Hispanic Society of America, 1922.

The Hispanic Society of America was founded by philanthropist Archer Milton Huntington in 1904. The building is both a museum and reference library for the arts and culture of primarily Spain and Portugal, as well as some of the former colonies in Latin America, the Philippines, and Portuguese India. Huntington, possessed with a passion for scholarship, amassed a great portion of the museum's collection of over 18,000 works using his family's resources. In addition to funding the curation of artifacts, Huntington's family also participated in the design of the museum. Archer Milton Huntington's cousin, Charles P. Huntington, designed three buildings of the Audobon Terrace complex. The philanthropist's wife, sculptor Anna Hyatt Huntington, is credited for many of the statues around the terrace, including the equestrian statue "El Cid" that serves as the unofficial mascot of the museum.

The museum's collection features paintings from renowned artists such as Velazquez, Goya, El Greco, Zurbaran, and Ribera. Among other objects, Huntington's holdings also include a variety of ceramics, 15th-century door knockers, a cartography collection, and an extensive library of literary works relevant to Hispanic culture, all published prior to the 19th century, including a copy of the first issue of popular Spanish novel Don Quixote by Miguel de Cervantes.

Huntington's interest in specifically Spanish culture was prompted by English author George Borrow's "The Zincali; or, An Account of the Gypsies in Spain," published in 1841. Enamored by Borrow's account on life in Spain, Huntington began taking Spanish language lessons and studying the country's culture from afar. A young Archer Huntington's interests in art and culture were not unusual for his family. His father Collis Potter Huntington was one of the Big Four of the Western Railroad. His financial holdings allowed Archer's mother, Arabella, to amass her own collection of Dutch Old Master paintings, 18th century English portraiture, 18th-century French decorative arts. At the age of 12, a young Archer wrote of his experience at a museum: "Read the catalog until I could not see anymore and went to bed. I think a museum is the grandest thing in the world. I should like to live in one." As a teenager, he began amassing the collection that would later form the foundation of his own museum. After Huntington accompanied his parents on a trip to Mexico, he came to the conclusion that he would devote his time and resources to opening a "Spanish Museum."

He purchased the site to build his grand museum in 1904. Huntington was deliberate in both the acquisition of his collection and the display of his works. After frequent trips to Spain and Latin America, he claimed his earlier studies of the regions produced a sterile and academic understanding of Hispanic culture. His museum would display the soul of the culture, supposedly discovered by Huntington in his travels. The collections were almost exclusively acquired from collectors and dealers outside of Spain: Huntington was cautious not to dispossess Spain of its cultural heritage.

The "Spanish Museum," now named, "The Hispanic Society," opened in 1908, for the "advancement of the study of the Spanish and Portuguese languages, literature, and history." In 1910, Huntington planned to expand the museum with a series of works three meters tall and seventy meters wide by the painter Joaquin Sorolla depicting daily life in contemporary Spain and Portugal. Regarding the arrangement of works in the museum and the lack of windows, Huntington said, "the windows of art museums should be pictures." The collection of archaeological artifacts on display are in part from Huntington's own excavation in a site French archaeologist Arthur Engel abandoned in Itálica.

In 1920, Huntington took a pause on populating his collection and instead focused on the scholarly research that could take place in the museum. He sought to encourage young scholars to utilize the vast resources he gathered. He said of his staff, "I hope to get each one interested in a single subject, so that they may become expert." The Society's librarians, a group of young women who had recently graduated from library school, were asked to become chief curators of the museum's holdings. The women selected fields such as Paintings and Drawings, Sculpture, Ceramics, Font, and Textiles, which they researched and cataloged for up to 50 years.

Huntington's museum prompted a great advancement in the discipline of Hispanic studies. Huntington's greatest desire, as described in a 1920 letter to his mother, was to "prepare the way for others."