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Six to Celebrate: African American Cultural Landmarks

New York City is known for many things: Art Deco skyscrapers, picturesque parks, the world’s greatest theater district, venerable museums and educational institutions, not to mention bagels and pizza! But above all of these, New York is most important as home to some of the world’s most fascinating and significant people and as the site of impactful and significant happenings throughout history. The city’s cultural influence is, perhaps, its greatest contribution to the world, and its built environment stands as a grand scavenger hunt of clues waiting to be uncovered. Lucky for us, the city’s Landmarks Law, passed in 1965, provides the legal framework for protecting the physical reminders of the city’s cultural wealth. In fact, one of the stated purposes of the Landmarks Law is to “safeguard the city’s historic, aesthetic and cultural heritage.”

In the first 50 years that landmarks were designated by the City, much emphasis was placed on the historic and aesthetic. In recent years, though, more consideration has been made for the importance of sites associated with people or historical events, rather than just for their architectural or historical value. In 2015, the NYC Landmarks Preservation Commission (LPC) designated the Stonewall Inn as an Individual Landmark solely for its association with the Stonewall Uprising of 1969. In 2018, the Commission designated the Central Harlem—West 130th-132nd Streets Historic District, describing it as “not only representative of Central Harlem’s residential architecture, but the rich social, cultural, and political life of its African American population in the 20th century.” Also, in recent years, Greenwich Village’s Caffe Cino and Julius’ Bar were listed on the National Register of Historic Places as significant and influential sites connected to the Lesbian Gay Bisexual Transgender (LGBTQ) community, The New York Times profiled a historian giving tours of Muslim sites of significance in Harlem, and the City is commemorating some of our most storied and accomplished female citizens with the installation of statues in all five boroughs. Indeed, grassroots preservation activism around the city is also swelling around sites of cultural significance: Tin Pan Alley and Little Syria in Manhattan, Walt Whitman’s house in Brooklyn, Arthur Avenue in The Bronx and a recently-rediscovered African burial ground in Queens, to name a few. In response to this movement of interest in cultural landmarks, the Historic Districts Council undertook an initiative to highlight such places as one of its Six to Celebrate in 2018. The culmination of that effort was a conference in October 2018 entitled “Beyond Bricks and Mortar: Rethinking Sites of Cultural History.” The conference convened preservationists, historians, artists, planners, place-makers and more to work together to clarify what cultural significance is and how it can work, how to document and create compelling narratives around cultural sites, and how to identify the specific challenges of cultural sites from a preservationist perspective.

This tour provides just a sample of some of the city’s cultural landmarks, organized thematically and representing all five boroughs. The list includes some sites that are legally protected — in some cases by more than one government body — and some that are unfortunately in danger of being lost. Preserving culturally significant sites that may not possess overtly aesthetic value often requires a particularly active and engaged form of advocacy to achieve protection from the wrecking ball. But, as long as there are interesting people making their mark on New York City and crucial events taking place here, that effort will never be in vain, since those stories are the lifeblood of this vibrant place.

ByHistoric Districts Council logoHistoric Districts Council
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African Burial Ground
African Burial Ground icon

African Burial Ground

AFRICAN BURIAL GROUND 290 Broadway, Manhattan (2004-07, Memorial: Rodney Leon and Nicole Hollant-Denis, AARIS Architects) NYC HD, NR-P, NHL During the 18th century, when New York City was second only to Charleston, South Carolina, for its population of enslaved Africans, a roughly six-acre site north of present-day City Hall Park, then just outside the city’s northern border, was an African burial ground for an estimated 15,000 people, both free and enslaved. In 1794, the city closed the burial ground and leveled the hilly terrain with landfill to make way for development, thus preserving the burials below. Over time, the area was developed and the burial ground forgotten, much like the history and contributions of the African community itself. In October 1991, the General Services Administration (GSA), a federal agency, announced the rediscovery of intact burials and the remains of more than 400 people on the site of a planned federal office building at 290 Broadway. The GSA was criticized for its handling of the archaeological study and control was handed over to a team at the historically black Howard University. Because of strong activism by the African-American community, Congress passed and President George H. W. Bush signed a law to prohibit construction on the site where remains were found and to fund a memorial. The memorial opened in 2007 and a visitor center within 290 Broadway, run by the National Park Service, opened in 2010. The African Burial Ground is considered the largest colonial-era cemetery for enslaved African people, and in addition to being of great historical and spiritual significance, is a major resource for the study of the African diaspora. Photo courtesy of the National Parks Service.
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African Burial Ground
African Burial Ground icon

African Burial Ground

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146 WEST 131 STREET
146 WEST 131 STREET icon

146 WEST 131 STREET

FRIENDSHIP BAPTIST CHURCH 144-146 West 131st Street, Manhattan (1883, William J. Merritt) Originally constructed for the Baptist Church of the Redeemer, this freestanding Romanesque Revival style building is of great cultural importance to the city for its ties to the Civil Rights Movement of the 1950’s-60’s. After changing hands several times, it was sold in 1936 to the Friendship Baptist Church, founded by the Rev. Dr. John Iverson Mumford. From the beginning, the church supported Civil Rights. Its second pastor, Dr. Thomas Kilgore Jr., was an associate of the Rev. Dr. Martin Luther King Jr., who delivered a sermon here in 1955. Among Rev. Kilgore’s other local and national Civil Rights efforts, he led the church to found the House of Friendship Community Center, which, in 1963, became the National Headquarters for the March on Washington for Jobs and Freedom, organized by Bayard Rustin. The congregation, still active today, was deeply involved in organizing the Harlem community’s participation in that historic March. In addition to its social and political significance, 170 West 130th Street’s façade is architecturally significant as the work of Vertner Woodson Tandy, the first African-American architect registered in New York State.
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146 WEST 131 STREET
146 WEST 131 STREET icon

146 WEST 131 STREET

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170 WEST 130 STREET
170 WEST 130 STREET icon

170 WEST 130 STREET

House of Friendship Community Center 170 West 130th Street, Manhattan (1884, William J. Merritt; 1928, altered by Vertner Woodson Tandy) NYC HD Originally constructed for the Baptist Church of the Redeemer, this freestanding Romanesque Revival style building is of great cultural importance to the city for its ties to the Civil Rights Movement of the 1950’s-60’s. After changing hands several times, it was sold in 1936 to the Friendship Baptist Church, founded by the Rev. Dr. John Iverson Mumford. From the beginning, the church supported Civil Rights. Its second pastor, Dr. Thomas Kilgore Jr., was an associate of the Rev. Dr. Martin Luther King Jr., who delivered a sermon here in 1955. Among Rev. Kilgore’s other local and national Civil Rights efforts, he led the church to found the House of Friendship Community Center, which, in 1963, became the National Headquarters for the March on Washington for Jobs and Freedom, organized by Bayard Rustin. The congregation, still active today, was deeply involved in organizing the Harlem community’s participation in that historic March. In addition to its social and political significance, 170 West 130th Street’s façade is architecturally significant as the work of Vertner Woodson Tandy, the first African-American architect registered in New York State.
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170 WEST 130 STREET
170 WEST 130 STREET icon

170 WEST 130 STREET

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115-33 179 STREET
115-33 179 STREET icon

115-33 179 STREET

ADDISLEIGH PARK HISTORIC DISTRICT, Queens NYC Historic District This suburban neighborhood of approximately 650 homes in southeastern Queens, developed in the 1910’s-30’s, was a formerly race-restricted area that became one of the city’s premier enclaves for African Americans. In the 1930s and 40s, restrictive covenants were in place to keep African Americans from buying property in specific neighborhoods. In 1947, this covenant was tested in two court cases in which neighbors sued homeowners who sold to African Americans. Although in both cases the covenants were upheld, in the case of Kemp v. Rubin, the judge acknowledged that there were already 48 African-American families living here, and a number of amicus briefs were filed in support of selling to African Americans. The following year, the U.S. Supreme Court ruled against racially restrictive housing covenants in the Missouri case of Shelley v. Kraemer. Despite the covenants, starting in the 1930s, Addisleigh Park’s prominence as an African-American neighborhood grew, attracting African-American luminaries seeking a suburban home, such as Ella Fitzgerald, Jackie Robinson, W. E. B. Dubois, James Brown, Lena Horne, Roy Campanella and Count Basie, among others. Addisleigh Park’s fascinating social history and association with the abolition of race-restrictive covenants continue to shape its sense of place.
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Hunterfly Road Houses at Weeksville
Hunterfly Road Houses at Weeksville icon

Hunterfly Road Houses at Weeksville

HUNTERFLY ROAD HOUSES (WEEKSVILLE) 1698 Bergen Street, Brooklyn (1840-1880) Weeksville was home to about 500 residents in the 1850s, and served as a refuge for black families during Manhattan’s violent Draft Riots of 1863. The village was named for James Weeks, an African American stevedore from Virginia who purchased a tract of land here in 1838, 11 years after slavery was abolished in New York State. The community boasted a number of churches, schools and other institutions, as well as one of the first African American newspapers, the Freedman’s Torchlight. As Brooklyn grew, the village became absorbed into the greater neighborhood of Crown Heights and its memory faded, but in 1968, a Pratt Institute workshop led by historian James Hurley rediscovered the Hunterfly Road houses and a new mission was launched to preserve Weeksville’s memory. That same year saw the formation of The Society for the Preservation of Weeksville and Bedford-Stuyvesant History (or “The Weeksville Society”), which, under the leadership of Joan Maynard, purchased the Hunterfly Road houses in 1973 for a museum. The houses, built between 1840 and 1880, are all Individual Landmarks and listed on the National Register of Historic Places
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Hunterfly Road Houses at Weeksville
Hunterfly Road Houses at Weeksville icon

Hunterfly Road Houses at Weeksville

Photo courtesy of Wikimedia
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565 BLOOMINGDALE ROAD
565 BLOOMINGDALE ROAD icon

565 BLOOMINGDALE ROAD

BAYMEN’S COTTAGES 565 & 569 Bloomingdale Road, Staten Island (ca. 1887-98) NYC IL In the 1830s, Staten Island’s south shore, known as Sandy Ground, became home to a thriving community of free black oyster traders who moved from Maryland after that state passed a series of laws limiting free blacks’ freedoms. The community prospered from Staten Island’s rich oyster beds, and boosted the local economy, but the rise of industrial pollution and overfishing led to the closure of the beds in 1916 and Sandy Ground’s heyday came to an end. Calamitous fires in 1930 and 1963 destroyed many of its buildings, but there are several architectural remnants, including four Individual Landmarks: the Baymen’s Cottages, housing constructed for oyster traders and their families; the Rossville AME Zion Church, the Coleman-Gray House, home to the Rossville AME Zion Church’s sixth pastor; and the Rossville AME Zion Church Cemetery. The church and cemetery are perhaps the most important survivors, as they provide spiritual connections to this community that was defined by its people more than its geography. Founded in 1850, the church was the center of Sandy Ground’s spiritual and cultural life, and served as a stop on the Underground Railroad. While the original church no longer stands, its adjacent cemetery contains graves of some of Sandy Ground’s original residents, and the new church, constructed in 1897, remains active today. Sandy Ground’s history is displayed, interpreted and celebrated by the Sandy Ground Historical Museum, located just around the corner from the church on Woodrow Road. Photos by Peter Greenberg.
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Rossville African Methodist Episcopal Church
Rossville African Methodist Episcopal Church icon

Rossville African Methodist Episcopal Church

ROSSVILLE AME ZION CHURCH 584 Bloomingdale Road, Staten Island (1897, Andrew Abrams) NYC IL In the 1830s, Staten Island’s south shore, known as Sandy Ground, became home to a thriving community of free black oyster traders who moved from Maryland after that state passed a series of laws limiting free blacks’ freedoms. The community prospered from Staten Island’s rich oyster beds, and boosted the local economy, but the rise of industrial pollution and overfishing led to the closure of the beds in 1916 and Sandy Ground’s heyday came to an end. Calamitous fires in 1930 and 1963 destroyed many of its buildings, but there are several architectural remnants, including four Individual Landmarks: the Baymen’s Cottages, housing constructed for oyster traders and their families; the Rossville AME Zion Church, the Coleman-Gray House, home to the Rossville AME Zion Church’s sixth pastor; and the Rossville AME Zion Church Cemetery. The church and cemetery are perhaps the most important survivors, as they provide spiritual connections to this community that was defined by its people more than its geography. Founded in 1850, the church was the center of Sandy Ground’s spiritual and cultural life, and served as a stop on the Underground Railroad. While the original church no longer stands, its adjacent cemetery contains graves of some of Sandy Ground’s original residents, and the new church, constructed in 1897, remains active today. Sandy Ground’s history is displayed, interpreted and celebrated by the Sandy Ground Historical Museum, located just around the corner from the church on Woodrow Road. Photos by Peter Greenberg.
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1482 WOODROW ROAD
1482 WOODROW ROAD icon

1482 WOODROW ROAD

REVEREND ISAAC COLEMAN & REBECCA GRAY COLEMAN HOUSE 1482 Woodrow Road, Staten Island (ca. 1850s) NYC IL In the 1830s, Staten Island’s south shore, known as Sandy Ground, became home to a thriving community of free black oyster traders who moved from Maryland after that state passed a series of laws limiting free blacks’ freedoms. The community prospered from Staten Island’s rich oyster beds, and boosted the local economy, but the rise of industrial pollution and overfishing led to the closure of the beds in 1916 and Sandy Ground’s heyday came to an end. Calamitous fires in 1930 and 1963 destroyed many of its buildings, but there are several architectural remnants, including four Individual Landmarks: the Baymen’s Cottages, housing constructed for oyster traders and their families; the Rossville AME Zion Church, the Coleman-Gray House, home to the Rossville AME Zion Church’s sixth pastor; and the Rossville AME Zion Church Cemetery. The church and cemetery are perhaps the most important survivors, as they provide spiritual connections to this community that was defined by its people more than its geography. Founded in 1850, the church was the center of Sandy Ground’s spiritual and cultural life, and served as a stop on the Underground Railroad. While the original church no longer stands, its adjacent cemetery contains graves of some of Sandy Ground’s original residents, and the new church, constructed in 1897, remains active today. Sandy Ground’s history is displayed, interpreted and celebrated by the Sandy Ground Historical Museum, located just around the corner from the church on Woodrow Road. Photos by Peter Greenberg.
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CRABTREE AVENUE
 CRABTREE AVENUE icon

CRABTREE AVENUE

Rossville AME Zion Church Cemetery In the 1830s, Staten Island’s south shore, known as Sandy Ground, became home to a thriving community of free black oyster traders who moved from Maryland after that state passed a series of laws limiting free blacks’ freedoms. The community prospered from Staten Island’s rich oyster beds, and boosted the local economy, but the rise of industrial pollution and overfishing led to the closure of the beds in 1916 and Sandy Ground’s heyday came to an end. Calamitous fires in 1930 and 1963 destroyed many of its buildings, but there are several architectural remnants, including four Individual Landmarks: the Baymen’s Cottages, housing constructed for oyster traders and their families; the Rossville AME Zion Church, the Coleman-Gray House, home to the Rossville AME Zion Church’s sixth pastor; and the Rossville AME Zion Church Cemetery. The church and cemetery are perhaps the most important survivors, as they provide spiritual connections to this community that was defined by its people more than its geography. Founded in 1850, the church was the center of Sandy Ground’s spiritual and cultural life, and served as a stop on the Underground Railroad. While the original church no longer stands, its adjacent cemetery contains graves of some of Sandy Ground’s original residents, and the new church, constructed in 1897, remains active today. Sandy Ground’s history is displayed, interpreted and celebrated by the Sandy Ground Historical Museum, located just around the corner from the church on Woodrow Road. Photos by Peter Greenberg.
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