It's not easy being the Soviet envoy to the United Nations in 1953.

Though immigration is a currently contested topic in the United States and around the world, it also has a long, established, and detailed history – people have been moving from one country to another practically since countries have existed. It may be a complicated topic, but these complications have not prevented immigration from being one of the enduring touchstones of the modern world. This story can be read in its original format here.

Won't you join us for a walk in the steps of early immigrants exploring their new American lives in the city? Start way downtown in Manhattan, so you're facing the East River, with Ellis Island in view. We invite you to wonder about those who arrived here willingly and even desperately, and passed through immigration hall at the notorious arrival port of Ellis Island depicted in the Forward's archival image below. In traditional Jewish lore, to look eastward, with devotional intent, is to open the heart to Jerusalem and the source of all illumination.

In the closing decades of the 19th century, New York underwent a profound physical and cultural transformation. Fueled by the wealth of the exploding financial and manufacturing sectors, the city rapidly evolved into a world-class metropolis. The bold ambitions of civic and business leaders, architects, and engineers of the era manifested in landmarks such as the vast Cathedral of St. John the Divine, the stately U.S. Custom House, the towering Municipal Building, and the original terminus of New York City’s first official subway line—the ornate City Hall stop. The sweeping interior spaces common to all of these structures, and hundreds of others, depended upon a venerable Mediterranean building technology adapted to contemporary American construction: arched tile ceilings—or vaults—that were not only self-supporting but could also bear the weight of floors or roofs above them. These vaults were designed and built by a single New York firm, founded by Spanish immigrant Rafael Guastavino (1842-1908) and later headed by his son Rafael Jr. (1872-1950). The Guastavinos’ patented system for building domes and vaults involved multiple layers of thin ceramic tiles bonded with quick-drying mortar. The resulting structures were not only exceptionally strong, but also lightweight, easy to build, and inherently beautiful, thanks to intricate patterns of exposed tile that formed finished, decorative surfaces. Guastavino vaults figured prominently in more than 1,000 projects across the nation, including 200 in Manhattan alone. During its 73-year history, the Guastavino Company helped build some of the most impressive interior spaces in America—veritable palaces for the people. This list based on MCNY's exhibition Palaces for the People, contains many of Guastavino's masterpieces in the five boroughs, both those that remain and those that have been lost to the wrecking ball.

Immigration Building, May 31, 1938. Ellis Island served as an immigration station from 1892 until 1954. Following the Immigration Act of 1891, which created the Office of Immigration (later the Bureau of Immigration), the federal government took control of regulating immigration from the individual states. The first immigration building on Ellis Island opened on January 1, 1892. In 1897 the original wooden building was destroyed by fire. The replacement building, designed by the firm of Boring and Tilton, is a French Renaissance Revival style structure of red brick with limestone trim. It opened in December of 1900 and was soon followed by a number of related buildings, including kitchen, laundry, power, and hospital facilities. When the station opened in 1892, fewer than 20,000 people passed through the island a year, the result of an economic depression. By 1905 nearly a million people a year were immigrating to the United States. During its peak years (1905-1914) more than 5000 immigrants were seen every day, and it is estimated that more than 12 million people were processed through the immigration station at Ellis Island during its tenure. By 1924 the number of immigrants passing through the island had dramatically decreased due to restrictive legislation. In November 1954, the Immigration and Naturalization Service shut down their offices on Ellis Island and moved to a new location in Manhattan.

Ellis Island, ca. 1907. Ellis Island served as an immigration station from 1892 until 1954. Following the Immigration Act of 1891, which created the Office of Immigration (later the Bureau of Immigration), the federal government took control of regulating immigration from the individual states. The first immigration building on Ellis Island opened on January 1, 1892. In 1897 the original wooden building was destroyed by fire. The replacement building, designed by the firm of Boring and Tilton, is a French Renaissance Revival style structure of red brick with limestone trim. It opened in December of 1900 and was soon followed by a number of related buildings, including kitchen, laundry, power, and hospital facilities. When the station opened in 1892, fewer than 20,000 people passed through the island a year, the result of an economic depression. By 1905 nearly a million people a year were immigrating to the United States. During its peak years (1905-1914) more than 5000 immigrants were seen every day, and it is estimated that more than 12 million people were processed through the immigration station at Ellis Island during its tenure. By 1924 the number of immigrants passing through the island had dramatically decreased due to restrictive legislation. In November 1954, the Immigration and Naturalization Service shut down their offices on Ellis Island and moved to a new location in Manhattan.

On January 1, 1936, New York’s Lower East Side got its first subway stop, changing it from a land of crowded tenement dwellings and slums to a gentrified city district practically overnight. This is the story of the East Side Subway, איסט-סײַד אונטערבאַן. In Yiddish, the subway is called the unterban, though colloquially it was called the subvey which is how The Forward spelled it out for readers.

Ellis Island served as an immigration station from 1892 until 1954. Following the Immigration Act of 1891, which created the Office of Immigration (later the Bureau of Immigration), the federal government took control of regulating immigration from the individual states.

Daily life in New York City continues to be upended from COVID-19. Businesses, bars, restaurants, schools and museums have been forced to close their doors. Although these feel like entirely unprecedented times, the city has experienced public health crises before. One hundred years ago, conditions were ripe for the spread of infections. And not unlike today, marginalized communities, like new immigrant populations, often bore the brunt of the bad conditions and consequences. Many immigrant neighborhoods offered substandard housing, packing large families in tiny, dingy apartments. Globalization was increasing and people and goods were traveling more and farther. So was disease. All these factors contribute to New York City’s long and dirty history of disease and illness, especially on the Lower East Side.

Immigrant Building A 1916 explosion at a nearby munitions depot destroyed the original wood-lath-and-plaster ceiling of Ellis Island’s Registry Hall. The Guastavino Company was hired to rebuild the structure using thin tile vaults. Engineers overseeing its renovation in the 1980s deemed the building structurally sound, despite its abandonment for three decades following the 1954 closure of the immigration facility. Remarkably, only 17 of the hall’s nearly 30,000 tiles needed to be replaced.

Man and microbes have always co-habited, and their relationship has had a profound influence on human history—especially in cities, the crossroads of the movements of people, goods, and germs. Germ City: Microbes and the Metropolis explores the complex story of New York’s long battle against infectious disease—a fight involving government, urban planners, medical professionals, businesses, and activists.