With the influx of Jewish Yiddish-speaking immigrants to New York, the audience for Yiddish publications grew. Forward publisher Louis Miller proposed the title Forverts – Forward in English – transliterated from Vorwärts, the German Socialist Democratic party newspaper, whose ideals inspired the Forward’s founders. These images help tell the story of the Forward newspaper itself, whose daily updates of local and international news helped shaped a way of life for Jewish immigrants for generations.

Anshe Chesed and Rodeph Sholom are respectively the oldest and second oldest surviving synagogue buildings in the city, and some of the oldest in the country. Both were constructed for German Jewish congregations in German architectural styles: Gothic Revival and Rundbogenstil (“round-arch style”), and feature red brick, central staircases and symmetrical façades with recessed central sections and square towers. Kehila Kedosha Janina Synagogue is the only Greek Synagogue in New York and the only synagogue of Romaniote Jews in the Western Hemisphere. The Eldridge Street Synagogue was America’s first major house of worship built by Eastern European Orthodox Jews. The yellow brick building features Moorish and Romanesque details and rich ornament. At its peak in the early 20th century, the synagogue hosted as many as 1,000 worshippers at services, but was forced to close in the mid-20th century when the area’s Jewish population began to dwindle. In 1986, the Eldridge Street Project funded a large-scale restoration of the building, which was repurposed as a museum. The Former Congregation Anshe Chesed, Kehila Kedosha Janina Synagogue and the Former Eldridge Street Synagogue are all designated New York City Individual Landmarks.

5th Precinct, 1900. This 1881-station house is the oldest original police precinct in the city. (Though the Central Park Precinct is in an older building, that structure was built as a stable and wasn't taken over by the police until the 20th century.) This four-story Italianate building was designed by the Police Department’s architect Nathaniel D. Bush, who was also a sergeant on the force! Originally called the 6th Precinct, it was known as the "Bloody Sixth" for the violence in nearby Chinatown, largely enacted by the local Tong gang. The local police dealt with rampant gambling, opium dens, and gang murders. By 1911, the station had been renamed the 5th, and a new fancy police patrol telephone booth had been added to the entranceway. On two separate occasions in the 1960s and 1970s, the NYPD expressed a wish to demolish the building for a new station house and the community fought to preserve the old building. Instead of being razed, the building was renovated and modernized.

Wong Family Association, 1960s. One of Poy Gum Lee's final designs in Chinatown, the Wong Family Association Building is also perhaps his most strictly modern. While most of his other designs in New York were somewhat heavily influenced by Chinese architectural styles, this structure had an overt mid-century modern facade. The building was constructed for a Chinese benevolent society which assisted new immigrants and created and organized social, political, and economic structures within the Chinese community.

48 Henry Street, July 1967.

Abraham “Ab” Cahan was the founding editor of the Forward and made the paper a success. He thought that it must align itself with the interests of the workers, outside of their preoccupation with the daily struggle for bread. Cahan was the first intellectual activist to speak in Yiddish while addressing the working masses in the Lower East Side’s meeting halls. This picture appeared on the front page of the paper’s 30th anniversary edition in 1927.

Citizen Savings Bank ARCHITECT: Clarence W. Brazer DATE: 1922-24 STYLE: Beaux-Arts Citizens Bank is an important example of the 20th-century Beaux-Arts bank building combining Renaissance and classical precedents, with the building’s unusual height and nearly square massing, conveying its financial strength and stability to depositors. The street facades have rusticated bases above which rise monumental, arched windows enframed by engaged pilasters supporting an entablature in the Roman Doric order. To identify the building and its purpose noted sculptor Charles Keck designed a sculptural group, with a clock, that incorporates elements from the seal of the Citizens Savings Bank, including a Native American, a sailor, an eagle, and beehives, traditional symbols of thrift.

Unknown architect ca. 1799 This Federal-style building may be another 18th century survivor. Records show that from 1799– 1802 a butcher occupied this address. It retains original features such as its steeply pitched roof, and, if one looks closely, paneled stone lintels on the second story. Unfortunately, its twin pedimented dormers were removed in 2011.

The intersection of Division, Canal, and Ludlow Streets. The intricate facade former Loew’s Canal Street Theater is visible at center-right, on the north side of Canal Street.

Grand and Allen Streets, from the Allen Street meridian mall. From 1878 to 1942, the Second Avenue El ran over Allen Street. In the early 1930s, the demolition of buildings on the street’s East side made room for what is now the eastern roadway, with the elevated tracks occupying the western side and a pedestrian mall in between. The storefront at 315 Grand is Goldman & Ostrow, “distributors of national advertised brands of infants and children’s wear.”

51 Market Street, ca. 1978. This four-story building, also known as the William and Rosamond Clark House, was constructed in 1824-25 by an unknown architect. Designed for William Clark, a grocer, the building is an early example of the Late Federal style on the Lower East Side. The home was erected at a time when the neighborhood was an affluent residential area. While the structure may not appear particularly architecturally distinguished today, the building was one of the first to be designated after the Landmark Commission was created in 1965.

The China Daily News was the newspaper of the Chinese Hand Laundry Alliance. Never shy of voicing their leftist beliefs, both the paper and its subscribers were monitored by the FBI at the height of the Red Scare. It became so controversial that its editor would be imprisoned and multiple staffers deported. Like many of New York's radical societies, the paper had an unlikely beginning: the passing of a local ordinance that concerned laundromats.

Seward Park Branch, NYPL, ca. 1977.

Spanning from the turn of the 20th Century to the 1920s, the Progressive Era left a lasting impact on the United States and New York City. During these years the nation experienced an increase in reforms meant to alleviate the suffering of the working classes. In order to accomplish this goal, Progressives believed the government needed to accept greater responsibility for its citizens' well-being. The Progressive ideals of greater government involvement and regulation was a reaction against the policies of the Gilded Age. During this period in American history, wealthy business owners and corporations accrued vast fortunes, often at the expense of working class people. Many believed something had to be done. Following the Civil War, The Gilded Age contributed to the rapid urbanization and industrialization of the United States. While both of these processes created enormous wealth for some, it also worsened the plight of many people. Urbanization and industrialization transformed both the physical landscape and the experiences and expectations of Americans. During the Progressive Era, many municipal services, like the police and fire departments, were established or expanded. School reform and increased access to sanitary living conditions improve the lives of poorer Americans. To many, the Progressive Era provided a much needed antidote to the societal ills of Gilded Age urbanization and industrialization. New York Social Studies Scope and Sequence Standards: 8.2e & 11.5. For Teachers: The Progressive Era in New York Lesson Plan

Henry Street, south side between Oliver and Catherine Street, Manhattan, showing P.S. #1, 1920. One of four public schools in New York City that have used the name“P.S. 1”, the C.B.J. Snyder designed school was completed in 1897. When opened it served the largely Italian immigrant neighborhood. Subsequent immigration waves included Polish and Russian Jews during and after World War I and later Puerto Ricans and Chinese students. It is believed that this school had the very first rooftop playground. Famous alum include singers Luther Vandross and Eddie Cantor, as well as actors Jimmy Durante and Robert Loggia. Fun fact: This school's origins date to the New York Free School 1, founded in 1809, which predates even the city's Board of Education, set up in 1842.

Sai Wing Mock, or "Mock Duck," was the leader of the Hip Sing Tong, one of the "tongs," or controlling agencies in New York's Chinatown. Tongs were essential in preserving the culture, political agency, and independence of Chinese Americans in the early 20th century. Mock, who would rise to become one of the most notorious figures in the Chinatown crime scene, was born in San Francisco in 1878 to Cantonese immigrants. At 18 years old, he relocated to New York, going by the name "Mock Duck" until the late 1910s, when a Newark newspaper mistakenly reported his death. Taking advantage of the error, Mock reverted to his given name, Sai Wing, which afforded him some privacy after years in the spotlight. This story tells of the life of Sai Wing Mock "Duck."

Named for a grove of fruit trees on the DeLancey estate that comprised much of this area, Orchard Street is characterized by its tenements and history as a commercial thoroughfare, hosting many prosperous shops and street vendors. The five-story pre-law tenement at number 97 was purchased by the Lower East Side Tenement Museum in 1988 to interpret the history of immigration to the area. It is estimated that roughly 7,500 people from 25 countries resided in the building until it was sealed due to non-compliance with City housing codes in 1935. The six-story, red brick, Queen-Anne-style Old Law tenement at number 14-16 features a fanciful cornice and terra-cotta Stars of David, a feature shared by its sister building at number 47. 97 Orchard is listed on the State and National Register of Historic Places.

Looking north on the Bowery, under the Third Avenue Line, April 24, 1936.

Think!Chinatown presents a walk of the heart of Manhattan's Chinatown, based on the stories of its residents, as collected by archivist and oral historian Rochelle Kwan. Follow along online or use the stories to connect with the neighborhood through the memories of its residents. As you take a walk around the neighborhood, check out the Landmarks Oral History Project stories: www.thinkchinatown.org/landmarks

Bo-Bo Restaurant, ca, 1975. The Chinese restaurant called Bo-Bo's (at 20 1/2 Pell Street, right) was a well-loved local institution between the 1950s and 1980s. The menu was up on a board on the wall and with less than a dozen tables, the wait could be an hour. Those who remember the spot even today say the wait was always worth it. The signage notes the restaurant's name and states "the home of Chinese actors." Ester Eng, who was a partner in Bo-Bo's and owned another nearby eatery was an early director in Chinese cinema, and many Chinese actors frequented the spot.

A 5-story structure, No. 68 (second from the corner), was supposed to have been the first place where stereopticon and shadow views were first shown. It also is reputed to have had the first public meeting rooms on this thoroughfare.

New York City has a small collection of 18th-century buildings, and these two survivors are part of it. They retain Federal features such as their steeply pitched roofs, twin pedimented dormers, Flemish bond, and No. 134 possesses an end chimney. These buildings also share an early wrought-iron fire escape. Sculptor Eva Hesse (1936– 1970\) had a studio in the half story of No. 134.

Pagoda Theater, 1964. The Pagoda Theater, which was designed in 1963, was the last new building in New York's Chinatown created by the Chinatown-born architect Poy Gum Lee. Opened in 1964, the theater was the first Chinese language movie theater in the neighborhood built expressly for that purpose (the other three had been converted into theaters). The theater was rendered in a Chinese-influenced, modern style with a three-tiered pagoda at the corner. The auditorium sat just under 500 patrons. The opening of the theater was celebrated with a dragon dance through the nearby streets of Chinatown. The theater closed in the late 1980s and was razed and replaced in the early 1990s with a 15-story commercial structure.

Shearith Israel Graveyard ARCHITECT: Unknown DATE: 1683 STYLE: Graveyard This small graveyard is what remains today of the early burial ground of the Sephardic Jewish congregation, Shearith Israel. It was established on this site in the Seventeenth Century and thus represents one of the oldest cemeteries within the City. Handsome headstones are here interspersed by marble sarcophagus with simple flat-slab tops. One little monument is surmounted by a small pyramidal stone cap. The unique quality of this small plot lies not only in the simplicity of its early tombs but in its forgotten aspect, surrounded by houses, a reminder of our earliest history.

The longtime home of the Jewish Daily Forward sits on East Broadway between Rutgers and Jefferson Streets. The Yiddish-language newspaper was founded in 1897 and built its iconic headquarters in 1912 at ground zero for its Eastern European constituents. The legendary paper still publishes digitally but its landmark building is a testament to the changing landscape of the neighborhood - and country. Through Spring 2020, the Museum at Eldridge Street is teaming up with the Forward to present an exhibition of metal press plates in the Forward archives. These artifacts of the printing process show the ways in which images were used in the Forward to illustrate Jewish culture around the world. In the exhibition, the plates are displayed alongside contemporary prints made in the traditional process at the South Street Seaport Museum's Bowne & Co., Stationers. More information at eldridgestreet.org/pressed.

Manhattan Bridge Plaza ca. 1979 The Manhattan Bridge was completed in 1909 during a post-Consolidation building boom. The decorative grand plaza and colonnade completed in 1915 at the Manhattan entrance have been chipped away at by city administrations and the elements. It was almost torn down by Robert Moses during bridge reconstruction in 1961. Though it never achieved the elegance depicted in this postcard, the colonnade is still a part of the bridge.

Shoppers on Essex Street, ca. 1975. In the mid-1970s, Essex Street remained an important hub for business serving the Lower East Side’s Jewish community.

The Grand Theatre (also referred to simply as “The Grand”) opened in 1903 at 255-257 Grand Street, at the corner of Grand and Chrystie Streets. With its opening, The Grand became “the first theatre in America built for the express purpose of housing Yiddish productions.” An article published in The New York Times the week of the theatre’s opening entitled “A New Jewish Theatre,” remarks that it is “the first theatre in New York ever erected expressly and exclusively for foreign-speaking Jewish patronage of the better class.” The article then goes on to describe the theatre’s architecture, designed by Victor Hugo Koehler, proclaiming that it is a “handsome white stone structure – of the Renaissance style now prevailing at playhouses.” The Grand is also notable because it was the first theatre to be owned, run, and managed by the actors themselves. Judging by the mention of the “better class” in the Times article, we can imagine that this theatre, just a stone’s throw from the Eldridge Street Synagogue, would have catered solely to our historic congregations wealthy members. Early congregation leaders like banker Sender Jarmulowsky and kosher butcher Isaac Gellis would likely have attended shows here. But the congregants who could only afford the “cheap seats” at Eldridge Street may not have been welcome at The Grand. The Grand remained open for 20 years, but not exclusively as a Yiddish theatre. By 1909 it was leased to the Bedford Theatrical Company, and by 1913 it was playing Marcus Loew attractions (moving pictures). The theater closed in 1923, and after sitting vacant for several years, the entire structure was demolished in 1930. The theater was demolished in the wake of extensive neighborhood improvements on the Lower East Side, which included widening both Chrystie and Forsyth Street. As these streets were widened, all of the buildings on one side of the street were demolished, including The Grand. The demolished buildings once sat on the edge of what is now Sara Delano Roosevelt Park.

96 Bayard Street, 1932.

My Archive Spring 2019 "Mott Street in front of Transfiguration school. A photo taken for 8th-grade graduation in 1982." —May Lew

Our Stories, Our Chinatown Landmarks is an ongoing audio exploration of memory and place, produced by Think!Chinatown. Through a story stroll around the neighborhood, we visit and remember our community members’ own personal landmarks and memories in Manhattan’s Chinatown. Our Stories, Our Chinatown Landmarks is a part of Chinatown Arts Festival 2023, produced by Think!Chinatown.

The Bowery Savings Bank, 130 Bowery,1975. Now a part of Capital One Bank, the Bowery Savings Bank was chartered in 1834. The building at 130 Bowery was designed by the firm of McKim, Mead, and White in a Roman classical style and was constructed between 1893-1895. The classical facade of this early bank building set the style for banking institutions in New York City.

Much-beloved by his legions of Forverts-reading fans, actor Edward G. Robinson was born Emanuel Goldengers in Romania and grew up in a Yiddish-speaking household on the Lower East Side. Here, he visits the paper’s office for a shot with editor Cahan at the time his film The Hole in the Wall was released.

Chatham Branch, NYPL, ca. 1903. Chatham Square Branch was the first of twelve Carnegie libraries designed by McKim, Mead & White. Completed in 1903, the structure remains one of the most intact Carnegie libraries (interior and exterior) in the city. The Chinatown-located library has served that community nearly since its opening. The library began a circulating Chinese language collection in 1911. Today the Chinese Heritage Collection, a unique collection of materials in English and Chinese, is housed on the lower floor.

Children on the Allen Street median eating ice cream. No. 21, the Lucky Merchandise Co. is seen in the background, 1955.

Welcome to Chinatown, Manhattan! One of over 50 Chinatowns in the U.S. and nine in New York City alone, Manhattan’s Chinatown is home to the largest concentration of Chinese people in the Western Hemisphere. The story of Manhattan’s Chinatown begins in the middle of the 19th century. Immigration to the US from Asian countries, especially China, boomed due to factors such as the California gold rush, Chinese labor recruitment for the transcontinental railroad, and the Taiping rebellion in China. Post Civil War, resentment towards Chinese immigrants due to competition with white laborers drove members of the Chinese population towards larger cities in the East, such as New York, with the added incentive of job opportunities and a more diverse population. Chinatown was born as Chinese New Yorkers, mostly men, settled around Mott, Pell, and Doyer streets in the 1870s, forming a Chinatown of only 3-blocks which, when compared to the 55-60 block span of today’s Chinatown, creates a clear image of Chinatown’s impending growth. Though the Chinese Exclusion Act of 1882 along with other exclusionary laws passed by Congress slowed Chinatown’s population growth, its cultural development was not impeded, with many notable business and organization establishments taking place between the passing of the act in 1882 and its lifting in 1943. The Immigration and Nationality Act of 1965 led to a dramatic population increase of Chinatown, with its boundaries expanding to an approximately 55-block area. Immigration groups shifted–where early Chinatown had been primarily populated by Taishanese-speaking Chinese immigrants, the second half of the 20th century saw a wave of Cantonese speaking Chinese immigrants from Mainland China followed by Mandarin-speaking Taiwanese immigrants and other Non-Cantonese immigrants in the 70’s and Mandarin-speaking immigrants from Fuzhou in the 80’s and 90’s. In recent decades, the vibrant community of Chinatown has been impacted by modern issues facing both New York City and the rest of the world. Gentrification and displacement have become increasingly prevalent throughout the past few decades, with luxury developments threatening to raise real estate prices and push out working class residents and longstanding family businesses. Chinatown was also hit hard by the Covid-19 pandemic, with businesses being affected as early as January 2020 due to stereotypes and racism surrounding Asian and specifically Chinese communities, and a 361% increase in anti-Asian hate crimes in 2021. Despite the challenges that have impacted Chinatown both then and now, it has remained rich in culture and community, and its resilience and character has cemented its importance in the past and present both in New York and throughout the country and world.

Manhattan Boot Black Supply, 254 Broome Street. The street is named after John Broome, an early city alderman and lieutenant governor of New York from 1804-1810.

My Archive Summer 2019 “247 Grand Street in Manhattan. On the left Vincenzo Trimarco and on the right Giovanni "Charlie" Trimarco (the Trimarco Bros.). Their father Domenico Trimarco came from Castelluccio Cosentino, Salerno, Italy to New York in the late1870s and worked his way from a simple tailor out of an apartment to an eventual store owner before passing away in 1906. His sons (brothers to my great-great-grandmother Nicoletta Felitti of East Harlem) became very wealthy businessmen through the family clothing business and were expert tailors themselves. They were well known for suits and wedding dresses. The original Lord and Taylor was a few buildings away, and the story has it that Lord and Taylor approached the Trimarco Bros. with a proposal to partner together, but the Domenico Trimarco said no, not wanting to move back uptown to where the new Lord and Taylor would be.” —Conor Welch

"Market Street, east side, north from Madison, to and including Henry Streets. The Manhattan Bridge is seen in the background." - P.L. Sperr, September 9, 1927.

Tracks of the Second Avenue El above Division Street, viewed from the south walkway of the Manhattan Bridge. September 24, 1927.

165 Henry Street, formerly the Rabbi Jacob Joseph School, ca. 1980. Founded in 1903, the Rabbi Jacob Joseph School is a modern-day Orthodox Jewish school, also known as a yeshiva. The institution was named after Rabbi Jacob Joseph, the chief rabbi of New York City's Association of American Orthodox Hebrew Congregations. Hundreds of rabbis and community leaders have attended this school. It saw its most productive years between the 1940s and the 1960s. In 1976, the institution relocated to the Richmond area of Staten Island, where it continues to teach its rigorous Talmudic curriculum to students from nursery age through the twelfth grade.

The Wah Yan Mue Temple was located above the Temple Garden Restaurant at 16 Pell Street in the Hip Sing Building. Hip Sing Tong is one of a dozen tongs or business and neighborhood associations that assisted new immigrants with services, jobs, and a community. Hip Sing, established in the 1850s, is also well known in the 20th century as a criminal organization. The original temple on the upper floors of 16 Pell was the Fut Cho Mue Buddhist Temple. Its successor was the Wah Yan Mue Temple, which seems to have utilized some of the same items, including the ceremonial gong (seen at right).

Named for a grove of fruit trees on the DeLancey estate that comprised much of this area, Orchard Street is characterized by its tenements and history as a commercial thoroughfare, hosting many prosperous shops and street vendors. The five-story pre-law tenement at number 97 was purchased by the Lower East Side Tenement Museum in 1988 to interpret the history of immigration to the area. It is estimated that roughly 7,500 people from 25 countries resided in the building until it was sealed due to non-compliance with City housing codes in 1935. The six-story, red brick, Queen-Anne-style Old Law tenement at number 14-16 features a fanciful cornice and terra-cotta Stars of David, a feature shared by its sister building at number 47. 97 Orchard is listed on the State and National Register of Historic Places.

“Street Scene - Lower East Side, 1898. From intersection of Hester and Suffolk Sts. Hester St. at Right; Cart at Left on Norfolk; Sussex in Background; Clearance for Seward Park.”

The Bowery north from Grand Street, 1903.

Corn Exchange Bank and Trust Company branch, 1931. This branch was completed in February 1931, replacing a branch in an older building at the northwest corner of Grand and Norfolk Streets. The Corn Exchange Bank, founded in 1853, merged with the Chemical Bank in 1954 and, through a series of further mergers, has since been folded into the holdings of JPMorgan Chase.

The Ludlow Street Jail, New York City's 19th-century federal prison, opened in 1862 at the corner of Ludlow and Broome Streets. Intended as a prison for civil offenders, most inmates were debtors. The infamous Tammany Hall politician Boss Tweed was held at Ludlow Street, where he died of pneumonia in 1878, at the time unable to repay some $6 million of embezzled city funds. Victoria Woodhull, the first female presidential candidate, was also imprisoned for six months in 1872, accused of sending obscene material in the mail. The jail closed in December 1927 and was subsequently demolished. Today, the Department of Education’s Seward Park Campus, built in 1929, occupies the site.

The Chinese Merchant's Associaton was built in 1950 by Poy Gum Lee. The Museum of Chinese America describes the building as, "a boxy modernist block with modest Chinese decorative motifs...the most iconic building in Chinatown, the pagoda-topped On Leong Tong building typified Lee’s Chinese modern style." Poy Gum Lee, born and educated in New York, was the architectural consultant for the Chinese Consolidated Benevolent Association. This was the first building to be constructed in a style reflective of Chinese-American culture. Additionally, Poy Gum Lee was the first well-known architect of Chinese-American descent to build in Chinatown. The building houses the On Leong Tong, or the Chinese Merchants Association, a tong society established in 1893. This building was part of the tong's territory. Upon its formation, the On Leong Tong feuded with the Hip Sing Tong over control of the area. Tongs were mutual aid societies established to protect Chinese families and businesses against racism and prejudice in the United States. Many tongs were quickly associated with street gangs as violence between tongs was not uncommon. In extension, tongs found profit in appealing to vices, and many tongs were sustained by running brothels, opium dens, and gambling houses. However, tongs acted as the court and police force for Chinese-American communities, providing a semi-legitimate structure for communities otherwise unprotected by the government. The On Leong Tong is still operational and maintains over 3,000 members.

Prisco State Bank, 1927. Prisco State Bank was founded in by an Italian man named Raffaele Prisco in the mid 1920s and occupied this classical style bank building on Mulberry Street in the heart of what was Little Italy at the time. In 1931 the bank was closed by a New York State Banking Agency and Prisco was arrested and charged with grand larceny. The charges involved withdrawing funds from an account held by the bank to pay a personal debt. Along with Raffaele, his two sons and a third employee were also charged and served time for the crime. When the bank closed, many of its clients, small businessmen of the neighborhood, lost their funds.

Built was working class residences, the two Federal style homes at 298 and 300 Grand Street were completed in the late 1820s or 1830s. Each is two and a half stories, with a single dormer gracing the pitched roof. With the boom in Manhattan's population in the first half of the 19th century, the ground floors were likely converted early into commercial spaces. Today, the pair survives (though perhaps just barely).

Olliffe Pharmacy, ca. 1950. In 1805 Dr. William F. Olliffe opened his druggist business. The location of the original shop is unknown, though it could have possibly been here at 6 Bowery. The wealthy Olliffe family lived on Broome Street (described as a "then a fashionable quarter of New York"). Olliffe's son, also William (M.) took over the pharmacy business likely in the 1860s. A late biography of the man noted that he "continued as proprietor in such a way as to leave him large leisure for social and other engagements." William M. died in 1885, but the Bowery shop survived with his name on the sign until 1957, when it closed after more than 150 years in business!

This 6-story building was demolished to make way for the F train subway entrance on the south east corner of Rutgers Street and East Broadway.

Broome Street, north side, west of Chrystie Street to the Bowery. July 18, 1929. At left is No. 330 Broome, a brick structure with a peaked roof. In the late 1970s, the performance artist Arleen Schloss ran A's, a performance space, studio, and gathering place for avant-garde artists, out of the loft at 330 Broome. In 1979, a young Jean-Michel Basquiat performed and showed work from his SAMO© series in the space.

“Rendering of a new Public School on Hester Street between Orchard and Ludlow Streets.” Designed by Superintendent of School Buildings C.B.J. Snyder in the late 19th century, P.S. 42 today bears the name of Benjamin Altman, an entrepreneur and art collector born and raised on the Lower East Side. Altman worked in his father’s dry goods store on Attorney Street before founding B. Altman & Co. on Third Avenue and 10th Street, in 1865. Upon his death in 1913, Altman bequeathed his art collection, including works by Rembrandt, to the Metropolitan Museum of Art.

"Chinatown Today," a 1973 mural by Alan Okada, viewed from Pike Street.; ca. 1978. Okada's mural was one of several produced by the City Arts Workshop, a community organization promoting the representation of the neighborhood's communities of color through the arts, especially murals. "Chinatown Today," appeared on the eastern wall of No. 107 East Broadway, above a vacant lot along Pike Street. After Edmund Vincent Gillon's photo, the single-story Hong Kong Supermarket opened on this lot. In May 2009, a fire at the supermarket caused heavy damage to the buildings abutting this corner, leading to the demolition of No. 107. By then, however, Okada's mural had been painted over.

Division Street tobacco store, January 26, 1938. According to “Changing New York,” the collection of photographer Berenice Abbott’s WPA work: “The Scharlin family opened its snuff store in 1876. The Yiddish signs in the window say ‘Do you want real strong smelling tobacco? Come in and see for yourself-free trial.’ At its height, the business had branches throughout the nation, and, in 1906, Mrs Scharlin reportedly declined an offer of $500,000. But, by the time of the Depression, the vogue for snuff had ended and the business was in decline. The seven-foot wooden statue of "Sandy" the kilted Scotsman holding a snuff box advertised Scharlin's snuff from the 1870 until 1938. He now resides in the Shelburne Museum in Vermont.” The tenement building that housed the Scharlin storefront is still standing, a few doors west of the Knickerbocker Post Office’s rear entrance.

The Forward Building, 175 East Broadway, ca. 1989. Once the headquarters of the city’s Yiddish-language newspaper, The Forward, 175 East Broadway is a Beaux Arts architectural masterpiece that sits directly across from Seward Park. Designed to the plans of architect George Boehm, the Forward Building was erected in 1912 to accommodate the paper’s growing staff and replace its former makeshift-office in a tenement building. When completed, this ten-story tower was the first “skyscraper” in the Lower East Side.

Essex Street between Grand and Hester Streets, ca. 1978. Essex Street storefronts include an auto driving school advertising classes in three languages, Castillo Travel Agency, and Hebrew Religious Articles.

Christmas trees for sale outside Gogel's Delicatessen. December 23, 1941.

Kletzker Brotherly Aid Association building, ca. 1978. The Kletzker Landsmannschaft, an aid organization for immigrants, was founded in 1892 by Jewish immigrants from Kletzk, Poland (near present-day Minsk, Belarus). The L-shaped building, which has an additonal entrance at 41 Canal Street, has since been a funeral home serving the Jewish, Italian, and Chinese communities of the Lower East Side.

Group of Socialist leaders including Forward editor in chief Ab Cahan (in center, looking to his right), former Vienna, Austria vice-Mayor Dr. Max Winter, and Frank R. Crosswaith, founder of the Negro Labor Committee

The Forsyth Street Synagogue of the Congregation Poel Zedek Anshe Illiya, 1930.

Anshe Chesed and Rodeph Sholom are respectively the oldest and second oldest surviving synagogue buildings in the city, and some of the oldest in the country. Both were constructed for German Jewish congregations in German architectural styles: Gothic Revival and Rundbogenstil (“round-arch style”), and feature red brick, central staircases and symmetrical façades with recessed central sections and square towers. Kehila Kedosha Janina Synagogue is the only Greek Synagogue in New York and the only synagogue of Romaniote Jews in the Western Hemisphere. The Eldridge Street Synagogue was America’s first major house of worship built by Eastern European Orthodox Jews. The yellow brick building features Moorish and Romanesque details and rich ornament. At its peak in the early 20th century, the synagogue hosted as many as 1,000 worshippers at services, but was forced to close in the mid-20th century when the area’s Jewish population began to dwindle. In 1986, the Eldridge Street Project funded a large-scale restoration of the building, which was repurposed as a museum. The Former Congregation Anshe Chesed, Kehila Kedosha Janina Synagogue and the Former Eldridge Street Synagogue are all designated New York City Individual Landmarks.

China Daily News was founded at 105 Mott Street by the Chinese Hand Laundry Alliance, a rival of the Chinese Hand Laundry Association and the Chinese Consolidated Benevolent Association. Labeled a communist paper by its rivals, The Daily News was certainly leftist and was attacked for celebrating the founding of the People's Republic of China in 1949. Some rumors even suggested that the Alliance was quietly aided by the Communist Party in China in the early years of its formation. A congressional record from 1942 wrote that the paper was suspicious, though it was helped by the fact that it was printed in Chinese and "a considerable amount of translating would be required to ascertain whether or not the paper adhered to the Communist Party line." However, by 1952, the paper was charged with violating the law by the United States Department of Justice. Two years into the Korean War, the China Daily News had been advertising ways for subscribers to skirt the Trading with the Enemy Act. The paper was caught publishing instructions on how to send remittances to families in China. Manager of the Daily News Eugene Moy was found guilty and sent to jail, where he died a few years later. Some staff members of the newspaper were deported, some fled the country voluntarily. To make matters worse, newspaper vendors were fearful to even carry the paper. Reportedly, even subscribers were hounded by the FBI. The paper survived the Cold War, but just barely. It was funded by leftists across the country who donated to its cause. The small circulation finally ceased to exist in 1989, as did the Chinese Hand Laundry Alliance.

191 Canal Street has a long history. It was first home to the Chinese Hand Laundry Alliance, which formed in 1933 in response to an ordinance targeting Chinese laundry owners. In 1933, an ordinance from the board of alderman required that the 3,500 Chinese-owned laundromats in New York City pay $25 in annual fees and post a $1,000 bond. Even though this ordinance did not explicitly target Chinese laundrymen in its language, they were its target. The ordinance was specifically geared toward one person laundries (almost all of the Chinese-owned laundromats were one-person businesses.) This ensured that the Chinese laundries would bear the brunt. Seeking legal protection, laundrymen looked to the Chinese Consolidated Benevolent Association (CCBA). The organization promised the protection of all Chinese-owned businesses so long as they paid their annual dues. In response, the CCBA asked for additional payments to open an investigation of the ordinance. Out of frustration with the CCBA's inaction and dues, the laundry owners formed the Chinese Hand Laundry Alliance in 1933. They had the help of Y.K. Chu, a regular critic of the CCBA and the editor of the Chinese Journal of Commerce. The following year, it is said that the CCBA bankrolled the formation of the Chinese Hand Laundry Association, a rival to the Alliance. The Alliance was never shy of their leftist and radical beliefs and therefore shed many members to the conservative Association in its early years. Soon becoming politically homogenous, the Alliance formed a newspaper aligned with their beliefs. The China Daily News was headquartered at 105 Mott Street, just around the corner from the Alliance's headquarters on Canal Street. The Daily News proved so successful that they were able to purchase the entire building at 191 Canal Street in 1951. Though Alliance and the China Daily News were met with success early on, this was by no means the end of the fight. The Korean War and the Cold War took its toll on both groups. Decreased subscribers and other financial strains required the news company to sell 191 Canal Street in 1951. A year later, the Justice Department charged the China Daily News with violating federal law. The paper was caught printing advertisements with instructions on how to send remittances to families in China, an act that violated the Trading with the Enemy Act. Manager Eugene Moy was announced guilty in 1954, and he died in jail a few years later. Some of the paper's staffers were deported, others fled the country. Subscribers of the China Daily News were hounded by the FBI with the intensifying pressure of the second Red Scare. However, The paper held on until 1989. The Alliance found a similar fate with "the long decline of the hand laundry industry...and the death of its elderly members."

Pushcarts and garment stores on Hester Street, ca. 1938.

American Theatre (Thalia Theatre) In the stratified world of New York City theaters, with their implicit class associations, the American Theatre, at the corner of Canal Street and the Bowery, was considered a middlebrow house. Designed by Ithiel Town with the innovative use of gas jets for interior lighting, it had opened in 1826 and, by 1833, had been twice remodeled after fires. Three thousand patrons could be accommodated within its large central pit and four tiers of galleries, which reached across the house and down each side almost to the stage. In the Jacksonian era, urban theaters like the American Theatre had assumed new importance as democratic gathering spaces, in which ticket holders could not only relax but also vent political opinions publicly and intermingle with allies and enemies seated, depending on allegiances, in the more boisterous pit or costlier boxes. Ungovernable audiences often interrupted performances.

Opposite Mulberry Bend ca. 1898 This stretch of East Broadway was enjoying a revival of sorts after the 1892 demolition of the adjacent notorious slum, the Mulberry Bend. Here the well-dressed families and closed shops- one with a sign in Hebrew- suggests that it is Saturday and families are milling about after attending synagogue. Lazarus Levy- the proprietor of the shop at 30 East Broadway- was among twelve and a half pages of Levys listed in the 1898 city directory. He moved his business to East Houston Street within the year.

Built in 1890 by architect Josiah Cleveland Cody, this Romanesque Revival structure was first built as the temporary home to a missionary group attempting to proselytize to the local Jewish community. Unsurprisingly, that mission failed and the building was sold to Chevrah Poel Zedek Anschei Illia, a Jewish community of Lithuanian immigrants. In 1909 the new owners converted the ground level facade on Delancy Street side into retail spaces. The synagogue remained here until the 1960s despite long dwindling membership. Today the building is home to Templo Adventista del Septimo Dia. In early 2016 the church sought a developer to demolish the 19th-century building and erect a 12-story structure. As of 2018, nothing has come of that intention.

Former synagogue at Forsyth and Delancey Streets, now a Seventh-Day Adventist Church, ca. 1978. Built in the 1890s as the Forsyth Street Church, the congregation of immigrants from present-day Belarus and Lithuania took over the church in 1900. The building is notable for the row of ground-level retail storefronts on Delancey street, around the corner from its main entrance. In 1971, the building was sold to the Seventh-Day Adventist Church of Union Square.

Essex and Hester Streets, looking West, toward Ludlow Street. The Second Avenue El tracks are visible in the background, above Allen Street. Service ran along this segment, opened in 1880 and including stops at nearby Canal and Grand Streets, until its closure in 1942.

“Storefronts at the intersection of Division and Canal Streets. In the center is the former Loew's Canal Street Theatre.” Thomas Lamb designed the theater and its facade, completed in 1927. Loew’s Canal Street opened with a capacity of over 2,300 and remained in operation for at least 30 years. The former theater was sold in 1960 for retail use and designated a New York City Landmark in 2010.

Located at 54 Canal Street, this 12 story classical-style bank was built by architects Rouse & Goldstone for Sender Jarmulowsky in 1912. Jarmulowsky established his banking business on the Lower East Side in 1873 and was operating at this location by 1878. Here, recent immigrants could set up bank accounts, send remittances, and buy steerage tickets for their European relatives – in Yiddish. The bank quickly became a household name among Jews on both sides of the ocean. According to legend, Jarmulowsky added the capital to the top of the building (now removed) so that it would be the tallest in the neighborhood. His original plan had not included this detail, but the Forward Building down the street on East Broadway went up simultaneously and was slightly taller than his bank prompting the architectural change. The bank become a testament to Jarmulowsky’s success as a businessman and reflected his prominence in the Jewish community of the Lower East Side. Jarmulowsky died in 1912 shortly after the bank was completed, and his sons took over the business. unfortunately, they lacked their father’s business acumen and mismanaged the business. In 1914, at the start of World War I, the bank closed as many depositors made “runs” on the bank to get money to help their families in Europe. According to the New York Times, 2,000 people demonstrated in front of the bank. 500 people stormed the house where son Meyer Jarmulowsky lived, forcing him to escape across tenement rooftops. Jarmulowsky’s sons were indicted for banking fraud and the bank closed. The State of New York took over the bank in May 1917 and auctioned it off. In 2009, Jarmulowsky’s Bank building was designated a landmark by the Landmarks Preservation Commission. The building is currently (2015) being restored and the temple at the top will be rebuilt.

“Looking south on Orchard Street at the Sender Jarmulowsky Bank Building, 54-58 Canal Street.” The Jarmulowsky Bank Building was built by architects Rouse & Goldstone in 1912, in Beaux-Arts style. The bank failed after the United States entered World War I as immigrant depositors withtheir money to send to relatives abroad, and the bank became insolvent. Until 1990, the building featured a massive columned tower rising 50 feet to a dome ringed by eagles, allegedly added at Jarmulowsky’s behest in order to make sure his building was the neighborhood's tallest.

104, 102, 100 and 98 Forsyth Street, ca. 1977. The pair of matching tenements at 102 and 100 Forsyth Street (left and right, respectively, at center) were built circa 1868. The facades of these five-story buildings have retained many of their original features including decorative stone lintels and pediments and the crowning bracketed metal cornices. In the last few decades of the 19th century, these buildings were the headquarters of a meat packer and dealer called Coles, Marshall, and Co. In the late 1970s and early 1980s, the avant-garde and experimental filmmaker, author and activist Marjorie Keller lived in an apartment in no. 100 while attending graduate school at NYU.

Located on a stretch of East Broadway once known as “Yiddish newspaper row”, this was the headquarters for Vorwärtz, or the Jewish Daily Forward, the most widely read Yiddish newspaper in the United States. First published in 1897, it was immensely influential on the Jewish community for its support of socialist causes and for its articles offering advice on everyday struggles, making the most of America’s opportunities and encouraging children’s education. The terra cotta-clad building features medallions with faces of socialist heroes Karl Marx, Friedrich Engels, Karl Liebknecht and Ferdinand Lassalle above the entry, Vorwärtz in Yiddish at the building’s crown, and a clock at the parapet. The paper moved uptown in 1974 and the building was converted to condominiums in the 1990s. The Forward Building is a New York City Individual Landmark.

Oliver Street Baptist Church ARCHITECT: Isaac Lucas DATE: 1844-45 STYLE: Greek Revival The Oliver Street Baptist Church is a fine local expression of Greek Revival architecture stated in its simplest terms and it uses inexpensive materials which nevertheless produce an overall effect of great dignity. The recessed portico with its two handsome Ionic columns is flanked on either side by plain wall surfaces relieved only by the introduction of simple panels. This composition is crowned by a well proportioned low-angled gable (pediment). The sidewalls have full length windows which light the aisles and the galleries above them.

The Classic Coffee Shop, 56 Hester Street, ca. 1984. The coffee shop and diner at right has been serving the Lower East Side since the mid 1970s. The old-style lunch counter was owned in the mid century by a Benny Steinberg before being inherited by Miguel Morales who passed it along to his son, Carmine. They continue to serve no-frills fare (coffee, tuna melts, and grilled cheese) to the ever changing LES population.

Presbyterian Church of the Sea and Land, May, 1924.

After returning to New York from Paris in 1929, photographer Berenice Abbott set out to document the changing landscape she encountered in the city. Despite initially struggling to find funding for this endeavor, Abbott was hired by the Federal Art Project to complete a collection that became known as Changing New York. Although Abbott’s focus was the city’s changing nature, examining her photographs almost a century later brings to light a contrasting theme: the continuity within the change; aspects of New York life that have remained constant through the decades, serving as a reflection of some of the many things that make New York New York.

Manhattan Bridge, 1915. In 1910, a year after the bridge opened, the architectural firm Carrère and Hastings drew up preliminary plans for a grand entry to the bridge on the Manhattan side, in keeping with the City Beautiful movement’s emphasis on monumental architecture. Construction began that year, and plans were finalized in 1912. The arch and colonnade, completed in 1915, feature ornate sculptural detail, including pylons by the sculptor Carl Augustus Heber and a frieze by Charles Rumsey, entitled "Buffalo Hunt." The arch and colonnade were designated a New York City landmark on November 25, 1975. After years of neglect and appeals by traffic engineers to remove the structure, the arch and colonnade were repaired and restored in 2000.

Just as churches were often converted into synagogues by newly arriving Jewish immigrants, the inverse happened as well. This synagogue was built by Kol Israel Ansche Poland in “eclectic Moorish-Romanesque-Gothic style” by the architectural team of Herter & Schneider. It cost $100,000 and was dedicated on September 19, 1892. It gave the congregation much needed space for their rapidly growing congregation. Unfortunately, prosperity was short-lived and the congregation had to sell the building to St. Barbara’s Greek Orthodox Church in 1926. In short order, St. Barbara’s, too, had financial trouble and the building was foreclosed in the late 20s. It sat vacant until 1934 when St. Barbara’s was able to reacquire the property. The church made some alterations, removing or altering the Gothic stained glass windows and adding cross iconography but otherwise left the facade as it was. St. Barbara’s still owns the property today.

The Greek Orthodox Church of St. John the Baptist, October 1930. Built for the Congregation Kol Israel Anshe Poland in 1892, the synagogue at 27 Forsyth Street (then nos. 20-22) was sold to the Greek Orthodox Church in 1926. Today, it is St. Barbara’s Greek Orthodox Church The building was designed by the firm Herter & Schneider, whose Francis William Herter had previously designed the nearby Eldridge Street Synagogue.

88 Division Street, at the intersection of Division, Eldridge, and Forsyth Streets, looking north on Eldridge towards Canal Street. The Eldridge Street Synagogue, opened in 1887, and beautifully restored at the start of the 21st century, is visible on the east side of Eldridge Street (center).

"Thalia Theatre, 46-48 Bowery. Formerly Bowery Theatre. Photograph taken around 1881." Built originally in 1826, as the New York Theatre, the playhouse was established as direct competition to the Park Theatre on Park Row and Ann Street. The wealthy and fashionable citizens who had recently moved to the newly developing neighborhood on nearby Lafayette Street wanted access to high-class European theatre. The building itself was constructed on land that had once been occupied by the Bull's Head Tavern, one of George Washington's headquarters during the Revolution. After only two years in business, the theatre suffered a major fire in 1828, and the interior was rebuilt behind the surviving facade and renamed the Bowery Theatre. Though it would have a series of other names (American Theatre, Thalia Theatre , Fay's Bowery Theatre) it was from 1828 on generally referred to as the Bowery Theatre. The theatre's most successful period was from the 1830s to the 1850s, when it made a name for itself as a American nativist and populist hub (unsurprisingly it was during this period that it was renamed American Theatre). The building survived through the constantly changing neighborhood and populations of the mid to late 19th century and early 20th century. After a series of 19th century fires and rebuilding efforts, the theatre was finally destroyed by a fire in 1929.

The corner building at 85 Mott Street began its history as a luxurious brick-fronted home, complete with all the trappings of a Federal-style while also holding on to some Georgian elements. It featured dormers on a peaked roof, a pair of chimneys, and charming arched windows. Owing to its corner location, it perhaps received much more sunlight than most mid-block Federals. It likely only remained a single-family home for a short time, as the density of the city closed in on it. By 1835 it, and its two Mott Street neighbors, were bought by the Bull family and became multifamily dwellings. . Over the next century, the structure at no. 85 saw likely thousands of residents cycling through the various ethnic communities that inhabited the neighborhood. In the 1870s the ground floor was converted into commercial space, occupied by variously by a tavern and retail shops. . The Bull family sold the three buildings in 1939 and Chinatown-born architect Poy Gum Lee was hired to design a new structure for the On Leong Tong, or Chinese Merchants Association. The resulting building, completed in 1951, was a cultural hybrid, which combined a Modern style with stereotypical “Chinese” features, like a pagoda roof and projecting balconies.

41 Mott Street in rendering at the far right, 1950.

William and Rosamond Clark House ARCHITECT: Unknown DATE: 1824-25 STYLE: Federal The William and Rosamond Clark House is one of New York City’s few remaining late Federal houses still retaining a significant range of rich architectural details of the period. Above the windows are their original paneled lintels on the first three floors. The lintels are more elaborate than is usual, being enriched with both panels and rosettes. The basement windows are framed with a rusticated architrave composed of alternating smooth and textured blocks of stone. Most of the exterior ironwork is original.

Built in 1887, the Eldridge Street Synagogue was the first grand synagogue built by Eastern European Jews in the United States. Now a museum, it stands as a testament to the 19th century’s great wave of Jewish migration and the Lower East Side’s legendary Jewish community. The synagogue was designed in a Moorish style and built by German Catholic brothers Peter and Francis Herter. It was only the fifth building the Herter brothers had created in New York, and the first non-tenement structure. The structure’s Moorish style is evident in the horseshoe windows on the exterior, interior domes & arches, and dazzling decorative arts in the main sanctuary. The interior also boasts a more recent addition - a stained glass window designed by artist Kiki Smith & architect Deborah Gans, installed in 2010 to replace a historic rose window damaged in the mid-20th century. In the mid-20th century, after decades of declining membership, the congregation abandoned the main sanctuary in favor of the smaller sanctuary (Bes Midrash) on the lower level. Rediscovered in the late 1970's in a state of severe disrepair, the building underwent a meticulous 20 year, $20 million restoration. In 2007 the fully restored space was officially rededicated as the Museum at Eldridge Street. Today the Museum welcomes visitors of all backgrounds, faiths, and interests for tours, concerts, book talks, and other programs. The surrounding neighborhood, now Chinatown, offers a rich foundation for exploring history, immigration, and urban culture. It is open to the public Sunday through Friday.

Church of St. Teresa, November 23, 1932. St. Teresa Catholic Church has occupied this Gothic Revival building since 1863 , but the edifice was not built for them. Completed 21 years earlier, the stone building was constructed as the Rutgers Presbyterian Church. The name of the architect has been lost to time, but he was at the forefront of ecclesiastical architecture. Here he chose an emerging style for New York City religious structures. The four clocks on the bell tower are considered the oldest hand-wound public clocks in the city. During the 20th century the structural integrity of the building suffered with age, culminating in the 1995 collapse of the vaulted ceiling, which rained 60,000 pounds of plaster though the main floor and into the basement. Facing possible demolition, the parish sold their adjacent property and air rights to fund the repair work. Along with this roof and interior reconstruction came also some restoration efforts, including work on the church's timepieces. The four belfry clocks had stopped functioning or their winding had long been ignored. (Photographic evidence suggests that the Rutgers Street clock face read 10:15 from the 1930s through the 1970s.) Today the church's facade, at nearly two centuries old, looks incredibly similar to what it would have looked like when built in 1842.

282-286 Grand Street, ca. 1970. The three buildings at 282, 284 and 286 Grand Street are Federal style rowhouses erected in the early 1820s. In 1864 a shocking murder occurred right in front of no. 282 (at left). A Robert Haines, painter, motivated by jealousy murdered the new domestic partner of the wife he had abandoned years earlier. Once topped with a pair of dormer windows each, by the 21st century these features had been lost. In 2017 plans were filed with the city to demolish these nearly 200-year-old structures and construct a seven-story rental building on the site. Despite considerable delays, the three buildings were finally razed in the early months of 2018.

S. Jarmulowsky Bank Building ARCHITECT: Rouse & Goldstone DATE: 1911-12 STYLE: Modern Renaissance The S. Jarmulowsky Bank Building was described at the time of its construction as “the first strictly high-class tall bank and office building” on the Lower East Side. It was completed in 1912 as the architectural showpiece of Sender Jarmulowsky, one of the Lower East Side’s most prominent bankers. Jarmulowsky achieved wealth and fame on the Lower East Side by providing steamship tickets and banking services to the immigrants of the neighborhood, which was then unrivaled as the world’s largest Jewish community. It was executed in the “Modern Renaissance style” and the tripartite configuration that was standard for tall buildings of the time.

Garden Cafeteria, ca. 1977. Opened in June 1941 as the Garden Cafeteria by Charles Metzger, an Austrian immigrant, the restaurant and hall-for-hire was a popular meeting spot for writers of the Jewish Daily Forward (whose building was four doors down) and Jewish intellectuals. Supposedly a restaurant in this space dated to earlier in the century and was also popular among the Jewish Socialist crowd, including Leon Trotsky (who wrote for the Forward for a time in the 1910s). The Cafeteria was opened 24 hours a day and was very successful for Metzger. It was a dairy restaurant that adhered to Jewish dietary laws. Customers got a ticket upon arriving, and it got punched with every item you ordered over whatever period of time you were there. Patrons could sit for hours (and did) and paid for everything together before they left. The Cafeteria closed in 1983 and is currently a Chinese food restaurant.

On January 1, 1936, New York’s Lower East Side got its first subway stop, changing it from a land of crowded tenement dwellings and slums to a gentrified city district practically overnight. This is the story of the East Side Subway, איסט-סײַד אונטערבאַן. In Yiddish, the subway is called the unterban, though colloquially it was called the subvey which is how The Forward spelled it out for readers.

173 Worth Street, April 7, 1928. A home on the north side of Worth Street, east of Baxter Street. Today this land is part of Columbus Park.

Discussions of vaccinations in New York City have an interesting history. The city’s 1947 smallpox outbreak is notable both for being the last smallpox outbreak in America and for spurring the largest mass vaccination effort ever conducted for smallpox in the country.

Push carts at the corner of Essex and Hester Streets, ca. 1900. The store at the near corner, with “\[wines] & liquors” awning visible, is No. 28 Essex Street. Shortly after the turn of the century, this corner was cleared for the construction of P.S. 62, an intermediate school. Two decades later, that building was torn down to facilitate subway excavation. The campus was relocated to the former site of the Ludlow Street Jail.

"138-142 Bowery, south of the S.W. corner of Broome Street, 1932." The building at 140 Bowery (with the Callahan the Hatter sign) was a Federal style house built as early as 1808. The building was likely, exclusively, a home until 1825 when a dry goods store moved into the ground floor space. That store was followed by a jeweler and a hat and artificial flower shop. In 1868, the retail space was taken over by the Callahan the Hatter store, which would remain in place for more than 60 years. John Callahan, the Irish immigrant who established the store, had a sharp marketing sense and big plans. Callahan, at one point, had 700 advertising signs around the city, and in late 1870s expanded the store into the second floor residential area. According to the notes on this photograph, Callahan's was popular among "many of the beaux and dandies of the 'Gay Nineties." The building survived into the 2010s when in 2011 it was being considered for landmark status. At that point the owner removed the twin dormers and covered them with a black asphalt material. In 2014 the three buildings at Nos. 136 through 140 Bowery were sold for $45 million. They were demolished in the spring of 2016.

47 St. James Place, ca. 1975.

24 Henry Street, July 1967. The small Federal style two-story house at 24 Henry Street was likely constructed, along with its four-story rowhouse neighbor at no. 22, in the 1820s. The well-known star of Ziegfeld Follies, Franny Brice, once lived with her mother in an apartment in this building. The musical based on her life, Funny Girl, has a scene set at and titled "24 Henry Street." The two buildings were demolished quickly and somewhat surreptitiously in 2010 and replaced with a double lot, contemporary masonry building.

The intersection of Canal, Baxter, and Walker Streets, ca. 1870. The above view is westward, toward the Hudson River. At center left, west of Centre Street, is the warehouse of the M\&G Wilkinson wood and willow ware wholesalers. At bottom left is the Grand Street Ferry-bound streetcar, likely en route from the Cortlandt Street Ferry downtown. The image, credited to "American Photo," also appears in the New York Public Library's Photographic views of New York City collection. Notes there date it to ca. 1860, though the presence of M\&G Wilkinson advertising (founded 1867) indicate a later date.

Public art represents and is represented with many different forms and ideas, its creation, concept and location all come into play when looking at a piece's place in an urban landscape such as New York City. Public art takes up a space, one that is always shared with a community, part of this story would like to address how the two intersect. In some cases a piece can even breed its own community, in the case of 5 Pointz, which in itself was its own piece of public art but also a space that created a community of artists. The Graffiti Mecca can also lead us to ask the question, “What is considered public art and where is the line drawn?” This question will be explored as well as looking to an ideal future for a city where art is put at a higher priority. Where graffiti artists aren’t criminalized for their work or used for profit. Looking at spaces and experiences where a community can be represented and enhanced by public art with ways of giving back and giving all people ways of expressing themselves.

“Street scene of peddlers and street vendors on Hester Street on the Lower East Side in 1898.” At the turn of the century, Hester Street was known for its open-air push cart market, one of many hubs for Lower East Side vendors. The tenement buildings in this photo — likely on the North side of Hester Street, near Norfolk and Suffolk Streets — were soon demolished to make way for the campus of the P.S. 62 intermediate school, which opened in 1905.

Workers lay pipe for the high pressure water system beneath on New Bowery (now St. James Place); undated photo. The elevated trestle carried trains on the combined Second and Third Avenue lines, which split at Chatham Square (in the distance at far left, obscured by the horse-drawn carriage). The buildings at center-right are No.63, the Atlantic Hotel (left), and No. 59 (right), which housed the shops of furniture maker Timothy A. Garvey and John Dahlgren, a producer of decorative moldings. At far right is the entrance to First Shearith Israel Graveyard, the city's first Jewish cemetery.

Soy Kee Co. Soy Kee and Company was an importer and exporter of Chinese goods, selling curios, chinaware, lamps, silks, ivory carvings, imported Chinese teas, candies, coffees, and other accessories. It was first located here at 36 Pell, under a Chinese eatery before moving to 7-9 Mott Street where it occupied the ground floor space of a building known for its busy upstairs restaurant, called Port Authur. It is unknown when Soy Kee and Company opened, but its move to Mott Street occurred sometime after 1903. In 1921 Soy Kee and Co. became the owners of the building they had long rented at 7-9 Mott Street.

The Church of the Sea and Land, viewed from the Manhattan Bridge. Photographed by Berenice Abbott as part of the Federal Art Project, March 30, 1937. At the turn of the 19th century, the Rutgers family — for whom nearby Rutgers, Henry, and Catherine Streets are named — owned a farm on the Lower East Side. After the Commissioner’s plan of 1811, Henry Rutgers donated land along Rutgers Street for the construction of churches, including the Market Street Reformed Church (also known as the Northeast Dutch Reformed Church, and variations on the same). The Georgian Gothic Revival church was constructed from field stone and Manhattan schist and completed in 1819. In 1864, following the dissolution of the Dutch Reformed Church, it became the Presbyterian Church of the Sea and Land, its new name a reference to waterfront laborers who made up the congregation. In 1972, the Sea and Land Church transferred ownership of the building to the First Chinese Presbyterian Church, who had shared the space since 1951.

Bowery Savings Bank Interior ARCHITECT: McKim, Mead & White; Stanford White DATE: 1893-95 STYLE: Roman Revival The interior of the Bowery Savings Bank is an early example of the Roman Revival style which was to become standard for savings bank buildings and was intended to express both simplicity and grandeur. The skylit, eighty-foot square, steel-framed banking room has details that closely follow Roman prototypes and it compares in scale to the grandest buildings of ancient Rome. The banking room is a prime example of a type which evolved in the second half of the nineteenth century characterized by a symmetrical arrangement and a prominent, axially-placed freestanding bank vault in a large centralized space organized with a peninsular layout of the tellers’ area to accommodate male and female depositors. In response to contemporary sanitary concerns, the interior was designed with durable, easily cleaned, surfaces and the building’s form was exploited to provide effective natural ventilation.

Though Broadway has become synonymous with theater in New York, the Lower East Side has a rich tradition of theatrical productions. To explore this, let's take a look at two of these theaters on the Lower East Side, The Grand Theatre and the Loews Canal Theatre. Both of these theatres are closed today, however, after their final curtain their fates have been entirely disparate.

Junction of Essex Street, Canal Street, East Broadway and Division Street, May 9, 1930. Seward Park, named after New York Senator and later Secretary of State William Henry Seward, is visible at center-left. Opened in October 1903, Seward Park features the first municipally-built playground in the United States.

Chatham Square Cemetery, ca. 1900. The Chatham Square Cemetery is the oldest extant cemetery of the Shearith Israel Congregation and the second oldest cemetery in Manhattan. The Sephardic congregation dates to the middle of the 17th century when Spanish and Portuguese Jews arrived in New York and established a synagogue. Their first cemetery, established in 1656, is long lost. The cemetery was purchased in 1682 with the first interment the next year. Situated on a hill overlooking the East River (or it was a hill in the colonial era) the cemetery was actually used as a strategic position by both General Washington and the British during the Revolutionary War. A ban on burials below Canal Street in 1823 signaled the end to (most) interments here; a second ground for the congregation was opened on 11th Street near Sixth Avenue. Later a third cemetery was established near Sixth Avenue and 21st Street (1829) and a fourth in Ridgewood, Queens (1850s). The size of the cemetery was somewhat drastically reduced in 1855 when the expansion of the Bowery took a sizable portion of the cemetery by eminent domain. In all 256 graves required re-interment. Today the tiny cemetery sits a few feet above the adjacent street level and about one hundred headstones and above ground tombs are visible.

At the intersection of East Broadway (left) and Canal Street (right), showing a view westward from Rutgers Street. On the extreme right, appears a portion of Seward Park. In the background on Canal Street, is seen the Canal Street station of the Second Ave. Elevated Line, and on East Broadway, a portion of the Manhattan Bridge. June 6, 1930.

Former Madison Street Mission, ca. 1973. Now an apartment house, 209 Madison Street, was originally built in 1886 as the Madison Street Mission. The mission, an extension of the First Mariners Methodist Church, closed in 1894. Later, 209 Madison Street became home to Etz Chaim Anshei Wolozin, a Jewish congregation with roots in present-day Belarus. They occupied the space for a number of years, but like many other Lower East Side synagogues, the building was converted into a residential property in 1933.

Hebrew Religious Articles store, 45 Essex Street.

Over a 130 years ago, New York’s Lower East Side was home to the world’s largest Jewish community. Between 1881-1924 over 2 million Eastern European Jews called this neighborhood home. And just as generations of immigrants have and continue to do, this community transformed the LES, creating a network of businesses, synagogues, public gathering spaces and more. Today, the LES has gone through many changes, but look closely. Tucked along these bustling blocks, signs of immigrant Jewish life – and hopes – still remain.

Park Row Building ARCHITECT: R. H. Robertson DATE: 1896-99 STYLE: Skyscraper The 30-story, 391-foot Park Row Building was the tallest building in New York City and one of the tallest structures in the world between 1899, the year of its completion, and 1908. It is one of several surviving late nineteenth-century buildings that formed Newspaper Row, the center of newspaper publishing in New York City from the 1840s to the 1920s. Among its many tenants, the building housed the offices of the Associated Press news agency, as well as the headquarters of August Belmont’s Interborough Rapid Transit Company. The great height and irregular plan of this building led to the use of innovative construction techniques including a pile and steel-grillage foundation, a Roehling concrete floor system for fireproofing, and Sprague Electric elevators to transport the thousands of people using the building each day.

Founded by Sender Jarmulowsky, the Jarmulowsky Bank provided vital services to the immigrants of the LES and today serves as a marker of the neighborhood's heritage.

In the 1930s, Mayor Fiorello LaGuardia, one of New York's most powerful mayors, launched a war against an enemy that was ubiquitous on New York's streets: Pushcarts.

Umberto's Clam House, pictured here in the distance, at the corner of Mulberry and Hester Street, has long been famous as the site of a mob hit. The establishment was opened by Umberto Ianniello in 1972. His son, Matthew Ianniello AKA "Matty the Horse" was a rambunctious mobster and part of the Genovese crime family. He was later be found guilty of skimming the profits from around 70 Manhattan restaurants, bars, and strip clubs. This list included his father's restaurant. At 4:30 in the morning on April 7, 1972, gangster "Crazy Joey," Joe Gallo was killed while dining at Umberto's with friends and family. His party included Gallo's wife of three weeks, her 10-year old daughter, and his bodyguard Peter Diapoulas, and Diapoulas' date. They had just come from the Copacabana nightclub at 10 East 60th Street. Gallo, who was celebrating his 43rd birthday, supposedly thought the Genovese family wouldn't take offense at his presence as Little Italy was believed to be off-limits for gang brawls. Gallo was a member of the Profaci crime family and had been marked for execution by the Colombo gang for several months. The shooting left bullet holes in the facade of the restaurant across the street (they were still visible in the mid-1990s!) The next morning, Colombo gang member Joseph Luparelli turned himself in to the FBI as one of the perpetrators. Luparelli detailed the events of the evening as follows: Luparelli and a friend, who happened to be at Umberto's Bar, spotted Gallo and entourage enter the restaurant and take a table facing the door. Luparelli rushed to a nearby hangout of other Colombo members to alert them to the sighting. The men included Philip Gambino and Carmine Di Biase. They phoned acting head Yacovelli and left the restaurant briefly the arm themselves. Shortly after, five men drove two cars to Umberto's, four of whom entered the back door of Umberto's and shot 20 bullets. Three of these bullets entered the mobster's body. Gallo stumbled out into the street and he died on the pavement. The Colombo men fled to Nyack, New York, at which point Luparelli began to become concerned that the others planned to kill him as well. He turned himself into the FBI after fleeing to California. Matty Ianniello claimed that he was not involved in the incident in any way, and recounted diving from the cash register into the kitchen when the first shot was fired. On the floor of the kitchen, Ianniello covered his eyes. The next thing he heard was the empty clicks of a gun pressed against his skull. Fortunately for Ianniello, Gallo's bodyguard depleted his ammo trying to save his client. On February 13, 1986, the court sentenced Matty Ianniello and eight others to time in prison after being indicted for racketeering charges. With "Matty the Horse" in jail, the Federal Government began overseeing the business of Umberto's. United States Attorney Rudolph W. Giuliani administered this action, which made it the only restaurant in the country to have been overseen or seized by the government due to mob activity. From 1988 until 1994, all managerial manners and finances were handled by government-appointed Michael C. Prezioso. Owner and brother of Matty, Robert Ianniello, complained that the interference left slim profits during the 6 years of supervision. A revision to the agreement restored Ianniello's management rights in 1994, though Prezioso would still be allowed to perform spot inspections of all financial records. Umberto's has moved twice since the 1972 shooting, once in the mid-1990s to Mulberry and Broome, and again in 2010 to a spot closer to the original. Umberto's is owned by Robert Ianniello Jr., the grandson of Umberto Ianniello. The original Umberto's building is occupied by Ristorante Da Gennaro.

Northern Reformed Church ARCHITECT: Unknown DATE: 1817-19 STYLE: Georgian Gothic The Northern Reformed Church has what were probably among the earliest pointed Gothic windows and doors in Manhattan. it is an especially fine, simple example of a well-constructed church of the Federal period, and its construction was made possible through the generosity of one of New York’s leading citizens, Colonel Henry Rutgers. It was built in Georgian Gothic style.

Kosher chicken market, Hester Street, ca. 1937.

13 Mott Street, October 28, 1927.

Tracks of the Second Avenue El above Division Street, viewed from the south walkway of the Manhattan Bridge. March 9, 1934. The car at left is traveling on the northbound track, from Chatham Square toward Canal Street. This segment of the elevated line closed in 1942. The building under construction in the background is the United States Courthouse at 40 Centre Street (today the Thurgood Marshall United States Courthouse).

25-29 Oliver Street, March 30, 1937. No. 25 (at right) was the childhood home of Al Smith, four-time New York State Governor. Constructed circa the 1830s, the row house was built as a single family house in a Federal style. The two-and-a-half-story home had a full third floor added in the early 1870s by its then owner, Thomas Coleman, a politician. The home was purchased by the nearby St. James Church and used as a rectory and rented out, at one point to a funeral director. Al Smith, an up and coming politician rented the building beginning in 1909 to house his family of seven. During his run for Sheriff in 1916 (Tammany-supported, he won, of course), a large painting of the man bordered in red, white, and blue hung in front of the building. By that time Oliver Street had become something of a Politicians Row, home to magistrates, state senators, and even the coroner. Smith remained on Oliver Street until the mid 1920s. 25 Oliver Street returned to its occupation as a funeral home once again after the Smith family moved upstate while their patriarch was Governor. In 1939 Berenice Abbott photographed the building and two years later a section of bluestone sidewalk from the front of the house was dislodged and placed in the SS Alfred E. Smith, a transport ship. Though named a National Historic Landmark in 1965, today the building is considerably run down.

78 Mott Street, 1914. James Naughton (referred to as Joseph in at least one source) was born in Ireland and immigrated to New York in the 1860s. For more than five decades he served the Chinatown/ Five Point area as an undertaker. He purchased a number of local buildings including Nos. 37 and 78 Mott Street, as well as the stables at Nos. 31-37 which operated for both mortuary and police horse needs. Though Irish and certainly having enough Irish clients, he also advertised to and served both the local Italian and Chinese communities.

“A crowd of people on Orchard Street, lined with street vendors. Orchard Street at Hester Street, Looking South, 1898.” Division Street is visible at the end of Orchard Street. Orchard and Hester Streets were home to two of the Lower East Side’s largest open-air pushcart markets. These markets were a feature of daily life for the neighborhood’s poor tenement residents; they provided cheap food and goods for customers and income for vendors.

Orchard Street pushcarts, ca. 1940. As Mayor Fiorello LaGuardia worked to eliminate the unregulated outdoor vendors who had long been a fixture of Lower East Side life, commerce on Orchard Street shifted from push carts to garment retail.

The Bowery is one of New York’s most storied streets with a rich and varied past that reflects the hurly-burly history of New York City itself. As Manhattan’s oldest thoroughfare, the Bowery began as a Native American trail and originally extended the length of the island north to south. New York’s early Dutch settlers widened the trail for their own use to connect New Amsterdam at the tip of Manhattan with their farms, or bouweries, farther north. This “Bouwerie Lane” became simply “Bowery Lane” under the English in 1813 and the name has remained unchanged since. By the 1830s, the Bowery was mostly developed into single-family Federal-style rowhouses inhabited by New York’s wealthy merchant class. Remarkably, some of these buildings still survive today. Massive immigration to New York beginning in the 1840s led to new residents, and Germans became a large presence just east of the Bowery in an area which became known as Kleindeutschland. Many prestigious institutional buildings from this era survive today on the Bowery and reflect this German presence. As immigration continued to increase in the decades before the Civil War, the upper class who resided in the townhouses moved northward, and the rowhouses were then converted to multiple dwellings and businesses like beer halls and saloons. By the end of the Civil War, the Bowery had become a primarily commercial area with little new residential development. To accommodate the waves of returning and homeless veterans, the area increasingly became home to flophouses and other types of cheap lodgings. During this period, it also became a major theater and nightlife district, where vaudeville and other popular entertainments were developed. The Third Avenue elevated line opened in 1878 and cast the street into deep shadow, further discouraging new residential development. Regardless, due to prevalence of affordable lodging, at the turn of the 20th century the Bowery was housing more than 25,000 men per night. With this large transient population came a host of social ills and during this period, the Bowery gained a national reputation as a “Skid Row” and a “Thieves’ Highway.” The area upheld this reputation until the Second World War, when the draft depopulated the area. The G.I. Bill and other social programs of the post-war era greatly reduced homelessness and the seemingly permanent transient population of the Bowery never returned to its early 20th-century peak. The street developed into a thriving light fixture and restaurant equipment district, although many of those businesses have recently closed in the face of new hotel and commercial development. The Bowery remains an architecturally rich area with a unique mix of Federal-style rowhouses, grand institutional buildings, tenements and commercial loft buildings, each type speaking to a different era in the boulevard’s storied history. Many of these buildings were spared because the elevated rail line, which was removed in the 1950s, deterred speculative development for decades. In recent years, however, new large-scale development has increased and is putting the built heritage of the Bowery greatly at risk.

Abraham Cahan, leader, publisher, and writer, was the founding editor of the Forward, America's oldest independent Jewish news organization. Born in 1860, to an Orthodox family in Podberzhie a small shtetl near Vilna (Vilnius) Lithuania, in what is today Belarus, the unorthodox, socialist Cahan had been a revolutionary in his youth. He identified with the narodny (folks) movement that opposed the Czar and briefly believed in a kind of agricultural socialism. Escaping the Czar’s secret police along with his fellow communards of the Am Olam, movement, Cahan arrived in the U.S. in 1882 with the idea of creating agricultural communes here.

At the peak of its popularity, the Jewish Daily Forward erected a ten-story office building at 175 East Broadway designed by architect George Boehm and completed in 1912. The building includes marble columns, stained glass windows, and bas reliefs of Karl Marx, Friedrich Engels, Ferdinand Lassalle (founder of the first mass German labor party) and a fourth portrait of an unknown man (thought to be some other German socialist). The Forward moved out of the building in 1974 and it was used as a Chinese church for some time. In the early 2000s the building was converted into condos.

32 Mott Street (tall building, second from right), ca. 1890. 32 Mott Street is a dumbbell-shaped "old-law" tenement that was built in 1897 by the architect Louis Heimeeke. This section of Mott between Pell Street and Chatham Square was the center of late 19th century Chinatown. The ground floor of this building was occupied for more than 100 years by a Chinese store run by generations of the Lee family. The Quong Yuen Shing and Company shop opened here in 1899, changed its name to 32 Mott Street General Store in the mid 20th century and only closed in 2003 due to rising rents. Chinese-American architect Poy Gum Lee lived here at no. 32.

Doyers seen from Bowery, ca. 1900. The Chinese Tuxedo opened in 1897 as a high-class restaurant catering to both Chinese and white patrons. Established around the same time as a number of other eateries of similar ilk (including Port Arthur on Mott and the Chinese Delmonico on Pell), this restaurant had a district advantage over the others. Location, location, location! The restaurant at the corner of Doyer Street and the Bowery was so close to the Third Avenue elevated that passengers could practically climb out the train car window onto the ornate second-floor balcony. The pretty balcony and large eagle that topped it were eye-catching from both the street and the el, and when those same passengers exited the nearby Chatham Square Station, this was the first Chinese restaurant they encountered. The owners spared no expense with decoration. The entrance included a large and colorful stained glass awning with a dragon perched atop. The balcony was not metalwork but delicately carved teak panels. The interior was a showy display of mosaic tile floors, tin ceilings, lush plants, fountains, and hard carved screens, statues, and moldings. The Chinese Tuxedo was out of business by the 1920s (closing its doors decades before some of it local contemporaries). The ornate facade features were lost and today the building houses a Chase Bank. In 2016 a family-run Chinatown investment company opened a new Chinese Tuxedo Restaurant just down the block from its historical predecessor. The new eatery is located at 5-7 Doyers, a building with its own history. In 1983 a local merchant established the Chinese Opera House at no. 5-7, the first Chinese language theater in New York City and the only Chinese theater east of California at the time.

There are many distinguished people featured in the Hall of Fame of Great Americans at Bronx Community College. One who stands apart as a true community leader is Lillian Wald, the nurse, activist, and author renowned for establishing the Henry Street Settlement (HSS) and the Visiting Nurse Service of New York (VNSNY).

Looking east on Canal Street from the intersection of Division Street. The tall building at left is the Jewish Daily Forward Building, designed by architect George Boehm and completed in 1912. The Jewish Daily Foward was founded in 1897 and was published in Yiddish. The paper is still published, with the English-language printed weekly and the Yiddish printed by-weekly.

Central and Prospect Park parks dominate New York City park history. While that’s somewhat understandable, it’s about time smaller parks got some attention of their own.

Congregation Sons of Israel Kalwarie, ca. 1978. The Romanesque Revival synagogue was designed by Alfred E. Badt and completed in 1904. Also known as the Pike Street Shul, the synagogue closed in controversial circumstances, beginning in September 1979. Just prior to Rosh Hashanah, the trustees sold the building without notifying the congregation, beginning a 15-year legal battle which ended with its eventual sale to a developer. Though 13-15 Pike Street was made a New York City landmark in 1997, the designation came too late to save its original stained glass windows. Today, it is home to the Sung Tak Buddhist Temple.

7-9 Mott Street, undated postcard. The restaurant here on Mott Street was once the most famous Chinese restaurant in the world (according to some). Port Arthur Chinese Restaurant, seen here on the second and third floors of no. 7-9, opened in 1897. One of the ethnic enclave's first eateries, it became a neighborhood landmark and an important cultural hub (Sun Yat-Sun may have eaten here while in New York). The ornate pagoda-styled facade hid an equally showy interior, replete with carved teakwood furniture, massive electric fans, and Chinese lanterns The second floor operated as a space for American tourists looking for an "authentic" experience, while the third floor banquet halls were largely used for private parties, political entertaining, and wedding for the business's Chinese patrons. The well-known and loved restaurant survived until 1974. Thousands of postcards of the restaurant still exist in archives, private collections, and on eBay. The postcards were produced and printed by the business itself as promotional material.

“Looking west from the intersection of Division and Canal Streets at Ludlow Street.” The Twin Towers of the World Trade Center, completed in 1973, are visible along Division Street, at left.

View of the Manhattan Civic Center, including the Municipal Building, U.S. Courthouse, and Woolworth Building, ca. 1935. The building at extreme right, in the foreground is the Church of Land and Sea, at the northwest corner of Henry and Market Streets.

In 1912, the Forward built a grand, 10-story building at 175 East Broadway; its offices remained there until 1974. Two huge 30,000-watt neon rooftop signs proclaimed the paper’s name in glowing Yiddish (facing north) and English (facing south). The signs could be seen from East River bridges and all over the Lower East Side.

The Seward Park branch of The New York Public Library on Manhattan’s Lower East Side can trace its roots back to 1886, when the Aguilar Free Library Society founded it. The branch, which opened its doors at its current location on November 11, 1909, is located at the eastern edge of the park for which it is named. The four-story, red brick Renaissance Revival building was one of 65 NYPL branches built with funds from Andrew Carnegie, and it boasts high ceilings and arched windows designed by the firm Babb, Cook & Welch.

Seward Park High School, 350 Grand Street, ca. 1972. Constructed in 1929, the building was built to house a high school whose origins dated back to 1905 and the opening of Public School 62. P.S. 62 was an intermediate school located at the intersection of Essex, Hester, and Norfolk Streets. Originally only seventh and eighth graders, in 1916 a ninth grade class was added it became the Seward Park Junior High School. In 1923 it was made an experimental school that was both an intermediate and high school. By the late 1920s the intermediate students had been transferred and the first school building was razed in the construction of the Sixth Avenue Subway. The new lot for the school, bound by Essex, Grand, Brooms and Ludlow Streets, had formerly housed a school, the Alimony Jail, a court house, and some tenements.

Foward Building ARCHITECT: George A. Boehm DATE: 1912 STYLE: Beaux-Arts, Skyscraper The Forward Building, a ten-story Beaux-Arts style skyscraper completed in 1912, is a major early work of architect George A. Boehn whose nearly fifty-year practice was distinguished by designs for public buildings in New York City and Westchester. The ten-story Forward Building remains to this day a towering presence within the context of its immediate Lower East Side neighborhood.

From pig's knuckles to spaghetti to liver balls, find out how a city eats in years past!

Doorway to 113 East Broadway, March 30, 1937.

The intersection of downtown's Canal and Essex has long been a favorite for seasonal Jewish holiday shopping. Specifically, for the date palm fronds, ritual citron fruits, myrtle and willow branches required for prayers on the Sukkoth, or sukes in Yiddish, harvest holiday. These are still only sold in the brief window of time that is the week after the Day of Atonement and the start of Sukkoth, usually by local community street vendors that build temporary pop-up kiosks just for that purpose.

The big, bold signage of the historic Lower East Side is part of its iconic legacy. From gold leaf Yiddish lettering on Kosher shop windows to gleaming neon marquees, the many big & busy storefront signs certainly contributed to the frenetic, frenzied atmosphere of the streets. And there are still some great signs in the neighborhood! But a lot has been lost, too. Here are some of our favorite signs we wish were still hanging around the Lower East Side today. There's a corresponding blog post to go along with this story (plus an extra sign that's not in this list!) at www.eldridgestreet.org/blog/lessigns!

Mariners’ Temple Baptist Church, Oliver Street, ca. 1977. The Mariners’ Temple Baptist Church was completed in 1845 as the Oliver Street Baptist Church for a congregation likely dating to the 1790s. The first Oliver Street church, a wooden structure, was lost in an 1843 fire. The Landmarks Preservation commission credits the present Greek revival structure to architect Minard Lafever, while other sources suggest Isaac Lucas, a member of the congregation. In 1863, the church was renamed to Mariner's Temple to reflect its ministry to seamen and immigrants. After decades of declining attendance during the 20th century, church membership has lately rebounded.

"Beth Abraham Chasidim D'Slonim Synagogue, June 6, 1930. The congregation, named for the city of Slonim in present-day Belarus, was organized in 1897. The synagogue appears on early 20th century maps, though a building existed on its lot much earlier. In subsequent years, congregations associated with other Eastern European immigrant communities worshipped there. By the mid 1980s (when its lot is vacant in tax photos), the synagogue had been was demolished. The Rabbi Jacob Joseph School (left), organized in 1901, was built in 1912-3."

103 Bowery ca. 1935 The Blossom Restaurant occupied the ground floor and Jimmy’s Barber Shop the basement of the Boston Hotel, a flophouse on the Bowery. As a child, Al Smith, governor of New York from 1919 to 1928, lived next door at 105 Bowery when it was a lodging house. Abbott made three exposures, one without figures, one with a ragged man perusing the restaurant menu, and a third showing the barber Jimmy and his assistant waiting for customers. The third version is the most emotionally resonant: the restlessness of these hapless people exemplifies the mood of the Depression. Like so many other buildings on the Bowery today, this one is occupied by a restaurant supply wholesaler.

20 Mott Street (three-story building with double balconies), ca. 1900. The Baohuanghui (Protect the Emperor Society or the Chinese Empire Reform Association) was founded by exiled Chinese reformer Kang Youwei in 1899 to promote constitutional reform in China (and the return of Guangxu Emperor to power). It became the first and the largest Chinese transnational organization. Various locations on Mott Street housed the New York headquarters of this organization in the first half of the 20th century. In 1902 and 1903 the Baohuanghui used an address at 20 Mott Street to communicate with their members, before moving on to nos 5, 6, 7-9, and 12 Mott in later years.

East Broadway, ca. 1980. Signs mark a diverse set of storefront shops and offices. From left: Mobile Crisis Unit of Gouverneur Hospital (No. 185); West Lake Noodle Co. Inc, Sun Trading Co. (No. 183); E.Bway Kosher Bakery (No. 181).

The longtime home of the Jewish Daily Forward sits on East Broadway between Rutgers and Jefferson Streets. Since its construction in 1912, the Forward Newspaper building has been a staple of the Lower East Side. Today, it is a testament to the neighborhood’s changing landscape. The Forward Newspaper Under the leadership of its founding editor Abraham Cahan, the Forward not only served as the Jewish immigrant community’s most significant news source, but also granted the community a voice. Starting in 1902, Cahan invited readers to send their stories and responses to topical questions such as ‘May a women wear rouge?’ and ‘Can a socialist go to synagogue for Rosh Hashanah?’ The newspaper’s most popular section was an advice column titled ‘The Bintel Brief.’ Readers posed questions to the editors on lighthearted and serious themes. One struggling reader, who was losing his job, wrote the paper wondering whether he should keep a portion of his income or give it to his blind father in Russia. The editors advised him to give the money to his ailing father as the reader, a young man, remained employable. The Forward building exemplified the newspaper’s importance. It continues to be one of the tallest buildings in the neighborhood and arguably one of the most beautiful. Elegant terra-cotta designs and classical figures adorn its facade. Neighborhood lore claims that Abraham Cahan wanted the entire neighborhood to see the building. After Word War II, the newspaper declined as the worldwide population of Yiddish speaking people shrank and assimilation took hold in the United States. In 1983, to save the paper, an English language supplement was created. Today, The Forward exists with a rich on-line presence of over one million monthly visitors. The newspaper is no longer Socialist leaning, but continues to report on politics, art and culture. A Chinese Church and Bible Factory Just as the newspaper was forced to adapt, so has the building. In 1974, with falling readership, the newspaper sold it to the Lau family, who transformed the bottom floors into a Chinese church and the top floors into a bible factory. Luxury Apartments In 2004, developers Ronald Castellano and Christopher Hayes took over the building and converted it into luxury apartments. A one bedroom apartment recently sold for 1.545 million dollars, and Oscar winning actress Tatum O’Neal once owned an apartment in the building. Amenities include 24 hour doorman, roof deck and a refrigerator in the lobby to store perishable deliveries. Fortunately, the facade is a landmark. Relics of its previous life remain, including the decorative busts of Socialist leaders Karl Marx and Frederick Engels, who gaze down on today’s capitalist tenants. The Forward building epitomizes the changing landscape of the Lower East Side. The neighborhood first took shape with the arrival of immigrants at the turn of the 20th century and became a bustling and crowded hub. But as gentrification spread across New York City, the area underwent transformation. Instead of the classic Jewish delicatessen and other Jewish stores, there are art galleries, vegan restaurants and organic supermarkets. The neighborhood once housed the city’s most impoverished communities; now, it inhabits the city’s most affluent. The Museum At Eldridge Street, preserves the Lower East Side’s history, while as a cultural institution it is also arguably part of the gentrification equation.

Back in 1930, a year into this country’s greatest economic depression, everyone’s favorite Yiddish newspaper was getting spooky with their ads. This Yiddish Forverts Breyer’s ice cream ad for Halovin featured witches soaring and a 2 quart special order nut filled pumpkin flavored ice cream Jack- o’- lantern. Other unique flavor combos for the holiday were on offer, such as ‘choconut’ and orange as well as Halloween decorative novelties including cats, dried colored corn and skulls. Given the pagan, death centric holiday that is Halloween, it wasn't a natural with the Forward's immigrant readership. Forward former Executive Editor and Whiskey Correspondent Dan Friedman recalled it best "For the Jewish community — coming from Europe — the devilish practices of Halloween were not only bewildering but also threatening. Yes, we could come to terms with people walking the streets dressed in costumes, but it was harder to understand an alien custom where people banged on our front doors demanding goods — promising retribution if they weren’t satisfied. “Trick or treat” seemed, if not quite a pogrom, a lose-lose proposition. As indeed perhaps it still does." And yet, the Yiddish paper had done a lot of public service journalism on behalf of Halloween for its readership. Mystical Yiddish writer and poet Dovid Einhorn spent columns of text explaining the early Druid roots to Halloween. The Forward's Jay Grayson, normally on the sports beat, clearly had time to spare and contributed his thoughts on how Jewish parents ought to permit their children to go out trick or treating. Don't fear the doorbell ringing on Halloween, he advised. Do as the Americans do and generously offer free candy to the strangers in costumes! And as far as Breyer's-the Forward had what to say on the topic of ice cream as well, with Friedman initiating a series on Jews and ice cream (with staff doing the tastings!), and former Forward Middle East Correspondent Naomi Zeveloff uncovering their own family relationship to the Haagen-Daazs mishpokhe. What's left to say except, L'chaim Halovin!

Soy Kee Co. Store, undated postcard. Soy Kee Co. was a department store of Chinese goods, offering silks, antiques, ceramics, embroidery and tea leaves. Originally established prior to 1897 at a space at 36 Pell Street, the shop moved to nos. 7-9 in the early 20th century. The date of the store's closing is unknown, but it was out of business by 1970.

41 Mott Street, 1933. No. 41 (at the center of the frame with the balcony at the top) was home to the Chinese Merchants Association or the On Leong Tong, in the first half of the 20th century. The Association celebrated the opening of their new headquarters in 1921 with an eleven-day celebration. Its opening night saw 15,000 revelers crowding the narrow street of Chinatown and more than 6,000 merchants from 20 different cities. In 1950 the On Leong Tong Merchants Association moved into a new Chinese Modern building on Mott and Canal Streets. Since 1977 No. 41 was has been owned by the Lee Family Association, the oldest and largest tong in New York City. The building today has a modern style white facade, installed at an unknown date in the midcentury. Its lower floor has long been home to Golden Fung Wong Bakery, one of the oldest bakeries in Chinatown.

The Canal Street Station on the Third Avenue Elevated Railway, c. 1880. The Third Avenue El opened in 1878, with operations from South Ferry to 129th Street, later connecting to service in the Bronx. The Third Avenue El was the last of the Manhattan elevated railways to close — after the Second, Sixth and Ninth Avenue lines — following pressure from City Hall and property owners along Third Avenue. On May 12, 1955, the Canal Street Station closed, as Third Avenue service was eliminated south of 149th Street in the Bronx.

Storefronts at 62-66 Hester Street advertise silks, woolens, dress goods, laundry, and “family electric shoe repairing."

178 Hester Street, 1932. Despite the asphalt shingles that can be seen on the side of the building and the odd perhaps 1980s style brick facade, this building is the early 19th century, wood-frame structure seen in this 1932 photograph. Built in the first few decades of the 19th century, the history of this structure which survived alongside the construction of the taller tenement buildings that define these streetscapes, tells the story of this neighborhood. In 1855 a volunteer firefighter named John Nichols, who was a teamster by trade, lived here. In 1900, owing to the massive influx of Italian immigrants, the building had residents with names like Dominick Pagano and Guadazro Gaetano. Supposedly a mob hit occurred just outside the store at no. 178 in 1906 when Angelo Ladero (a fish dealer with a shop at 120 Mulberry Street) killed Michael Dambra after he left the store. In 1908 the owner of two pushcarts resided here.

Henry Street view towards City Hall and the Woolworth Building, 1938. Surprisingly little has changed on this block in nearly eighty years: many of the tenement buildings are still standing, and a parking lot continues to operate on the south side of the street.

You submitted, and we rounded up our faves! Here are some spectacular shots of dads across NYC's five boroughs throughout the years. Happy Father’s Day!