“Vanderbilt Avenue, at the southeast corner of Willoughby Avenue, showing the Chas. E. Pratt Mansion and stables. October 12, 1940.” Charles Pratt, an oil magnate and philanthropist, founded and endowed the Pratt Institute in Clinton Hill in 1887. The stable has since been demolished, but the main house has remained largely unaltered under the stewardship of the sisters of St. Joseph’s College, where it is now known as Founders Hall.

In 1874, Charles Pratt’s Astral Oil Works was acquired by John D. Rockefeller’s Standard Oil, making Pratt a very rich man. That same year, he broke ground on a trendsetting mansion on Clinton Avenue, soon to be the most sought-after address for Brooklyn’s burgeoning industrialist class. The first of the Clinton Avenue mansions, Pratt’s home was designed by architect Ebenezer Roberts in a transitional Italianate/Neo-Grec style. The home originally included gardens, stables, and a greenhouse on the property’s Vanderbilt Avenue frontage, but these outbuildings have been lost. Today, the mansion is part of St. Joseph’s College, under whose care many original features have been preserved.

"West side of Clinton Avenue between DeKalb Avenue and Lafayette Avenue, 1974." No. 320 (right) is a Second Empire house built in 1867-8 for John O’Mahony, a liquor dealer. The mansard roof, entranceway, and lintels survived a 1920s-era remodel. No. 324 (left) is a larger and more imposing Second Empire structure, built in 1869 for the willow ware pottery manufacturer Lambert Heyniger.

“143-145 Vanderbilt Ave., east side, north of and near Myrtle Ave. July 22, 1934." Semi-attached wooden frame houses built in 1850 as rental properties for the Brooklyn merchant Henry Rider. Today, these houses are part of the Wallabout Historic District.

Arbor Day One boy with shovel and other African American children gathered around newly planted tree. Caption on verso: "Arbor Day: Frederick Ross, 6, of 101 N. Portland Ave., completing the task of tree planting which concluded Arbor Day exercises by veterans organizations and neighborhood, church, school and civic organizations in Fort Greene Housing yesterday."

Simpson Methodist Episcopal Church, 1934. The Romanesque Revival church was designed by William A. Mundell in 1869. Mundell was a prolific New York architect, responsible for the design of Brooklyn landmarks including the Long Island Safe Deposit Building near Fulton Ferry and armories in Williamsburg, Park Slope, and on Clermont Avenue. Today, his red-brick church is home to the Eglise Baptiste D’Expression Française, a Francophone Baptist congregation.

283 DeKalb Avenue, March 17, 1957.

In this excerpt from the Brooklyn Historical Society's audio tour, host Nelson George and historian Francis Morrone discuss the communities and architecture of Fort Greene and Clinton Hill, Brooklyn — including interviews with longtime neighborhood residents.

Clinton Avenue contains some of Brooklyn’s finest 19th century architecture, including the Gilded Age mansions that made it the borough’s most fashionable address. A walk down the length of the avenue tells the story of this transformation: from the provincial farming community shaped by a handful of prominent landowners to a “Gold Coast” boulevard of grand Renaissance Revival buildings, and later to the tension between wartime housing needs, development, and the nascent historic preservation movement.

“Myrtle Ave. 'L' from Fort Greene Park.” Originally the site of a fort built for the Revolutionary War and reoccupied during the War of 1812, the community surrounding the land started using it as public space shortly after the threat of the War of 1812 passed. By 1847, it was designated Washington Park, and twenty years later, famed landscape architects Frederick Law Olmsted and Calvert Vaux began designing its new layout. In 1897, the new Olmsted and Vaux’s landscape was renamed Fort Greene Park.

128 Clinton Avenue ARCHITECT: Unknown DATE: 1853-54 STYLE: Greek Revival This unusually well-preserved and rare free-standing Italianate style frame house with Greek Revival style elements was erected for Henry and Susan McDonald in 1853-54. The house’s cubic form, low-hipped roof, strongly projected bracketed eaves, molded window surrounds, wood-and-glass double doors with segmental-arched transom and wood reveal, and columned portico enriched with dentils and paired brackets are characteristic of the Italianate style. Greek Revival style elements include the fluted porch columns with Tower of the Winds Corinthian capitals and first-story windows with eared surrounds.

The two-story light-colored stone building is 183 Vanderbilt Avenue, a stable built between 1886-1908 and marked by the stone bust of a horse’s head above its entrance. Vanderbilt Avenue was home to several turn-of-the-century service buildings, including the row of three carriage houses to the right of the stable. To the left, the shop at 177 Vanderbilt is advertised as Paul F. Bird Machines and Hauling.

“Clinton Avenue, Brooklyn’s Show Street,” from a Brooklyn Eagle postcard series 1905-07. From right to left are: no. 245, the George Dupont Pratt mansion, now Burns hall of St. Joseph’s College; no. 241, the Charles Millard Pratt house, now the residence of the Roman Catholic Bishop of Brooklyn; and no. 229, the Frederic B. Pratt House. The latter, today known as the Catherine Ladd Pratt House, is a gray brick Georgian/Renaissance Revival mansion designed by Babb, Cook & Willard. Built in 1895, the house is notable for its inventive solution to the adjacent rowhouses at the property’s northern edge: a two-story portico entranceway with a second-level colonnade with pillars carved to look like female figures.

In 1844, the Brooklyn Daily Eagle printed the following prediction “THE CITY OF CHURCHES — such, in time, will be the distinctive appellation of Brooklyn.” In the ensuing decades, the incorporation of new houses of worship matched the pace of residential development and reflected the diverse ancestry of the immigrant communities who settled there. The buildings of the 19th and 20th centuries express the evolution of American church architecture, as dictated by the pride and prosperity of worshippers from Bushwick to Bay Ridge.

“The Sacred Heart Church, near the northeast corner of Park Avenue. October 10, 1940.” This tower marks the entrance to what was then the Sacred Heart Institute, the school of the Roman Catholic Sacred Heart Church, completed 1877, located one block over on Clermont Avenue. To the right at 41 Adelphi Street is the church rectory.

For this story, we'd like to share our personal picks from our combined collections, that represent what this time of year means to us, and to introduce the team of Librarians, Archivists, Collection Managers, Educators and Administrators, who make up the fantastic staff at the Center for Brooklyn History.

Behrens Pharmacy at the northwest corner of DeKalb and Clermont Avenues, 1942. The sign has changed, but the pharmacy continues to operate at this address.

Prison Ship Martyrs' Monument, undated postcard. During the Revolutionary War, more than 11,500 prisoners of war died aboard British ships anchored in nearby Wallabout Bay. The prisoners died of overcrowding, contaminated water, starvation, and disease, and either had their bodies thrown overboard or were hastily (and poorly) buried at the shoreline. Because of this callousness, thousands of body parts and bones washed up on Brooklyn’s waterfront for years to come. In 1808 the remains were first entombed in a crypt on Jackson Street (now Hudson Avenue), near the Brooklyn Navy Yard. In 1873 the prison ship martyrs remains were moved from their location to a vault in the park that was created at the site of a former Revolutionary War fort (then Washington Park, today Fort Greene Park). In the late 19th century various constituencies advocated for a permanent memorial. In 1905 McKim, Mead and White created the design for a new entrance to the crypt, including a wide staircase leading to a plaza from which a massive Doric column rose. The Stanford White-designed monument was 149-foot-tall and crowned with a bronze lantern, created by sculptor Alexander Weinmann (who also designed four bronze eagles for the base). It was dedicated in 1908 with the President-elect William Howard Taft in attendance. Between 1937 and 1948 an elevator allowed visitors to ascend the column. Over the last century, the monument has undergone a series of vandalization and restorations. The eagles were removed in the 1960s due to continual defacement. After smaller restoration efforts in the 1940s and 1970s, a major effort was undertaken to repair, clean and conserve the monument, the crypt, and the surrounding plaza. The newly restored plaza (with modern lighting and two original and two replica eagles) was unveiled in 2008, a century after its original dedication.

In 1902, the first Farm Garden was opened to provide city children the invaluable experience of cultivating and caring for the land. Its founder said of her creation: "I assure you that all the virtues can be taught from a little patch of ground, not eight feet square." Read on to learn of this history and legacy of New York's Farm Gardens.

Clermont Avenue, east side, between Myrtle and Willoughby Avenues, viewing south from the former and showing the 52nd Field Artillery Armory, also known as the 105th Regiment Field Armory, 1925. Built in 1873, the William Mundell-designed Clermont Armory was, at the time, the largest hall without pillars or obstructions in the United States. Mundell’s ornate Second Empire facade was rebuilt in comparatively bland "Neo-Medieval" style in 1911, the 23rd regiment having relocated to a new and larger armory at Bedford and Atlantic Avenues in 1895. When the National Guard left in 1964, the Clermont Armory became a storage facility for the Department of Sanitation, falling out of use after 1989. The building has since been redeveloped for residential use.

275 Park Avenue, ca. 1918. This building was erected in 1890 as home to The Van Glahn Brothers, one of several large wholesale grocery supply businesses located in Brooklyn that developed at the end of the 19th century. In 1907, the brothers sold the property to their growing neighbor, Rockwood & Co. Chocolate Company, whose factories were located just behind this building on Waverly and Park. The company produced Tootsie Rolls, among other candies, in this plant until 1967. Like many properties located along Brookyn's waterfront between 1960 and 2000, this building sat empty for more than 20 years before converted into a rental property in 2002.

Cumberland Street, east side, south from Park and Myrtle Avenue, showing part of the large area where Fort Greene Houses will be erected. On the left are buildings on Carlton Avenue, April 11, 1941. The Fort Greene Houses, a 15-building development, were built on this site in 1944. At right, buildings on the south side of Myrtle Avenue are visible behind the tracks of the Myrtle Avenue El.

The Vanderbilt Avenue Station on the Myrtle Avenue El, 1942. The Vanderbilt Paint Co. is at the northwest corner of Myrtle avenue.

Myrtle Ave. ‘L’ at Cumberland Street, ca. 1955. Interrupted by the Whitman Houses between Park and Myrtle Avenues, Cumberland Street continues as Washington Park on the eastern edge of Fort Greene Park (right).

The wood-frame home seen on the far side of the intersection is 69 Vanderbilt Avenue, ca.1945. No. 69 was an 1850-built wood-frame home that matched its immediate neighbor at no. 71. Master carpenter, Richard P. Pease, built both homes in 1850. This photograph was captured before the construction of the BQE which runs over the middle of Park Avenue at this location. During the construction of that highway in the late 1950s, the main beam in the basement cracked, compromising the foundation of the house. Over the next decades, the home sank and warped and was largely neglected, despite being occupied. The final resident of the house lived there from childhood in the 1930s until he was evicted from the dangerously unstable house (which was also filled junk) in 2009. Despite the homes' landmark status, the safety issues trumped the designation, and the city demolished the house in 2015. Given the proximity of the neighboring house and to control asbestos, workers took the house down with hand tools like hammers rather than wrecking balls.

“North on St. Edwards Street, across Myrtle Avenue, from Fort Greene Park, 1940.”

“DeKalb Avenue, north side, east from Vanderbilt to Clinton Avenues, showing former brownstone private residences. October 12, 1940.” DeKalb Avenue is named after Baron Johann de Kalb, a Bavarian-French military officer who served in the Continental Army during the Revolutionary War and was killed at the battle of Camden.

“The rear of the \[Clermont Avenue] armory on the west side of Vanderbilt Avenue, looking toward Myrtle Avenue, 1925.”

"Myrtle Ave. ‘L’ West from Vanderbilt Ave. Station, ca. 1955." Opened in 1888, the Vanderbilt Avenue Station was a stop on the Myrtle Avenue El, serving trains on the Myrtle and Lexington Avenue lines. This photo was taken from the western edge of the station’s island platform, above Clermont Avenue. 374 Myrtle Avenue is the building at farthest left.

The 19th century saw Fort Greene develop from farmland held by a few families to a residential neighborhood, populated by a mix of Brooklyn’s working, merchant, and upper classes. Today, much of the neighborhood has been well preserved, including several blocks of brownstone and rowhouse architecture, churches, parkland, and civic institutions dating to the 19th century. Even in areas transformed by postwar urban renewal and commercial development traces of an earlier era remain.

Lefferts-Laidlaw House, July 22, 1934. The temple-fronted Greek Revival house was built in stages, with the main portion completed between 1836-1840, and remained in the Lefferts family until 1854.The Leffertses were prominent Brooklyn landowners whose holdings included much of present day Bedford-Stuyvesant and Crown Heights, to the east. In late December 1878 the residents of this Brooklyn home began experiencing mysterious happenings: door bells ringing, violently rattling doors and a broken window. According to NY Times reporting the police even got involved and droves of gawkers and spiritualists showed up. After two weeks of the strangeness, the Times notes that the resident, Edward Smith, banished the spirits with "a long and honest prayer." The house was subject to a number of unfortunate “updates” — faux-brick siding, asphalt shingles — during the early 1940s and 1950s, but was later restored to its original appearance. The house was added to the National Register of Historic Places in 1985.

George Dupont Pratt House, ca. 1905. The Georgian Revival mansion was designed by the firm Babb, Cook & Willard and completed in 1901. In 1918, the Sisters of St. Joseph bought the building, and today it is Burns Hall of St. Joseph’s College.

Willoughby Avenue, looking east from Vanderbilt Avenue. The white wall at left surrounds the site of 210 Clinton Ave, part of the “North Campus” of the Clinton Hill Co-ops. Designed by architect Wallace K. Harrison, the 13-story tower is part of a six-building complex built between 1941-1943 as housing for wartime workers at the Brooklyn Navy Yard.

Richard Wright, author of "Native Son."

“Park Avenue, north side, east from north Oxford to Cumberland Streets.” Buildings on the south side of Park Avenue (right) would be razed in 1941 for the development of the Fort Greene Houses, now the NYCHA Walt Whitman Houses. Buildings on the north side would also be demolished, to make way for the Brooklyn-Queens Expressway, first proposed in 1936 and completed in 1964.

The southeast corner of Fort Greene Park, DeKalb Avenue and homes on the east side of Washington Park.

Maybe the nicest of the Pratt family houses, this Romanesque Revival home at 241 Clinton was built for Pratt’s oldest son, Charles Millard Pratt, who became President of the Pratt Institute when his father died in 1891. Today, it is the residence of the Catholic Bishop of Brooklyn.

Edward T. Bedford Mansion, ca. 1905. Bedford was a board member of Standard Oil and a colleague of Charles Pratt, whose family had several mansions on the next block south. Bedford’s stately Renaissance Revival home was designed by Montrose Morris and built around 1900. A 1902 New York Times report of a fire at Bedford’s home begins: “There was much excitement yesterday afternoon in the aristocratic neighborhood of Clinton and Willoughby Avenues, Brooklyn." Like many in the surrounding area, Bedford’s mansion was torn down during World War II, making room for the construction of housing for Navy personnel and families at the Clinton Hill Apartments (built 1941-1943, today the Clinton Hill Co-Ops).

In 1890, the Pratt Institute opened one of the country's first library schools, with the Pratt Free Library as its laboratory. The Daily Eagle reported on January 20, 1895: "Pratt Institute's new library building is gradually nearing completion. When ready for occupancy it will be one of the most imposing structures in this big city." The Pratt library had been earlier located in the main building and opened to the public in 1888 as the first free public library in Brooklyn- not limited to Pratt Students. Excessive demand for it services- it was, said the Daily Eagle in 1895, "thronged with students, literary workers, and bibliomaniacs every afternoon"- lead to the construction of a separate library building, dedicated on May 26, 1896. At the dedication, Pratt President Frederic Bayley Pratt presided; the Reverend John Humpstone, pastor of Emmanuel Baptist Church, said a prayer; and the famous Dannreuther Quarter performed Mendelssohn's overtire to Athalie, Anton Rubinstein's Music of the Spheres, and "Walther's Prize Song" From Wagner's Die Meistersinger. And then New York State Librarian Melvil Dewey (of decimal system fame) addressed the assembly, followed by a prayer from the Reverend Samuel McConnel, pastor of the Church of the Holy Trinity on Montague Street. It was a grand event. Architect William B. Tubby's Romanesque Revival building housed reference and circulating collections, including a children's collection, as well as an exhibition room, and classrooms for the library school. (In 1982 architect Giorgio Cavaglieri added the south terrace with views down onto new stacks. After 1940, with the opening of the new central library at Grand Army Plaza, Pratt's library was no longer the much-needed municipal resource it had been for 52 years and was restricted to institute students.

Pratt Institute Library ARCHITECT: William B. Tubby DATE: 1896 STYLE: Renaissance Revival The Pratt Institute Library was the first free public library in the City of Brooklyn. Pratt’s belief in self-help led him to an interest in the public library movement. The free-standing Renaissance Revival structure has slightly projecting end pavilions and a two-story stacks wing at the western end.

Bandstand in Washington Park, now Fort Greene Park, at the future site of the Prison Ship Martyrs' Monument, ca. 1895.

The Prison Ship Martyrs' Monument is a memorial to the more than 11,500 American prisoners of war who died while detained aboard sixteen British prison ships during the American Revolutionary War. The remains of a small portion of those who died on the ships are interred in a crypt beneath its base. The monument, designed by architect Stanford White, is topped with an eight-ton brazier (funeral urn) by sculptor Adolph Weinman. This photo is undated, but may depict the November 1908 dedication ceremony, when a crowd of 15,000 gathered for President William Howard Taft’s address.

Drake's Cake Building, ca. 1915. Constructed in 1913 for the Drake Bakeries, this factory structure with an Arts and Craft style facade was designed by the firm of Dodge & Morrison. One of the largest commercial cake bakeries in the region, Drake was producing 15 tons of pound cake a day by 1914 and was becoming well known for their ring dings, yodels, devil-dogs and coffee cakes. The business was so successful that they expanded this factory building all the way to Waverly Avenue in 1925. In 1960 the company was sold to a large food conglomerate. Today it is part of Hostess, who still make some of the Drake favorites and the building on Clinton Avenue is a charter school.

Richard Wright Photograph by Carl Van Vechten

“Myrtle Avenue (El, thereon), west from North Portland Avenue to Leo Place, showing extensive demolition for the erection of Fort Greene Houses. The view is from Fort Greene Park. In the background is St. Edwards \[sic] Roman Catholic Church.”