man who was walking underneath.

Joralemon Street, west from Hicks Street, towards the East River, 1926.

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Underwater Tunneling, the third type of construction, occurs underneath the river. This photo shows construction of the Joralemon Street tunnel. Subway water tunnels are built approximately 30 feet below the riverbed. Because of the immense pressure exerted by 30 feet of rock, sand, and silt, plus 50 feet of water, such tunnels were in danger of collapsing. To counteract this force, tunnels underwater were pumped full of pressurized air, which pressed out against the walls of the tunnel and kept it in place. However, this pressurized air made for difficult working conditions for sandhogs. When working in pressurized air, workers were in danger of developing decompression sickness, similar to what divers might experience. Because of this, workers could only spend three hours under water before needing to spend several hours above ground. Before exiting or entering the tunnel, sandhogs would adjust to the pressurized air in a decompression chamber, also called an air-lock or a man-lock.

Roman Catholic Church of Our Lady of Lebanon and St. Mary's Catholic School, Hicks Street, August, 1935. Our Lady of Lebanon was incorporated in February, 1903, in the townhouse at No. 295 Hicks Street. As the parish grew, the converted brownstone could no longer accommodate worshippers and a new church was built on the adjacent lot. In 1944, the Maronite church moved into the former Church of the Pilgrims, a Richard Upjohn-designed church on Remsen and Henry Streets.

The building was torn down in 1942, the event recorded in a photograph in the New York Public Library’s collection. Today, Key Food occupies the site of the Athenaeum.