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Six to Celebrate: Park Avenue

Park Avenue, today a coveted address, was once neglected. In 1831, the New York and Harlem Railroad was granted use of what was then known as Fourth Avenue for its train tracks. Steam locomotives were introduced in 1837, and the avenue was widened from 100 to 140 feet. Just after the construction of the Grand Central Depot on 42nd Street (the first of three stations to be called Grand Central), legislation in 1872 mandated that train tracks be below ground, which led to construction of a railroad tunnel between 56th and 96th Streets. Known as the “Fourth Avenue Improvement,” this partially covered tunnel funneled pollutants and noise up to the street through vents in the center of Fourth Avenue. As a result, residential development stalled in the 1870s and 80s, even as the wealthy were building extravagant mansions on Fifth and Madison Avenues and associated carriage houses and stables east of Fourth Avenue. A transitional place, Fourth Avenue’s first buildings included an assortment of rowhouses, tenements and institutions. The latter category included the German Hospital (later Lenox Hill Hospital) and the Seventh Regiment Armory.

In 1887, the Board of Alderman voted to rename the blocks north of 42nd Street Park Avenue, but “Fourth Avenue” was widely used until the early 20th century. After a major rail accident in 1902, the New York State Legislature banned steam locomotives in Manhattan, requiring train lines to be electrified. This precipitated the construction of a new Grand Central Terminal and drastically increased Park Avenue’s real estate value. The central vents were converted into landscaped malls. In 1928-29, to facilitate the widening of the avenue for vehicular traffic, the malls and sidewalks were narrowed and buildings’ areaways were removed. Regardless of their diminution in size, the malls are still a highlight of Park Avenue.

Perhaps the most important contributor to Park Avenue’s special character is its apartment buildings, whose largely uniform heights form continuous street walls. After World War I, apartment living became fashionable for the wealthy, and Park Avenue experienced a building boom in the 1910s and 20s. Apartment buildings were designed to emulate the elegance of the townhouses they were replacing. In addition to spacious lobbies, uniformed doormen, elevators and large apartments (with as many as 18 rooms), the buildings were designed by respected architects in popular styles, including: Gothic Revival, Renaissance Revival and Art Deco. Among the notable architects were: George and Edward Blum, Rosario Candela, J. E. R. Carpenter, George F. Pelham and Emery Roth. These buildings continued to be built on Park Avenue after World War II and up until the present, signaling its constant desirability over time. Park Avenue also boasts a number of graceful townhouses and religious institutions, as well as several new buildings completed in the early 2000s.

Residential Park Avenue is largely protected by landmark designation. The Upper East Side Historic District, designated in 1981, includes the blocks between East 61st and 79th Streets. The Park Avenue Historic District, designated in 2014, includes the blocks between East 79th and 91st Streets. The Expanded Carnegie Hill Historic District, designated in 1993, includes the blocks between East 91st and halfway between 93rd and 94th Streets. The avenue also includes a number of individually designated landmarks.

ByHistoric Districts Council logoHistoric Districts Council
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530 Park Avenue
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530 Park Avenue

Park Avenue’s iconic malls were born in the mid-1870s, when the railroad vents were covered with shrubs and surrounded by simple iron fences. In 1894, residents formed the Park Avenue Association, which, by the 1920s, had the vents fully covered over. Private donations in 1929 and 1931 led to the planting of roughly 7,000 trees from 34th to 96th Streets. Another private donation in 1946 introduced flowering varieties. In 1969-70, the malls and fences were redesigned by Clara Coffey. The Park Avenue Malls Planting Project Committee formed in 1980 to establish and maintain a uniform planting plan. Today, planting, maintenance and the annual holiday tree lighting (since 1945), is funded and performed by the Carnegie Hill Neighbors and the Fund for Park Avenue.
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530 Park Avenue
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530 Park Avenue

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Colony Club
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Colony Club

Colony Club (Delano & Alrdrich, 1914-16) NYC Historic District Park Avenue has two of the city’s early private clubhouses, both designed by Delano & Aldrich. The Colony Club, which still operates, was the first women’s group in the city to erect a clubhouse, though this neo-Georgian building is the club’s second home. Its first home at 129 Madison Avenue is an Individual Landmark.
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Union Club
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Union Club

Union Club of the City of New York (Delano & Aldrich, 1930-31) NYC Historic District The Union Club was established in 1836, making it the oldest private club in the city and the third oldest in the country. This Renaissance Revival structure is its sixth home, which includes card and backgammon rooms and squash courts.
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Third Church of Christ Scientist
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Third Church of Christ Scientist

(Delano & Aldrich, 1922-24) NYC Historic District Two contiguously constructed churches stand on this block. The Third Church of Christ Scientist is a lovely example of the neo-Georgian style, its red brick façades graced with a grand columned portico and its central dome crowned by a balustrade and cupola. In 2006, the pews were removed from the interior so the space could also be used for events.
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Park Avenue Baptist Church
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Park Avenue Baptist Church

Central Presbyterian Church (Henry C. Pelton and Allen & Collens, 1920-22) NYC Historic District The construction of the Central Presbyterian Church building was partly funded by the Rockefellers. Its Gothic Revival style is evidenced by its rough granite cladding, a large pointed arch window and intricately carved octagonal tower.
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580 Park Avenue
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580 Park Avenue

(J.E.R. Carpenter, 1923) Across the street, note the stylized colonnade formed by a series of pilasters at the base of 580 Park Avenue, which occupies the entire blockfront.
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600 Park Avenue
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600 Park Avenue

(James Gamble Rogers, 1910-11) NYC Historic District Across the street from one another are two grand mansions. 600 Park Avenue was built for businessman Jonathan Bulkley and his wife Sarah Tod. After their deaths in 1939 and 1943, the Renaissance Revival mansion sat empty until 1946, when the Swedish Government purchased it as its Consul General’s residence. In 2009, the house became the residence of the Swedish Ambassador to the United Nations.
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601 Park Avenue
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601 Park Avenue

(Walter Lund & Julius F. Gayler, 1919-20) NYC Historic District 601 Park Avenue, a neo-Federal mansion with 100 feet of Park Avenue frontage, was built for sugar wholesaler Thomas A. Howell. A long, half-elliptical stair hall occupies the center of the house and all of its rooms face the avenue. Interestingly, this house was left on the market for almost two decades, unable to find a buyer from 1989 to 2008.
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Park Avenue Armory
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Park Avenue Armory

Seventh Regiment Armory (Charles W. Clinton, 1877-79) NYC Historic District, NYC Individual Landmark, NYC Interior Landmark, National Register of Historic Places The Seventh Regiment was formed in 1806 from four volunteer militia companies, and served in the War of 1812, the Civil War and both World Wars, as well as aided in subduing numerous civilian disorders. In 1880, after years of using various buildings, its own grand armory, designed in the style of a fortified castle, opened to much fanfare. Often referred to as the “silk stocking regiment,” its members were socially prominent. As such, the building features lavish interiors designed by noted artists and architects, including Louis Comfort Tiffany, Stanford White, the Herter Brothers and Pottier & Stymus, among others. Much of the first and second floor interiors are protected by landmark designation. Because the drill hall was used for maneuvers, the 55,000-square-foot space required very high ceilings. Normally used for train sheds, enormous iron trusses span the enclosure to support the roof. It remains one of the largest unobstructed spaces in the city, and has been used for a variety of functions. From 1900 to 1963, the National Indoor Tennis Championships were held here, and since 1902, the Knickerbocker Greys, a junior cadet corps for school boys, has used the space for drills. In 2006, the Park Avenue Armory Conservancy took over the building with a mission to restore its historic spaces and transform it into a world-class venue for the performing and visual arts.
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Percy R. Pyne House
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Percy R. Pyne House

680 Park Avenue (McKim, Mead & White, 1909-11) 684 Park Avenue (McKim, Mead & White, 1925-26) 690 Park Avenue (Walker & Gillette, 1916) 686 Park Avenue (Walker & Gillette, 1916) – all: NYC Individual Landmarks, National Register of Historic Places On the west side of Park between East 68th and 69th Streets is an architecturally cohesive group of neo-Federal townhouses, referred to as the Pyne-Davison Row. 680 Park Avenue was built for banker and philanthropist Percy Rivington Pyne. In 1960, Nikita Kruschchev gave a press conference on the balcony when he stayed there during a visit to the United Nations. 684 Park Avenue was built for Percy Pyne’s daughter, Mary, and son-in-law Oliver D. Filley. In December of 1964, before the city passed the Landmarks Law to enable the legal protection of historic buildings, plans were underway to demolish 680 and 684 Park Avenue. A last minute purchase by the Marquesa de Cuevas, the former Margaret Rockefeller Strong, granddaughter of John D. Rockefeller, saved the buildings, along with 49 East 68th Street. The Marquesa donated 680 Park Avenue to the Center for Inter-American Relations (absorbed into the Americas Society in 1985), and sold 684 Park Avenue to the Queen Sofia Spanish Institute, stipulating that changes could not be made to its exterior. The threat to these buildings was one of many that underscored the great need for a law to protect the city’s architectural heritage. 686 Park Avenue was built for William Sloane, president of the home furnishings store W. & J. Sloane. In 1958, it was purchased by the Republic of Italy for its Istituto Italiano di Cultura. 690 Park Avenue was built for banker Henry Pomeroy Davison and his wife Kate Trubee. In 1952, it became the residence of the Consul General of Italy.
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709 Park Avenue
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709 Park Avenue

709 and 711 Park Avenue (Bassett Jones, 1882-85) NYC Historic District Some of the earliest single-family residences on Park Avenue, these two Queen Anne style rowhouses were once part of a row of ten along the entire blockfront. The most marked feature of the five-story, brick and brownstone houses are their grand arched pediments. The wave-like rhythm of these arches was a distinctive characteristic of this part of Park Avenue when all ten were still standing.
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720 Park Avenue
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720 Park Avenue

720 Park Avenue (Rosario Candela, 1928-29) 730 Park Avenue (Lafayette A. Goldstone, 1928-29) 770 Park Avenue (Rosario Candela, 1929-30) 778 Park Avenue (Rosario Candela, 1929-31) 784 Park Avenue (Emery Roth, 1928-29) – NYC Historic District Along the west side of Park between 70th and 74th Streets is a series of contiguously constructed apartment buildings that feature varied massing and setbacks at their crowns, including elaborate towers and chimneys.
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770 Park Avenue
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770 Park Avenue

770 Park Avenue even features massive buttresses supporting its central rooftop tower. These five buildings were designed in the Renaissance Revival style, some with Jacobean Revival and neo-Georgian details. The view of this stretch of Park Avenue, either from the south or the north, is quite magnificent.
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821 PARK AVENUE
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821 PARK AVENUE

821 Park Avenue (unknown architect, c. 1890) – NYC Historic District This corner building (as well as the one seven blocks away at 957 Park Avenue) is one of Park Avenue’s only two remaining tenements. They share not only a building type, but a Renaissance Revival architectural vocabulary, which includes rusticated bases, double-height pilasters topped by arched window surrounds and projecting rooftop cornices. 821 Park Avenue had been one of a row of seven called The Terrace.
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949-957 Park Avenue
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949-957 Park Avenue

(John Hauser, 1898-99) – NYC Historic District, National Register of Historic Places - District 957 Park Avenue, which originally had a saloon on the ground floor, had been one of four nearly identical tenements with commercial bases.
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863 Park Avenue
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863 Park Avenue

865 Park Avenue (Pollard & Steinem, 1907-08) NYC Historic District As the first tall apartment buildings to be constructed on Park Avenue, 865 and 925 Park Avenue set the standard for the avenue’s principal building type. Both designed in the Renaissance Revival style, the buildings share similar architectural features, such as rusticated stone bases, buff-colored brick, decorative metalwork and projecting cornices. Their heights, which are also similar (12 stories for 865 Park Avenue and 14 stories for 925 Park Avenue), set the precedent that formed Park Avenue’s now iconic street wall.
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925 Park Avenue
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925 Park Avenue

925 Park Avenue (Delano & Aldrich, 1907-08) NYC Historic District, National Register of Historic Places - District As the first tall apartment buildings to be constructed on Park Avenue, 865 and 925 Park Avenue set the standard for the avenue’s principal building type. Both designed in the Renaissance Revival style, the buildings share similar architectural features, such as rusticated stone bases, buff-colored brick, decorative metalwork and projecting cornices. Their heights, which are also similar (12 stories for 865 Park Avenue and 14 stories for 925 Park Avenue), set the precedent that formed Park Avenue’s now iconic street wall.
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890 PARK AVENUE
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890 PARK AVENUE

(James E. Ware, 1884-85) NYC Historic District Wedged between two 14-story, 1920s apartment buildings is this five-story rowhouse, which, with its gable roof, pedimented dormer and chimney, appears quaint in comparison. Originally one of a group of rowhouses that wrapped around East 79th Street, this brick and brownstone house’s front stoop was removed in 1929 and its entrance was converted into a round-arch window with columns and a fanlight.
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890 PARK AVENUE
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890 PARK AVENUE

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903 Park Avenue
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903 Park Avenue

(Warren & Wetmore and Robert T. Lyons, 1912-13) NYC Historic District, National Register of Historic Places - District Developers Leo and Alexander M. Bing were the most prolific developers on Park Avenue, having constructed at least seven apartment buildings. One of the most notable was the Renaissance Revival style 903 Park Avenue, which, at 210 feet, was considered one of the tallest apartment buildings in the world upon completion. The luxury building was designed with one very large apartment per floor.
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895 Park Avenue
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895 Park Avenue

(Sloan & Robertson, 1929) NYC Historic District Across East 79th Street is the striking 893 Park Avenue. Its Art Deco style has some powerful Classical motifs, including monumental fluted pilasters.
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940 PARK AVENUE
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940 PARK AVENUE

(George & Edward Blum, 1925-26) NYC Historic District, National Register of Historic Places - District Directly abutting one another are two noteworthy examples of Art Deco style apartment buildings. One of the earliest examples of the style on Park Avenue, 940 features stylized ornament, which is most prominent on the East 81st Street façade. Decorative ironwork motifs include female nudes and children tending gardens.
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940 PARK AVENUE
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940 PARK AVENUE

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944 Park Avenue
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944 Park Avenue

(George F. Pelham, 1929-30) NYC Historic District, National Register of Historic Places - District 944 Park Avenue is a bit more restrained, but has stylized pilasters and terra-cotta “frozen fountain” reliefs.
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949-957 Park Avenue
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949-957 Park Avenue

949 Park Avenue (C3D Architecture, 2008-11) – NYC Historic District, National Register of Historic Places - District On the east side of Park Avenue, three new apartment buildings were constructed in the late 2000s and early 2010s. Because they were all built on small lots, having replaced low-rise 19th century buildings, they are strikingly similar in their tall and narrow footprints, as well as in their glassy materiality. Another new building, designed by Barry Rice Architects, began construction in 2013 at 1110 Park Avenue. While some find them to be stark intrusions, others believe these buildings represent the latest chapter in the avenue’s history.
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985 PARK AVENUE
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985 PARK AVENUE

(Costas Kondylis and Partners, 2005-08) – NYC Historic District, National Register of Historic Places - District
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1055 PARK AVENUE
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1055 PARK AVENUE

(Kohn, Pederson, Fox Associates with H. Thomas O'Hara, 2005-09) – NYC Historic District, National Register of Historic Places - District
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Church of St. Ignatius Loyola
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Church of St. Ignatius Loyola

Church of St. Ignatius Loyola 980 Park Avenue (Parish Hall/Rectory: Patrick C. Keely, 1881-83 Church: Schickel & Ditmars, 1895-1900, NYC Individual Landmark School: Schickel & Ditmars, 1899-1900) – NYC Historic District, National Register of Historic Places - Property and District One of the first institutions on Fourth Avenue was the parish of St. Lawrence O’Toole, whose first building was erected in 1854. The parish, later incorporated as St. Ignatius Loyola (founder of the Jesuits in 1541), expanded in the 1880s, beginning with the construction of a four- story parish house and residence hall. The church itself was designed in the Italian Renaissance Revival, in homage to the architecture that was popular during St. Ignatius’ lifetime. It was one of the first houses of worship in the city to use steel roof beams and trusses for fireproofing. Its two upper towers were never realized.
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Church of St. Ignatius Loyola
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Church of St. Ignatius Loyola

School: Schickel & Ditmars, 1899-1900) – NYC Historic District, National Register of Historic Places - Property and District In 1899, the Loyola School was established to educate the sons of wealthy Catholics (it became co-educational in 1973), for which the limestone building at the corner of East 83rd Street was built.
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1015 PARK AVENUE
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1015 PARK AVENUE

Lewis G. and Nathalie B. Morris House 1015 Park Avenue (Ernest Flagg, 1913-14) – NYC HD, NYC IL, NR-P, NR-D This townhouse, along with the one at 1025 Park Avenue, was constructed on property owned by lawyer Amos R. E. Pinchot. In 1910, Pinchot commissioned a grand house for himself at 1021 Park Avenue (demolished 1930), and purchased a considerable amount of property nearby. At the time, little was built this far north, making Pinchot a neighborhood pioneer. Constructed for Lewis Gouverneur and Nathalie Bailey Morris, 1015 Park Avenue is a distinctive neo-Federal mansion that faces East 85th Street. Upon Mr. Morris’ death in 1968, the house became the headquarters of several private charitable foundations.
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1025 PARK AVENUE
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1025 PARK AVENUE

Reginald & Anna DeKoven House (John Russell Pope, 1911-12) – NYC HD, NYC IL, NR-D 1025 Park Avenue was built for Reginald DeKoven, a popular composer and music critic. The house was designed in the Jacobean Revival style, a reprise of an English style popular during the Renaissance and named for King James I. The house’s Jacobean features include two prominent bay windows and an arched entrance flanked by columns and pilasters.
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Central Christian Church
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Central Christian Church

Park Avenue Christian Church (Bertram Goodhue of Cram, Goodhue & Ferguson, 1909-11) NYC HD, NR-D This magnificent French Gothic Revival style church is clad in grey Manhattan schist, and features a pointed arch stained glass window and a 70-foot lead fleche, cast in Birmingham, England, by Henry Hope & Sons to emulate the one at Sainte Chapelle in Paris. Goodhue also designed the adjacent rectory in the same style of the same grey schist. In 2014, controversy over its demolition led to the designation of the Park Avenue Historic District.
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1000 PARK AVENUE
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1000 PARK AVENUE

(Emery Roth, 1915) NYC HD, NR-D The Gothic Revival style 1000 Park Avenue was designed to complement Park Avenue Christian Church & rectory, and features intricate details like statuettes of medieval warriors and builders, animal reliefs, coats of arms and foliated moldings. The building is unusual for Emery Roth, who mostly favored the Classical or Art Deco styles.
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1020 Park Avenue
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1020 Park Avenue

1020 Park Avenue (Wechsler & Schimenti, 1963) – NYC HD, NR-D A lull in construction during the Depression and World War II gave way to a building boom in the post-war period, during which these three buildings were constructed. 1020 Park Avenue’s base is clad in travertine marble, a popular material at the time.
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1038 Park Avenue
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1038 Park Avenue

(Gustave W. Iser, 1956) – NYC HD, NR-D 1036 Park Avenue features stripes of blue-green ceramic panels on both façades, with wider panels on the corner. Many architects of the Modern era employed color in place of ornament to give buildings depth and character. Both this building and 1020 Park Avenue are distinctive for their asymmetrical massing at the top stories, which created private terraces. In 1961, the city passed a zoning code to encourage the construction of free-standing towers.
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1065 PARK AVENUE
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1065 PARK AVENUE

(Stephen C. Lyras, 1969-73) – NYC HD, NR-D 1065 Park Avenue, which took the place of a tenement, was one of the avenue’s few buildings to be inspired by the “tower in the park” concept. Its 30-story height was achieved by setting the building back and within a small landscaped plaza.
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1065 PARK AVENUE
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1065 PARK AVENUE

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1035 Park Avenue
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1035 Park Avenue

(Henry C. Pelton, 1925-26) – NYC HD, NR-D Originally constructed for the Park Avenue Methodist Episcopal Church, 1035 Park Avenue was designed to relate to the adjoining church (now the Park Avenue United Methodist Church), particularly its Venetian arches.
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1035 Park Avenue
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1035 Park Avenue

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1040 Park Avenue
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1040 Park Avenue

(Delano & Aldrich, 1923-25) – NYC HD, NR-D Catty-corner to the building is 1040 Park Avenue, whose eclectic ornament includes a frieze with sculpted tortoises and hares. Interestingly, the building does not have a cornice, which is unusual for a Renaissance Revival style building. It did, however, have one of the Avenue’s earliest penthouse apartments, which became fashionable in the 1920s. Though intended as servants’ quarters, the top floor was transformed by famed magazine publisher Condé Nast into a 5,000-square-foot duplex designed by actress and interior decorator Elsie de Wolfe. The building was also briefly home to Jacqueline Kennedy after she left the White House.
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1040 Park Avenue
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1040 Park Avenue

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1080-1082 Park Avenue
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1080-1082 Park Avenue

1080 Park Avenue (Frederick T. Camp, 1886-87; Harry Hurwit, 1927-28) 1082 Park Avenue (redesign: Augustus N. Allen, 1925) – both NYC HD, NR-D These two, low-scale structures were constructed in 1887 as tenements. 1082 Park Avenue was redesigned in the Mediterranean Revival style with arched window openings and intricate, vibrant terra- cotta ornament. Both have retained their commercial storefronts, which is a rarity for Park Avenue.
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1080-1082 Park Avenue
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1080-1082 Park Avenue

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1095 PARK AVENUE
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1095 PARK AVENUE

1095 Park Avenue (Schwartz & Gross, 1929-30) – NYC HD, NR-D In 1929, the New York State Legislature passed the Multiple Dwelling Law, requiring better standards for safety, health and access to light and air. Its benefits for the city’s poor were great, but on Park Avenue, the law translated into a design trend toward terraced upper floors, like those on 1095 and 1100 Park Avenue. The law also introduced water tanks to the urban landscape for drinking water and fire protection. On Park Avenue, water tanks were concealed behind rooftop pavilions, which fit right in with the stepped architectural silhouette that had become trendy during the Depression era, forming a crown at the top of the entire ensemble.
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1100 Park Avenue
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1100 Park Avenue

(De Pace & Juster, 1929-30) – NYC HD, NR-D In 1929, the New York State Legislature passed the Multiple Dwelling Law, requiring better standards for safety, health and access to light and air. Its benefits for the city’s poor were great, but on Park Avenue, the law translated into a design trend toward terraced upper floors, like those on 1095 and 1100 Park Avenue. The law also introduced water tanks to the urban landscape for drinking water and fire protection. On Park Avenue, water tanks were concealed behind rooftop pavilions, which fit right in with the stepped architectural silhouette that had become trendy during the Depression era, forming a crown at the top of the entire ensemble.
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1100 Park Avenue
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1100 Park Avenue

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Brick Presbyterian Church
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Brick Presbyterian Church

York & Sawyer, 1938-40 Parish house: 1948-49 – NYC HD, NR-D The congregation of Brick Presbyterian Church dates back to 1767. Its original home was the “old Brick Church” at the corner of Beekman and Nassau Streets. After a stay in midtown, the church merged with the Park Avenue Presbyterian Church in the 1930s and constructed this lovely building. In reference to the congregation’s roots, the church was designed in the neo-Georgian style popular during the Colonial period. It features a temple front and a polygonal tower topped by a ball finial. There is a chapel extension on the north façade, and the parish house is around the corner at 62 East 92nd Street. The church interior was fashioned after St. Paul’s Chapel, a contemporary of the original Brick Church.
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1141 Park Avenue
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1141 Park Avenue

1141 Park Avenue (John Sullivan, 1884-85) 1143 Park Avenue (John Sullivan, 1884-85; altered: Emery Roth, 1924); 1145 Park avenue (John Sullivan, 1884-85; redesigned: Emery Roth, 1920-21); 1147 Park Avenue (John Sullivan, 1884-85) 1149 Park Avenue (John Sullivan, 1884-85; redesigned: Emery Roth, 1917) – all: NYC ILs, NR-P Aside from 1141 Park Avenue, which was originally a flats building for three families, these charming buildings were built as single-family rowhouses. All five of them, which were designed in the neo-Grec style, have undergone significant alterations or wholesale façade redesigns since their construction in the 1880s, but 1147 Park Avenue retains the most of its original façade configuration.
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1185 Park Avenue
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1185 Park Avenue

1185 Park Avenue (Schwartz & Gross, 1928-29) – NYC HD, NR-D Occupying the entire blockfront, this enormous Gothic Revival style apartment building is accessed through a grand triple-arched doorway leading into a landscaped interior courtyard and to the building’s six lobbies. The five bays on either end of the building resemble bookends, as their windows are surrounded by cream-colored, ornamental terra-cotta. Across the street, 1192 Park Avenue now stands where the home of prominent brewer George Ehret once stood. The brownstone mansion was built in 1878 (demolished 1928) when the area was largely unoccupied, but its location was convenient to Ehret’s Hell Gate Brewery on the East River. As one of the first “fine” residences on upper Park Avenue, the mansion inspired other prominent families to move here.
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1185 Park Avenue
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1185 Park Avenue

Grand triple-arched doorway
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75 East 93rd Street
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75 East 93rd Street

Former George F. Baker Mansion 69-75 East 93rd Street (Delano & Aldrich, 1917-18 and 1928-29) – NYC ILs, NYC HD, NR-P, NR-D This L-shaped, red brick and limestone complex was built in two phases by two different owners. The three- story building that abuts Park Avenue was built for banker Francis F. Palmer. In 1928, banker and philanthropist George F. Baker, Jr. purchased the house and added the L-shaped ballroom wing, set back from the street by a courtyard. On the other end, a garage with apartments above was also constructed. The Synod of Bishops of the Russian Orthodox Church Outside of Russia purchased the house and ballroom wing in 1958. The garage wing remains a private residence.
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75 East 93rd Street
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75 East 93rd Street

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1209 PARK AVENUE
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1209 PARK AVENUE

1209, 1211, 1213, 1215, 1217 Park Avenue and 112, 114 East 95th Street (Flemer & Kohler, 1889-90; 1209 redesign: Lucien David, 1960-62; 1211 redesign: William L. Bottomley, 1922) – NRP-D These seven rowhouses that wrap the corner of East 95th Street were built by one developer. The houses on Park Avenue were designed in the Renaissance Revival style, while the narrower ones on East 95th Street were designed in the Queen Anne style. 1209 and 1211 Park Avenue were significantly altered in the 20th century, the former in a Modern style when it was converted to a school, and the latter in the neo-Georgian style.
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8th Regiment Armory
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8th Regiment Armory

Squadron A Armory 1339 Madison Avenue (John R. Thomas, 1895; Park Avenue side: Morris Ketchum, 1969) – Madison Avenue façade: NYC IL, NR-P, NR-D In 1884, a group of gentlemen horseback riders formed the “First New York Hussars” or “First Dragoons,” and by 1889, its 53 members became Troop “A.” By 1895, the group became Squadron “A,” and served in the Spanish American War and in World War I as the 105th Machine Gun Battalion. The armory was built for Squadron A and, true to its roots, included roughly 100 horse stalls. At one time encompassing the entire block, the building was partially demolished in the 1960s. The Madison Avenue side was saved by an emergency action by the Landmarks Preservation Commission, which designated it a city landmark. This façade is notable for its two large crenellated towers.
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8th Regiment Armory
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8th Regiment Armory

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8th Regiment Armory
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8th Regiment Armory

The Park Avenue side was demolished to make way for a school, but was replaced with a building that evokes the original complex, which now houses the Hunter College Elementary and High Schools.
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