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Six to Celebrate: Latinx Cultural Landmarks

New York City is known for many things: Art Deco skyscrapers, picturesque parks, the world’s greatest theater district, venerable museums and educational institutions, not to mention bagels and pizza! But above all of these, New York is most important as home to some of the world’s most fascinating and significant people and as the site of impactful and significant happenings throughout history. The city’s cultural influence is, perhaps, its greatest contribution to the world, and its built environment stands as a grand scavenger hunt of clues waiting to be uncovered. Lucky for us, the city’s Landmarks Law, passed in 1965, provides the legal framework for protecting the physical reminders of the city’s cultural wealth. In fact, one of the stated purposes of the Landmarks Law is to “safeguard the city’s historic, aesthetic and cultural heritage.”

In the first 50 years that landmarks were designated by the City, much emphasis was placed on the historic and aesthetic. In recent years, though, more consideration has been made for the importance of sites associated with people or historical events, rather than just for their architectural or historical value. In 2015, the NYC Landmarks Preservation Commission (LPC) designated the Stonewall Inn as an Individual Landmark solely for its association with the Stonewall Uprising of 1969. In 2018, the Commission designated the Central Harlem—West 130th-132nd Streets Historic District, describing it as “not only representative of Central Harlem’s residential architecture, but the rich social, cultural, and political life of its African American population in the 20th century.” Also, in recent years, Greenwich Village’s Caffe Cino and Julius’ Bar were listed on the National Register of Historic Places as significant and influential sites connected to the Lesbian Gay Bisexual Transgender (LGBTQ) community, The New York Times profiled a historian giving tours of Muslim sites of significance in Harlem, and the City is commemorating some of our most storied and accomplished female citizens with the installation of statues in all five boroughs. Indeed, grassroots preservation activism around the city is also swelling around sites of cultural significance: Tin Pan Alley and Little Syria in Manhattan, Walt Whitman’s house in Brooklyn, Arthur Avenue in The Bronx and a recently-rediscovered African burial ground in Queens, to name a few. In response to this movement of interest in cultural landmarks, the Historic Districts Council undertook an initiative to highlight such places as one of its Six to Celebrate in 2018. The culmination of that effort was a conference in October 2018 entitled “Beyond Bricks and Mortar: Rethinking Sites of Cultural History.” The conference convened preservationists, historians, artists, planners, place-makers and more to work together to clarify what cultural significance is and how it can work, how to document and create compelling narratives around cultural sites, and how to identify the specific challenges of cultural sites from a preservationist perspective.

This tour provides just a sample of some of the city’s cultural landmarks, organized thematically and representing all five boroughs. The list includes some sites that are legally protected — in some cases by more than one government body — and some that are unfortunately in danger of being lost. Preserving culturally significant sites that may not possess overtly aesthetic value often requires a particularly active and engaged form of advocacy to achieve protection from the wrecking ball. But, as long as there are interesting people making their mark on New York City and crucial events taking place here, that effort will never be in vain, since those stories are the lifeblood of this vibrant place.

ByHistoric Districts Council logoHistoric Districts Council
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St. Peter's Church
St. Peter's Church icon

St. Peter's Church

BRONX ACADEMY OF ARTS AND DANCE (BAAD!) 2474 Westchester Avenue, The Bronx (1867-68, Leopold Eidlitz) NYC Individual Landmark, National Register of Historic Places The Bronx Academy of Arts and Dance (BAAD!) was founded in 1998 “\[for] women, people of color, and the LGBTQ community to have a physical space in The Bronx to experience and/or create dance, theater, visual art, written work, and performance that is empowering to them free from the prejudices of society,” as described in BAAD!’s vision statement. Its founders are Arthur Aviles, a renowned dancer and choreographer, and Charles Rice-Gonzalez, a writer and activist. At the time of BAAD!’s founding, its mission to provide a safe and welcoming environment for LGBTQ artists and artists of color was an extraordinary social advancement since the foundations of gay rights were still fragile in the late 1990’s. The academy continues to be a progressive force for good in The Bronx and beyond. Originally located in a south Bronx community center, BAAD! rented space in the American Bank Note Company Printing Plant in Hunts Point before moving in 2013 to its present location in the chapel of St. Peter’s Episcopal Church in Westchester Square. This part of The Bronx was once the town of Westchester, the county seat of Westchester County, which was formed in 1683. The Victorian Gothic-style chapel, designed by a former apprentice to Richard Upjohn (architect of Trinity Church in Manhattan), stands on the site of the town’s old courthouse.
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236 EAST 3 STREET
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236 EAST 3 STREET

Nuyorican Poets Cafe Since its founding in 1973 by a group of Puerto Rican artists, poets and intellectuals, the Nuyorican Poets Café has become a cultural icon in New York City. “Nuyorican,” a word that blends “New York” and “Puerto Rican,” refers to the movement begun by Puerto Rican artists to battle social injustice and find empowerment through intellectual and cultural expression. The Café became a venue for displaying and digesting such creative expression, especially poetry and spoken word, but also theater, music, visual arts and film. Originally located in the living room of poet Miguel Algarin’s East Village apartment, the founders purchased this former tenement building in 1980. The Café, a highly respected nonprofit arts organization, continues to host an array of award-winning performances, educational programs and exhibits, and to provide support for fledgling artists and serves as an important cultural touchstone for the city.
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Clemente Soto Vélez Cultural and Educational Center
Clemente Soto Vélez Cultural and Educational Center icon

Clemente Soto Vélez Cultural and Educational Center

THE CLEMENTE VÉLEZ CULTURAL & EDUCATIONAL CENTER 107 Suffolk Street, Manhattan (1897, Charles B. J. Snyder) This building was originally constructed as P.S. 160 and designed by C. B. J. Snyder for the NYC Board of Education, but after a fire in the 1970’s, then Mayor Abraham Beame designated it for community use. In 1981, the community organization Solidaridad Humana began operating a school in the building for Spanish-speaking immigrants. After financial constraints led to the school’s closure in the late 1980’s, some of its former students started a theater here called Teatro LATEA (Latin American Theatre Experiment and Associates), which continues today. In 1993, Puerto Rican poet Edgardo Vega Yunqué, Uruguayan actor/director Nelson Landrieu and Dominican actor Mateo Gomez acquired the lease and created the Clemente Soto Vélez Cultural and Educational Center. Named for the inspirational Puerto Rican poet and activist, the organization’s initial mission was to nurture the work of Puerto Rican and Latin American artists in the Latino community of the Lower East Side known as Loisaida. While this remains a focus, for more than 25 years the Clemente has served as an exhibition and performance venue that reflects, cultivates and celebrates the neighborhood’s rich cultural diversity.
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El Museo Del Barrio
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El Museo Del Barrio

EL MUSEO DEL BARRIO 1230 Fifth Avenue, Manhattan (1921, Maynicke & Franke) Artist and educator Raphael Montañez Ortiz and a coalition of Puerto Rican activists founded El Museo del Barrio in 1970 to combat the city’s institutional indifference to Puerto Rican art and culture. Over the past five decades, El Museo has become a major institution celebrating and promoting Latin American art, with a permanent collection of over 6,500 objects spanning 800 years of history. El Museo also performs outreach and education for young people of Caribbean and Latin American descent to enhance their understanding of and pride in their heritage. El Museo’s permanent home since 1977 is a building commissioned by philanthropists August and Anna Heckscher for the headquarters of The Heckscher Foundation for Children, and donated to the Society for Prevention of Cruelty to Children as a shelter for abused and neglected children. Its interior features a series of tile murals on the ground floor depicting storybook tales and children at play, which El Museo restored in 2008-12, as well as the Heckscher Theater, which hosted performances for and by children. El Museo undertook a renovation of the theater in 1995-2000, renaming it Teatro Heckscher.
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