Trylon and Perisphere, New York World's Fair, 1939. These modernistic structures, designed by Wallace Harrison and J. Andre Fouilhoux, were constructed for the 1939 World's Fair. Plans for construction were changed multiple times due to limited resources due to the Great Depression. They were originally intended to be much larger than their final size of a 180-foot diameter sphere (the Perisphere) and a 610-foot spire (the Trylon). The Trylon was a high spike that visitors were able to ride up on an escalator for a panoramic view. The Perisphere was a giant sphere had an elaborate display on the inside called "Democracity." It presented an image of an ideal future in which people were not forced to live in crowded cities—in this vision, factory workers could live in big houses with gardens and open space, and commute to work. Unfortunately, the Trylon and the Perisphere did not survive World War II, and were destroyed to make ammunition and supplies shortly after the end of the Fair.

By Katie Uva Since their inception in the mid-19th century, world’s fairs have been major cultural touchstones. While fairs have typically had malleable themes and many different types of activities and displays on offer, one of the signature features of world’s fairs has been their role as industrial showcases. Fairs present new technology and inventions and promote the goals of their funders. In the mid-20th century, many of those goals centered on reshaping America’s cities. At the 1939 World’s Fair, several exhibits sought to awe visitors with a picture of prosperous regions anchored by cities, sculpted by highways, and based in suburban family living. By 1964, these ideas and the public-private cooperation they demanded had remade American life. The 1964 World’s Fair aimed to celebrate and perpetuate an already powerful mode of thinking about America’s cities, but in doing so also became a major target for criticism. Read this in its original format here.

Heinz Dome, 1939. Unfortunately long gone, the Heinz Building at the New York World's Fair was an extremely popular exhibition at the Fair. During the 1939 season, the 100-tall domed building was decorated with a relief mural by Domenico Mortellito, depicting scenes of harvest in the eastern and western hemispheres. The interior presentation included an animated stage show that dramatized "the story of strained baby food." A figure, the "Aristocrat Tomato Man," sang and nodded his tomato head. The 'Goddess of Perfection,' a 16-foot statue (who held a sphere in her hands, though it was more of a disco ball then tomato) moved from inside the dome to its roof for the 1940 season, making the building even more visible.

Aerial view of the 1964 World’s Fair grounds, including the Unisphere and pavilions, 1964.

April 30, 2019 was the 80th anniversary of the grand opening of the 1939-1940 New York World’s Fair, which drew millions of visitors to Flushing Meadows, Queens to experience “The World of Tomorrow.” The Fair was divided into zones, each devoted to an aspect of modern life: Amusement, Communications and Business Systems, Community Interests, Food, Government, Medical and Public Health, Production and Distribution, Science and Education, and Transportation. States and countries exhibited their food and culture in designated areas; 33 U.S. states and Puerto Rico were represented, and all major countries participated except China and Germany. During the Fair’s second season in 1940, an American Common replaced the Soviet Union’s pavilion. Mayor Fiorello La Guardia, NYC Parks Commissioner Robert Moses, Fair Corporation President Grover Whalen, and President Franklin D. Roosevelt were involved in planning the Fair, which was meant to lift Americans’ spirits after the economic woes of the Depression. The Fair took nearly three years to construct, and over 200,000 people attended the grand opening – held symbolically on the 150th anniversary of George Washington’s inauguration. Let us take a look at some images of the Fair’s attractions.

My Archive Summer 2019 “My great aunt Mary saved all the family photos that eventually got passed down to me. She, in the World's Fair photo, is the one on the left.” —Paul Demonte

Flushing Meadows-Corona Park, Queens In 2006, the USTA National Tennis Center was rededicated as the USTA Billie Jean King National Tennis Center, in honor of King’s remarkable tennis career and her activism for women’s and LGBTQ rights. Between 1961 and 1979, King won 39 Grand Slam titles, including a record 20 Wimbledon titles. Both during the height of her career and after, King fought for equal prize money for women, who were paid considerably less than their male counterparts. In 1973, she formed the Women’s Tennis Association and was its first president. As a result of her advocacy, the U.S. Open became the first major tournament to offer equal prize money. In 1981, King was publicly outed as a lesbian in a palimony suit and lost all of her endorsement deals, yet she continued to fight against discrimination, and was elected to the International Tennis Hall of Fame in 1987 and awarded the Presidential Medal of Freedom in 2009 for her advocacy work. The USTA Billie Jean King National Tennis Center is a major attraction in the last weeks of summer, when international crowds flock to Queens for the U.S. Open, one of the most prestigious tennis tournaments in the world. Photo by Ajay Suresh.

Lorin Maazel was a Jewish American composer, conductor and musical prodigy. Seen here at age 9 conducting the National Music Camp Orchestra of the Interlochen Bowl Preparatory from the New York World's Fair Friday August 18, 1939.

You submitted, and we rounded up our faves! Here are some spectacular shots of New Yorkers at school over the years.