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Plymouth Church
57 Orange Street

Posts & Stories(8)

Plymouth Church image

Plymouth Church
Post

"Orange Street, north side, between Hicks and Henry Streets, showing the old Plymouth Church, built in 1849, from which Henry Ward Beecher, Brooklyn's famous preacher, delivered his sermons. Abraham Lincoln, who was a personal friend of the minister, came here to hear his sermons. Walter Damrosch, noted composer and orchestra conductor, at one time served here as the musical director under Beecher, April 4, 1932." Plymouth Church was established in 1847 by a group of New England transplants to Brooklyn Heights. In 1849 the congregation's first church (a 1820s building originally used by a former Presbyterian community) was heavily damaged in a fire. The Congregational church set out to construct a new sanctuary and celebrated its first service in the new building on the first Sunday of January, 1850. The brick church was designed by Joseph C. Wells in the style of urban tabernacle architecture featuring both Italianate and colonial ornamentation. The church has a long storied history. The first pastor was the fiery abolitionist preacher Henry Ward Beecher. The construction of the church included supportive cast-iron columns for the large balcony (pre-dating nearly all cast iron construction in the city by more than five years). In 1866, the church installed the largest organ in the United States. And according to lore and published memoirs, the church served as an important station in the Underground Railroad. Since its early years, the church has hosted an impressive series of visitors and speakers, including Abraham Lincoln, Mark Twain, Clara Barton, Charles Dickens, Ralph Waldo Emerson, and Dr. Martin Luther King.
Education: Civil War In New York image

Education: Civil War In New York
Story

The Civil War marks one of the bloodiest events in American history. During the Constitutional Convention, compromises regarding slavery were made in order to ratify the Constitution and form the United States of America. The framers of the Constitution recognized the moral issues surrounding the slave trade but many were not prepared to give up slavery's economic benefits, in order to make true the phrase "All Men are Created Equal." As the nation expanded westward, the debate over slavery intensified. The northern states, who largely opposed slavery's expansion believed the federal government should stop its spread. The southern states rallied behind the notion of state's rights in order to protect their slave-trading interests and allow for its expansion to the newly forming states in the West. Tensions, which had been largely kept in check throughout the 1840s and 50s reached a boiling point with the election of President Lincoln in 1860. Following his inauguration, several states succeeded from the Union, sparking a brutal war lasting four years. The war resulted in the end of slavery throughout the United States and the passage of important Constitutional Amendments, which would be used throughout the nation's history to advance civil rights to marginalized groups. As you explore some of the important locations associated with the war in New York, consider the following questions: What role did New York play in the Civil War? What effects did the Civil War have on the "home front?" New York Social Studies Scope and Sequence Standards 4.5c, 7.8c,d, & 11.3c For Teachers: Lesson Plan for Civil War in New York
The Underground Railroad in New York City image

The Underground Railroad in New York City
Story

The Underground Railroad was a network of secret safe houses that helped runaway slaves escape captivity during the early to mid-19th century. The route, passing directly through New York City, utilized a number of churches, homes, and businesses. While many of the buildings that housed these “stations” no longer exist, a few important sites of New York City's Underground Railroad are still visible today.
Education: The US Constitution image

Education: The US Constitution
Story

The Constitution of the United States of America establishes the laws and governmental structure of the United States. It was first drafted by James Madison and explains which rights are reserved to the national and state governments. The Constitution was ratified in 1787, four years after the official ending of the Revolutionary War. In the years between the Treaty of Paris, which ended the war, and the Constitutional Convention, the United States was governed by a document titled Articles of Confederation. This document gave more power to the various states instead of a single national government. This made important decisions regarding trade, taxation, and defense, very hard to make. Many people recognized the serious situation the new nation found itself in and met in Philadelphia to create a new guiding document. After intense debate, they produced the US Constitution, which still forms the basis of our government. In fact, the US Constitution is the oldest constitution still in use today. While not perfect, this document laid out the fundamental rights that all Americans enjoy today. These different locations throughout New York help to highlight some of the powers and rules laid out in our founding document. NYS Social Studies Scope and Sequence Standards 7.4 & 11.2 For Teachers: US Constitution Lesson Plan
Education: African Americans in pre-Civil War New York image

Education: African Americans in pre-Civil War New York
Story

The first European settlers arrived in modern-day New York in 1614. Twelve years later, the Dutch West India Company brought over eleven enslaved people from Africa. From the settlement of New Netherland, African Americans have played a critical role in the development of New York. In the early portion of New Netherland's history, the Dutch divided Black people into two groups: those who were enslaved, and those who were not. This division persisted until the Civil War in 1861. To southerners, a portion of this period from the 18th century to the start of the Civil War was called the "Antebellum" which means the pre-Civil War era. In the south, these years were marked by economic growth due to the reliance on slavery in the region. This period also marked the beginning of a divide between two schools of thought, those who were against slavery, the abolitionists, and those in support of slavery. This story teaches us about what that period was like for Black people in the North and specifically, in New York City. NYS Social Studies Scope and Sequence Standards: 4.7, 7.7, & 11.3. For Teachers: African American in Antebellum New York Lesson Plan
Mrs. Hunt, Henry Ward Beecher, and Plymouth Church image

Mrs. Hunt, Henry Ward Beecher, and Plymouth Church
Story

Although a somewhat obscure figure today, Mrs. Hunt, (also known as Sally Maria Diggs, Rose Ward, and, troublingly, “Pinky,” throughout her life), shared a unique connection to Henry Ward Beecher.
Take Me To Church: NYPL Edition image

Take Me To Church: NYPL Edition
Story

A collection of churches across New York City from the New York Public Library.
Mark Twain's New York image

Mark Twain's New York
Story

In 1853, young Samuel L. Clemens wrote his mother in Missouri: "Well, I was out of work in St. Louis, and didn't fancy loafing in such a dry place, where there is no pleasure to be seen without paying well for it, and so I thought I might as well go to New York." It was the first time the future Mark Twain would visit, but it wouldn't be the last. New-York Historical's 2019 exhibition 'Mark Twain and the Holy Land' took a deep dive into a pivotal moment in Twain's career: the five-month cruise to Europe and the Holy Land that would inspire his bestselling travelogue 'The Innocents Abroad.' Like many good journeys, it started in New York. Check out some NYC sites that have a Twain connection.

Photos(91)

Plymouth Church image

Plymouth Church

Plymouth Church Facade of Plymouth Church, 75 Hicks Street, six boys (five standing on iron fence), and adjacent buildings on both sides.
Plymouth Church image

Plymouth Church

Landing of first minister in New York Stained glass window in Plymouth Church, 75 Hicks Street. Three men standing, man on left carries book, man on right carries sword; another man stands in bow of boat at left.
Plymouth Church image

Plymouth Church

William Penn : first constitution of Pennsylvania Stained glass window in Plymouth Church, 75 Hicks Street. Five men standing: man second from left, probably William Penn, arms outstretched, points to document.
Plymouth Church image

Plymouth Church

Manassas Cutler : first view of the great West Stained glass window in Plymouth Church, 75 Hicks Street. Two figures standing: Manassus Cutler on right, holding book and hat; Indian on left holding rifle.
Plymouth Church image

Plymouth Church

Marcus Whitman : pleading for the retention of Oregon Territory Stained glass window in Plymouth Church, 75 Hicks Street. Three men, two standing, one sitting; identified at top of window: "John Tyler, Marcus Whitman, Daniel Webster."
Plymouth Church image

Plymouth Church

Haystack meeting : beginning of American missions Stained glass window in Plymouth Church, 75 Hicks Street. Five men standing: man in center holding book, man on right holding hat.
Plymouth Church image

Plymouth Church

Evening prayer : Hugenots in the Carolinas Stained glass window in Plymouth Church, 75 Hicks Street. Three men standing, one man and two women sitting at table. Man standing center holds book.
Plymouth Church image

Plymouth Church

Roger Williams - Settlement of Rhode Island Stained glass window in Plymouth Church, 75 Hicks Street. Three men standing, two men kneeling. Man kneeling center with arms outstretched is probably Roger Williams.
Plymouth Church image

Plymouth Church

Thomas Hooker : first settlement at Hartford, Conn Stained glass window in Plymouth Church, 75 Hicks Street. Five pilgrims standing: one man, three women, one child; one man (Thomas Hooker) sitting, holding book. At top of window: "Thomas Hooker, The First Settlement at Hartford."
Plymouth Church image

Plymouth Church

Plymouth Church Facade (vine-covered) of Plymouth Church, 75 Hicks Street, with adjacent residential buildings.
Plymouth Church image

Plymouth Church

Furniture used in Plymouth Church Interior, Plymouth Church, 75 Hicks Street, with furniture, several framed portraits on wall, and two commemorative panels.Caption: "Furniture which was used in the pulpit of Plymouth Church during the pastorate of the Rev. Henry Ward Beecher has been given to the church by the Beach family for permanent exhibition ... this furniture consists of pulpit, table and chair."
Plymouth Church image

Plymouth Church

\[Plymouth Church House] Facade of Plymouth Church House, left, with two men working on scaffolding over front door; three men working on iron fence and gate. Facade of \[Plymouth Church] Arcade, right, with statue of Henry Ward Beecher in front. Also: parked automobile in foreground left, and neighboring residential building on far left. \[Plymouth Church is located at 75 Hicks Street.].
Plymouth Church image

Plymouth Church

Brooklyn: Plymouth Church lecture room, 64 Cranberry Street between Henry Street and Hicks Street, 1922. Original edifice of the First Presbyterian Church.
Plymouth Church image

Plymouth Church

Brooklyn: \[Plymouth Church lecture room, 64 Cranberry Street between Henry Street and Hicks Street, 1922. Original edifice of the First Presbyterian Church.]
Plymouth Church image

Plymouth Church

Brooklyn: Plymouth Church lecture room, 64 Cranberry Street between Henry Street and Hicks Street, 1922. Original edifice of the First Presbyterian Church.
Plymouth Church image

Plymouth Church

Brooklyn: \[Plymouth Church lecture room, 64 Cranberry Street between Henry Street and Hicks Street, 1922. Original edifice of the First Presbyterian Church.]
Plymouth Church image

Plymouth Church

Brooklyn: Plymouth Church lecture room, 64 Cranberry Street between Henry Street and Hicks Street, 1922. Original edifice of the First Presbyterian Church.
Plymouth Church image

Plymouth Church

Plymouth Church pulpit Interior, Plymouth Church, 75 Hicks Street. Podium with pulpit, three chairs, and small table with books; pleated draperies in background.
Plymouth Church image

Plymouth Church

Mrs. Rose Ward Hunt Mrs. Rose Ward Hunt standing beside and touching statue of "Pinky" (?) with left hand. Two statues are at base, right, of statue of Henry Ward Beecher at Plymouth Church, 75 Hicks Street.
Plymouth Church image

Plymouth Church

Plymouth Church, Pinky's bill of sale Image represented is one of a related set (CHUR 0103, CHUR 0104), some of which may also be described in this new record; Three-page handwritten document. Label: "'Liberation Document' giving freedom to Sally Maria Diggs, known as 'Pinky,' the nine year old slave girl sold by Henry Ward Beecher from Plymouth Pulpit, Brooklyn, in 1860, who will be presented at the \[Annive]rsary Services in Plymouth Church on the evening of Sunday, \[May 15]".
Plymouth Church image

Plymouth Church

Plymouth Church, Pinky's bill of sale Image represented is one of a related set (CHUR 0103, CHUR 0104), some of which may also be described in this new record; Three-page handwritten document. Label: "'Liberation Document' giving freedom to Sally Maria Diggs, known as 'Pinky,' the nine year old slave girl sold by Henry Ward Beecher from Plymouth Pulpit, Brooklyn, in 1860, who will be presented at the \[Annive]rsary Services in Plymouth Church on the evening of Sunday, \[May 15]".
Plymouth Church image

Plymouth Church

Statue of Henry Ward Beecher Statue of Henry Ward Beecher on pedestal between two columns, with two smaller statues at base of pedestal, right (one woman comforting another) at Plymouth Church, 75 Hicks Street. At left bas-relief sculpture of Abraham Lincoln.
Plymouth Church image

Plymouth Church

Plymouth Church, Pinky's bill of sale Image represented is one of a related set (CHUR 0103, CHUR 0104), some of which may also be described in this new record; Three-page handwritten document. Label: "'Liberation Document' giving freedom to Sally Maria Diggs, known as 'Pinky,' the nine year old slave girl sold by Henry Ward Beecher from Plymouth Pulpit, Brooklyn, in 1860, who will be presented at the \[Annive]rsary Services in Plymouth Church on the evening of Sunday, \[May 15]".
Plymouth Church image

Plymouth Church

Henry Ward Beecher Four men wearing top coats, one placing wreath at base of statue of Henry Ward Beecher, on pedestal, at Plymouth Church, 75 Hicks Street.
Plymouth Church image

Plymouth Church

Plymouth Church image

Plymouth Church

Harry Roseland Harry Roseland holding easel and paintbrush, right, stands beside his large painting of Henry Ward Beecher with left hand raised and right hand on the head of "Pinky," slave girl sold by Beecher at church (Plymouth Church, 75 Hicks Street) auction, 1860.
Plymouth Church image

Plymouth Church

Interior of Plymouth Church Rendering (pen and ink drawing) of interior of Plymouth Church, 75 Hicks Street. Ground and balcony levels, completely filled with parishoners. In front, speaker at pulpit and pipe organ above. In foreground, man standing facing front, two vacant stools, and woman walking toward right.
Plymouth Church image

Plymouth Church

Pinky at time of auction in 1860 Portrait (pen and ink drawing) of Sally Maria Diggs, known as "Pinky," sitting on floor. On right: stool with shawl and fur rug on floor. On left: small chest open, cloth on top. "Pinky," a slave girl, was freed from slavery by Henry Ward Beecher at Plymouth Church of the Pilgrims, 75 Hicks Street, in 1860.
Plymouth Church image

Plymouth Church

Etching of Plymouth Church Rendering (etching) of portion of facade of Plymouth Church, 75 Hicks Street, with fence along front, nearby buildings, trees and sidewalk.
Plymouth Church image

Plymouth Church

\[Plymouth Church of the Pilgrims] Facade of Plymouth Church, 75 Hicks Street, with iron fence along front, sign listing church programs attached to front wall, right, free-standing church billboard, far right; neighboring building on far left, and small section of building on far right.
Plymouth Church image

Plymouth Church

\[Plymouth Church of the Pilgrims] Facade of Plymouth Church of the Pilgrims, 75 Hicks Street, with iron fence along front, sign listing church programs attached to wall, right, free-standing church billboard, far right; neighboring building on far left.
Plymouth Church image

Plymouth Church

Fannie Virginia Gasseopia \[i.e. Casseopia] Lawrence Portrait of a nineteenth century girl seated, wearing dark blue (?) fancy dress holding small bouquet of flowers in left hand. Caption: "From a daguerreotype of Fannie Virginia Gasseopia \[Casseopia] Lawrence, a five-year-old slave child auctioned off and freed in May, 1863, by Henry Ward Beecher from the pulpit of the Plymouth Church \[of the Pilgrims, 75 Hicks Street].
Plymouth Church image

Plymouth Church

Henry Ward Beecher's church Facade of Plymouth Church of the Pilgrims, partially vine-covered, with stained glass windows; also: church signs, parked automobiles, and adjacent residential building on right. Caption: "Henry Ward Beecher's church, Plymouth Congregational, founded in 1846, was moved in 1849 to Orange St. near Henry \[75 Hicks Street], where the original building still stands. Plymouth was the third organizationof this creed formed in Brooklyn."
Plymouth Church image

Plymouth Church

The old and new Two women and seven playing children in front of Beecher statue between two columns, with two smaller statues at base of pedestal, right (one woman comforting another); bas-relief sculpture of Abraham Lincoln on left. Caption: "The old and new--Mrs. Judith Keston, left, and Mrs. Dorothy Johns watch their young charges in day care unit of Plymouth Church of the Pilgrims \[75 Hicks Street] play near statue of Brooklyn's humanitarian minister, Henry Ward Beecher."
Plymouth Church image

Plymouth Church

New Plymouth Church structure Architectural rendering of proposed additions (apparently never built) to Plymouth Church on Orange Street in Brooklyn Heights. Caption: "New Plymouth Church Structures: Among the changes to be wrought in historic Plymouth Church of the Pilgrims will be the addition of the tower and of a memorial chapel, shown in the foreground. Building at left will be remodeled and named Hillis Hall. John F. Jackson is the architect."
Plymouth Church image

Plymouth Church

\[Stained glass window] Stained glass window in Plymouth Church of the Pilgrims, 75 Hicks Street. On window: "John Robinson's prayer on the deck of the Speedwell."
Plymouth Church image

Plymouth Church

\[Henry Ward Beecher] Statue of Henry Ward Beecher on inscribed pedestal between two columns, with two smaller statues at base of pedestal, right (one woman comforting another) at Plymouth Church of the Pilgrims, 75 Hicks Street.
Plymouth Church image

Plymouth Church

Garden spot Statue of Henry Ward Beecher on inscribed pedestal between two columns, with two smaller statues at base of pedestal, right (one woman comforting another) at Plymouth Church of the Pilgrims, 75 Hicks Street. At left, sculpture of Abraham Lincoln. Young man, reading, is sitting on pedestal base in left foreground. Caption: "Garden spot--Favorite study ground of young people of Brooklyn Heights in Cloister Garden at Plymouth Church. Borglum's statue of Beecher, commemorating his work in helping to free slaves, and his bas-relief of Lincoln adorn garden wall."
Plymouth Church image

Plymouth Church

Photo of things to come Rendering (pen and ink drawing) of proposed remodelling of Plymouth Church of the Pilgrims. Caption: "Photo of things to come--Greater Plymouth Church of the Pilgrims, to be made possible by Centennial Fund, will include Centennial Tower, the remodelled old lecture room--to be called Hillis Hall--and the new Pilgrim Memorial Chapel, shown here in architect's model."
Plymouth Church image

Plymouth Church

Beecher sat here Caption: "Beecher sat here--Dr. L. Wendell Fifield, fifth pastor of Plymouth Church in its 100-year history, pauses in Henry Ward Beecher Memorial Gallery beside chair used by famous first pastor. Beside him \[left] is a picture \[framed portrait] of the great Beecher, and on the wall \[upper left] is a memorial tablet to Richard Salter Storrs, first minister of Church of the Pilgrims, with which Plymouth is now consolidated." Tablet: "Richard Salter Storrs, D.D., D.L.D., 1821-1900, Pastor of this church, 1846-1900. 'Not disobedient unto the heavenly vision.'".
Plymouth Church image

Plymouth Church

Tandem Club members Five women and four men sitting, all looking at mounted display held by one woman and one man. Caption: "Tandem Club members of Plymouth Church of the Pilgrims discuss plans for the big rummage sale they will hold in the Plymouth Church House, 75 Hicks St., on Saturday from 11 a.m. to 4 p.m."
Plymouth Church image

Plymouth Church

With the greatest of ease Two girls in ballet costumes and carrying parasols, dance on platform while boy standing on floor in ringmaster costume looks at them and blows whistle. Caption: "With the greatest of ease--Demonstrating 'aerial' grace at circus staged in school of Plymouth Church \[of the Pilgrims], Orange and Hicks Sts. \[75 Hicks Street], are Mary Ann Sawka, 4, of 94 Hicks St., and Susan Balamut, 5, of 160 Columbia Heights. Blowing whistle is ringmaster Billy Shulman, 5, of 64 Montague St."
Plymouth Church image

Plymouth Church

Henry Ward Beecher Statue of Beecher on pedestal between two columns, with two smaller statues at base of pedestal, right (one woman comforting another). Caption: "At right is the statue of Dr. Henry Ward Beecher at historic Plymouth Church of the Pilgrims, Orange and Hicks Sts., \[75 Hicks Street] who electrified the country on Feb. 15, 1860, by offering a slave girl for sale from the church pulpit."
Plymouth Church image

Plymouth Church

\[Plymouth Church of the Pilgrims] Facade and portico of Plymouth Church, 75 Hicks Street, with sign, "Plymouth Church," handing from front wall, left, neighboring buildings on left, parked automobiles, and street light on far right.
Plymouth Church image

Plymouth Church

Plymouth Church of the Pilgrims Facade (partially vine-covered) and portico of Plymouth Church of the Pilgrims, 75 Hicks Street, with iron fence along front and gate, portion of Arcade on left, and portions of buildings in background and on right.
Plymouth Church image

Plymouth Church

\[Plymouth Church of the Pilgrims] Facade and portico of Plymouth Church of the Pilgrims, 75 Hicks Street, with church sign hanging from front wall, left, parked automobiles, portion of Plymouth Church House on left, and residential buildings on both sides, and street light in right foreground.
Plymouth Church image

Plymouth Church

Plan rummage sale Woman wearing hat holds newspaper resting on wedge-shaped box on top of which is small American flag. Caption: "Plan rummage sale--Mrs. Herbert Hanson displays an 1899 copy of the Brooklyn \[Daily] Eagle which will be among the items at the annual rummage sale of the Tandem Club of Plymouth Church \[of the Pilgrims] on Saturday at the Church Gymnasium, 75 Hicks St. The American Flag, with 34 stars, dates back to 1861."
Plymouth Church image

Plymouth Church

The main auditorium in Hillis Hall Room with several small tables with place settings and folding chairs. Caption: "The main auditorium in Hillis Hall at Plymouth Church of the Pilgrims, Brooklyn Heights, which will be dedicated tonight. The stained glass windows, some by Tiffany, are valued at some $60,000. they were formerly in the Church of the Pilgrims which merged with Plymouth church in 1934."
Plymouth Church image

Plymouth Church

Transfer of painting Caption: "Transfer of painting an involved project--It took 11 men to remove the "Last Supper," painted by Luigi Antoldi in 1857, from the Plymouth Congregational Church of the Pilgrims, Orange and Hicks Sts. \[75 Hicks Street], to the nearby Hille's \[sic] Hall chapel. The new hall will be dedicated oct. 15. The pastor of the church, the Rev. Dr. L. Wendell Fifield, and his wife, will donate an organ to the hall in memory of their son, Robert, who died in World War II."
Plymouth Church image

Plymouth Church

The Upper Room Interior: room with pews, stained glass windows, and mural on front wall. Label: "The Upper Room" is the name given to the chapel in Hillis Hall, Plymouth Church of the Pilgrims, Brooklyn Heights, New York.It was suggested as a name by the beautiful painting of Leonardo da Vinci's The Last Supper which forms the forward chapel wall. It is the work of Luigi Antoldi."
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