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At the turn of the 20th century, Downtown Brooklyn had a theater district to rival Manhattan’s. In the space of a few blocks near the Flatbush Avenue Extension, a collection of grand multi-use ballrooms and smaller vaudeville stages proliferated. Just a few decades later, most had fallen into disuse and disrepair, but in many cases, the buildings themselves survive. Here’s a look at a thriving entertainment district of days gone by — and the contemporary adaptive reuse projects reinvigorating its legacy.

Underneath the tracks of the Fifth Avenue El, over Flatbush Avenue, south of Fulton Street, August 1941. Elevated service on the Fifth Avenue line was discontinued in June 1940, but the remaining tracks weren’t demolished until September 1941. In the background is the Williamsburgh Savings Bank Tower at 1 Hanson Place, completed in 1929, and until 2010 the tallest building in Brooklyn. At left is the Corn Exchange Bank Trust Co. at 19 Flatbush Avenue.

The Brooklyn Strand, a 1918 vaudeville theater on Fulton Street at Rockwell Place, 1941. Next door (right) is the Majestic Theater, vacant and listed for rent. Today, the Majestic building is home to the Brooklyn Academy of Music’s Harvey Theater (which maintains many interior details of the original theatre), while the Strand is now the BRIC house, a non-profit arts performance space.

Brooklyn, like any bustling urban center, is (and has always been) home to a diverse variety of venues constructed and operated with the express purpose of entertainment: from theatres to pools to baseball fields. In the late 19th and early 20th century, vaudeville theatres were constructed in the most populous areas of Brooklyn, bringing popular entertainment to the working-class masses. In the early decades of the 20th century, the changes in technology altered the way Brooklynites were entertained. Vaudeville waned in popularity as moving pictures were introduced. Some of the early theatres evolved with the times, adding a movie screen and changing their operations, others closed and were razed in the boom of the building that overtook the borough in the first half of the 20th century. This massive development growth meant the former sleepy rural areas of south Brooklyn were becoming vibrant communities. New movie theatres, often designed by well-known architects, popped up everywhere, offering cheap entertainment (and snacks!) to generations of first dates and family outings. As technology once again evolved in the second half of the 20th century and television allowed for similar entertainment within one's home, theatres suffered. In the financially depressed years of the 1970s, many movie theatres closed or transitioned to more "adult" entertainment. Very few of Brooklyn's early 20th century venues remain operating movie theatres today. Those structures—not an inconsiderable number, particularly in South Brooklyn—that survive have largely been re-purposed as music venues, big-box retailers, churches, and is a popular conversion for these large spaces, as fitness centers and chain pharmacies. If you keep your eyes open, the architectural features of the old Brooklyn theatres occasionally pop out from the streetscapes, hiding behind Rite Aids and Walgreens.

Orpheum Theater, 1941. The Orpheum Theatre opened on December 31, 1900, and presented live performances to an auditorium that sat nearly 2000 people. The B.F. Keith-Albee chain took over the venue between 1912 and 1929 and hosted mostly vaudeville. For the last 24 years, RKO operated the theatre. This photograph captures the marquee in June 1947 as the nearby elevated train infrastructure was being removed. In 1953 the theatre closed and the building demolished. After decades of functioning as a parking lot, a new building was erected on the site in the mid-2010s.

Corn Exchange Bank, 1937. Constructed sometime between 1910 and 1930 the Corn Exchange Bank was one of a number of branches of the highly successful bank its most well-known branch is on 125th Street at Park Avenue). Like most NYC-based banks, the institution cycled through a number of names. Called Chemical Bank by the 1960s and Chase by the 1990s, the building has been owned by environmental designer and activist, Al Atarra, since the 1970s. The bank vacated the building around the turn of the 21st century and it remained largely empty, though was used for occasional film shoots. One of those shoots changed the name on the facade to Metropolitan Exchange Bank (a fictional institution) and Atarra kept the name, creating a business called M Ex, the Metropolitan Exchange, which was a start-up incubator for creative ventures. One of his wishes, according to a 2010 New York Times article, was to rename the project: "I want to rename it the Brooklyn Arts and Design Area or BADA. Since we're in the BAM District, it'll be BADA-BAM." Though the creative hub is still housed in the building, it seems that his syllabic abbreviation has not caught on.