78-80 St. Marks Place Building Date : 1845 Original Use : Residential Original Owner : William Bollman Original Architect : Unknown Description & Building Alterations Originally constructed as two separate houses in 1845, the three-and-a-half-story and four-story buildings were combined at an unknown date. Its is said that Leon Totsky lived in the house at No. 80 in 1917, at which point he contributed to the magazine Novy Mir, run by Nikolai Bukharin and Alexandra Kollontai. The magazine was published across the street at No. 77. In 1931 the building at 78 St. Mark’s Place became occupied for institutional purposes and later a restaurant. From 1917 until 1964, a music club called Jazz Gallery, owned by brothers Joe and Iggy Termini, opened at this site. The brothers also owned the Five Spot at 5 Cooper Square. Thelonious Monk Quartet, the John Coltrane Quartet, and Lord Buckley all performed at this venue. Starting from around the 1960s part of the building was used as a theater. Howard Otway owned the houses in 1966, when he worked with architect Miller Breslin to convert them into Theater 80. Theatre 80 premiered Clark Gesner’s Your a Good Man, Charlie Brown in 1967, and played it until 1971, when Otway made the theater a revival movie house with double features of old Hollywood films showing every day. The revival theater closed in 1994, and then this building was occupied by the Pearl Theater Company, founded in 1984, which stayed here until 2009. Outside the theater there is a mini-Off-Broadway Walk of Fame, consisting of hand-prints, footprints and signatures from some celebrated 20th-century actors and actresses. The original facades – including lintels, sills, and cornices of these two buildings remain. No. 78 retains its stoop and multi-paned sash, and No. 80 has a one-story brick extension with glass block windows.

Building Date: 1848 Original Use: Residential Original Owner: Thomas F. Woodruff Original Architect: Unknown Description & Building Alterations This four-story with basement building was originally erected in 1848 as a Greek Revival-style row house. The present facade features bracketed iron cornice, molded window lintels, footed sills, the entrance flanked by engaged simple pilasters supporting an entablature.

124 East 4th Street Building Date : 1899 Original Use : Residential/Commercial Original Owner : August Ruff Original Architect : Kurtzer & Rohl Description & Building Alterations This six-story and basement tenement, built in 1899, was originally designed by Kurtzer & Rohl and owned by August Ruff. At a cost of $20,000, it was to be occupied by 24 families with stores in the basement. The facade features a bracketed cornice, elaborate entrance enframements with a curved door hood and carvings, window lintels, and beltcourses. The window lintels are pedimented on the second and fourth stories’ outermost bays.

Public School 64, 1920. Constructed between 1904 and 1906 to the designs of BOE architect C.B.J. Snyder, the French Renaissance Revival style building adheres to Snyder's usual H shaped design. When opened the school could hold 2,500 students and later had an annex constructed to accommodate a larger student body. As the populations of the East Village and Lower East Side declined in the 1970s and in the midst of the city's financial crisis, the school was closed in 1977. Soon after closing the building became the home of a number of non-profits, including Adopt-A-Building (which trained and empowered residents of blighted neighborhoods to improve their own buildings) and CHARAS (a neighborhood center that fostered community-based urban ecology, arts and culture). After two decades of successful reactivation of the school space, the building was sold by the Giuliani administration to a developer in 1998. The groups were evicted in 2001. For the last 15 years, the building has continued to deteriorate. The school was landmarked in 2006 and various plans have been suggested for its redevelopment, including as dormitories, which most of the local community vehemently opposes. In the fall of 2017 current mayor De Blasio stated that the city wished to buy back the property, but the future of the building is unknown.

Anshe Chesed and Rodeph Sholom are respectively the oldest and second oldest surviving synagogue buildings in the city, and some of the oldest in the country. Both were constructed for German Jewish congregations in German architectural styles: Gothic Revival and Rundbogenstil (“round-arch style”), and feature red brick, central staircases and symmetrical façades with recessed central sections and square towers. Kehila Kedosha Janina Synagogue is the only Greek Synagogue in New York and the only synagogue of Romaniote Jews in the Western Hemisphere. The Eldridge Street Synagogue was America’s first major house of worship built by Eastern European Orthodox Jews. The yellow brick building features Moorish and Romanesque details and rich ornament. At its peak in the early 20th century, the synagogue hosted as many as 1,000 worshippers at services, but was forced to close in the mid-20th century when the area’s Jewish population began to dwindle. In 1986, the Eldridge Street Project funded a large-scale restoration of the building, which was repurposed as a museum. The Former Congregation Anshe Chesed, Kehila Kedosha Janina Synagogue and the Former Eldridge Street Synagogue are all designated New York City Individual Landmarks.

108 East 1st Street Building Date : 1841 Original Use : Residential Original Owner : George H. Rofs Original Architect : Unknown Description & Building Alterations As evidenced by the tax records and map evidence this was a row house built 1840-41 and a rear building was constructed in 1853 (later demolished). As of the 1903 map it is identified as a synagogue. This is a three-story brick building with Romanesque elements and Gothic pointed arches, including four pilasters on the front above the first story, a rounded entrance arch and arched windows on the third and first stories. The stepped pediment at the top of the building is adorned with a Star of David, reflecting the building’s former use as a synagogue.

East Side Hebrew Institute (left) and Church of St. Brigid (right), ca. 1975. Founded in 1910, the Institute was a Talmud Torah school (providing after-school and weekend classes) until mid-century when it added a day school. However, the blight and crime of the 1970s made the school’s Tompkins Square location untenable; the school moved to Irving Place in 1975, leaving the building abandoned.

400 East 9th Street; 146-148 First Avenue Building Date : 1851 Original Use : Residential Original Owner : James Wood Original Architect : Unknown Description & Building Alterations Block 5 is comprised of three buildings erected together along with lots 7 and 8 in 1851. The buildings are four-stories along First Avenue and 9th Street with a two-story portion at the rear along 9th Street. Most historic details have been removed or stripped, including a cornice on the west facade. Simple rectangular window lintels and sills still remain.

24 Avenue A, 148-152 2nd Street Building Date : 1915 Original Use : Residential/Commercial Original Owner : Claws Realty and Construction Company, Inc. Original Architect : Charles B. Meyers Description & Building Alterations Built in 1915 as a new law tenement by Charles B. Meyers, this six-story corner building replaced several early brownstones. Modestly ornamented, the building exhibits an eclectic style but demonstrates the changing trend toward a less ornate, more stylized, geometric ornamentation that would become popular during the Art Deco movement. While it is not clear what the original shop was, by 1935 there was a furniture store in the building (like most of its neighbors on Avenue A), called Diamond & Cooperberg Colonial Furniture.

205 East Houston Street, ca. 1975. Ludlow Street façade of Katz's Delicatessen, 205 East Houston Street. In 1888, the Iceland brothers established what is now known as Katz’s Delicatessen on the east side of Ludlow Street, opposite its present location. Upon the arrival of Willy Katz in 1903, the establishment's name was changed from Iceland Brothers to Iceland & Katz, and later to just Katz's when the Icelands sold their share. Katz’s moved to the west side of Ludlow Street during the mid-1930s, due to construction of the Houston-Essex Street Line segment of the IND Sixth Avenue Line subway.

110 First Avenue Building Date : 1841-1843 Original Use : Residential Original Owner : E. Davis Original Architect : Unknown Description & Building Alterations This building was likely three-and-a-half stories tall with a peaked roof when it was constructed in 1841-43. It was later raised to five stories. A new storefront designed by architect Julius Kastner was installed in 1895. The second-story windows were bricked up at that time. The present facade has been modified since then. Most historic details, like the window lintels, sills, and the cornice have been stripped.

Vegetable vendor, ca. 1970.

St. Brigid's Roman Catholic Church, viewed from Tompkins Square Park, ca. 1977. During the 1840s, a significant population of Irish immigrants settled in the Dry Dock District, in the present-day Alphabet City section of Manhattan's East Village. St. Brigid's was founded to serve this heavily Catholic community, with the cornerstone of the Patrick Keely-designed church laid in 1848. During the late 1980s, St. Brigid's became aligned with protestors and the neighborhood's homeless and disadvantaged residents, especially during the Tompkins Square park riots and relate police actions. By this time, the church's structure — built on piles in infilled marshland — had been deteriorating for some time (the church's twin steeples were dismantled in 1962, due to safety concerns). In 2001, longstanding structural concerns came to a head when the archdiocese ordered the church closed after engineers found it to be in imminent danger of collapse. In 2004, the parish was officially disbanded. In July 2006, demolition began abruptly, after unsuccessful efforts buy the Committee to Save St. Brigid's to forestall the wrecking ball. After immediate public outcry, the Manhattan Supreme Court temporarily stayed demolition, before permanently halting proceedings in August. Two years later, an anonymous gift of $20 million changed parish fortunes, funding a five year restoration project. Today, the renovated church is home to combined parishes of St. Brigid's and St. Emeric.

71 First Avenue Building Date : 1882 Original Use : Residential/Commercial Original Owner : George Roll Original Architect : Julius Boekell Description & Building Alterations This five-story old law tenement was erected in 1882, designed by architect Julius Boekell, along with the buildings at Nos. 67, 69 First Avenue and 129 East 4th Street. The building features a bracketed cornice in Queen Anne-style. The window lintels and sills appear to have been stripped. The site was formerly occupied by a three-story flat-roofed building known as Nos. 67-71 First Avenue, home to Roland G. Mitchell & Co.’s paraffine candle manufacturing company. The building burned down in 1882, and “the disaster \[was] little regretted, as the manufactory has been a nuisance to the noses of the inhabitants of the Seventeenth Ward for a decade” (see New York Times article at sidebar).

Often overshadowed by the 1911 Triangle Shirtwaist Fire and the sinking of the Titanic in 1912, the General Slocum steamboat disaster on June 15, 1904, was nonetheless the deadliest New York City disaster prior to September 11, 2001. The official number of deceased was 1021 people: mostly women and children. The legacy of this disaster not only includes the tremendous loss of life but the reshaping of an entire New York City neighborhood, Kleindeutschland. Already losing community members to Yorkville and the outer boroughs by the turn of the 20th century, the Slocum disaster accelerated the exodus of Germans from Little Germany and ushered in the more diverse immigrant communities that settled on the Lower East Side.

77-81 First Avenue Building Date : 1957 Original Use : Commercial Original Owner : Merit Central Corp. Original Architect : Herbert Tannenbaum Description & Building Alterations This one-story retail store was built in 1957 by the Merit Central Corp. The storefront has been altered as various stores have occupied the building.

Since its founding in 1973 by a group of Puerto Rican artists, poets and intellectuals, the Nuyorican Poets Café has become a cultural icon in New York City. “Nuyorican,” a word that blends “New York” and “Puerto Rican,” refers to the movement begun by Puerto Rican artists to battle social injustice and find empowerment through intellectual and cultural expression. The Café became a venue for displaying and digesting such creative expression, especially poetry and spoken word, but also theater, music, visual arts and film. Originally located in the living room of poet Miguel Algarin’s East Village apartment, the founders purchased this former tenement building in 1980. The Café, a highly respected nonprofit arts organization, continues to host an array of award-winning performances, educational programs and exhibits, and to provide support for fledgling artists and serves as an important cultural touchstone for the city.

17-21 Avenue A Building Date : 1838-39 Original Use : Residential Original Owner : Ebenezer Baptist Church (35), Azor Hoyt (36) Original Architect : Unknown Description & Building Alterations This lot consists of two separate buildings which were joined together in 1933 and were originally built 1838-39 according to the tax records. One, the historic lot 35 (19-21 Avenue A) is a four story, five bay brick loft building, painted white and originally it was built as a church and it was altered in the 1870’s to its present form (see permits). The middle bay’s windows have been filled in. It has two-story plate glass front (added in 1914). The historic lot 36 (17 Avenue A) is a four story, three-bay unpainted brick building that was built as a row house. Records show that it once had a galvanized iron cornice, but it has been removed. A 51-foot long sign spans the fronts of both buildings above the first story.

115 Avenue A Building Date : 1858-59 Original Use : Residential Original Owner : Bessy & Hipler Original Architect : Unknown Description & Building Alterations This four-story, three-bay wide building was originally erected in 1858-59, along with the buildings at 117-123 Avenue A. The lot was once part of William B. Astor’s holdings and was leased between c. 1850-1875. The present facade of No. 115 features bracketed cornice with a simple paneled frieze, simple rectangular lintels and sills, and small rectangular windows added to the right of center bay at second to fourth stories. A new storefront was constructed in 1931.

93 St. Marks Place ca. 1916 Since 1896, the Little Missionary Day Nursery has been serving the families of the Lower East Side and the East Village, providing care and education for the young children of this area. It was founded by Sara Curry, who dedicated her life to the care of the neighborhood’s impoverished children and their families. Sara Curry (c. 1863-1940) was known locally as The Little Missionary due to both her diminutive stature and her work with the impoverished families of the Lower East Side. She came to New York City from Utica New York in 1896. She started her nursery in two rooms she rented at 204 Avenue C, providing local working parents a place to bring their children where they would be fed and looked after. But her work wasn’t restricted to just the nursery. She took it upon herself to go into people’s homes and help residents improve their living quarters and aid those who were sick. By 1898 she had moved her nursery to 365 East 10th Street, and her work began to receive attention by the press. With that increased awareness by the public, financial assistance came by way of several wealthy philanthropists. With the aid of these philanthropists, Sara was able to incorporate the school and purchase the house at 93 St. Mark’s Place as a permanent home for the school. Additionally, one of the benefactors donated his home as a summer retreat for sick mothers and their children. An article in 1908 in Harper’s Weekly described the scope of the work of the school and breadth of services: Here are a few things done during 1907: children received at the Nursery. more than 28,000; poor families visited, 16,000; sick persons nursed, 10,000; families provided with Thanksgiving dinners, 624 (which amounted to 3800 individuals); children and sick mothers received at the summer home at Netherwood, New Jersey, 2423. There were also nightly meetings for girls, boys, mothers, and fathers. All of these services were conducted with the aim to “restore dejected families to moral and physical health and teach them self-support and self-respect” as described in that same article in Harper’s Weekly. Sara retired from the school in 1940 and her adopted daughter, Anna Almasy, took over managing the school. Sara died that same year. Well over a century after it’s founding, the Little Missionary Day Nursery, still located at 93 St. Mark’s Place, continues Sara’s tradition of serving the community.

New York City has the largest network of community gardens in the United States. Community gardens borrow from earlier urban-gardening movements, such as Frannie Griscolm Parsons' educational "Farm-Gardens" of the early 20th-century and Depression-era "subsistence gardens" which provided for communities across the city. Beginning in the 1960s, New Yorkers increasingly favored progressive government programs and looked towards the city to sponsor many past-due revitalization efforts for neighborhoods. One such effort was community gardens, which beautified abandoned lots and, most importantly, allowed the community to have an active say in the design of their urban environment.

Flower and garment shops, Orchard Street, ca. 1975.

Our Lady of Sorrows Roman Catholic Church, 213 Stanton Street, ca. 1973. The Church of Our Lady of Sorrows is located in an area once known as Kleindeutschland, Little Germany. Established in 1867, it ministered to the large number of German Catholics who migrated to New York in the late 19th century. The church, designed by Henry Engelbert, was built with a combination of Victorian, Byzantine, and Romanesque architectural styles and completed in 1868.  By the early 1910s, much of the German population on the Lower East Side had moved uptown. In their place were multitudes of newly-arrived Italian immigrants, and then later, Hispanic. Despite these shifts in neighborhood demographic, the Church of Our Lady of Sorrows had adapted to its surroundings to serve the changing congregations. By 2000, masses were offered in Spanish and English; the church today is also known as Nuestra Señora de los Dolores.

6th Street Synagogue ca. 1970 Now known as the Community Synagogue Max D. Raiskin Center, it was previously the German Evangelical Lutheran Church of St. Mark. This highly‐intact Renaissance Revival‐style building is listed on the National Register of Historic Places. The building has several periods of cultural significance: 1847, when it was constructed as the Evangelical Lutheran Church of St. Matthew for Dutch, German and English Lutherans; 1857, when it became home to the German Evangelical Lutheran Church of St. Mark, established to serve the East Village’s burgeoning German‐American community; 1904, when nearly 1,000 of its congregants were lost in the General Slocum Ferry disaster, one of the most devastating tragedies in New York City history; and 1940, when the church was converted to a synagogue, reflecting the neighborhood’s transition to the world’s largest Jewish community. Significantly, the building has not only directly served Germans and Jews, but also played a pivotal role in the transformation of the neighborhood from Kleindeutschland to the Jewish Lower East Side. The General Slocum disaster was regarded as the worst in naval history until the Titanic, and the worst in New York City history until September 11th. As its victims were nearly all women and children, among the major social impacts of the disaster was the migration of the remaining residents to outlying neighborhoods, like the Upper East Side. With the fleeing of the German population, a Jewish Lower East Side emerged. The Community Synagogue was quite literally at the center of this transition. Architecturally, the design is a unique example of the use of the Renaissance Revival style on an ecclesiastical building; in 1847, the style was more commonly used for commercial and residential structures. The use of the style lent this modestly‐scaled church an air of nobility and stature that is still evident today, as the building is virtually unchanged since the time of its construction in the mid-19th century. The Community Synagogue Max D. Raiskin Center is the first and only building ever to occupy this East Village lot. It is the earliest of all the buildings on this architecturally diverse and intact historic block, of which GVSHP and our allies in 2012 secured historic district (landmark) status, securing our 2010 goal of landmark status for not just this building but approximately 325 surrounding buildings. The building’s distinctive architectural style, its direct connection to two of the East Village’s most influential immigrant groups – Germans and Jews – and its role in the General Slocum disaster all made this vital East Village structure an obvious candidate for protection.

Hare Krishnas in Tompkins Square Park, ca. 1966. On October 9, 1966, A.C. Bhaktivedanta Swami Prabhupada and his followers gathered in Tompkins Square Park, sat under the large, long-standing, American elm tree near the center of park and held the first outdoor chanting session outside of India. For more than two hours, Prabhupada and his disciples in the International Society for Krishna Consciousness repeated their 16-word mantra in front of a gathering crowd. This event is considered the founding of the Hare Krishna religion in the United States and devotees still visit the tree as a significant location in their history and community.

109 First Avenue Building Date : 1852 Original Use : Residential Original Owner : James Sparrow Original Architect : Unknown Description & Building Alterations This five-story brick tenement was originally built in 1852 as a house and was probably altered into a tenement before 1887. Its owner, James Sparrow, also owned the adjacent building at No. 111 First Avenue. Most historic details on the facade have been stripped, including the cornice, after multiple alterations through time.

Shops on Orchard Street, ca. 1975.

Streit’s Matzos factory at the corner of Suffolk and Rivington Streets. The Streit family produced matzo at this location from 1925 to June 2015.

Second Avenue El over the western roadway of Allen Street, July 20, 1929.

127 First Avenue Building Date : 1855 Original Use : Residential/Commercial Original Owner : Joseph Wood Original Architect : Unknown Description & Building Alterations This five-story tenement building was originally erected in 1855. The present facade features bracketed cornice with paneled cornice, molded window lintels and sills with brackets. The window sills at second story have been strippe

103-107 East 7th Street Building Date : 1900-01 Original Use : Religious Institution Original Owner : St. Stanislaus B. & M. Church Original Architect : Arthur Arctander Description & Building Alterations This two-story with tower, Gothic Revival-style church was built in 1900-01 for the St. Stanislaus Bishop and Martyr Church. It was designed by the church’s architect Arthur Arctander. The Roman Catholic Church of St. Stanislaus Bishop and Martyr, founded in 1873, is the church of the oldest Polish Roman Catholic congregation in Manhattan. In 1999 and 2001, Polish president Lech Walesa visited this church. The brick church features a tripartite facade divided by engaged pilasters. Three pointed arced entrances are found at the first story and Gothic arched stained-glass windows are found at the second story. The squared bell tower features a thin steeple, stone finials, and pinnacles at the roof line. A cornerstone on the western corner of the church reads “A.D. 1900.”

51 First Avenue Building Date : 1869 Original Use : Residential Original Owner : J. Gessenes Original Architect : Louis Burger Description & Building Alterations This five-story pre-law tenement was built in 1869 and designed by Louis Burger of Bruno W. Berger & Son, who also designed the buildings at Nos. 53, 55 and 57 First Avenue, for owner J. Gessenes. The facade features projecting beltcourses, window lintels and sills, and a bracketed cornice.

131 First Avenue Building Date : mid 19th century/1939 Original Use : Residential/Commercial Original Owner : unknown/Aron L. Frankel Original Architect : unknown/S. Pollack Description & Building Alterations This one-story brick commercial building was originally a five-story mid 19th century tenement (a flower and fruit stand constructed in 1901 adjoining the building on the north side). In 1939 the upper stories of the tenement were demolished leaving the cellar and first floor and the one-story store space was extended to cover the entire lot. The storefront was partially replaced in 1963 due to a fire.

96 St. Marks Place, 1980. Led Zeppelin immortalized the twin tenements at 96 and 98 St. Mark’s Place between First Avenue and Avenue A for the cover of their album Physical Graffiti. The cover featured the two buildings (with the fourth floors removed to make them fit the square shape of the album cover) with the windows cut out to reveal the letters of the album title printed on the inner sleeve, or, if the sleeve was reversed, a series of images of different characters seeming to occupy the building, including lead-singer Robert Plant in drag. The buildings earn double notoriety in rock and roll history as the place where Keith Richards meets Mick Jagger in the video for ‘Waiting on a Friend’ (the two end up meeting the rest of the band and playing in the bar just a few doors down at 132 First Avenue and St. Mark’s, now known as V Bar). 96 and 98 St. Mark’s Place’s place in popular cultural history is now noted by the presence of a used clothing store in the basement called Physical Graffiti. These old-law or ‘dumbbell’ tenements were constructed in 1890.

17 First Avenue Building Date : 1841-43 Original Use : Residential Original Owner : Cornelius Dubois Original Architect : Unknown Description & Building Alterations This four-story brick building, with commercial space on the first level, was constructed together with lots 36 and 38 in 1841-43. In 1872, all three buildings were raised from three stories to four stories. This building was occupied by stores on the ground floor and by one family per each of the upper floors. In 1907, the building was altered by Otto Reissman. The Italianate facade features simple lintels and sills, in addition to a bracketed and modillioned cornice, which seems to be identical to both adjacent buildings’ facades. There is also a trace of the ground floor cornice.

New York City Marble Cemetery, ca. 1970-1990. The New York City Marble Cemetery (not to be confused with the NY Marble Cemetery around the corner) is a burial ground established in 1831. It was the second non-sectarian cemetery in the city (the first was its similarly named neighbor). All of the burials are contained within underground vaults made of marble. After a long series of yellow fever outbreaks, the city banned earthen burials in 1830 and the two Marble Cemeteries were founded with the plan that all burials would be these well-sealed marble vaults. Former President James Monroe died in New York on July 4, 1831 and was buried in the family vault of his son-in-law in the New York City Marble Cemetery. In 1858 his remains were disinterred and moved to Virginia, where they are now situated within a large Gothic Revival style cast iron cage, referred to locally as "The Birdcage".

East Side Hebrew Institute ca. 1975 Now home to seven apartments, 295 East 8th Street a.k.a. 127 Avenue B, opened in 1887 as the Children’s Aid Society, Tompkins Square Lodging for Boys and Industrial School. Landmarked in 2000, 295 East 8th Street was “one of a series of buildings in which the Children’s Aid Society sheltered and educated destitute working children, particularly newsboys and bootblacks.” according to the designation report. Designed by Calvert Vaux of the architectural firm of Vaux and Redford, in the style of High Victorian Gothic, the building is the oldest remaining property built for the use of the Children’s Aid Society. It may be the oldest remaining boarding house designed by Vaux. The land acquisition and building construction was funded by a $50,000 donation by Mrs. Robert L. Stuart, (about $1 million today according to the Daytonion). From 1887 to 1910 the building served its original purpose which was not just to house, feed, and clothe the boys, but to reform them into successful members of society. In 1910 the building ceased operations as a boarding house and was a Children’s Aid Society school until 1925. In 1925 the building was purchased by the Darchei Noam Congregation, which used the space as a Jewish social service building and Yeshiva for almost the next 50 years. The building was left vacant in 1974 until it was purchased in 1977 and developed into apartments in 1978. It was renovated again in 2003. Matt Dillon allegedly lived at 295 East 8th Street in the mid 2000’s

Christodora House ca. 1929 Christodora House was constructed in 1928 as a settlement house for low- income and immigrant residents, providing food, shelter, and educational and health services. It was founded by Christina Isobel MaColl and Sarah Carson to care for “the physical, social, intellectual, and spiritual development of the people in the crowded portions of the city of New York, and the training of those who shall be in residence in practical methods of settlement work.” Christodora House also launched the career of social reformer Harry Lloyd Hopkins, advisor to Franklin D. Roosevelt and architect of the New Deal programs. Christodora’s bold experiment in providing both housing and services in the same building was an important but challenging one. The combination presaged the mix typically found in public housing, which began in New York around the same time just blocks away at First Houses. However, in part because of the massive expansion of publicly funded public housing nearby providing similar services and housing, Christodora’s model became more and more financially burdensome, and the building was sold via condemnation to the City in 1948. The building remained abandoned or semi-utilized until 1975, when the City sold it to a private owner. After changing hands many times in the ensuing years, in 1986 work began to convert the building to high-end residences, and it became a symbol of gentrification in the neighborhood, as well as a flashpoint for resistance to it. That said, the building has housed a number of notable artists and activists in the years since its conversion, including Iggy Pop. Today the East Village Community Coalition also calls the building home.

East Side Free Kitchen, undated (ca. 1935). Despite having all the trappings of a charitable organization, the East Side Free Kitchen was the subject of a 1943 indictment by the state attorney Nathaniel L. Goldstein described as “the opening gun in a drive against fake charities.” The indictment alleged that the organization collected unsaleable or spoiled food which it then “cooked into a hodge-podge of soup and served with bread to about fifteen people daily.” While the scope of charitable activities was limited, the free kitchen nonetheless collected “thousands of dollars” of donations annually.

324 East 5th Street; 113 East 4th Street Building Date : 1893 Original Use : Public School Original Owner : The City of New York Original Architect : C. B. J. Snyder Description & Building Alterations This through-block lot consists of a five-story building which fronts East 4th Street and was erected in 1893 by the City as an addition to the Fifth Street public school, designed by architect C. B. J. Snyder, the New York City Superintendent of School Buildings from 1891 to 1923. The preexisting building was constructed in 1871 and fronted East 5th Street. This building was later demolished and a parking lot is currently in its place. Located on the south side of the lot, it went through major internal alterations in 1948 and 1950. The 1948 alteration involved creating living quarters for women and children. The building currently serves as the Manhattan School for Career Development. Before the construction of the school building, the site was formerly occupied by tenements. The Dutch Colonial style, light-colored red brick building features a unique design by Snyder. It has a square plan and a pitched roof with Dutch gables. The windows are surrounded by terra-cotta trim and bands span the facade. The same material is utilized as coping on the gables. The main staircase is composed of white glazed brick with rounded corners, wrought-iron banisters, and a skylight. The fifth-floor classrooms also have skylights. The third floor holds a 120-seat auditorium and print and wood shops. The original doorjambs, doorframes, and window sashes were solid oak and the ceilings were pressed tin.

121 East 7th Street Building Date : 1843-45/1903 alt. Original Use : Residential Original Owner : Hungarian Reformed Church Original Architect : Frederick Ebeling Description & Building Alterations This three-story with basement building was constructed in 1843-45 as a row house. In 1903, it was altered into the Gothic Revival First Hungarian Reformed Church and its rectory by architect Fred Ebeling. In 1904 the front facade was extended to the street line and the bell tower was added. The building was sold to the Christian Orthodox Catholic Church of the Eastern Confession in North America in 1916, and to the Church of St. Peter & St. Paul Russian Orthodox Church in 1935. It was then purchased by St. Mary’s American Orthodox Greek Catholic Church in 1961. The three-bay wide church is clad in an artificial stone surface as the result of a 1961 alteration. The building features a short central bell tower with a Slavic cross covered by a hipped roof above a fourth story window, round arched openings at the first story, pointed arched openings at the second and third stories, and a decorative painted transom over the center entrance.

My Archive Summer 2019 "I was living on East 3rd Street and Avenue B in the summer of 1987. I was meeting some friends at Broadway and 8th Street so I was zigzagging around the East Village streets to get there, heading north and west. I saw the hydrant gushing on East 4th Street and got a shot of the neighbors cooling off on that hot summer day.” —Meredith Marciano

“View of 18-story Christadora House from Tompkins Square, showing a game of ball being played in the park. February 29, 1929.” Designed by Henry C. Pelton, the building originally included both a settlement house, with various social services and community facilities (including an indoor swimming pool), and residential apartments to support the settlement’s activities via rental income. In 1948, no longer able to finance settlement operations, the Christadora Board of Managers sold the building to the city. It fell into disuse — or extra-legal use — for decades before being redeveloped as condominiums in the 1980s, becoming a target of the 1988 Tompkins Square Park Riot for its role in the neighborhood’s nascent gentrification.

636 East 6th Street | Block : 387 | Lot #127 Building Date : 1846 Original Use : Residential Original Owner : John Pheilan Original Architect : Unknown Description & Building Alterations No. 636 East 6th Street was erected in 1846 as a row house. It was altered for the United Brethren Mission of the Moravian Church in 1889 by architects Calvert Vaux and George K. Radford. In 1906, the building became a synagogue. On the 1853 map it is a brick dwelling. On the 1868 map, the house has been extended at the rear and it is labeled “Moravian Chapel,” and by 1893 it is labeled “P.E. Church.” The first architect associated with the building, in 1889, is George Kent Radford, who worked with Calvert Vaux on the building adjacent in the same year. Originally a Moravian Chapel, the building also served as a German Church and a synagogue at one time. A rose window was once above the door where there is now a cross in a recessed circle. There was also a cornice at the top of the building, similar in design to its neighbor at 638 East 6th Street. Based on alteration permits from 1909, it appears that the front of the building underwent significant changes. The bricks at the top of the facade are set at forty five degree angles, creating an interesting pattern and texture. Terra cotta tiles cover the window openings. The openings are capped by decorative brick work and are arched at the tops; the center opening features a pointed arch.

323-327 East 6th Street Building Date : 1847 Original Use : Religious Institution Original Owner : German St. Matthew's Evangelical Lutheran Church Original Architect : Unknown Description & Building Alterations This one-story Greek Revival-style church was erected in 1847 by the German St. Matthew’s Evangelical Lutheran Church. Ten years later the building became St. Mark’s Evangelical Lutheran Church. The church was originally constructed in response to the growing German population in the downtown area in the 19th century. Today, it is one of the earliest Renaissance Revival churches in New York. It features an entrance enframement with a denticulated pediment, a pressed-metal cornice, molded window lintels and sills, and engaged pilasters flanking the building. In June of 1904, the church organized a picnic for 1,300 people, mostly wives and children of German immigrant workingmen. The picnickers boarded the excursion steamer the General Slocum, and the boat departed from the East Third Street pier. As the boat moved up the river to the Long Island North Shore, a fire started in the lamp room below the main deck, setting the boat on fire and killing nearly everyone on it. The building was transferred to its current owner, the Community Synagogue Center, an Orthodox congregation formed by a group led by business leader Saul Birns, in 1940. It is listed on the National Register of Historic Place

56 East 1st Street Building Date : 2005 Original Use : Residential Original Owner : Eric Anderson Original Architect : Craig Tooman Description & Building Alterations A six-story brick new law tenement dating to 1907 once existed on this lot. Featuring brick and stone ornamentation and a galvanized iron cornice, the building was originally occupied by 17 families and a store. The tenement was demolished in 1957 by the W.P.A. Labor Demolition Project. The existing four-story residential building serves as a two-family home. It was erected in 2005 in a modern style. The current facade consists of concrete and iron panels, in addition to tall bay windows on each floor.

Church of the Most Holy Redeemer ca. 1935 In 1883 there was a fire at the school of the Church of the Most Holy Redeemer that led to the deaths of 16 children. The Roman Catholic Church of the Most Holy Redeemer at 173 East 3rd was built in 1851 -1852 by the Redemptorist Fathers. Today, the Church primarily serves a Spanish-speaking population, but like many other sites in the East Village, its history can be traced back to a time when the area was known as Kleindeustchland or Little Germany. With a tower that today reaches into the sky far beyond most of the structures of the East Village, it is hard to believe that Most Holy Redeemer’s original tower soared even higher, to more than 250 feet. Today the Church of the Most Holy Redeemer is a majestic limestone, high Romanesque style building although it was originally designed in the elaborate and highly ornamented baroque style and altered in 1913 by architect Paul Schultz. This remarkable Church was called out for its historic significance in a study of the East Village that was completed as part of the area’s rezoning. The school building, located directly behind the church on East 4th Street, is a four story brick building with a far humbler Romanesque façade. On the afternoon of February 20, 1883 a small fire broke out that led to the deaths of 16 schoolchildren and left 8 more injured. There were 900 children enrolled at the school and when smoke climbed into the second and third story classrooms a panic took hold. The children rushed into a staircase at the western end of the building to flee the fire. The rush of children into the narrow (3 feet wide) staircase became chaos which turned into tragedy when the railings (affixed to the walls only with nails) gave way and children fell from the stair to the floor below. As more children descended the stair pushing and crushing those ahead of them, more children fell off the stair into the pile of children reported to be four deep. An investigation of the fire and the cause of the children’s deaths led to a number of actions. The jury in a court case to determine if any parties – the school, the Bureau of Buildings or the Fire Department – had been negligent in any way found that no parties were negligent and recommended that fire drills should be practiced and that handrails be installed on both sides of the stairway. In his defense, Mr. Esterbrook, the Superintendent of the Bureau of Buildings claimed that it had, “neither men nor money enough to properly carry on (its) work” — a refrain we still often hear today. A month after the fire, the Bureau of Buildings did require changes to the school: the stairways were extended to all floors of the building and an escape ladder was added for access to the roof. The Society for the Prevention of Cruelty to Children took on an independent investigation of the fire safety of a number of schools in the city and found that 45 out of 66 were unsafe. They found schools with no fire escapes, locked or inward opening doors, shaky railings, and narrow stairs at schools citywide, including some in the surrounding neighborhood such as St. Brigid’s School (demolished) at 302 East 8th Street, the former St. Ann’s School at 113 East 11th Street, the Hebrew Free School at 624 5th Street (demolished) and St. Anthony’s School at 60 MacDougal Street in the GVSHP proposed South Village Historic District. While it took a great deal of time, the persistence of the Society for the Prevention of Cruelty to Children, one of the earliest children’s advocates against child abuse and endangerment, led to changes in the fire safety measures at New York City schools.

Hamilton Fish Library, date unknown. Designed by Carrère & Hastings and opened in 1909, the library was named for American statesman, Hamilton Fish, who was governor of New York and Secretary of State under Ulysses S. Grant. The building included a large open air roof area used for library functions.The building was razed during the widening of Houston Street in the 1950s. A public housing project now stands at its original site. A new Hamilton Fish Park Branch opened at 415 East Houston Street in 1960.

My Archive Spring 2019

113 First Avenue; 86-88 East 7th Street Building Date : 1852 Original Use : Residential Original Owner : James Sparrow Original Architect : Unknown Description & Building Alterations This five-story brick tenement was originally built in 1852 as a house and probably altered into a tenement before 1887. The present facade features a simple molded cornice, molded lintels and rectangular sills. The original storefront was altered in 1887.

135 Essex Street, ca. 1978. Schmulka Bernstein’s, also known as Bernstein-on-Essex, was a kosher deli and Chinese restaurant that flourished in this spot for over three decades. Armed with the slogan, “where kashrut is king and quality reigns,” the eatery originally opened as a kosher delicatessen in 1957. Founded by Solomon Bernstein, the restaurant was a family-run operation that began introducing Cantonese-style dishes to the menu in 1959. Cooking with veal, beef, and chicken livers instead of pork, the Bernsteins infused the cuisine of two cultures in a way that had never been done before. As boasted on the restaurant’s menu, Schmulka Bernstein was the “originator” of kosher Chinese foods in New York City. The menu featured dishes like Lo Mein Bernstein, cooked with chicken livers, alongside Eastern European delicacies. Waiters also wore traditional tasseled Chinese caps instead of yarmulkes. In the early 1990s, the owners sold the family business. While it remained in operation for a number of years, like many other beloved Jewish delicatessens on the Lower East Side, Schmulka Bernstein’s eventually closed down. The original building has since been demolished and replaced with a luxury condominium development.

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This image was gifted to the National Art Gallery by Gary S. David.

94 Avenue A Building Date : 1854 Original Use : Residential Original Owner : William B. Astor Original Architect : Unknown Description & Building Alterations This tenement building was likely built in 1854 and contains residential space on the upper floors and commercial space on the ground floor. The four-story corner building has a primary facade on Avenue A as well as a secondary facade on East 6th Street. The secondary facade on East 6th Street is only the building’s full height on part of the lot, while a one story extension abuts the neighboring building. The facade is a simple red brick with six windows on each floor of the Avenue side. The lintels are simple, rectangular and flush with the front of the building. The brick parapet has been built where the cornice has been removed and is stylistically typical of an alteration from the 1920s or 1930s.

72 St. Marks Place Building Date : 1845, 1932 Original Use : Residential Original Owner : William H. Webb(1845), Stuyvesant Neighborhood House(1932) Original Architect : Unknown(1845), Edward I. Shire & Brian Baylinson(1932) Description & Building Alterations Originally portions of lot 5 and lot 6, the current building was constructed in 1932 combining two four-story houses constructed in 1845. In 1932 the Stuyvesant Neighborhood House converted the two houses into one, based on the settlement house already located on the then Lot 6. The basement and first floor were used as janitors’ quarters and social hall, the upper floors as club rooms and the top floor as leaders’ living room. All historic features have been stripped as the facade has been heavily altered since 1932.

My Archive Spring 2019 "My friend Ellen Retter is standing in front of Streit's grocery store on Rivington Street. I took this photo of her on December 19, 2013. Ellen was my dearest friend. I had been visiting her at her apartment on Grand Street, and we stopped to shop at Streit's before she walked me to the #21 bus stop on Houston Street. Ellen passed away suddenly on October 31, 2018. This is the only photo that I have of her, and I cherish it." —Phyllis Klein

194 East 2nd Street The pre-law tenements on lots 40-42 (or 194-198 2nd Street) were demolished between 1933 and 1940. The demolition of two of these buildings was completed by the Work Progress Administration (WPA), which was funded by the government following the Great Depression to give job opportunities to the unemployed.

Russ & Daughters, ca. 1980. Russ & Daughters is an ''appetizing'' store established on the Lower East Side in 1914. Appetizing stores are a New York phenomenon, a store that sold fish and dairy products, as opposed to a delicatessen, which sold pickled, cured, and smoked meats. These delineations in products observed the strict Jewish dietary laws. Opened as "Russ's Cut Rate Appetizers'' on Orchard Street , the shop was the first brick and mortar business for Polish immigrant Joel Russ. Russ had previously carried mushrooms on this shoulders to sell and later operated a pushcart. The shop expanded his offerings to include salt cured herring and salmon. In 1920, Russ moved his shop around the corner to 179 East Houston where it has remained for nearly 100 years. In 1933, Russ renamed the shop 'Russ & Daughters' (he and his wife had only three girls). The shop has been continuously run by four generations of Russ family members. Today the shop has an additional outpost on the LES and a cafe in the uptown Jewish Museum.

72 East 7th Street Building Date : 1897 Original Use : Residential/Commercial Original Owner : Jos. L. Buttenwieser Original Architect : George Frederick Pelham Description & Building Alterations The six-story tenement was built in 1896-97. Designed by architect George Frederick Pelham, it was constructed as part of a row of buildings at Nos. 70-74 East 7th Street for owner Joseph L. Buttenwieser. The three buildings share a very similar facade design; many buildings within the area designed by Pelham feature identical or almost identical facades. No. 72 features a brick facade with masonry window lintels, some pedimented, some in round-arched shape, and corbelled balconettes at the fifth story window openings. The entrance is enframed in an arched opening with a mask keystone, flanked by marble Corinthian columns.

Anshe Chesed and Rodeph Sholom are respectively the oldest and second oldest surviving synagogue buildings in the city, and some of the oldest in the country. Both were constructed for German Jewish congregations in German architectural styles: Gothic Revival and Rundbogenstil (“round-arch style”), and feature red brick, central staircases and symmetrical façades with recessed central sections and square towers. Kehila Kedosha Janina Synagogue is the only Greek Synagogue in New York and the only synagogue of Romaniote Jews in the Western Hemisphere. The Eldridge Street Synagogue was America’s first major house of worship built by Eastern European Orthodox Jews. The yellow brick building features Moorish and Romanesque details and rich ornament. At its peak in the early 20th century, the synagogue hosted as many as 1,000 worshippers at services, but was forced to close in the mid-20th century when the area’s Jewish population began to dwindle. In 1986, the Eldridge Street Project funded a large-scale restoration of the building, which was repurposed as a museum. The Former Congregation Anshe Chesed, Kehila Kedosha Janina Synagogue and the Former Eldridge Street Synagogue are all designated New York City Individual Landmarks.

125 First Avenue Building Date : 1855 Original Use : Residential/Commercial Original Owner : Joseph Wood Original Architect : Unknown Description & Building Alterations This five-story tenement building was originally erected in 1855, together with the buildings at 127 and 129 First Avenue. The present facade features bracketed cornice, molded window lintels and simple rectangular sills. The storefronts have been reconfigured multiple times during alterations in 1885, 1913, and 1942.

135 Ridge Street, at the southwest corner of Stanton Street. J. Leskowitz, a clothier and tailor, had his shop on the ground floor, while surgeon and dentist Dr. S. Jaeger had his practice on the second floor.

A Gothic Revival synagogue at 172 Norfolk Street. Built in 1849 for Congregation Ansche Chesed, it was sold to Congregation Shaari Rachmim in 1873, to The First Hungarian Congregation Ohab Zedek in 1886, and to congregation Sheveth Achim Anshe Slonim in 1921, before its abandonment in 1974 and subsequent vandalization. In 1986, Jewish Spanish sculptor and painter Angel Orensanz purchased the property, restoring it and converting it to an art gallery and performance space. It was designated a New York City landmark in 1987.

13 Avenue A Building Date : 1838-39 Original Use : Residential Original Owner : Benjamin Winthrop Original Architect : Unknown Description & Building Alterations This is a three-story, three-bay-wide brick building with an iron and glass storefront and cast iron trim that has been painted blue, including lintels and sills on the third floor windows. The second story windows appear to have been replaced fairly recently, they are irregularly sized and have plain white frames. The roof is enclosed with a wood fence.

93-105 East 4th Street | Block : 446 | Lot #48 Building Date : 1929 Original Use : Residential/Commercial Original Owner : 99 East 4th Street, Inc. Original Architect : Gronenberg & Leuchtag Description & Building Alterations This six-story apartment building with store space was erected in 1929. It replaced a five-story brick tenement, owned by Loew’s Theatre Inc. It was to be occupied by a store on the ground floor and dwellings above. This building features patterned and projecting brickwork, quoins enframing the windows, arched window lintels, carvings and a perforated parapet on the facade. It was originally owned by the 99 East 4th Street, Inc., which also owned a building of similar style but smaller in size at No. 74 Second Avenue on this block. Upon conversion into condominiums, it was assigned the new lot number 7502.

304 Houston Street, 1935.

125-127 East 4th Street Building Date : 1903 Original Use : Residential/Commercial Original Owner : Hillman & Golding Original Architect : Sass & Smallheiser Description & Building Alterations This six-story building was constructed in 1903 for stores on the first floor and dwellings on the upper floors for 28 families. Architects Sass & Smallheiser designed the building for Hillman & Golding. Its facade features projecting side bays, elaborate window enframements, ornamental beltcourses, a bracketed cornice with pediments above the side bays, and entrance enframements with a door hood. Upon conversion into condominiums, the new lot number is 7501.

Community Synagogue Center, ca. 1970-1990. The Renaissance Revival style church on Sixth Street was originally built in 1847 by the Evangelical Lutheran Church of St. Matthew. A few members of the St. Matthew's congregation organized a new church called Evangelical Lutheran Church of St. Mark, which rented space in this building for a number of years. In 1858 St. Mark's had secured the funds to purchased the church for themselves. In 1904, while on a summer time outing more than 1000 members of the congregation were killed when the General Slocum steamboat caught fire. On its way to a picnic area on Long Island, the boat caught fire as it passed 90th Street and was about to enter the choppy water of the Hell Gate near Astoria. The fire quickly grew, fueled by straw, oily rags, and lamp oil. The captain was not notified until more than 10 minutes after the fire was discovered. And while he had the opportunity to run the ship aground, he chose to continue upriver which fanned the already out of control flames. The safety equipment on board, including fire hoses, safety vests and boats, were mostly useless. Many passengers attempted to jump overboard, but drowned in the choppy water, as they did not known how to swim or were hampered by heavy clothing. Though the church would remain functioning for the next few decades, the congregation was devastated. Those who survived left the area downtown known as Kleindeutschland (“Little Germany”) and moved uptown to Yorkville. In 1946 St, Mark's officially merged with and moved uptown to the Zion Church on the Upper East Side. In 1940 the church building became an Orthodox synagogue called the Community Synagogue Center. In the early 1980s the synagogue took on the activities of the East Side Hebrew Institute, and the building has since been called Community Synagogue Max D. Raiskin Center.

57 First Avenue | Block : 445 | Lot #33 Building Date : 1869 Original Use : Residential Original Owner : Henry Eisner Original Architect : Bruno W. Burger & Son Description & Building Alterations This five-story pre-law tenement was constructed in 1869, designed by architect Bruno W. Burger & Son for owner Henry Eisner. A new sixth floor and bulkhead floor were added in 2006 by Issac & Stern Architects. The historical cornice, window lintels and sills have been removed.

New York City’s oldest extant building originally built as a synagogue is this Gothic Revival structure designed by architect Alexander Saeltzer. The synagogue was built in 1849 by Reformed Jewish Congregation Ansche Chesed (People of Kindness) which was made up primarily of German Jews, as well as Dutch Jews and Polish Jews. (This group generally emigrated to New York City a few decades earlier than the wave of Eastern European Jews who later populated the Lower East Side so densely.) It was the largest synagogue in the United States at the time and could hold up to 1,500 worshipers. Services were conducted primarily in German. Services were accompanied by musical instruments, including an organ that was added in 1869 at the same time as family pews were introduced, with men and women sitting together - evidence that the congregation was modernizing and Americanizing. In 1873, the congregation merged with another and the building was sold to Orthodox Congregation Shaari Rachmim. Shari Rachmim removed the organ and remained in the building until 1886. Then, First Hungarian Congregation Ohab Zedek occupied the building until 1921 and Congregation Anshe Slonim worshipped there from 1921 to 1974. Like so many others, the 1970s brought abandonment and decay to the historic building until it was rescued by artist Angel Orensanz in 1986. It was designated a historic landmark in 1987 and is now used as a well-known and beloved event space.

91 First Avenue Building Date : 1865-1866 Original Use : Residential Original Owner : Heirs of Stephen Whitney Original Architect : Unknown Description & Building Alterations This five-story with basement tenement was built in 1865-66 by the heirs of Stephen Whitney, who purchased many properties on this block in 1825. The facade features a bracketed cornice with frieze, arched window lintels, bracketed sills and a cornice above the first story. The entrance is on the first floor.

“East Houston St., Moving Picture Theatres.” The Academy Theater, with signs advertising “high class Broadway features.” In this photo, the theater appears abandoned; the sign to the left of its facade addresses anyone seeking “information regarding these 3 buildings,” presumably the theater and its neighbors. According to an apocryphal story, in 1921, an Academy porter confused a beam of light from a skylight opened to cool the auditorium for a flame and, allegedly, shouted “fire” in the crowded theater.

601-630 East 9th Street; 143 Avenue B Building Date : 1928 Original Use : Settlement House Original Owner : Christodora House Original Architect : Henry C. Pelton Description & Building Alterations On the northeast corner of Avenue B and East 9th Street is the Christodora House, founded as the Young Women’s Settlement by Christina MacColl and Sarah Libby Carson. Built in 1928 and designed by Henry C. Pelton, the building originally served as a settlement house, a charity organization that provided housing, food, training, and health care to low-income immigrants. Its construction was funded by Mr. Arthur Curtiss James, a wealthy railroad and mining tycoon, and his wife, who served as president of Christodora’s board. The building included community spaces, a music school, an auditorium, a gymnasium, a chapel, a lounge, classrooms, and a library. On the upper floors, the building contained residential suites, a dining room, a lounge, a roof garden, and a solarium. It was the first settlement house to provide social services while making a profit, and was located on the at this site to expand the impact of settlement houses north of Houston Street. Several accounts report that George Gershwin gave his first public appearance here. The Christodora House is listed on the State and National Register of Historic Places. The building is clad in red brick, and its brick-faced steel piers are subtly raised. The two-story entryway on Avenue B showcases terra-cotta medallions and grotesques that outline the limestone enframement with fluted pilasters. At the top of the building, bands of Romanesque-inspired ornament outline the parapets. Like many of its neighbors, the building fell into disrepair in the post-World War II years and in 1969, due to extensive damage to the electrical system, the building was condemned. It sat vacant until 1975 when it was purchased at auction. In 1986, two developers converted the building into luxury condos, sparking anti-gentrification riots by residents. On August 6, 1988 for instance, upset neighbors organized a protest rally. Responding to unprovoked attacks by the police, protesters used a police barricade to smash the windows and front door of the Christodora House, vandalizing the building’s lobby.

521 East 6th Street, ca. 1970s. In the 1970s, East 6th Street between Avenues A and B was transformed into Little Italy for the Godfather Part II. At the time of production, the movie actually presented a fascinating record of what 1920s-era New York City looked like. The Oscar-winning sequel used East 6th Street to depict Vito Corleone’s Italian neighborhood of 1917, where he first started his family and his life of crime.

Congregation Chasam Sopher is an Orthodox synagogue located at 10 Clinton Street on the Lower East Side. Formed in 1892 by the joining of two congregations of immigrants from Poland, it occupies a Romanesque Revival building constructed in 1853. It is among the oldest surving synagogue buildings in the United States, the second-oldest synagogue building in New York City, and the oldest still in use in the state.

78 East 1st Street | Block : 429 | Lot #64 Building Date : 1874 Original Use : Residential Original Owner : J. Lamour Original Architect : Unknown Description & Building Alterations This building was constructed in 1874. It is a five story brick dwelling with two store fronts that are occupied by restaurants. The original lintels are missing and the cornice is painted black

67 First Avenue; 131-133 East 4th Street Building Date : 1882 Original Use : Residential/Commercial Original Owner : George Roll Original Architect : Julius Boekell Description & Building Alterations This five-story old law tenement was erected in 1882, designed by architect Julius Boekell and owned by George Roll, along with the buildings next to it at Nos. 69, 71 First Avenue and 129 East 4th Street. The building was to be occupied by three stores and 16 families. The building features a bracketed cornice in Queen Anne-style. The window lintels and sills appear to have been stripped, in addition to the quoining on the corner of First Avenue and East 4th Street.

329 East 5th Street Building Date: 1864 Original Use: Residential Original Owner: Francis Weimer Original Architect: Unknown Description & Building Alterations This five-story with basement and store tenement was built in 1864 together with No. 327 East 5th Street, and they share the same facade design with the buildings at No. 331-333 East 5th Street. This building at No. 329 features a molded cornice with dentils, arched window lintels, and bracketed sills. In 1935, the storefronts and entrance were rebuilt, and as a result, the stoop was removed. The current fire escape was also added at that time.

No. 206 East 7th Street, an Old Law Tenement, was constructed in 1900 and designed by architect Michael Bernstein, one year after its architecturally similar neighbor at 204 East 7th Street, by the same architect. Allen Ginsberg lived in the building from 1952 to 1953 after his institutionalization at Columbia Presbyterian Psychiatric Institute. Ginsberg befriended a fellow patient named Carl Solomon, nephew of A. A. Wyn of Ace Books. Solomon helped publish Junkie: Confessions of an Unredeemed Drug Addict, written by beat generation writer William S. Burroughs as a confessional novel. Ginsberg and Burroughs lived together on the third floor of this building, after Burroughs accidentally shot and killed his wife in Mexico and sought refuge. The six-story building is four bays wide and clad in buff brick. The windows at the first and fifth floors are arched with decorative keystones and the windows at the second floor have segmental arches also with decorative keystones. The windows at the third and fourth floors are capped by ornate lintels and the entire facade features recessed bands of contrasting red brick. The first floor is three bays with the entry at the center and all of the openings are arched. The metal cornice is intact and It originally housed twenty-four families with stores on the ground floor. The architectural features of the building’s upper stories remain intact, however, the above-ground basement appears to have undergone some changes since its construction. This image is from Village Preservation's East Village Building Blocks map. You can explore the map and more buildings in the East Village by clicking here.

East Houston Street, west from First Avenue; June 23, 1929. The nearest building at left, on the south side of East Houston, is No. 161. Its neighbor to the east, No. 163-165, had recently been razed as part of the project to widen Allen Street in order to accommodate increased vehicular traffic. The widening project claimed dozens of tenement buildings, mostly on the east side of Allen Street. In the foreground is a pillar of the Second Avenue El trestle. At right, signs tout "AUCTION PRICES" for a "building coming down sale." The building, No. 1-3 First Avenue, was razed for another set of civic projects: the widening of Houston, and the Construction of the Houston—Essex segment of the new IND Sixth Avenue subway.

Loew's Avenue B Theater Though many theatre magnates from the turn of the century are forgotten, one name from this era still associated with movie theaters today is Loew’s. Started by Marcus Loew, Loew’s Consolidated Enterprises, later Loew’s Inc., became one of the most prestigious theater chains. By 1913 Marcus Loew owned seventeen theaters in the New York City area and several others throughout the northeast. He built what he believed to be his most decadent theater on the corner of Avenue B and East 5th Street – the site of the tenement building in which he grew up. Designed in 1912 by Thomas W. Lamb, Loew’s Avenue B’s facade was clad in white terra cotta and featured over-sized arches and large windows. It was a gleaming contrast to the brick tenements that surrounded it and an impressive design that was meant to evoke an exotic palace. For the residents of the neighborhood, the building and the entertainment it provided must have been a welcome bit of frivolity. Lamb, who was a prolific theater architect, designed nine other theaters in 1912 alone. Over the course of his career he would design around fifty theaters in New York City and several hundred around the world. His theaters, like Loew’s Avenue B, were known for their bold designs in light colored terra cotta with bright punches and high-relief work. Some of his more famous works include the Regent Theater at W. 116th Street and Adam Clayton Powell Boulevard, the Boston Opera House, Capital Theater at 1645 W. Broadway (demolished) and his themed theaters, like the United Palace at W. 175th and Broadway, which still stands today. Loew’s Avenue B, which had one screen and seating for approximately 1,750 people, slowly became outdated. As early as the mid-1920s it began to suffer and when it closed in 1958 it was showing movies that had already been out for some time. The building was demolished around 1968 and replaced with a nursing home.

Tompkins Square Park Building Date : 1834 Original Use : Institutional Original Owner : New York City Original Architect : Julius Munckwitz Description & Building Alterations From swamp land, to public square, to military parade ground, to city park, the lot that is now Tompkins Square Park has a long and varied history. The park is bounded on the north by East 10th Street, on the east by Avenue B, on the south by East 7th Street, and on the west by Avenue A. St. Marks Place abuts the park to the west. Originally located on land belonging to Peter Stuyvesant, this site was eventually acquired by Daniel D. Tompkins, who served as Governor of New York from 1807 to 1817 and as Vice President of the United States under James Monroe from 1817 to 1825. The park is named for Tompkins. The land was bought by the City in 1834, at which point it was drained, planted, and turned into a public square. The park served as a parade ground for several decades, and in 1878 The New York State Legislature designated the square as a public park. It was redesigned the following year by Julius Munckwitz…

127 Avenue B ca. 1928 This building was erected in 1886 by the Children’s Aid Society as the Tompkins Square Lodging for Boys and Industrial School. It was designed by Calvert Vaux and George K. Radford as a combination home and school for poor boys, particularly newsboys and bootblacks. The Children’s Aid Society engaged Vaux and Radford to design about a dozen residences for needy children between 1879 and 1892; this is the third, in rust-colored brick with matching terra-cotta ornamentation, a varied roofline with dormers and chimneys, and a prominent corner tower — complementing the tower of St. Brigid’s Church across 8th Street. An article in Harper's from 1886 about the building describes its denizens: “the grimy little bootblacks and their rivals in trade, the newsboys.” The boys “can sleep in a common dormitory for a nickel a night. …The boy willing to cough up a dime can sleep like a little prince in his own bed.” The status of child laborers in America was a subject to which Harper’s would return in other articles. The Lodging for Boys, commonly called “the Newsboys Home,” had several lives before becoming a seven-unit apartment building. According to Roland Legiardi-Laura, one of the resident-owners of the building (which also has renters), in the 20th century a Jewish center called Talmud Torah Darchei Noam owned the building, then the East Side Hebrew Institute. In the late 1970s, Legiardi-Laura and others acquired the building and financed a series of renovations, from removing the light yellow and dark red paint that covered the building, to replacing the slate and copper roofing, to renovating the entryway in mahogany, to re-pointing the brick façade. Still ahead, they would like to restore to their original style all 65 window and door penetrations on the two facades; the perimeter metal fencing; and a side entry on the 8th Street alleyway. The owners welcomed designation as a New York City Landmark in 2000, and won a New York Landmarks Conservancy Lucy G. Moses Preservation Award in 2008. And the building continues to inspire pride and joy in its neighbors.

Upon reaching New York, many Jewish immigrants settled on the Lower East Side, establishing new congregations and social aid societies specific to local communities of the old country. Small synagogues were so common that a stretch of East Broadway was known as “shtiebel row,” after the Yiddish term for a small space for prayer (in contrast to larger synagogues). Over time, Manhattan’s Jewish population shifted to other parts of the city, causing Lower East Side congregations to dwindle. Many synagogues were sold, shuttered, or abandoned, and some have since been demolished. Still, the neighborhood bears many traces of its once-vibrant Jewish life.

22 First Avenue Building Date : 1837-1839 Original Use : Residential/Commercial Original Owner : Dolly Morrell Original Architect : Unknown Description & Building Alterations This is a four story building which was built as a row house originally. A black sign with white letters reads “Ortiz Funeral Home,” which has been located in the building since at least 1955. The building has been in use as a funeral home since at least 1945.

61 First Avenue; 130 East 4th Street Building Date : 1869 Original Use : Residential Original Owner : Herman Bruns Original Architect : William E. Waring Description & Building Alterations This pre-law tenement was originally built in 1869 together with the buildings on Lots 30 and 32 by architect William E. Waring for owner Herman Bruns. The building went through alterations designed by Kurtzer & Rohl, together with the neighboring buildings on Lots 30 and 32, in 1895 and 1905. In 1963 a new store front was installed and new stairs to the basement were added. The current facade features a bracketed cornice, projecting quoins at the corners, arched window lintels and sills.

69 First Avenue Building Date : 1882 Original Use : Residential/Commercial Original Owner : George Roll Original Architect : Julius Boekell Description & Building Alterations This five-story old law tenement was erected in 1882, designed by architect Julius Boekell, along with the building next to it at Nos. 67, 71 First Avenue and 129 East 4th Street. The building features a bracketed cornice in Queen Anne-style. The window lintels and sills appear to have been stripped and the ground floor has been altered. The site was formerly occupied by a three-story flat-roofed building known as Nos. 67-71 First Avenue, home to Roland G. Mitchell & Co.’s paraffine candle manufacturing company. The building burned down in 1882, and “the disaster \[was] little regretted, as the manufactory has been a nuisance to the noses of the inhabitants of the Seventeenth Ward for a decade” (see New York Times article at sidebar).

5 Avenue A Building Date : 1835-1836 Original Use : Residential/Commercial Original Owner : Charles Farington Original Architect : Unknown Description & Building Alterations This is a four-story, four bay brick tenement building with a restaurant/bar occupying the first floor originally built 1835-36. The south side features a contemporary mural, primarily blue, one story in height, that promotes the current tenant (Nice Guy Eddie’s). The storefront on the eastern (Avenue A) side consists of brown brick and glass. The lintels are cast iron and the cornice is a Neo-Grec styled metal cornice likely dating from an 1877 alteration.

Virginia day Nursery ca. 1906 Founded in 1879, the Virginia Day Nursery cared for the children of working single mothers from the immigrant communities of the Lower East Side. This photograph was taken at the nursery's East 5th Street location, built in 1901. The Virginia Day Nursery remains active today at its East 10th Street location, with 67 children of lower-income working or student parents, and a therapeutic program for children with special needs.

638 East 6th Street Building Date : 1846 Original Use : Residential Original Owner : William Shay Original Architect : Unknown Description & Building Alterations This three story, three bay, masonry structure has a symmetrical facade clad in gray brick with red brick at the top floor set at a 45 degree angle creating an interesting pattern. The parapet is peaked at the center and has a bracketed cornice. The windows are double hung with small square panes around a large center pane. There is a large rose window at the third floor flanked by horseshoe arch windows and decorative egg and dart molding around each. At the center of the second floor is a double hung window capped by a Gothic arched window and also surrounded by egg and dart molding. The round arched entry surround has a replacement door but still maintains the egg and dart molding at the top. The 1853 map illustrates a brick dwelling at this location. By 1868 the structure is a two story store or warehouse and by 1893 it is a brick building with an iron front. The first record of this building comes from an alteration permit in 1869, indicating that the building was being used as an office. A decade later, the building was converted into a synagogue for the Congregation Ahawath Yeshurun Shara Torah. In 1900 in addition to other renovations, ritual baths were built in the basement. The building was used as a synagogue until the 1970’s when the 6th Street Block Association which would become the 6th Street Community Center began to use the building. Some architectural features pointing to its past have been retained, including a Hebrew Inscription over the entry door.

176 East 3rd Street, 1937.

Tompkins Square Park, Arbor Day, 1904. Named after Daniel H. Tompkins, fourth Governor of New York and Vice President under James Monroe, the Tompkins Square Park site was once part of a salt marsh owned by the Stuyvesant family. The Stuyvesants transferred the land to the city in 1829, and between 1834 and 1850, the site was drained, graded, landscaped, and finally opened as a public park. Arbor Day was founded in the United States in 1872 by a Nebraskan newspaper editor and later Secretary of Agriculture, J. Sterling Morton. It is a holiday (observed in most countries) that celebrates and encourages the care and planting of trees.

Founded by Sam Schapiro in 1899, Schapiro’s Kosher Wines operated on Rivington Street until 2000. From 1899 to 1967 the grapes were pressed on-location in the block-long network of cellars below the street.

38 East 1st Street Building Date : 1886 Original Use : Institutional Original Owner : City of New York Board of Education Original Architect : David I. Stagg Description & Building Alterations Primary School No. 79 was constructed on this lot prior to 1886. After construction, the fourth story attic was raised so that the building would accommodate five stories. By 1944, the building was converted into manufacturing and storage space. By 1997, most of the building was converted to residential use, though the ground floor was occupied by a restaurant. The former Public School 79 at 38 East 1st Street is called out in the East Village/Lower East Side Rezoning Environmental Impact Study (EIS) and described as “designed by David I. Stagg, the Superintendent of Public School Buildings. The four-story brick building with Italianate and Gothic elements is notable for its terra-cotta and stone ornamentation. It is also a rare example of High Victorian Gothic school design in Manhattan. It has been converted into apartments and has several modern roof additions.” The modern roof additions include a recently added glass pyramid set back from the roof line. The building was converted to co-op apartments in 1994.

Raymon's Candy, date unknown. The candy store and ice cream shop seen here (likely in the early 1980s) is better known as Ray's Candy Store. Established in 1974, Ray's offers a fun mix of treats, including egg creams, soft serve ice cream, frozen yogurt, New Orleans style beignets, Belgian fries, and coffee. It was founded by Ray Alvarez (real name Asghar Ghahraman), an Iranian immigrant who adopted a new identity once in New York. The shop has been featured in a number of television shows and films and remains open today, with Ray still behind the counter.

St. Brigid's Roman Catholic Church In the East Village, the Church of Saint Brigid-Saint Emeric was founded by Irish New Yorkers for an expanding Irish population. Originally known as St. Brigid’s, the church was built by notable Irish-American architect Patrick Keely, who designed and built almost 600 Catholic churches in the Eastern United States and Canada. Built on the corner of Avenue B and 8th Street, the cornerstone was laid in 1848 and was known as the “Irish Famine Church” as . As along the Hudson River in the West Village, commerce along the East River attracted many Irish immigrants. Along the East River, shipbuilding was the primary industry and the Church of St. Brigid’s was so named because Brigid was the patron saint of boatmen. Most recently, the church, in need of serious repair, was restored after a lengthy battle between the parishioners and the Diocese and an anonymous donation of 20 million dollars.

Lincoln Swados in front of 99 East 4th Street, ca.1980.

70 East 1st Street Building Date : 1878 Original Use : Residential/Commercial Original Owner : Louis Minzesheimer Original Architect : Unknown Description & Building Alterations This five-story brick tenement building, along with the building on lot 39, appears to have been built in a neo-Grec, Italianate Revival style. A building existed on the combined lots 39 & 40 prior to 1837, and another building was added to the lot in 1863, when the site was owned by George Neander. The buildings were likely a tenement and a store. Tax records indicate that since 1878 there has been only one building on the lot. Originally three stories, it was raised to five stories in 1879. The building features arched window lintels, but the sills have been removed. A ground floor cornice may have also been removed, though the denticulated, modillioned projecting roof cornice remains. There are also fluted pilasters flanking the entrance.

Israel Orphan Asylum Though now an 11-story apartment building built in 1997, occupies this lot, the lot is so large because, according to historic maps, a Methodist church once stood on the site. This church can be dated back to 1853. As of 1914, the church had been demolished and turned into the Israel Orphan Asylum owned by the Austrian Hebrew Free Burial and Orphan Asylum Association, which was a three-story brick tenement building. A historic New York Times article from 1918 says that this was the largest Jewish orphanage on the East Side. A man named Gustave Hartman, a judge and Jewish community leader, founded this orphanage. Originally it was for male children ages one to six, but later opened to girls and children up to age fourteen. Many of these children were wartime orphans. Hartman financed the orphanage on his own and through fundraising. He died in 1936. 12,000 people attended his funeral and 85 police officers were needed to control the crowds. His wife continued to run the orphanage after his death. The small triangular plot of land located at 2nd Street and Avenue C was named the Gustave Hartman Triangle and still keeps that name today. Jewish orphanages were a prominent fixture in New York during this time.

137 First Avenue; 81-83 St. Marks Place Building Date : 1844-45 (Nos. 81 & 83) & 1863-66 (No. 37) Original Use : Residential Original Owner : J. V. Snediker (Nos. 81 & 83); George Wetteran (N. 137) Original Architect : Unknown Description & Building Alterations Three five-story tenements sit on Lot 33. Originally, two three-and-a-half-story row houses were built on this lot between 1844 and 1845 at 81 & 83 St. Mark’s Place. One of them was raised to four stories and then five stories between 1863 and 1867. The other row house was raised to five stories between 1875 and 1876. Another three-story building was erected on site between 1866 and 1867 at 137 First Avenue and raised to five stories before 1869. All of this information is based on tax records. Most historical details of 137 First Avenue have been lost. No 81 St. Marks Place features a bracketed cornice with a paneled frieze, molded lintels with brackets and footed sills, except at the east bay. No. 83 St. Marks Place features a simplified cornice on the south facade and simple rectangular sills at the corner bay, with some windows infilled and other details stripped.

This image is part of Jillian Jonas's collection on Village Preservation's Historic Image Archive, to explore more images like this click here. In 1979, this venue became the Pyramid Club, established by Bobby Bradley, Alan Mace, and Victor Sapienza. And it is the sole surviving music club from the avant-garde era of the 1980s, and it defines the East Village scene during that decade. Performers Madonna, Cyndi Lauper, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, RuPaul, and Ann Magnuson emerged from this club and from Club 57 at 57 St. Mark’s Place. Since its opening, the Pyramid Club has also been credited with defining the East Village drag and gay scenes of the 1980s and is known for its politically conscious drag performance art and as a hangout for the counterculture of the neighborhood. The Pyramid Club hosted drag performers such as Lypsinka, Lady Bunny, and RuPaul. It was here that the annual Wigstock festival began in 1984 when a group of the club’s drag queens performed a spontaneous drag show at Tompkins Square Park. In addition to performance art, cabaret, and dancing, many up-and-coming bands, such as Nirvana and the Red Hot Chili Peppers, also performed here. Andy Warhol and Debby Harry did a feature on this club for MTV. Madonna appeared at her first AIDS benefit here, and Nirvana and the Red Hot Chili Peppers played their first New York City concerts here. New York Magazine referred to it as “A temple of iniquity for punk rockers, Goth betties, and queers of every feather.”

Apartment building at 193-197 Stanton Street. Storefronts include a “pocket billiards” parlor, plumbing supply shop, and “J Leskowitz, Mfr. of Mohair, Alpaca & Tropical Suits.”

115 1st Avenue Building Date : 1876 Original Use : Residential/Commercial Original Owner : J.H. Korner Original Architect : Fredrick Graul & Co. Description & Building Alterations This four-story tenement building was originally erected in 1876 and designed by Frederick Graul & Co.. Most historic details on the facade are not visible today. The historic window lintels and bracketed cornice have been stripped. The windows at the two bays next to the fire escape have been partially infilled by red brick, and the entire first-floor storefront has been reconfigured.

121 East 3rd Street; 150-160 East 4th Street Building Date : 1903 Original Use : Institutional Original Owner : The City of New York Original Architect : Charles B.J. Snyder Description & Building Alterations New York City Public School 63 (P.S. 63) was designed by Charles B.J. Snyder. The fireproof building features an H-plan, a typical layout designed by Snyder. Snyder worked for the Board of Education for thirty-one years, serving as Superintendent of School Buildings from 1891 until 1923. This four-story symmetrical brick building features windows grouped in sets of four, quoins that echo the window surrounds, and a classical balustrade at the top. The south facade features columns in ascending orders on the central bay: Doric the first floor, Ionic on the second, and Corinthian on the third. There is a gym on the fifth floor, a music room on the third, and an auditorium in the basement. Beginning in 1903, Snyder designed auditoriums directly connected to the street so that they could be used by the community without opening the whole school. This block (Lots 14-43) was once part of William B. Astor’s holdings and was leased out to various people between 1850 and 1878.

Loew's Avenue B Theater, ca. 1960. Loew's Avenue B Theatre was designed by famed theatre architect Thomas Lamb. Opened in 1912, the facade was clad in bright white terra cotta, eye catching among the dark brick of the nearby tenements. A single screen movie house that sat 1,750 patrons, the business began experiencing low attendance as early as the mid 1920s. The theatre closed in 1958 and the building was demolished in 1968, replaced with a nursing home.

First Houses, 1936. On December 3, 1935, First Houses were dedicated and opened, the first housing project undertaken by the then-recently established New York City Housing Authority and the first publicly-funded low-income housing project in the nation. The groundbreaking development was made a New York City landmark on November 12, 1974. On that cold morning in the midst of the Depresssion, throngs of New Yorkers showed up to witness the momentous occasion of the development’s opening and dedication. The proceedings were broadcast on national radio starting with the reading of a telegram from President Franklin Roosevelt: “Congratulations on the opening of First Houses by the New York City Housing Authority. I am sorry that I cannot be with you to see in person this answer to the great national need for better American homes and housing conditions.” Speakers at the ceremony included Mrs. Eleanor Roosevelt, Governor Lehman, and Mayor LaGuardia. An “Abolish the Slums” luncheon followed, sponsored by the National Public Housing Conference. Located in the East Village on Avenue A between Second and Third Streets and along Third Street between Avenue A and 1st Avenue, First Houses was also the first municipally sponsored and operated project which endeavored to deal with the acute and long-standing problems on the Lower East Side of Manhattan, the area of the greatest concentration of slums in the City at this time. The First Houses project was a bold innovation in planning which began as an experiment in partial demolition of existing tenements on the site. It was originally planned to raze every third house, in order to open up the block to air and light, and then remodel the remaining houses, a practice which had been successful in England. In order to comply with the terms of the Federal financing, First Houses also had to be a slum renovation project. Demolition of the existing tenements began on March 1, 1935; however it was quickly ascertained that the mid-19th century buildings were not structurally sound as stand-alones. Consequently, five of the buildings were entirely rebuilt and three were almost entirely new throughout and reinforced with structural steel. Brick was reused from this and other sites, saving in construction costs and providing income for the Authority for several years. Most of the tenements on the site were acquired by the NYC Housing Authority from Vincent Astor, grandson of John Jacob Astor, at a price of $189,281.31 which was less than half of the assessed value. Astor advocated slum clearance, a problem too vast in his opinion to be handled by private enterprise. He urged other property owners to cooperate with Federal and municipal authorities in their slum clearance program. Labor and materials for the First Houses project were furnished under the “work-relief” program of the Federal Emergency Relief Administration (FERA). The architect for the project was Frederick L. Ackerman who had the task of making sure that housing guidelines set forth by Federal agencies, notably the Federal Emergency Housing Administration, were applied to the project. These guidelines were created with new housing in mind, and the degree to which Ackerman was able to apply them to the alteration of existing tenements on the site showed ingenuity and imagination. First Houses was originally planned to house 120 to 122 families, and all apartments had steam heat, hot water and were equipped with the modern amenities typically found in middle class housing. Within two months of opening a rental office for the project, the Housing Authority received between 3,000 and 4,000 applications. Prospective tenants were carefully selected by a team of social workers, with preference given to the inhabitants of the worst slums and relatively small families. All but one of the families chosen were residents of the Lower East Side.

Building at the intersection of East Houston Street, First Street, Avenue A, and Essex Street; April 3, 1935. The four-story tenement building appears in Manhattan insurance maps as early as 1859, and occupied a slender flatiron plot at the intersection of Houston and First Streets, roughly where the present-day median begins on the east side of the intersection. The building, usually numbered 2-4 Avenue A, survived the 1930s-era widening of Essex and Houston Streets to make room for the construction of the new IND Houston-Essex Line subway, which today carries the F train. It even has a brief filmic cameo in The Naked City, a beloved 1948 film noir set in and around the Lower East Side. The building was razed in 1955, when Houston Street was again widened in order to accommodate two-way traffic.

105 First Avenue Building Date : 1841-43 Original Use : Residential Original Owner : William Snediker Original Architect : Unknown Description & Building Alterations The building was originally erected in 1841-43, and probably turned into a four-story with basement tenement later on. In 1882, it was occupied by three families. It went through multiple alterations in the 1930s and 1980s. The present facade features a bracketed roof cornice with ornamental frieze, elaborate window lintels and projecting bracketed sills. It is unclear when the two-story storefront addition was added, though the store cornice remained until at least 1916.

First Park Bocce Courts, date unknown. Bocce is a game developed in modern times in Italy during the 19th century. Italian immigrants to New York City brought their love of the game (played on a court of crushed stone, not grass, as the British lawn bowling was played) to their new home. Mayor La Guardia, the son of Italian immigrants, established the first bocce courts in New York City parks in 1934. As the city continued to build playgrounds in the Depression and post-Depression era, bocce courts were often included in the designs.

141 Attorney Street (at the far right) is the only building in this photo that current still stands. The school in the center (P.S. 174) was demolished and Attorney Street was severed by a cul-de-sac.

231 East 4th Street | Block : 400 | Lot #42 Building Date : c. 1850 Original Use : Residential/Commercial Original Owner : Unknown Original Architect : Unknown Description & Building Alterations This pre-law Italianate tenement was built, according to maps, c. 1850 as two connected buildings with apartments over stores. Additionally, there was a brewery in the back of the lot that was removed by the 1880s. The lot was once part of William B. Astor’s holdings and was leased out to various people between 1850-1875. In the mid-1930s the buildings were remodeled, and the projecting lintels and sills were shaved down and the ground-floor shops partially replaced with apartments. At some point, the facade was painted.

Essex Street, west side, from Rivington to Houston Streets, March 13, 1932. In the center of the frame (mid block between Rivington and Stanton Streets) is no. 147. It is a simple five-story tenement building. In 1917 comic book creator Jack Kirby was born in an apartment in this building.

140 First Avenue Building Date : 1849-50 Original Use : Residential Original Owner : Ryan Original Architect : Unknown Description & Building Alterations This four-story building at 140 First Avenue was originally built in 1849-50. The facade features bracketed cornice with elaborately decorated frieze, simple molded window lintels and rectangular sills.

87 East 2nd Street Building Date : 1871 Original Use : Residential Original Owner : Ferdinand Emerling Original Architect : William Jose Description & Building Alterations Originally, a two-story pre-old law tenement was constructed on this site in 1871 by architect William Jose, who was known for his tenement designs. By 1897, the double-lot building was raised to five stories. Occupied by stores in 1940, the first floor was later converted into residential space. Some elements from the former storefront are still visible on this part of the facade, such as the flat cornice and pilasters. The Romanesque Revival facade features brick and terra-cotta. The first story consists of a storefront that is painted black, which creates the first register. The second register consists of the second and the third stories. Separated by a thin brick beltcourse, they both possess arched lintels above the windows. The last register is comprises the fourth and fifth stories. The windows extend both stories and are framed by arched openings. The fifth story is topped by a decorative frieze. The building also features foliated spandrels and friezes, and animal-head keystones. The modillioned cornice has been removed since the 1980s.

59-63 East 3rd Street Building Date : 1898 Original Use : Residential/Commercial Original Owner : William Wirth (No. 61-63), William Meyers (No. 59) Original Architect : Kurtzer & Rohl (No. 61-63), Schneider and Herter (No. 59) Description & Building Alterations Two six-story tenement buildings exist on this lot. The buildings were erected together in 1898 by owner William Wirth and designed by architects Kurtzer & Rohl. No. 61-63 was to be occupied by 27 families and No. 59 was to be occupied by 22 families. The building at No. 61-63 East 3rd Street is six-bays wide, featuring decorative window enframements and arched and pedimented window lintels. The building at No. 59 East 3rd Street is four-bays wide, with beltcourses and arched and molded window lintels. The original cornices on both buildings appear to have been replaced.

173 East 3rd Street Building Date : 1852/1913 alt. Original Use : Institutional Original Owner : Catholic Diocese of New York Original Architect : Mr. (Johannas) Walsh, alterations by Paul Schultz Description & Building Alterations This lot is a conglomeration of several old lots that contain the Roman Catholic Church of the Most Holy Redeemer, the rectory, a former Catholic school for girls, a playground and former convent. The church was founded by Redemptorist Fathers and the complex was built in 1852 for the large German immigrant population. When the church was built, its steeple was much taller, only slightly shorter than St. Patrick’s Cathedral even though it predated that building. Archbishop John Hughes and Bishop John Neumann, the only male American citizen canonized as a saint of the Roman Catholic Church, were present at the dedication. The architect, according to From Abyssinian to Zion: A Guide to Manhattan’s Houses of Worship by David Dunlap was Mr. Walsh. This could have been Johannas Walsh, who was the only architect with the last name ‘Walsh’ in the NYC Directory from 1851-52. Although somewhat eclectic, the overall design of the church is in a mix of the Baroque Romanesque and Byzantine Revival styles. It originally had a 250-foot tower. The building’s ornate facade often led to it being mistaken for a cathedral rather than a parish church. The original 1852 church facade was heavily remodeled in 1913 by Paul Schultz. This work eliminated ornamentation, reduced the Baroque curves, and shortened the steeple. At this same time, a rectory and school were also altered. Due to the size and complexity of alterations done on this complex, it is difficult to give a comprehensive overview.

74 East 7th Street Building Date : 1897 Original Use : Residential/Commercial Original Owner : Joseph L. Buttenwieser Original Architect : George Frederick Pelham Description & Building Alterations The six-story tenement was built in 1897. Designed by architect George Frederick Pelham, it was constructed as part of a row of buildings at Nos. 70-74 East 7th Street for owner Joseph L. Buttenwieser. The three buildings share a very similar facade design; many buildings within the area designed by Pelham feature identical or almost identical facades. No. 74 features a brick facade with masonry window lintels, some pedimented, some in round-arched shape, and corbelled balconettes at the fifth story window openings. The entrance is enframed in an arched opening with a mask keystone, flanked by marble Corinthian columns.