Established as a Dutch farming village in 1652, Vlacke Bos, meaning “flat woodland” in Dutch, was later Anglicized to Flatbush. Around the time that it became part of the city of Brooklyn in 1894, Flatbush began its transformation into a residential suburb. Real estate development in Flatbush was spurred in large part by the arrival in 1878 of the Brooklyn, Flatbush and Coney Island Railroad (now the Brighton Beach line) and the completion of the Brooklyn Bridge in 1883. These infrastructure advances made it possible for residents to commute to downtown Brooklyn and Manhattan for work. Flatbush was subdivided into several neighborhoods with distinct names at the turn of the 20th century. These residential enclaves were developed between the 1890s and 1920, with house prices ranging from roughly $3,000 to $13,000. The most elite was Prospect Park South, which was established by developer Dean Alvord. Alvord envisioned a “garden within the city,” eschewing the rowhouse trend that was popular throughout Brooklyn. To ensure this aesthetic was achieved, the infrastructure and landscaping were laid out prior to the sale of the lots. Alvord required that fences and plantings not extend beyond the house lines in order to create a unified sweep of front yards. The streets were given British names, such as Buckingham and Westminster, to further evoke the country ideal that had its roots in the English country house and that was experiencing a surge in popularity throughout America. Instead of street signs, Alvord installed masonry gateposts engraved with the street names. Today, Victorian Flatbush is comprised of 11 neighborhoods that were all developed with the suburban country aesthetic as inspiration, which is still evident in the layout of the streetscapes with their yards, freestanding homes, and in some places planted street medians. While the houses were all constructed around the same time, their ornamental details were carefully selected to distinguish each from the other. Today this group of neighborhoods makes up one of the largest collections of Victorian-era wood-frame residential architecture in the country, though only roughly half are legally protected by the city as historic landmarks. The area’s five historic districts are Albemarle-Kenmore Terraces, Prospect Park South, Ditmas Park, Midwood Park and Fiske Terrace. Due to the neighborhoods’ common attributes and shared sense of place, local residents and advocates are keen to “complete the quilt” of historic district designation and include Caton Park, Beverley Square West, Beverley Square East, Ditmas Park West, West Midwood and South Midwood. Hidden within this tapestry of grand turn-of-the-century homes are glimpses of Flatbush’s more distant past. At the northern end is the Flatbush Dutch Reformed Church, which has its roots in the earliest settlement of the area, and at the southern end stands a farmhouse dating to before the Civil War, when Flatbush was still farmland. These reminders of 18th- and 19th-century Flatbush lend the neighborhood a rich and multi-dimensional context to an otherwise largely monochrome landscape.

Rustic Shelter, Prospect Park, unknown date.

The Matthew Clarkson Mansion, later home to the Midwood Club and the Union League Club, Flatbush; ca. 1880. Built in 1836 for Matthew Clarkson, a member of the prominent Flatbush family, this temple-fronted classical mansion once sat on a large tree-lined plot west of Flatbush Avenue. Following Clarkson's death in 1883, at the age of 87, the mansion became the first home of the Midwood Club, a gentlemen's social organization founded in 1889. The Club would eventually buy out Clarkson's heirs and assume ownership of the building. By 1917, the Midwood Club's membership had declined considerably and the club itself was on the brink of extinction. That year, the Union League Club, formerly located at Grant Square, took over the former Clarkson mansion and restored its place in Brooklyn social life. In 1937, the building became the Y.M.C.A.'s Flatbush chapter. After a January 1940 fire caused significant damage, the once-proud 104 year old estate was sold for development and razed.

Flatbush Dutch Reformed Church ca. 1925 As in Saint Paul's Chapel, Manhattan, the most noteworthy architectural features of this church are the spire and the interior. Surrounded its little cemetery, it creates a picture of the church, unchanged since it was built, perfect in its original setting.

Peristyle, unknown date. Located near the Parade Grounds at the southern border of Prospect Park, the McKim, Mead & White-designed Grecian Shelter is a peristyle with Corinthian columns. The shelter, completed in 1905, was refurbished in 1966 and added to the National Register of Historic Places in 1972.

Rubble from the demolition of No. 816 Flatbush Avenue, at Caton Avenue; July 17, 1929.

Music school at Flatbush Avenue and Parkside Avenue (formerly Ocean Parkway, Franklin Avenue); ca. 1908. According to Gertrude Lefferts Vanderbilt's 1909 "Social History of Flabush," this house was built by Mrs. Jane Rhodes (sometimes spelled 'Rhoades'). In Eugene L. Armbruster's photo, ca. 1908, the late Mrs. Rhodes' home has been converted to the "School of Accompanying," described in a 1911 Brooklyn Daily Eagle advertisement as a resource for pianists to "largerly increase" their income.

Shops at Nos. 805-811 Flatbush Avenue, opposite Caton Avenue; May 11, 1929. These wood-frame structures were demolished in 1930, as Caton Avenue was extended east from Flatbush Avenue, along the path of the alley at right. Prior to the extension, the alley led to stables and further storefronts.

Constructed in 1796, the Reformed Church of Flatbush, located in what is now an African-America and West Indian community, indicates the influence of English Neoclassicism with its central tower and multi-tiered steeple. At least the third church structure on this site, the current church is surrounded by a much older cemetery containing gravestones of many of the village's most notable families of Dutch descent. Some stones have inscriptions in Dutch. The church itself has some beautiful stained-glass windows with coats of arms and dedications of the Dutch families that used to worship there, as well as an old embroidered Brooklyn coat of arms depicting the official seal of the borough of Brooklyn: "even Draght Mack Maght" (old dutch for: "in unity there is strength," often not spelled correctly in its old rendering). It was also the official seal of the Dutch Republic and the Dutch Reformed Church. The church house across from the cemetery has some notable Tiffany windows. The churches at Flatbush, Flatlands, and Brooklyn (now the Old First Reformed Church in Park Slope) were all established in 1654. However, the minister (domino) of the Flatbush church presided over churches of other villages into the mid-18th century. The Dutch Reformed Church was the one of the most potent forces of cultural identity and connection with the Dutch Republic until after the American Revolution. The Dutch language only gave way to English in Kings County's churches in the late 18th century; an English afternoon service was introduced in Flatbush in 1792. Flatbush was the political and cultural heart of Dutch Brooklyn. its original settlement in the 1630s occurred along the Native-American trail cutting diagonally across western Long Island from Jamaica Bay to the ferry landing at the East River. Known as Ferry Road, then Flatbush Road, and finally Flatbush Avenue, this is one of the great historic thoroughfares of America. The first settlement consisted of 48 farmsteads of 50 acres, 24 on each side of the avenue. Farmhouses faced the roadway, and barns and other outbuildings extended behind them on long rectangular plots. Settlement began along the southern reaches of the avenue near the border with Flatlands, but the positioning of the church at the midpoint of the avenue's course through the township fixed its center.

"Group posing on J. Lott's piazza, centered around woman in rocking chair; Labor Day 1887." - A.V. Martense The scene for this Labor Day photo appears to be the front porch of the Judge John A. Lott House, facing Flatbush Avenue across from Erasmus High School (then Erasmus Hall Academy). The Lotts were one of several prominent families in Flatbush descended from the town's early Dutch settlers. John Abraham Lott, born in Flatbush in 1806, was a lawyer and partner in the prominent Lott, Murphy & Vanderbilt firm, before his appointment to the Kings County Court bench in 1838. Lott was elected to the State Assembly in 1842, and served in the New York State from 1843 - 1846. Following his stint as a legislator, Judge Lott returned to the bench in 1858 as an elected justice of the State Supreme Court, where he served until 1869. Following his retirement from political office and jurisprudence, Lott served as president of the Brooklyn, Flatbush and Coney Island Railway. After Judge Lott's 1878 death, the house appears to have passed to his son, Jeremiah Lott. (The Lott family was well represented in Flatbush society — Robinson's 1890 atlas of Kings County shows no less than four Lott estates on this block of Flatbush Avenue, not to mention other properties further afield.) During World War I, "very practical war work \[was] being carried on at the Lott Mansion," including the administration of food conservation programs, according to a June 1918 Brooklyn Daily Eagle report. The house sustained damage in a 1923 fire, and was demolished shortly thereafter.

Parsonage of the Flatbush Dutch Reformed Church, 900 Flatbush Avenue; ca. January, 1917. While the congregation dates to 1654, and the current church to 1793, the Flatbush Dutch Reformed Church's parsonage was added in 1853. The parsonage, which included both Greek Revival and Italianate architectural elements, was moved about 200 feet to the southwest in 1918, and now sits at the corner of Kenmore Terrace and East 21st Street.

Flatbush Trust Company, undated postcard. Organized in 1899, the Flatbush Trust Company was the first bank in the neighborhood. While the largely agrarian nature of Flatbush in the 19th century hadn't required banking, the influx of people and business (particularly real estate development) to the area created a new need. The bank building seen here opened in 1903 and overall the Trust Company was a major success. They opened a second branch at Flatbush and Church Avenues in 1905 and by 1908 held $3.2 million in assets by 1908. The building here was expanded and drastically renovated in the 1920s when it became a branch of the American Exchange Irving Trust Co. Today it no longer stands, and its date of demolition is unknown.

Linden Theatre, Flatbush Avenue; June, 1928. Located at the eastern terminus of Caton Avenue, the Linden Theatre opened in 1911 had a twenty year run on Flatbush Avenue. The theatre was demolished in 1931 and replaced by a bank branch that survived until 2020 when it was cleared for a new residential building.

Flatbush Dutch Reformed Church ARCHITECT: Thomas Fardon DATE: 1793-1798 STYLE: Federal In 1654, under orders from Director General Peter Stuyvesant, the first Dutch Reformed Church was built in Flatbush. In 1793, in the mood of expansion that followed the Revolution, a new church was built. One of the most beautifully scaled church spires in all New York City adorns the tower of this Federal Style church. Built of local stone and Holland brick, the walls rest on a foundation made from stones of an earlier church of 1699, which was demolished to make way for the present structure. The Parsonage, a large, imposing wood-frame residence, was built south of the church in 1853. The Church House was designed by Meyer & Mathieu in 1922. It is a Georgian style structure built of red brick laid in Flemish bond. Members of early Dutch families are interred in the cemetery adjoining the church, which is included in the expanded landmark site.

Adjacent to the Q train tracks, you might spy a clearing in the woods. The Knickerbocker Field Club was established in 1889 in the Flatbush neighborhood of Brooklyn. Its original structure was a two story Colonial Revival Style building clad in clapboard and shingles, with a deep porch supported by Doric order columns. A fire in 1988 destroyed a portion of the building. The Field Club was the last standing portion of the area's Tennis Court development, yet was not considered worthy of landmark status. The remains of the original structure were demolished in 1992, replaced by a new clubhouse, still operating under the name "Knickerbocker Field Club."

St. Paul’s Church in the Village of Flatbush, June 4, 1961. The present St. Paul’s, a Gothic structure dating to 1877, replaced the wooden 1836 church, termed “a neat and handsome edifice” in Peter Ross’s 1902 “History of Long Island.”

Streetcar on Flatbush Avenue, at Caton Avenue; ca. 1910. Photographer Eugene L. Armbruster's view is facing southward, from a point near Lenox Road. The spire of the Flatbush Reformed Dutch Church is visible in the distance.

RKO Kenmore, June 11, 1961. Built as a vaudeville house for the B.F. Keith Circuit in 1928, the theatre was originally called the Keith-Albee Kenmore. The auditorium had 3,025 seats under a 60-foot-wide dome. The balcony design included murals painted by children's book illustrator, Willy Pogany, who also created interior art for Manhattan's Beacon Theatre. The building's Italian-born architect Eugene DeRosa created more than 30 theatres around the city. The exterior was designed in a subtle Colonial Revival style. The theatre continued to present vaudeville until the early 1930s. In 1932 it became a single screen movie theater. It remained a movie theatre until 1999, and was split into a four-plex in the late 1980s after being sold to the Cineplex Odeon chain. A gang-related shooting occurred in 1999 during a showing of the movie 'The Life,' which left one person dead and two others injured. The NYPD closed the theatre. A few years later the building was sold and gutted for a Modell's Sporting Goods Store.

The Dutch Reformed Church on Flatbush Avenue is the oldest continuously used location for religious purposes in New York City. The original church was a wooden chapel built on this site in 1654 with the authorization of Governor Peter Stuyvesant. The current church building was constructed between 1793 and 1798 in the Federal style by architect Thomas Fardon. The stained glass windows were designed and made by the Tiffany Company. They were installed in 1899 to commemorate the descendants of the original Dutch settlers to this part of Brooklyn. The adjacent graveyard is the final resting place for many members of Brooklyn's most prominent early citizens, including the Ditmas, Livingston, Lefferts, Van Siclen and Vanderveer families.