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Six to Celebrate: Victorian Flatbush

Established as a Dutch farming village in 1652, Vlacke Bos, meaning “flat woodland” in Dutch, was later Anglicized to Flatbush. Around the time that it became part of the city of Brooklyn in 1894, Flatbush began its transformation into a residential suburb. Real estate development in Flatbush was spurred in large part by the arrival in 1878 of the Brooklyn, Flatbush and Coney Island Railroad (now the Brighton Beach line) and the completion of the Brooklyn Bridge in 1883. These infrastructure advances made it possible for residents to commute to downtown Brooklyn and Manhattan for work.

Flatbush was subdivided into several neighborhoods with distinct names at the turn of the 20th century. These residential enclaves were developed between the 1890s and 1920, with house prices ranging from roughly $3,000 to $13,000. The most elite was Prospect Park South, which was established by developer Dean Alvord. Alvord envisioned a “garden within the city,” eschewing the rowhouse trend that was popular throughout Brooklyn. To ensure this aesthetic was achieved, the infrastructure and landscaping were laid out prior to the sale of the lots. Alvord required that fences and plantings not extend beyond the house lines in order to create a unified sweep of front yards. The streets were given British names, such as Buckingham and Westminster, to further evoke the country ideal that had its roots in the English country house and that was experiencing a surge in popularity throughout America. Instead of street signs, Alvord installed masonry gateposts engraved with the street names.

Today, Victorian Flatbush is comprised of 11 neighborhoods that were all developed with the suburban country aesthetic as inspiration, which is still evident in the layout of the streetscapes with their yards, freestanding homes, and in some places planted street medians. While the houses were all constructed around the same time, their ornamental details were carefully selected to distinguish each from the other. Today this group of neighborhoods makes up one of the largest collections of Victorian-era wood-frame residential architecture in the country, though only roughly half are legally protected by the city as historic landmarks. The area’s five historic districts are Albemarle-Kenmore Terraces, Prospect Park South, Ditmas Park, Midwood Park and Fiske Terrace. Due to the neighborhoods’ common attributes and shared sense of place, local residents and advocates are keen to “complete the quilt” of historic district designation and include Caton Park, Beverley Square West, Beverley Square East, Ditmas Park West, West Midwood and South Midwood.

Hidden within this tapestry of grand turn-of-the-century homes are glimpses of Flatbush’s more distant past. At the northern end is the Flatbush Dutch Reformed Church, which has its roots in the earliest settlement of the area, and at the southern end stands a farmhouse dating to before the Civil War, when Flatbush was still farmland. These reminders of 18th- and 19th-century Flatbush lend the neighborhood a rich and multi-dimensional context to an otherwise largely monochrome landscape.

ByHistoric Districts Council logoHistoric Districts Council
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45 stops•10.4km•2h 6min
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Flatbush Branch, Brooklyn Public Library - Construction
 Flatbush Branch,  Brooklyn Public Library - Construction icon

Flatbush Branch, Brooklyn Public Library - Construction

Brooklyn Public Library, Flatbush Branch (R.L. Daus, 1905) To serve the new residents of Flatbush, a Brooklyn Public Library branch was constructed with funds from steel magnate Andrew Carnegie, who donated many branches throughout the city. The original structure, which had vaulted reading rooms lit by skylights, underwent major changes in 1937, including the addition of east and west wings, a vestibule and a new moderne façade by the Brooklyn Public Works with Works Progress Administration funds.
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Flatbush Branch, Brooklyn Public Library - Facade
 Flatbush Branch,  Brooklyn Public Library - Facade icon

Flatbush Branch, Brooklyn Public Library - Facade

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Flatbush Dutch Reformed Church
Flatbush Dutch Reformed Church icon

Flatbush Dutch Reformed Church

FLATBUSH DUTCH REFORMED CHURCH 890 Flatbush Avenue Church: Thomas Fardon, 1793–98 New York City Individual Landmark Parsonage: Unknown architect, 1853 Church House: Meyer & Mathieu, 1924 New York City Individual Landmark State and National Registers of Historic Places This church, which has held services here since 1654, was one of three churches established by a mandate from Governor Peter Stuyvesant. The current building, though it was completed in 1798 and is one of the oldest structures in Flatbush, is the church’s third structure. It contains classic elements of the Georgian style popular in early America, including a white octagonal spire and belfry adorned with Tuscan colonnettes and urns. Its façades are made of Manhattan schist and are punctuated with arched windows. The Tiffany stained glass windows were installed in 1889 to commemorate the descendants of some of Flatbush’s early Dutch settlers. Some of the gravestones in the cemetery also bear the names of prominent Flatbush families, including Ditmas, Gerritsen, Livingston, Lefferts, Martense, Van Siclen and Vanderveer.
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Flatbush Dutch Reformed Church - Cemetery
Flatbush Dutch Reformed Church - Cemetery icon

Flatbush Dutch Reformed Church - Cemetery

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Erasmus Hall High School
Erasmus Hall High School icon

Erasmus Hall High School

ERASMUS HALL MUSEUM and ERASMUS HALL HIGH SCHOOL 911 Flatbush Avenue Museum: Unknown architect, 1786, New York City Individual Landmark High School: Charles B. J. Snyder, 1902–25, State and National Registers of Historic Places Erasmus Hall Museum, which is slated to be restored and converted into the Caribbean American Chamber of Commerce and Industry, was originally Erasmus Hall Academy, a private school founded in 1786 by the Flatbush Dutch Reformed Church across the street. The inner quadrangle of Erasmus Hall High School contains the Academy’s original Georgian-Federal style frame building with hand-carved beams and clapboards. Also in the quadrangle is a statue of the Dutch Renaissance philosopher Desiderius Erasmus, the school’s namesake. Prior to the Academy’s construction, for which both Alexander Hamilton and Aaron Burr contributed funds, the site was home to a Dutch public school erected in 1658. The later school buildings were designed in the Collegiate Gothic style and are made of buff brick, limestone and terra cotta. Notable alumni include Barbara Stanwyck, Mickey Spillane, Bobby Fischer, Samuel LeFrack, Clive Davis and Barbra Streisand.
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Erasmus Hall High School - Windows
Erasmus Hall High School - Windows icon

Erasmus Hall High School - Windows

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Erasmus Hall High School - Crest
Erasmus Hall High School - Crest icon

Erasmus Hall High School - Crest

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Erasmus Hall High School - Later buildings
Erasmus Hall High School - Later buildings icon

Erasmus Hall High School - Later buildings

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Flatbush Town Hall
Flatbush Town Hall icon

Flatbush Town Hall

FLATBUSH TOWN HALL 35 Snyder Avenue John Y. Culyer, 1874–5 Currently functioning as a public school, this building has served many purposes since its construction in 1875. Built as the Flatbush Town Hall after residents defeated an early proposal to become part of the city of Brooklyn, it has been preserved over the years as a community center and police precinct, among other things. Its fanciful tower, mansard roofs and iron cresting lend grace and charm to this part of Flatbush.
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Flatbush Town Hall in 1932
Flatbush Town Hall in 1932 icon

Flatbush Town Hall in 1932

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Albemarle Terrace
Albemarle Terrace icon

Albemarle Terrace

ALBEMARLE TERRACE Slee & Bryson, 1916–20 New York City Historic District State and National Registers of Historic Places Designed by the same architectural firm, the houses on Albemarle Terrace are Georgian Revival brick houses with bay windows, entry porches and slate tile mansard roofs, while those on Kenmore Terraces were built in the English Arts and Crafts Revival style.
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Albemarle Terrace - Bay windows
Albemarle Terrace - Bay windows icon

Albemarle Terrace - Bay windows

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Kenmore Terrace
Kenmore Terrace icon

Kenmore Terrace

KENMORE TERRACE Slee & Bryson, 1916–20 New York City Historic District State and National Registers of Historic Places Designed by the same architectural firm, the houses on Kenmore Terraces were built in the English Arts and Crafts Revival style, while those on Albemarle Terrace are Georgian Revival brick houses with bay windows, entry porches and slate tile mansard roofs.
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Caton Park
Caton Park icon

Caton Park

CATON PARK John C. Sawkins, Edward R. Strong and William A. A. Brown, 1902–09 Caton Park consists of about 50 large frame houses located in a small area three blocks wide and one block long. Constructed by three different developers, Caton Park benefits from its northerly neighbor, the Prospect Park Parade Grounds, which give the neighborhood an even more bucolic and suburban-like setting.
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Caton Park - Large Frame Houses
Caton Park - Large Frame Houses icon

Caton Park - Large Frame Houses

CATON PARK John C. Sawkins, Edward R. Strong and William A. A. Brown, 1902–09 Caton Park consists of about 50 large frame houses located in a small area three blocks wide and one block long. Constructed by three different developers, Caton Park benefits from its northerly neighbor, the Prospect Park Parade Grounds, which give the neighborhood an even more bucolic and suburban-like setting.
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100 Buckingham Road - Renaissance Revival style
100 Buckingham Road - Renaissance Revival style icon

100 Buckingham Road - Renaissance Revival style

HOUSES ON BUCKINGHAM ROAD BETWEEN ALBEMARLE ROAD AND CATON AVENUE, Prospect Park South 100 Buckingham Road: Arthur Harmon, 1908 New York City Historic District,State and National Registers of Historic Places There are many eclectic houses on these two blocks, including number 100, which was built in the Renaissance Revival style by Arthur Harmon, whose firm would later design the Empire State Building.
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104 Buckingham Road - Classical Revival style
104 Buckingham Road - Classical Revival style icon

104 Buckingham Road - Classical Revival style

HOUSES ON BUCKINGHAM ROAD BETWEEN ALBEMARLE ROAD AND CATON AVENUE, Prospect Park South 104 Buckingham Road: Carroll H. Pratt, 1902 New York City Historic District, State and National Registers of Historic Places There are many eclectic houses on these two blocks, including number 104, which was designed in a Classical Revival style, with a grand columned entry porch, pilasters and painted shingles.
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115 Buckingham Road - Gambrel roof
115 Buckingham Road - Gambrel roof icon

115 Buckingham Road - Gambrel roof

HOUSES ON BUCKINGHAM ROAD BETWEEN ALBEMARLE ROAD AND CATON AVENUE, Prospect Park South 115 Buckingham Road: John J. Petit, 1900 New York City Historic District, State and National Registers of Historic Places There are many eclectic houses on these two blocks, including number 115, which has a claim to fame. It is the one-time home of M. G. Gillette, of Gillette razors. The Shingle style house’s most prominent features are its gambrel roof and bell-shaped tower.
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125 Buckingham Road - Mix of Renaissance and Classical Revival
125 Buckingham Road - Mix of Renaissance and Classical Revival icon

125 Buckingham Road - Mix of Renaissance and Classical Revival

HOUSES ON BUCKINGHAM ROAD BETWEEN ALBEMARLE ROAD AND CATON AVENUE, Prospect Park South 125 Buckingham Road: Brun & Hauser, 1911 New York City Historic District, State and National Registers of Historic Places There are many eclectic houses on these two blocks, including number 125, which was designed in a mix of Renaissance and Classical Revival styles.
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131 Buckingham Road - Japanese design
131 Buckingham Road - Japanese design icon

131 Buckingham Road - Japanese design

HOUSES ON BUCKINGHAM ROAD BETWEEN ALBEMARLE ROAD AND CATON AVENUE, Prospect Park South 131 Buckingham Road: Petit & Green, 1903 New York City Historic District, State and National Registers of Historic Places There are many eclectic houses on these two blocks, including number 131, which was built as a showpiece for the Prospect Park South development. It incorporated elements of Japanese design, taking advantage of the late-19th-century rage for all things “Oriental.”
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William and Lulu Norwood House - Italian villa
William and Lulu Norwood House - Italian villa icon

William and Lulu Norwood House - Italian villa

HOUSES ON BUCKINGHAM ROAD BETWEEN ALBEMARLE ROAD AND CATON AVENUE, Prospect Park South 143 Buckingham Road: Walter S. Cassin, 1906 New York City Historic District, State and National Registers of Historic Places There are many eclectic houses on these two blocks, including number 143, which evokes an Italian villa with a tower overlooking the neighborhood.
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William and Lulu Norwood House - 1958
William and Lulu Norwood House - 1958 icon

William and Lulu Norwood House - 1958

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Temple Beth Emeth - Architecture
Temple Beth Emeth - Architecture icon

Temple Beth Emeth - Architecture

TEMPLE BETH EMETH 83 Marlborough Road, Prospect Park South S. B. Eisendrath & B. Horowitz, 1913–14 State and National Registers of Historic Places In 1908, the few Jewish residents of Flatbush at the time formed the congregation of Temple Beth Emeth and constructed this Classical Revival style building several years later. The rounded building features red brick with cast-stone trim, arched window openings and a Corinthian-columned entry porch.
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Temple Beth Emeth
Temple Beth Emeth icon

Temple Beth Emeth

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94 Rugby Road - Spanish Mission style
94 Rugby Road - Spanish Mission style icon

94 Rugby Road - Spanish Mission style

HOUSES ON RUGBY ROAD BETWEEN CHURCH AVENUE AND ALBEMARLE ROAD, Prospect Park South 94 Rugby Road: John J. Petit, 1907 New York City Historic District, State and National Registers of Historic Places Dean Alvord developed Prospect Park South with homes of nearly uniform size and layout, but achieved variety through the use of often whimsical details. This block contains houses that showcase this concept to great effect, including number 94 in the style of a Spanish Mission and number 100 evoking a Swiss chalet, both on the west side of the road. Across the street, the Shingle Style house at number 101 became famous for its role as a boarding house in the 1982 film “Sophie’s Choice,” starring Meryl Streep and Kevin Kline.
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100 Rugby Road - Swiss chalet
100 Rugby Road - Swiss chalet icon

100 Rugby Road - Swiss chalet

HOUSES ON RUGBY ROAD BETWEEN CHURCH AVENUE AND ALBEMARLE ROAD, Prospect Park South 100 Rugby Road: John J. Petit, 1900 New York City Historic District, State and National Registers of Historic Places Dean Alvord developed Prospect Park South with homes of nearly uniform size and layout, but achieved variety through the use of often whimsical details. This block contains houses that showcase this concept to great effect, including number 94 in the style of a Spanish Mission and number 100 evoking a Swiss chalet, both on the west side of the road. Across the street, the Shingle Style house at number 101 became famous for its role as a boarding house in the 1982 film “Sophie’s Choice,” starring Meryl Streep and Kevin Kline.
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101 Rugby Road - Filming 'Sophie's Choice'
101 Rugby Road - Filming 'Sophie's Choice' icon

101 Rugby Road - Filming 'Sophie's Choice'

HOUSES ON RUGBY ROAD BETWEEN CHURCH AVENUE AND ALBEMARLE ROAD, Prospect Park South 101 Rugby Road: John E. Nitchie, 1900 New York City Historic District, State and National Registers of Historic Places Dean Alvord developed Prospect Park South with homes of nearly uniform size and layout, but achieved variety through the use of often whimsical details. This block contains houses that showcase this concept to great effect, including number 94 in the style of a Spanish Mission and number 100 evoking a Swiss chalet, both on the west side of the road. Across the street, the Shingle Style house at number 101 became famous for its role as a boarding house in the 1982 film “Sophie’s Choice,” starring Meryl Streep and Kevin Kline.
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341 Westminster Road - Beverley Square West
341 Westminster Road - Beverley Square West icon

341 Westminster Road - Beverley Square West

WESTMINSTER ROAD SOUTH OF BEVERLEY ROAD, Beverly Square West T. B. Ackerson, 1901 After purchasing and developing the small plot that he named Beverley Square East, T. B. Ackerson then purchased an adjoining farm to create the Beverley Square West neighborhood. While the homes he constructed here also featured many of the same architectural elements, including Palladian windows and grand columns, Beverley SquareWest was built with the intention that no two houses be exactly alike.
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242 Rugby Road - Shingle Style
242 Rugby Road - Shingle Style icon

242 Rugby Road - Shingle Style

242 RUGBY ROAD, Beverley Square West T. B. Ackerson, ca. 1900 Number 242 was designed in the Shingle Style with arched porch openings and a polygonal onion-shaped tower.
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305 Rugby Road - Guggenheim
305 Rugby Road - Guggenheim icon

305 Rugby Road - Guggenheim

305 RUGBY ROAD, Beverley Square West T. B. Ackerson, ca. 1900 Number 305 was built for a female member of the Guggenheim family.
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312 Rugby Road - Arthur Schwartz
312 Rugby Road - Arthur Schwartz icon

312 Rugby Road - Arthur Schwartz

312 RUGBY ROAD, Beverley Square West T. B. Ackerson, ca. 1900 Number 312 was once the home of composer and film producer Arthur Schwartz, who was famous for his Broadway and film music of the 1930s, 1940s and 1950s.
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217 East 19th Street - Beverley Square East
217 East 19th Street - Beverley Square East icon

217 East 19th Street - Beverley Square East

217 East 19th Street T. B. Ackerson, 1898–1901 Beverley Square East’s first properties were developed by Thomas Benton Ackerson in 1898 along East 19th Street. The houses were well-appointed, with interior wooden moldings and silk wallpaper, as well as such modern amenities as steam heat and electricity. Particularly extravagant examples of Ackerson’s original development are numbers 217, 223 and 247. Number 257 served as Ackerson’s “model home” in sales brochures and advertisements and nearly 100 years later played a role in Spike Lee’s 1992 film “Malcolm X.”
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247 East 19th Street
247 East 19th Street icon

247 East 19th Street

247 East 19th Street T. B. Ackerson, 1898–1901 Beverley Square East’s first properties were developed by Thomas Benton Ackerson in 1898 along East 19th Street. The houses were well-appointed, with interior wooden moldings and silk wallpaper, as well as such modern amenities as steam heat and electricity. Particularly extravagant examples of Ackerson’s original development are numbers 217, 223 and 247. Number 257 served as Ackerson’s “model home” in sales brochures and advertisements and nearly 100 years later played a role in Spike Lee’s 1992 film “Malcolm X.”
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257 East 19th Street - Filming 'Malcolm X'
257 East 19th Street - Filming 'Malcolm X' icon

257 East 19th Street - Filming 'Malcolm X'

257 East 19th Street T. B. Ackerson, 1898–1901 Number 257 served as Ackerson’s “model home” in sales brochures and advertisements and nearly 100 years later played a role in Spike Lee’s 1992 film “Malcolm X.”
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Flatbush-Tompkins Congregational Church
Flatbush-Tompkins Congregational Church icon

Flatbush-Tompkins Congregational Church

FLATBUSH TOMPKINS CONGREGATIONAL CHURCH COMPLEX East 18th Street at Dorchester Road Ditmas Park Church: Allens & Collins, 1910 Parish house: Whitfield & King, 1899 New York City Historic District The neo-Georgian church, designed by the same firm responsible for the Union Theological Seminary and Riverside Church in Morningside Heights, features a Greek Revival temple front and tower. The earlier parish house was designed in the Shingle Style and its polygonal rounded body has 16 sides.
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Flatbush-Tompkins Congregational Church - Side view
Flatbush-Tompkins Congregational Church - Side view icon

Flatbush-Tompkins Congregational Church - Side view

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456 East 19th Street - Spanish Mission style with Dutch influence
456 East 19th Street - Spanish Mission style with Dutch influence icon

456 East 19th Street - Spanish Mission style with Dutch influence

445 AND 456 EAST 19TH STREET, Ditmas Park 445: Foster & Gallimore, 1931 456: Arne Delhi, 1910 New York City Historic District, State and National Registers of Historic Places These two houses stand across the street from one another. On the east side, number 445 was designed to emulate an English cottage and features multi-colored rough-cut brick, a steeply pitched roof with slate tiles and a large fanciful brick chimney. Number 456 was designed by a Norwegian architect in the Spanish Mission style, but its eclectic contribution to the streetscape also includes a pediment suggesting a Dutch influence.
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1320 Ditmas Avenue - Home of Mary Pickford and Douglas Fairbanks
1320 Ditmas Avenue - Home of Mary Pickford and Douglas Fairbanks icon

1320 Ditmas Avenue - Home of Mary Pickford and Douglas Fairbanks

1320 DITMAS AVENUE Ditmas Park West, ca. 1920 The eclectic mix of homes in Ditmas Park West is the work of multiple builders who purchased lots from Lewis Pounds (who would later become Brooklyn Borough President) beginning in 1903. This neo-Tudor house is particularly notable because it is rumored to have been the home of Mary Pickford and Douglas Fairbanks, film stars of the 1920s and 1930s.
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Newkirk Avenue (Plaza) Station, BMT Brighton Line
Newkirk Avenue (Plaza) Station, BMT Brighton Line icon

Newkirk Avenue (Plaza) Station, BMT Brighton Line

NEWKIRK PLAZA, 1907 The oldest purpose-built outdoor shopping plaza in America, Newkirk Plaza is home to some of the area’s longest-standing businesses, including Leon’s Barber Shop, which has been in operation for roughly 100 years. Below the plaza is the Brighton subway line, which was “sunk” below street level in 1917. Turning north up East 16th Street, the block between Newkirk and Ditmas Avenues is home to a group of 13 bungalows constructed in 1908–09 after designs by Arlington Isham.
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527 East 23rd Street - 1860s construction
527 East 23rd Street - 1860s construction icon

527 East 23rd Street - 1860s construction

527 EAST 23RD STREET South Midwood Unknown architect, ca. 1866 South Midwood was developed by the Germania Real Estate and Improvement Company and its homes were largely designed by Benjamin Driesler in 1899–1908. Number 527 predates the neighborhood’s development by several decades, as it is believed to have been built in the 1860s. The farm house, which was moved from its original location somewhere near the present-day Regent Place and modernized around 1910, was the home of Henry Lyles Jr., a sperm whale oil dealer and president of both the Flatbush Gas Works and the Bowery Savings Bank. Though it has undergone some major renovations over the years, the house stands as a reminder of what came before the grand Victorians.
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783 Argyle Road - Mass produced homes
783 Argyle Road - Mass produced homes icon

783 Argyle Road - Mass produced homes

HOMES ALONG WESTMINSTER AND ARGYLE ROADS BETWEEN GLENWOOD ROAD AND AVENUE H West Midwood T. B. Ackerson, 1905–08 Developed by the Germania Real Estate and Improvement Company, the neighborhood of West Midwood was developed in a more methodical way than some of the others. Though still architecturally grand and of a high quality, the houses were mass-produced to take advantage of successful real estate operations in the area.
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765 Westminster Road
765 Westminster Road icon

765 Westminster Road

HOMES ALONG WESTMINSTER AND ARGYLE ROADS BETWEEN GLENWOOD ROAD AND AVENUE H West Midwood T. B. Ackerson, 1905–08 Developed by the Germania Real Estate and Improvement Company, the neighborhood of West Midwood was developed in a more methodical way than some of the others. Though still architecturally grand and of a high quality, the houses were mass-produced to take advantage of successful real estate operations in the area.
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65 Wellington Court
65 Wellington Court icon

65 Wellington Court

MIDWOOD PARK and FISKE TERRACE MP: John Corbin, 1906–10 FT: T. B. Ackerson, 1905–07 New York City Historic District Midwood Park and Fiske Terrace are graced with beautiful landscaping, including medians along Glenwood Road and East 17th Street, and street name gateposts at the entrance to each block. One of Fiske Terrace’s highlights is the Avenue H subway station at East 19th Street, an individual landmark which opened in 1878 as an excursion line to Brighton Beach as part of the city’s steam-powered rail system. The station was recently restored.
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759 East 18th Street
759 East 18th Street icon

759 East 18th Street

MIDWOOD PARK and FISKE TERRACE MP: John Corbin, 1906–10 FT: T. B. Ackerson, 1905–07 New York City Historic District Midwood Park and Fiske Terrace are graced with beautiful landscaping, including medians along Glenwood Road and East 17th Street, and street name gateposts at the entrance to each block. One of Fiske Terrace’s highlights is the Avenue H subway station at East 19th Street, an individual landmark which opened in 1878 as an excursion line to Brighton Beach as part of the city’s steam-powered rail system. The station was recently restored.
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Avenue H Station, BMT Brighton Line
Avenue H Station, BMT Brighton Line icon

Avenue H Station, BMT Brighton Line

FISKE TERRACE T. B. Ackerson, 1905–07 New York City Historic District Midwood Park and Fiske Terrace are graced with beautiful landscaping, including medians along Glenwood Road and East 17th Street, and street name gateposts at the entrance to each block. One of Fiske Terrace’s highlights is the Avenue H subway station at East 19th Street, an individual landmark which opened in 1878 as an excursion line to Brighton Beach as part of the city’s steam-powered rail system. The station was recently restored.
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