Clinton Nursing Home, 1958. The Italianate brick home at 415 Clinton Avenue is believed to have been constructed in early 1860s by the owner of the lot, a man named Frederick A. Platt. The building changed hands a few times and in 1894 it was purchased by the founder of the American News Corporation, Samuel Johnson (though he had been living in house since 1882). Johnson likely had the larger porch and main entrance vestibule added. Before these alterations, the home likely looked very much like no. 401 (two houses to the north), which is believed to have been constructed by the same unknown architect. Both lots are enclosed in the front by the same cast iron arrow-shaped fencing. In the mid 20th century the home was occupied by what seemed to be a private nursing home. Today the large building, which is 25 feet wide by 65 feet deep, houses 11 units.

College of Immaculate Conception, c. 1915. The College of Immaculate Conception was a preparatory school and seminary established by Bishop Charles E. McDonnell in 1914 in the Fort Greene neighborhood of Brooklyn. In the first year of the program, a class of 110 young men met in the vestry of Saint John's Chapel. Construction broke ground for their own school at 555 Washington Avenue in December of 1914. The program consists of a four-year high school program followed by a two-year college program. Students who wished to continue the priestly vocation were then assigned to a major seminary, where they would study for an additional six years. The program moved to a new Elmhurst campus in 1963.

Church of St. Luke and St. Matthew ARCHITECT: John Welch DATE: 1888-91 STYLE: Romanesque, Northern Italian The Church of St. Luke and St. Matthew on Clinton Avenue (once the “Gold Coast” of Brooklyn) is the masterpiece of Brooklyn architect John Welch, who established himself as a church architect, designing a number of notable Greek Revival and Gothic Revival churches. Welch’s designs for the church are loosely based on twelfth-century Romanesque churches of Northern Italy but adapted for use by a nineteenth-century urban congregation in America.

Emmanuel Baptist Church ARCHITECT: Francis H. Kimball DATE: 1887 STYLE: French Gothic With its square twin towers and triple entrance porch, Emmanuel Baptist Church is reminiscent of a small French Gothic cathedral. The somber and solid character of this late nineteenth Century stone edifice is relieved by a varied and fanciful use of carved ornament and structural forms, creating an outstanding example of ecclesiastical architecture

141 Greene Avenue, 1958. The brick house at 141 Greene Avenue dates from circa the 1870s. The Clinton Hill Designation Report stated that the ground floor commercial space likely dates to the construction of the building. In the last nearly 60 years this building has changed very little, including the look of the commercial space; what was once a grocery store is now a dry cleaner. And its neighbor at 373 Waverly Avenue (at left) is no longer a liquor store, but a pizzeria.

Church of the Messiah at Clermont and Greene Avenues, ca. 1910. After a fire destroyed the steeple of the Greene Avenue Presbyterian Church (as it was called in the early part of the century), it was rebuilt with its distinctive beehive tower. A five-alarm fire in February 1969 rendered the building unsalvageable.

Clinton Hill's namesake avenue was once known as the Gold Coast of Brooklyn. Oil tycoons and baking powder magnates built lavish mansions here in the late 1800s. Charles Pratt, who kicked off the architectural gold rush, founded the Pratt Institute just a few blocks from his home. Clinton Hill was also home to Mollie Fancher, AKA “The Brooklyn Enigma,” who was famous for spending 50 years in bed. The Enigma was said to see through walls, read books by touching them, and survive on minuscule amounts of food. During one seven-month period, she reportedly consumed only “four teaspoons of milk, two teaspoons of wine, one small banana, and one cracker.” In 1967, Patti Smith and Robert Mapplethorpe moved into an apartment on the second floor of a townhouse on 160 Hall Street with walls smeared with blood and psychotic scribbling, an oven crammed with discarded syringes, and a refrigerator overrun with mold. They paid $80 a month. Today, that same townhouse rents for $8,000 a month—used syringes not included. Clinton Hill was also where Biggie Smalls, one of the greatest rappers of all time, grew up. He was raised in a “one-room shack” by his mom at 226 St. James Place.

Church of the Nativity, ca. 1941. The Church of the Nativity was built in 1915 by Raymond Almirall who, over the course of his career, designed many hospitals, libraries, and buildings for the Catholic Church in Brooklyn. The building's design references those of the early churches of Italy, with running arches, classical columns, and a very early Christian basilica style interior. In its earliest days, the Church of the Nativity served the area's large Irish Catholic population. While there was little mixing with Germans and Italians, the church was known to turn other ethnic Catholics groups away. In 1921, Rev. Bernard Quinn, who had spent his career petitioning for a church where black and white Catholics could worship together, built St. Peter Claver Church only three blocks away. His service became so popular that it drew people from all over Brooklyn, including the Church of the Nativity. With time, St. Peter Claver continued to grow and the Church of the Nativity began to shrink. Finally, in 1973, the diocese closed the Nativity and merged its congregation with St. Peter Claver. By the turn of the twenty-first century, the parish sold the church to a Pentecostal church, Elim Gospel Tabernacle, which still occupies the space today. The Elim congregation considered the Catholic iconography in the building to be a "heathen," and tore down anything that was overtly Catholic. As such, the Almirall Church that stands today is only Catholic on the exterior!

"The building formerly housing the exclusive Lincoln Club of Brooklyn is a striking Queen Anne style structure designed in 1889 by Brooklyn based architect Rudolph L. Daus. The club is located in the Clinton Hill area, once the home of some of Brooklyn’s wealthiest citizens. It is one of a number of large, sumptuous clubhouses erected in Brooklyn in the last two decades of the 19th century, and it is one of the few to retain its architectural integrity. Founded in 1878 by a small group of men who banded together for social purposes and to further the interests of the Republican Party, the Lincoln Club was dissolved in 1931 as many of Brooklyn’s elite moved away."

983 Fulton Street, ca. 1958 The northwest corner of Fulton Street and St. James Place featuring what was formerly a drugstore (no. 983) and candy-store (no. 985). Part of no. 983 (at left) was substantially redeveloped into a Met Food supermarket in 1964. The grocery, now a Key Food, has been something of a community landmark since its opening. Known for hiring youth from the community, the famous rapper, Biggie Smalls, was once a cashier there.

Lafayette Avenue, between Waverly and Washington Avenues, 1940. The brick mansion at center right belonged to John Thomas Underwood, the founder of the Underwood Typewriter Company. In the early 1950s, Underwood’s surviving family (he died in 1937) donated the mansion and its outbuildings to the city’s Parks Department. The new Underwood Park was opened to the public in 1956.

Church of St. Luke and St. Matthew ca. 1914 The Church of St. Luke and St. Matthew is the largest Episcopal Church building in the Diocese of Long Island. Architect John Welch was commissioned to design the church after a fire in 1887 destroyed much of the structure. Welch drew inspiration from the churches built during the Italian Renaissance, particularly those in Modena and Verona. The current interior decoration is the fourth reworking of the inside of the church. The romanesque design and elaborate plaster work were completed in 1915. Almost all of the stained glass was produced for the church by the Tiffany Studios of New York. The first pair of lancet windows were installed in 1897. Our Rose Window was given by the children of the Sunday School at the time of the rebuilding in 1890. It is 28 feet in diameter and one of the larger windows of this type in Brooklyn. The New York City Landmarks Preservation Commission considers the Church to be "one of the grandest 19th century ecclesiastical buildings in Brooklyn" and in 1981 designated it as a landmark.

“The Pouch Gallery. This building was erected by Robert Graves in 1888 for his home; William A. Mundell was the architect. Alfred J. Pouch, after purchasing it, remodeled it to be suitable for assemblies and public gatherings. 1922.” Pouch was a prominent philanthropist and art collector who, like many of his Clinton Avenue neighbors, made his fortune in oil. After an 1891 gala and gallery show, the Pouch Mansion home became well-known venue in Brooklyn’s elite circles, and continued to host charitable events, lectures, and meetings. Pouch later added a wing to the original structure, where selections from his art collection were available for public viewing. The house was demolished to between 1941-1943, to make room for the Clinton Hill Apartments (today “co-ops”) development for Navy families and war veterans.

457 Clinton Avenue, a Second Empire villa, built in 1869. Originally owned by Nason B. Collins, a flour merchant, the house has a number of striking architectural features: a three-story tower, mansard roof, and front porch supported by fluted Doric columns.

Christoper Wallace, aka Biggie Smalls, aka Biggie, aka Notorious B.I.G., aka Big Poppa, was raised by his mom, Voletta Wallace, at 226 St. James Place. In front of 226 St James. Clarence Davis/NY Daily New He went on to become one of the greatest rappers of all time. Smalls was killed in a drive-by shooting in Los Angeles in 1997. He was just 24 years old. His only two LPs, whose titles eerily bookmarked his death, were Ready to Die and Life After Death, which came out just 16 days after his murder. In 2019, the corner of St. James Place and Fulton Street was named "Christopher Wallace Way." The Orient Temple Masonic Lodge, the site of some of Biggie’s first gigs In a sign of how the neighborhood has changed, the "one-room shack" that Biggie rapped about in his hit single "Juicy" was recently listed for rent at $5,100.

Service buildings on Vanderbilt Avenue, 1941. Center-left is the carriage house for the 1882 Cornelius N. Hoagland mansion at 410 Clinton Avenue. Center-right is the garage and chauffeur’s residence for the mansion of Clara Van Vleck, completed in 1919. Most of these type of service buildings have survived and are highly sought after as residences.

\#179-181-183 St. James Place, 1958. Designed in the Romanesque Revival and Queen Anne styles, ca. 1892 by William Tubby, no. 181 is the crowning centerpiece of three rowhouses designed and constructed as a trio. Both the exterior and the interior retain original design and details.

200 Lafayette Avenue (Vanderbilt Avenue facade), 1957. The (now) bright yellow wood-frame house is arguably the most photographed house in Clinton Hill. Purchased in 1903 by the Skinner family, the home was still in their care in 2010 and likely still today.

The Joseph Steele house, built around 1850 — likely as an extension of the smaller wing on its east side — is a wooden building in the Greek Revival style. During the 1850s, this part of Brooklyn still had some farmland and open space; the cupola atop its roof would have provided a sweeping downhill view of more-urban Brooklyn Heights, Wallabout Bay, and the land in between.

The Vendome is Brooklyn’s oldest surviving multi-unit apartment building. When it opened in 1887, the building’s 17 apartments were serviced by an elevator and had access to the billiard room, a caterer, and a shoeshine. Eventually, the building fell into decline, and after being abandoned for several years, it was taken by the city for failure to pay taxes. In 1980 a fire gutted the building and its demolition was imminent. At the last minute, thanks to local efforts, state and city grants were secured for rebuilding the apartment.

The house at 200 Lafayette Avenue is what the landmarks commission calls “the largest and best remaining example, of a wooden suburban mansion in the transitional Greek Revival/Italianate style now standing in any of the five boroughs of New York City.” Throughout its 179-year history, the house has only had three owners. The Skinner family, who currently own the home, have owned it since 1903.

489 Washington Avenue is a property that has worn many hats. Before it was a Pentecostal Church, this Second Empire mansion was a dance studio, a Grand Army Republic meeting hall, and a private family home to a descendant of the father of Irish Republicanism. With every new inhabitant, a piece of the building's architecture was changed. Lascelles and Grace Maxwell, the original owners of the home, raised their seven children in this house. The Maxwell's children sold the house in 1904 after both of their parents had died. It was then acquired by the Grant Chapter of the Grand Army of the Republic in 1906. The old boy's club was a fraternal organization that supported veterans of the Union Army who fought in the Civil War. The ground floor was converted into a museum to display military memorabilia, which touted all sorts of firearms, uniforms, and possessions of Ulysses S. Grant, whom the chapter was named for. The second story had its walls removed to be converted into a large meeting room, where a variety of social events were held. The groups' membership had dwindled by the late 1920s, and the Hall was sold. Weber Studio operated out of the space, teaching ballroom, Foxtrot, and the waltz led by A.J. Weber. The hall was still rented out for meetings and other events until 1940 when the property was sold to the Evergreen Church of God. The white stucco was removed and covered with a false brick facade, revealing the original brick in certain areas.

These ten buildings, designed by Harrison, Fouilhoux & Abramovitz, were built during World War II as housing for Navy personnel at the nearby Brooklyn Navy Yard. The north complex housed enlisted men, while the south was primarily for officers. Several of the large mansions on Clinton Avenue were torn down during construction of the towers. After the war, the buildings became a private development. The availability of affordable housing in the Clinton Hill Coops, and later the St. James Towers, as well as the solidifying presence of large institutions like Pratt and St. Joseph's University, are the reason Clinton Hill was able to stave off much of the urban blight that plagued other Brooklyn neighborhoods in the 60s, 70s and 80s. In 2017, residents of the St. James Towers voted to remain in the Mitchell-Lama program.

We have freedom of speech, religion, press, and assembly. What about freedom of accessibility? The freedom to use public transportation. For anyone to use public transportation. Yet in many of the major cities across the world accessibility is a struggle especially when it comes to subway transportation. New York City in particular is dealing with a huge accessibility crisis. The New York Times reports hust 126 of its 472 stations, or 27 percent are accessible. And to make matters worse many of the stations are extremely far from one another making it difficult for someone with a disability to get to their destination in a reasonable time. A focus upon college students who are trying to navigate the subway system demonstrates the scope of the issue. Pratt Institute, a leading art school in the heart of Brooklyn, is a case in point. Two of the closest nearby subways stations, Classon and Clinton Washington Avenue, are used by many students to get around the busy city. hat's shocking is that neither station is wheelchair accessible. In fact the next closest G train station that is accessible is Greenpoint Avenue which is a 23 minute drive. In 2019 Cheyenne Leonard, a Las Vegas native moved to Manhattan to attend graduate school at NYU. Leonard states, “I quickly realized that my prior visits to the city were filled with tourist activities, all of which were built for a wide variety of people and therefore, offered better accessibility.” Leonard is just one of the many students who struggle with a disability in the city. Blair-Goldensohn, another wheelchair user in the city stated that using the subways are extremely hard for someone with a disability. Why is this still an issue? Why isn't this a priority? NYC’s subway system predates the 1990 Americans with Disabilities Act. As many of the subway stations were already constructed, it is not easy to rebuild in keeping with contemporary accessiblity standards. “Though there will be progress made to many of the stations. The New York Times states, Under the settlement, the transportation authority will make an additional 81 subway and Staten Island Railway stations accessible by 2025. It will then make another 85 stations accessible by 2035, 90 more by 2045 and then 90 more by 2055.” Stations like Canal Street Station is a major hub in Manhattan yet it’s only partially accessible by certain trains. Will these stations become modified to be fully accessible? At Jay St. Metro-Tech when asking the question, “ what are your opinions on the new york city accessibility and how they affect people with disability?” Student at Pratt Institue, Brooke Miller stated, “I can name a couple locations, Columbus Square, where we are right now. It's a really good point because you never really notice it. I think it's important because how else are people going to get down.” While many who do not have disabilities may not notice, the issues of accessibility are starkly and obvious for those who are trying to navigate the subway stations in NYC. The issue of accessibility is the subject of a settlement with the MTA that would add elevators and ramps to 95 percent of the subway’s stations by 2055 - in 33 years! A more recent class action lawsuit brought by NYPIRG on behalf of wheelchair users and the blind addresses the issue of the gaps between trains and subway platforms . Overall, the accessibility in subway stations is a major problem in NYC that affects not only people with disabilities, but everyone who has a mobility issue, including parents with strollers, for exampleClinton Washington Ave, Canal Street, and Jay Street Metro-Tech subway stations are all examples of how accessibility can vary.

Orthodox Friends Meeting House, 1927. The Rundbogenstil Romanesque Revival Meeting House was completed in 1868, following a design credited to architect Stephen Carpenter Earle (himself a Quaker). (The architectural style is sometimes credited as Lombardian Romanesque, proving that architectural styles are a slippery slope that not even architectural historians can always agree on.) The Brooklyn Daily Eagle called the building “new, neat and tasteful.” The red brick church remained a Quaker Meeting House until the 1950s and was sold to the Apostolic Faith Mission in 1965, who painted it white.

Lafayette Gardens Nursing Home, 447 Clinton Avenue,1958. This Italianate mansion is nearly 170 years old! It is one of the earliest structures of this style in New York City. Constructed circa 1850, the brick and brownstone was originally the home of a local auctioneer. After being owned by a furrier, the house was purchased by William Wade, a manufacturer of printing ink, in 1866. The Wade family owned the home until 1920. In the middle of the 20th century the building was owned and occupied by the Galilee Baptist Church; perhaps the Lafayette Gardens Nursing Home was a project of that institution (very little evidence of the history of the nursing home exists). The church occupied the home until the early 2000s, though during its tenure and after the building continued to deteriorate drastically. The windows were boarded up by plywood and cement blocks and the facade and interior were in terrible shape. The home was extensively renovated and restored in 2010 and now houses four rental units. In March of 2017, a 1,800 square foot unit was for rental market for $6,000.

941 Fulton Street, 1958. This four-story brick building was the home or workshop (it is unclear) of inventor Burton H. Cook from at least the 1890s until the 1910s. Cook invented and patented a number of mechanical products including a rotary ash sifter, a new and improved percolator, and a culinary grater and slicer. According to a search of his patents, he also worked on new types of suspenders and hair pins. The building listed on his advertisements still stands, though the twin double height projected bay windows, interestingly set back in the facade, have been removed. The ground floor commercial space has also converted into additional residential units.

Fulton Street storefronts, January, 5, 1958. From left to right: Rialto Barber Shop (No. 887), Hall's Fine Foods (No. 895), and Precision Radio Lab and Television Service (No. 899). Upstairs from Hall's is the Local Chapter of the International Union of Electrical Workers (IUE), chartered by the Congress of Industrial Organizations.

218 Gates Avenue, 1919. In the late 1860s, the wealthy lace merchant John Gibb built is massive Second Empire mansion for his growing family (he would eventually have 13 children by two wives). He also owned much of the surrounding land, so for its first few decades, no other buildings stood between this house and Classon Avenue. (Gibbs was a bit of a curmudgeon who did not wish to be bothered on his quiet property.) In the late 1880s, Gibb and two of his sons got even richer when they went into business with Frederick Loeser. Frederick Loeser & Company became one of the largest department stores in Brooklyn. Gibb moved out to his Long Island estate at the turn of the century, and the large house cycled through several well-heeled owners. Owing to its enormous square footage, the house was converted into a convalescent home following the first World War. Later it was the Long Island Motor Club, a social club before becoming Hopewell House, a residential space for underprivileged women and children. In the second half of the 20th century, the homes became Plaza North Hotel, a hotel and event venue. This use ended in the 1980s after the activities here and in the more recently constructed outer building devolved in the illegal sphere. It then sat empty and in ruins. The Pratt Area Community Council bought the house from the city in 2000. They restored and reworked the mansion offices, meeting rooms and public spaces, while demolishing the outbuildings and constructing new edifices with studio apartments on the Monroe Street side of the lot. Today the complex includes more than 70 units of affordable housing.

Emmanuel Baptist Church Inspired by French Gothic prototypes, this large church, with its twin towers, resembles a small cathedral. Yet the interior is novel in the arrangement, with a semicircular seating arrangement focused on the large baptismal font.

937 Fulton Street, ca. 1928. Originally home to the Rubel Coal and Ice Corporation, this building was erected in 1928 by architect Edward M. Adelsohn. The company was started by Samuel Rubel, who got his start selling ice and coal from a pushcart in East New York, Brooklyn. In its heyday, the company was very prosperous because coal and ice were two commodities that were in great demand. As the coal and ice business floundered, he invested in the Ebling Brewery of the Bronx. Rubel was said to be worth $8,000,000 at the time of his death – quite a considerable sum for that era.

Triangular block bounded by Fulton Street, Gates Avenue, and Vanderbilt Avenue. June 15, 1940. The small park that occupies this location today is the result of the neighborhood's desire for a peaceful and beautiful space to replace the detritus that was created during the chaos and destruction of the Blackout of 1977.

The Church of St. Luke and St. Matthew is the largest Episcopal Church building in the Diocese of Long Island.