Cuyler Gore, 1942. A “gore” is a small triangular park often found at diagonal intersections. Cuyler Gore is named for the abolitionist minister Theodore Cuyler, of the nearby Lafayette Avenue Presbyterian Church. The city of Brooklyn purchased the western portion of the park in 1845 for the sum of $1. In 1983, the park was expanded to include an area between Cumberland Street and Carlton Avenue, as Cumberland Street was closed to vehicular traffic between Fulton Street and Greene Avenue.

Clinton Nursing Home, 1958. The Italianate brick home at 415 Clinton Avenue is believed to have been constructed in early 1860s by the owner of the lot, a man named Frederick A. Platt. The building changed hands a few times and in 1894 it was purchased by the founder of the American News Corporation, Samuel Johnson (though he had been living in house since 1882). Johnson likely had the larger porch and main entrance vestibule added. Before these alterations, the home likely looked very much like no. 401 (two houses to the north), which is believed to have been constructed by the same unknown architect. Both lots are enclosed in the front by the same cast iron arrow-shaped fencing. In the mid 20th century the home was occupied by what seemed to be a private nursing home. Today the large building, which is 25 feet wide by 65 feet deep, houses 11 units.

College of Immaculate Conception, c. 1915. The College of Immaculate Conception was a preparatory school and seminary established by Bishop Charles E. McDonnell in 1914 in the Fort Greene neighborhood of Brooklyn. In the first year of the program, a class of 110 young men met in the vestry of Saint John's Chapel. Construction broke ground for their own school at 555 Washington Avenue in December of 1914. The program consists of a four-year high school program followed by a two-year college program. Students who wished to continue the priestly vocation were then assigned to a major seminary, where they would study for an additional six years. The program moved to a new Elmhurst campus in 1963.

Church of St. Luke and St. Matthew ARCHITECT: John Welch DATE: 1888-91 STYLE: Romanesque, Northern Italian The Church of St. Luke and St. Matthew on Clinton Avenue (once the “Gold Coast” of Brooklyn) is the masterpiece of Brooklyn architect John Welch, who established himself as a church architect, designing a number of notable Greek Revival and Gothic Revival churches. Welch’s designs for the church are loosely based on twelfth-century Romanesque churches of Northern Italy but adapted for use by a nineteenth-century urban congregation in America.

141 Greene Avenue, 1958. The brick house at 141 Greene Avenue dates from circa the 1870s. The Clinton Hill Designation Report stated that the ground floor commercial space likely dates to the construction of the building. In the last nearly 60 years this building has changed very little, including the look of the commercial space; what was once a grocery store is now a dry cleaner. And its neighbor at 373 Waverly Avenue (at left) is no longer a liquor store, but a pizzeria.

Church of the Messiah at Clermont and Greene Avenues, ca. 1910. After a fire destroyed the steeple of the Greene Avenue Presbyterian Church (as it was called in the early part of the century), it was rebuilt with its distinctive beehive tower. A five-alarm fire in February 1969 rendered the building unsalvageable.

983 Fulton Street, ca. 1958 The northwest corner of Fulton Street and St. James Place featuring what was formerly a drugstore (no. 983) and candy-store (no. 985). Part of no. 983 (at left) was substantially redeveloped into a Met Food supermarket in 1964. The grocery, now a Key Food, has been something of a community landmark since its opening. Known for hiring youth from the community, the famous rapper, Biggie Smalls, was once a cashier there.

Church of St. Luke and St. Matthew ca. 1914 The Church of St. Luke and St. Matthew is the largest Episcopal Church building in the Diocese of Long Island. Architect John Welch was commissioned to design the church after a fire in 1887 destroyed much of the structure. Welch drew inspiration from the churches built during the Italian Renaissance, particularly those in Modena and Verona. The current interior decoration is the fourth reworking of the inside of the church. The romanesque design and elaborate plaster work were completed in 1915. Almost all of the stained glass was produced for the church by the Tiffany Studios of New York. The first pair of lancet windows were installed in 1897. Our Rose Window was given by the children of the Sunday School at the time of the rebuilding in 1890. It is 28 feet in diameter and one of the larger windows of this type in Brooklyn. The New York City Landmarks Preservation Commission considers the Church to be "one of the grandest 19th century ecclesiastical buildings in Brooklyn" and in 1981 designated it as a landmark.

Fire rages at the Fulton Flatbush Storage Co. warehouse, just south of Fulton Street; December 6, 1917.

457 Clinton Avenue, a Second Empire villa, built in 1869. Originally owned by Nason B. Collins, a flour merchant, the house has a number of striking architectural features: a three-story tower, mansard roof, and front porch supported by fluted Doric columns.

Christoper Wallace, aka Biggie Smalls, aka Biggie, aka Notorious B.I.G., aka Big Poppa, was raised by his mom, Voletta Wallace, at 226 St. James Place. In front of 226 St James. Clarence Davis/NY Daily New He went on to become one of the greatest rappers of all time. Smalls was killed in a drive-by shooting in Los Angeles in 1997. He was just 24 years old. His only two LPs, whose titles eerily bookmarked his death, were Ready to Die and Life After Death, which came out just 16 days after his murder. In 2019, the corner of St. James Place and Fulton Street was named "Christopher Wallace Way." The Orient Temple Masonic Lodge, the site of some of Biggie’s first gigs In a sign of how the neighborhood has changed, the "one-room shack" that Biggie rapped about in his hit single "Juicy" was recently listed for rent at $5,100.

Service buildings on Vanderbilt Avenue, 1941. Center-left is the carriage house for the 1882 Cornelius N. Hoagland mansion at 410 Clinton Avenue. Center-right is the garage and chauffeur’s residence for the mansion of Clara Van Vleck, completed in 1919. Most of these type of service buildings have survived and are highly sought after as residences.

\#179-181-183 St. James Place, 1958. Designed in the Romanesque Revival and Queen Anne styles, ca. 1892 by William Tubby, no. 181 is the crowning centerpiece of three rowhouses designed and constructed as a trio. Both the exterior and the interior retain original design and details.

489 Washington Avenue is a property that has worn many hats. Before it was a Pentecostal Church, this Second Empire mansion was a dance studio, a Grand Army Republic meeting hall, and a private family home to a descendant of the father of Irish Republicanism. With every new inhabitant, a piece of the building's architecture was changed. Lascelles and Grace Maxwell, the original owners of the home, raised their seven children in this house. The Maxwell's children sold the house in 1904 after both of their parents had died. It was then acquired by the Grant Chapter of the Grand Army of the Republic in 1906. The old boy's club was a fraternal organization that supported veterans of the Union Army who fought in the Civil War. The ground floor was converted into a museum to display military memorabilia, which touted all sorts of firearms, uniforms, and possessions of Ulysses S. Grant, whom the chapter was named for. The second story had its walls removed to be converted into a large meeting room, where a variety of social events were held. The groups' membership had dwindled by the late 1920s, and the Hall was sold. Weber Studio operated out of the space, teaching ballroom, Foxtrot, and the waltz led by A.J. Weber. The hall was still rented out for meetings and other events until 1940 when the property was sold to the Evergreen Church of God. The white stucco was removed and covered with a false brick facade, revealing the original brick in certain areas.

Lafayette Gardens Nursing Home, 447 Clinton Avenue,1958. This Italianate mansion is nearly 170 years old! It is one of the earliest structures of this style in New York City. Constructed circa 1850, the brick and brownstone was originally the home of a local auctioneer. After being owned by a furrier, the house was purchased by William Wade, a manufacturer of printing ink, in 1866. The Wade family owned the home until 1920. In the middle of the 20th century the building was owned and occupied by the Galilee Baptist Church; perhaps the Lafayette Gardens Nursing Home was a project of that institution (very little evidence of the history of the nursing home exists). The church occupied the home until the early 2000s, though during its tenure and after the building continued to deteriorate drastically. The windows were boarded up by plywood and cement blocks and the facade and interior were in terrible shape. The home was extensively renovated and restored in 2010 and now houses four rental units. In March of 2017, a 1,800 square foot unit was for rental market for $6,000.

941 Fulton Street, 1958. This four-story brick building was the home or workshop (it is unclear) of inventor Burton H. Cook from at least the 1890s until the 1910s. Cook invented and patented a number of mechanical products including a rotary ash sifter, a new and improved percolator, and a culinary grater and slicer. According to a search of his patents, he also worked on new types of suspenders and hair pins. The building listed on his advertisements still stands, though the twin double height projected bay windows, interestingly set back in the facade, have been removed. The ground floor commercial space has also converted into additional residential units.

Dubious Camel advertisement at the northeast corner of Carlton Avenue and Fulton Street. The north side of Fulton Street (right) was formerly home to a vibrant commercial strip, since razed and redeveloped, with lunch counters and a variety of merchants. In the background, the beehive steeple of the Church of the Messiah at Clermont and Greene Avenues.

Fulton Street storefronts, January, 5, 1958. From left to right: Rialto Barber Shop (No. 887), Hall's Fine Foods (No. 895), and Precision Radio Lab and Television Service (No. 899). Upstairs from Hall's is the Local Chapter of the International Union of Electrical Workers (IUE), chartered by the Congress of Industrial Organizations.

937 Fulton Street, ca. 1928. Originally home to the Rubel Coal and Ice Corporation, this building was erected in 1928 by architect Edward M. Adelsohn. The company was started by Samuel Rubel, who got his start selling ice and coal from a pushcart in East New York, Brooklyn. In its heyday, the company was very prosperous because coal and ice were two commodities that were in great demand. As the coal and ice business floundered, he invested in the Ebling Brewery of the Bronx. Rubel was said to be worth $8,000,000 at the time of his death – quite a considerable sum for that era.

Prospect Heights - Sprinkler at the Dean Street Playground between 6th and Carlton Ave. Prospect Heights - Sprinkler at the Dean Street Playground between 6th and Carlton Ave.

Triangular block bounded by Fulton Street, Gates Avenue, and Vanderbilt Avenue. June 15, 1940. The small park that occupies this location today is the result of the neighborhood's desire for a peaceful and beautiful space to replace the detritus that was created during the chaos and destruction of the Blackout of 1977.

The Church of St. Luke and St. Matthew is the largest Episcopal Church building in the Diocese of Long Island.