Arbor Day One boy with shovel and other African American children gathered around newly planted tree. Caption on verso: "Arbor Day: Frederick Ross, 6, of 101 N. Portland Ave., completing the task of tree planting which concluded Arbor Day exercises by veterans organizations and neighborhood, church, school and civic organizations in Fort Greene Housing yesterday."

In this excerpt from the Brooklyn Historical Society's audio tour, host Nelson George and historian Francis Morrone discuss the communities and architecture of Fort Greene and Clinton Hill, Brooklyn — including interviews with longtime neighborhood residents.

“Myrtle Ave. 'L' from Fort Greene Park.” Originally the site of a fort built for the Revolutionary War and reoccupied during the War of 1812, the community surrounding the land started using it as public space shortly after the threat of the War of 1812 passed. By 1847, it was designated Washington Park, and twenty years later, famed landscape architects Frederick Law Olmsted and Calvert Vaux began designing its new layout. In 1897, the new Olmsted and Vaux’s landscape was renamed Fort Greene Park.

Underneath the tracks of the Fifth Avenue El, over Flatbush Avenue, south of Fulton Street, August 1941. Elevated service on the Fifth Avenue line was discontinued in June 1940, but the remaining tracks weren’t demolished until September 1941. In the background is the Williamsburgh Savings Bank Tower at 1 Hanson Place, completed in 1929, and until 2010 the tallest building in Brooklyn. At left is the Corn Exchange Bank Trust Co. at 19 Flatbush Avenue.

“Fulton Street, east from and across Flatbush Avenue Extension, underneath the B. M. T. elevated. The four-story building (center) is the Witteman Building and is on the east side of Flatbush Avenue Extension. April 27, 1940.” Service on the Fulton Street El was discontinued on June 1, 1940, just weeks after this photograph was taken . At street level is an East New York-bound Fulton Street Line streetcar. Today, the B25 bus replaces the Fulton streetcar line.

“31-39 De Kalb Ave., at the northwest corner of Flatbush Ave. Extension. Also seen, is Flatbush Ave. Extension, west side, north from De Kalb Ave., to Fleet Street. July 22, 1934.” Today, the northwest corner of DeKalb Avenue and the Flatbush Avenue Extension is home to the original location of Junior’s, the restaurant chain known for New York-style cheesecake. In 1934, the building’s tenants included clothing retailers, a storefront doughnut shop, and the Enduro sandwich shop, owned by Junior’s founder Harry Rosen.

In November of 1950, the Brooklyn Daily Eagle visited Barton's Bonbonniere, Brooklyn's fastest-growing candy chain. The article captures a 50's candy factory in full swing.

Eastward view along Willoughby Street towards Flatbush Avenue Extension, March 18, 1915. The building seen at right is the Brooklyn Department of Health. Today that corner remains a city health building but early 20th century structure has been replaced with a 1940 red brick, subtle Art Deco building. None of the buildings that lined the south side of Willoughby Street remain extant. In the distance stands the Prison Ship Martyrs Monument in Fort Greene Park.

“Ashland Place, south from and across DeKalb Avenue. On the left is a corner of Fort Greene Park and in the background is the Fulton Street elevated structure. The buildings in the center of the photograph are on the south side of DeKalb Avenue, extending to St. Felix Place, 1927."

The Brooklyn Strand, a 1918 vaudeville theater on Fulton Street at Rockwell Place, 1941. Next door (right) is the Majestic Theater, vacant and listed for rent. Today, the Majestic building is home to the Brooklyn Academy of Music’s Harvey Theater (which maintains many interior details of the original theatre), while the Strand is now the BRIC house, a non-profit arts performance space.

“145 Ashland Place, between De Kalb Ave., and Willoughby Street, showing the City Prison, as seen from Lafayette Street. July 10, 1932.” The Raymond Street Jail, later the Brooklyn City Prison, was built in 1836 to hold the city’s male prisoners (an annex for female prisoners was added in 1839). In an oversight emblematic of the building’s purpose, the prison was constructed without a front door (an entranceway was later carved out of the completed facade). The facility was closed in 1963 and razed ahead of the construction of the Brooklyn Hospital Center.

Brooklyn Hospital, founded in 1845. The Brooklyn Hospital was founded as the "Brooklyn City Hospital" in May of 1845, supposedly following an incident in which a man from Buffalo, New York broke his leg at Fulton Street, in proximity to nearby Brooklyn City Hall. The hospital played a major part in providing treatment and aid for soldiers of the Union Army during the Civil War. It continued to play the role of carrying for sick and wounded soldiers in the Spanish-American War and both World Wars. In 1880, the hospital established the first nursing school in Brooklyn and the first in the State of New York. This was made possible by a generous donation by the women of the Fruit and Flower Mission. The hospital also installed the second Electrocardiograph in Brooklyn in the year 1926.

“Flatbush Avenue Extension, at the northeast corner of DeKalb Avenue, showing the Paramount Theatre Building, the view being south toward the latter avenue, 1932.” Opened in 1928, the Paramount Theatre building has been owned by Long Island University since 1962. In addition to film screenings, the theater hosted jazz, rock and roll, and Yiddish music performances. Despite its conversion for use as classroom space and a gymnasium, the building retains much of the theatre's original decorative detail.

For this story, we'd like to share our personal picks from our combined collections, that represent what this time of year means to us, and to introduce the team of Librarians, Archivists, Collection Managers, Educators and Administrators, who make up the fantastic staff at the Center for Brooklyn History.

Prison Ship Martyrs' Monument, undated postcard. During the Revolutionary War, more than 11,500 prisoners of war died aboard British ships anchored in nearby Wallabout Bay. The prisoners died of overcrowding, contaminated water, starvation, and disease, and either had their bodies thrown overboard or were hastily (and poorly) buried at the shoreline. Because of this callousness, thousands of body parts and bones washed up on Brooklyn’s waterfront for years to come. In 1808 the remains were first entombed in a crypt on Jackson Street (now Hudson Avenue), near the Brooklyn Navy Yard. In 1873 the prison ship martyrs remains were moved from their location to a vault in the park that was created at the site of a former Revolutionary War fort (then Washington Park, today Fort Greene Park). In the late 19th century various constituencies advocated for a permanent memorial. In 1905 McKim, Mead and White created the design for a new entrance to the crypt, including a wide staircase leading to a plaza from which a massive Doric column rose. The Stanford White-designed monument was 149-foot-tall and crowned with a bronze lantern, created by sculptor Alexander Weinmann (who also designed four bronze eagles for the base). It was dedicated in 1908 with the President-elect William Howard Taft in attendance. Between 1937 and 1948 an elevator allowed visitors to ascend the column. Over the last century, the monument has undergone a series of vandalization and restorations. The eagles were removed in the 1960s due to continual defacement. After smaller restoration efforts in the 1940s and 1970s, a major effort was undertaken to repair, clean and conserve the monument, the crypt, and the surrounding plaza. The newly restored plaza (with modern lighting and two original and two replica eagles) was unveiled in 2008, a century after its original dedication.

In 1902, the first Farm Garden was opened to provide city children the invaluable experience of cultivating and caring for the land. Its founder said of her creation: "I assure you that all the virtues can be taught from a little patch of ground, not eight feet square." Read on to learn of this history and legacy of New York's Farm Gardens.

The intersection of Tillary Street and Park Avenue, 1941. The surrounding land had been cleared for the construction of the Fort Greene Houses (today the NYCHA Ingersoll Houses), completed in 1944. Soon after, the Brooklyn-Queens Expressway would be routed along Park Avenue to connect Downtown Brooklyn’s East River Bridge Crossings with Williamsburg and points north. The church visible in the background is the Church of St. Michael and St. Edward at 108 St. Edwards Street, near Myrtle Avenue.

Cumberland Street, east side, south from Park and Myrtle Avenue, showing part of the large area where Fort Greene Houses will be erected. On the left are buildings on Carlton Avenue, April 11, 1941. The Fort Greene Houses, a 15-building development, were built on this site in 1944. At right, buildings on the south side of Myrtle Avenue are visible behind the tracks of the Myrtle Avenue El.

Myrtle Ave. ‘L’ at Cumberland Street, ca. 1955. Interrupted by the Whitman Houses between Park and Myrtle Avenues, Cumberland Street continues as Washington Park on the eastern edge of Fort Greene Park (right).

“North on St. Edwards Street, across Myrtle Avenue, from Fort Greene Park, 1940.”

Recently while digging through the BPL Archives, an archivist found a really outstanding clipping about the Fox Theatre. "Wired Seats at the Fox Help Deaf Hear Talkies"; assisted listening devices in 1930! And how cutting edge! “A number of choice seats in the mezzanine,” reads the article, “have been equipped with the device, which consists of a telephone headpiece and receiver and an adjustable hand switch by which the person using it can control the volume of the sound coming through the instrument.” What other innovations did the Fox champion? What other cool stuff was showing at the Fox?

The 19th century saw Fort Greene develop from farmland held by a few families to a residential neighborhood, populated by a mix of Brooklyn’s working, merchant, and upper classes. Today, much of the neighborhood has been well preserved, including several blocks of brownstone and rowhouse architecture, churches, parkland, and civic institutions dating to the 19th century. Even in areas transformed by postwar urban renewal and commercial development traces of an earlier era remain.

Horse-powered excavation for the BMT Fourth Avenue line on Ashland Place, north of Lafayette Avenue, January 10, 1911. The Brooklyn Academy of Music is visible at the edge of the frame, upper left.

Subway construction for the BMT Brighton Line at DeKalb Avenue Station, May 15, 1919. The station opened June 22, 1915 with service available on the Fourth Avenue Line (today's D/N/R trains). Construction continued for five years, culminating with the opening of Brighton Line (B/Q) service on August 1, 1920.

View west on Fulton Street, beneath the Fulton Street El, during construction of the IRT Eastern Parkway Line (2/3), April 30, 1908.

“Nevins Street, south from Flatbush Ave. Also Flatbush Ave., west side, east from Nevins Street. This view is no longer existent. The buildings were razed, to make way for the new Fox Theatre, a motion picture house. June 1926.” The Cowperthwait Furniture Company building was demolished in 1927, along with the rest of the buildings on the triangular block between Flatbush Avenue, Nevins Street, and Livingston Street.

The Majestic Theater and storefronts on Fulton Street, 1959. The Majestic marquee lists two current showings: The Black Shield of Falworth (1954) and The Mole People (1956). Fulton Street restaurants include Lotus Inn Chow Mein (no. 655) and Cafe Copa Bananas Cocktail Lounge (no. 659).

Hudson Avenue, south from DeKalb Avenue, 1942. Buildings on the south side of Fulton Street are visible in the background. Until 1940, Hudson Avenue carried the northernmost section of the BMT Fifth Avenue El. Like many blocks near Atlantic Terminal, Hudson Avenue’s tenement buildings and brick warehouses have been replaced by new construction.

Myrtle Avenue and the Myrtle Ave El, looking east from Navy Street, 1941. Opened in 1888, El service operated along Myrtle Avenue until 1969. Out of frame is the entrance to the Navy Street Station. At left, lots have been cleared for the construction of the Fort Greene Houses, later renamed the Ingersoll Houses after Brooklyn Borough President Raymond Ingersoll.

Richard Wright, author of "Native Son."

View of Ashland Place, looking north toward the Brooklyn Academy of Music (center-right, in the distance), October 19, 1910. This photograph was taken as part of a survey ahead of the construction of the BMT Fourth Avenue Line, which today runs beneath Ashland Place. The photographer's vantage point is outside the former No. 149 Ashland Place (Ashland Place has since been extended to include the former Raymond Street, at which point addresses were renumbered). At left, on the west side of Ashland Place are storefronts for the Long Island Bird Store — advertising poultry and pigeons — and a hay and grain supplier. Today, the Williamsburgh Savings Bank Tower (One Hanson Place) stands immediately to the right of this vantage point.

Subway construction beneath elevated trains on Fulton Street (left) and Flatbush Avenue (right), September 10, 1907. This photo captures the past and present of Brooklyn public transit: the Fulton and Fifth Avenue elevated trains (the latter over Flatbush Avenue); streetcars running on both streets; and reinforcements in place to brace the elevated trestles for excavation associated with the IRT Eastern Parkway line, beneath Flatbush.

The Crescent Theatre (formerly Montauk Theatre), pictured one year after its re-opening on Flatbush Avenue Extension, December 21, 1909. The theater would go on to operate under several names before its demolition in 1940.

“Park Avenue, north side, east from north Oxford to Cumberland Streets.” Buildings on the south side of Park Avenue (right) would be razed in 1941 for the development of the Fort Greene Houses, now the NYCHA Walt Whitman Houses. Buildings on the north side would also be demolished, to make way for the Brooklyn-Queens Expressway, first proposed in 1936 and completed in 1964.

The southeast corner of Fort Greene Park, DeKalb Avenue and homes on the east side of Washington Park.

Commercial strip on the north side of Fulton Street, east of Ashland Place, 1941. Tenants include a barbershop, Italian restaurant, hardware store, and “permanent linoleum floors.”

The E.F. Albee Theater (later the RKO Albee Theater) at the intersection of Fulton Street and DeKalb Avenue, 1925. The Beaux-Arts theater, designed by Thomas Lamb, opened in 1925. It was named for vaudeville impresario Edward Franklin Albee (grandfather of the Broadway playwright), whose Keith-Albee-Orpheum Corporation was a major manager of vaudeville and, later, motion picture venues. The Albee Theater featured a grand interior lobby, with crystal chandeliers, marble columns, and what was at time considered the world’s largest rug, a 2,800 square foot Czech Maffersdorf carpet. The theater was closed and demolished in 1978, making way for the Albee Square Mall, itself razed in 2008 for redevelopment. The new mixed-use City Point project includes a movie theater.

On January 11th, 1940, Workers went to work demolishing Werba's Theatre. Under the names of Montauk, The Crescent and Schubert-Crescent, it was once the proud citadel of Brooklyn's Social and Political Elite.

“St. Edwards Street, north from Auburn Place toward the Brooklyn Navy Yard. On the left, where Leo Place meets St. Edwards Street, is the Lattemen shoe factory. On the right is Public School No. 67. The dwellings preceding the school were later razed and an annex added to the school.” Out of frame to the left is the Church of St. Michael and St. Edward, 1927.

A building of the Fort Greene Houses (later renamed the Walt Whitman Houses) under construction at 15 St. Edwards Street, July 1942.

Fulton Street, looking east across Flatbush Avenue Extension. June 21, 1941. One year after service was discontinued, the Fulton Street El is being dismantled.

The Church of St. Michael and St. Edward was built between 1891-1906 at what was then the intersection of Canton and Division Streets (later St. Edwards Street and Leo Place). The Catholic church served a predominantly Irish and working-class congregation of local residents employed at the neighborhood’s factories, waterfront, and, during wartime, Navy Yard. In 2010, the diocese of Brooklyn closed the church, following years of declining attendance.

Bandstand in Washington Park, now Fort Greene Park, at the future site of the Prison Ship Martyrs' Monument, ca. 1895.

The Prison Ship Martyrs' Monument is a memorial to the more than 11,500 American prisoners of war who died while detained aboard sixteen British prison ships during the American Revolutionary War. The remains of a small portion of those who died on the ships are interred in a crypt beneath its base. The monument, designed by architect Stanford White, is topped with an eight-ton brazier (funeral urn) by sculptor Adolph Weinman. This photo is undated, but may depict the November 1908 dedication ceremony, when a crowd of 15,000 gathered for President William Howard Taft’s address.

Fulton Street, west from St. Felix Street. In the background is the tower of the Smith, Gray & Company Building, August 1941.

Orpheum Theater, 1941. The Orpheum Theatre opened on December 31, 1900, and presented live performances to an auditorium that sat nearly 2000 people. The B.F. Keith-Albee chain took over the venue between 1912 and 1929 and hosted mostly vaudeville. For the last 24 years, RKO operated the theatre. This photograph captures the marquee in June 1947 as the nearby elevated train infrastructure was being removed. In 1953 the theatre closed and the building demolished. After decades of functioning as a parking lot, a new building was erected on the site in the mid-2010s.

Billed as the first movie theater built for talkies, the Paramount on Flatbush and Dekalb Avenues opened in 1928 with the movie Manhattan Cocktail. Alan Freed, who coined the term "rock and roll" in 1951, staged revues here while working for radio station WINS. Following its purchase by Long Island University, the movie house showed its last feature, Hatari, with John Wayne, in August 1962. The next year it was converted to a gym, though its famous Wurlitzer organ still played on.

“North from a point just above Myrtle Avenue, running across Auburn Place and showing the New Cumberland Hospital on the left, 1940.” Founded as the Brooklyn Homeopathic Dispensary in 1852, the New Cumberland Hospital moved from Cumberland Street to its new nine-story building at the corner of North Portland Avenue and Auburn Place in 1918. Despite the change of address, the new hospital was officially named Cumberland Hospital in 1922. In the early 1940s, Cumberland Hospital was one of few structures spared from demolition as the surrounding blocks were razed for the construction of the Fort Greene Houses. The hospital was closed in 1983, as part of the City Health and Hospitals Corporation reorganization ahead of the opening of Woodhull Hospital. Today the 1918 building serves a homeless shelter while the 1950s hospital addition is the Cumberland Diagnostic & Treatment Center.

“St. Edwards Street, at the northeast corner of Auburn Place, showing the City Park branch of the Brooklyn Public Library. In the background is Cumberland Hospital; on the left Public School No. 67, 1940.” The predecessor to Walt Whitman Library (called the City Park Branch before 1943) opened in a storefront on Nassau and Bridge Streets in 1900. Eight years later, a beautiful new library, funded by philanthropist Andrew Carnegie, built in the Classical Revival style, and designed by Rudolph L. Daus, opened on St. Edwards Street in Fort Greene. The library was named for Whitman on the125th anniversary of his birth in 1943.

Corn Exchange Bank, 1937. Constructed sometime between 1910 and 1930 the Corn Exchange Bank was one of a number of branches of the highly successful bank its most well-known branch is on 125th Street at Park Avenue). Like most NYC-based banks, the institution cycled through a number of names. Called Chemical Bank by the 1960s and Chase by the 1990s, the building has been owned by environmental designer and activist, Al Atarra, since the 1970s. The bank vacated the building around the turn of the 21st century and it remained largely empty, though was used for occasional film shoots. One of those shoots changed the name on the facade to Metropolitan Exchange Bank (a fictional institution) and Atarra kept the name, creating a business called M Ex, the Metropolitan Exchange, which was a start-up incubator for creative ventures. One of his wishes, according to a 2010 New York Times article, was to rename the project: "I want to rename it the Brooklyn Arts and Design Area or BADA. Since we're in the BAM District, it'll be BADA-BAM." Though the creative hub is still housed in the building, it seems that his syllabic abbreviation has not caught on.

Brooklyn Technical High School, ca. 1933. The Brooklyn Technical High School building at Fort Greene Place and DeKalb Avenue was built between 1930-33, and is today home to over 5,000 enrolled students. Brooklyn Tech was founded in 1922, after the educator Dr. Albert L. Colston designed a specialized math and science-oriented curriculum to prepare for students for modern, technical professions or collegiate instruction. The school first operated from a converted warehouse at the foot of the Manhattan Bridge, before moving to the purpose-built Fort Greene campus. The twelve-story Collegiate Gothic school building by Walter C. Martin, the Superintendent of School Buildings who succeeded William H. Gompert, incorporates elements of skyscraper construction, including its steel and reinforced concrete structure. While Martin’s building materials of choice were becoming more common, the Brooklyn Tech’s amenities were far from ordinary: the vertical campus included two gymnasia, a radio production studio, an aeronautical lab, and an operational metal foundry (which has since ceased operation). A 456-foot tall rooftop broadcast antenna makes Brooklyn Tech the tallest structure in the borough. Brooklyn Tech has produced numerous distinguished graduates who went on to careers in the sciences, including Arno Allan Penzias (‘51), the 1978 winner of the Nobel Prize in Physics for research instrumental in the development of the Big Bang Theory. In more local matters, Tech has also produced prominent political figures, including US Representatives Matthew McHugh (‘56), Gary Ackerman (‘60), and Anthony Weiner (‘81).

Richard Wright Photograph by Carl Van Vechten

The cobblestoned Flatbush Avenue Extension, at Prince Street, February 8, 1915. The Manhattan Bridge is visible in the distance, with the Myrtle Avenue El visible in the middle ground. Below Flatbush Avenue, construction continued on the subway connection between the Manhattan Bridge tracks BMT Brighton Line. The DeKalb Avenue Station, south of this point, opened in June, 1915.

The Smith, Gray & Company Building at the intersection of Nevins Street, Fulton Street, and Flatbush Avenue. Completed in 1888, the building featured two 210 foot towers, one which housed a large illuminated clock. In 1892, a fire destroyed much of the building, causing the clock tower to collapse on the Flatbush Avenue Station of the Fulton St El. Pictured here in 1941, the rebuilt clock tower is being scaled down to its current seven story height, sans clock. At left is the Fox Theater at 20 Flatbush Avenue.

Dime Savings Bank, ca. 1910. The landmarked Dime Savings Bank is a Classical Revival structure built on an oddly-shaped plot at the intersection of Fulton Street and Dekalb Avenue. Originally constructed between 1906 and 1908 by the firm of Mowbray & Uffinger, it houses the Downtown Brooklyn branch of the 1859-established Dime Savings Bank. Between 1931 and 1932 the bank was enlarged by the firm of Halsey, McCormack & Helmer, who had only recently completed the Williamsburgh Savings Bank Tower at One Hanson Place. The colonnade rows of Ionic columns were (and continue to be) a striking visual within the neighborhood's streetscape. The decoration on the facade, including reliefs of Mercury, the Roman God of commerce, reference its commercial occupations. The Pentelic marble utilized here, known for its translucence, was actually mined from the same ancient quarries that the Greeks used for these classic temples including the Pantheon. The Dime Savings Bank was the first American structure to use this material after a British syndicate reopened the quarry. The building remained a bank for more than a century (cycling, as most banks do, through various names). Chase Bank sold the building in 2015 to a developer for $90 million. That developer began accumulating development rights and as of 2017 work had commenced on Brooklyn's first supertall, a 1000-foot skyscraper that will, of course, incorporate the landmark bank into the base of its design.

The east side of South Portland Avenue, just south of Fort Greene Park, 1958. The buildings on this block provide a fascinating snapshot of the architectural elements that came in and out of fashion during the latter half of the 19th century. At left is no. 29A, one of a pair of 1878 Neo-Grec brownstones by architect Charles Mushlet. At right are a row of Italianate brownstones built around 1867. In between, a 20th century apartment building with mixed brownstone, brick, and terra cotta facade and a distinctive curved, full-height swell-bay window common to more recent tenement construction.

“Myrtle Avenue (El, thereon), west from North Portland Avenue to Leo Place, showing extensive demolition for the erection of Fort Greene Houses. The view is from Fort Greene Park. In the background is St. Edwards \[sic] Roman Catholic Church.”

Dime Savings Bank ca. 1900 ARCHITECT: Mowbray & Uffinger DATE: 1906-08 STYLE: Neo-Classical The home office of the Dime Savings Bank, built in 1906-08 and vastly enlarged and altered in 1931-32, is among Brooklyn’s most notable works of commercial architecture. Since its founding in 1859, the bank has always maintained its headquarters in downtown Brooklyn. When the bank acquired the present location, it commissioned the finn of Mowbray & Uffinger to design an imposing structure. Built in 1906-08, it was articulated as a temple form adapted to the unusually-shaped site, and was substantially altered and enlarged in 1931-32. An outstanding example of neo-Classical design, the marble-clad exterior features stately Ionic colonnades, a soaring dome, and an ornamental program which appropriately allegorizes industry and progress. The alterations were designed by the firm of Halsey, McCormack & Helmer, specialists in bank buildings.

Majestic Theater ca 1940 The Majestic Theater opened in 1904 and was known for a variety of theatrical performances, including opera, musicals, and vaudeville. By 1942, the Majestic Theater became a first-run movie theater, and later a church. Not long after this photograph was taken (in 1968), the Majestic Theater closed its doors permanently and remained that way for two decades. Harvey Lichtenstein, Brooklyn Academy of Music President and Executive Producer, raised funds to renovate the theater and it re-opened in 1987 with many of the original elements and details. Today, the former Majestic Theater is the Harvey Theater at BAM, showcasing a variety of creative performances and productions.

The Montauk Theatre, a 1,750-capacity venue built in 1895, sat in the way of the Flatbush Avenue Extension, a 1907 project to widen and extend Flatbush Avenue to carry traffic to and from the Manhattan Bridge, then under construction. Rather than raze the structure, the city bought the building and its site for $230,000, then sold it for just $11,500 to a company who undertook to move the theater to a site on the new Flatbush Extension. (The terms of the deal rose eyebrows at the time, as the company who re-purchased the building shared an executive with its original owners.) An August 1907 report in Harper’s Weekly described the move: “The remarkable engineering feat of moving the Montauk Theater in Brooklyn forty-five feet backwards from its foundations, turn it half around, and then slide it at a right angle, sixty-five feet more to front on another street has not only aroused the interests of engineers and architects, but vividly recalled the strange circumstances which prefaced the feat.” The relocated building reopened in 1908 as the Crescent Theatre.