Farragut Monument ca. 1924 This monument represents the collaboration of the sculptor Augustus Saint-Gaudens and the architect Stanford White, who designed the base. We readily sense the stance of a seafarer braced on deck to withstand the rolling sea. The base, with its beautiful lettering, sea-drenched maidens, and dolphins, is a superb allegory unique in its style at that date and foreshadowing the Continental Art Nouveau.

Victory Arch at Madison Square ca. 1919 This monument, conceived during World War I both to spur enlistment in and patriotic support for America's military efforts overseas and to memorialize New York City's war dead, became mired in committee politics long enough for the November 1918 armistice to have ended the war. Accordingly, the structure was transformed into a municipal Victory Arch, using temporary material and design by architect Thomas Hastings (1850-1929). The project took form with all the speed earlier denied it, and it was completed in time for the triumphant homecoming of New York's 27th troop division in late March 1919. Subtlety was not the concern of such grand civic gestures. Modeled after the ancient Arch of Constantine, the arch featured tripartite construction and an honor court displaying allegorical figures of Peace, Justice, Power, and Wisdom. Relief panels commemorated important battles, war service organizations, and the contributions of American industries, such as shipbuilding and munitions manufacture. Rising to a stunning height of 100 feet, the white archway's ample form straddled 125 feet of Madison Square at the intersection of Broadway, 24th Street and FifthAvenue. The purposeful siting probably reminded many New Yorkers of a similar arch, also made of plaster and wood, erected at this location in 1899 to salute Admiral George Dewey's victory over the Spanish at Manila Bay in 1898. Like its predecessor, the Victory Arch enlisted volunteer talent from the National Sculpture Society and was constructed with the expectation that it would be rebuilt in some permanent form. However,just as the earlier "imperishable" monument had failed to materialize when subscriptions lagged and Dewey's popularity ebbed, plans for the World War I memorial erupted in controversy over the commission's choice of artist and the proposed iconography. As debate escalated over the necessity of perpetuating this "Altar of Extravagance," as Fiorello La Guardia branded the project in 191 when campaigning for the presidency of the Board of Aldermen, the arch joined New York's City's growing registry of demolished commemorative structures.

In 2021 Madison Square Park was awarded Level 2 Arboretum Accreditation for its continued diversity of tree species. Madison Square Park Conservancy cares for nearly 300 trees that sequester carbon, filter rainwater, and provide shade that keeps our neighborhood cool.

On May 3rd, 1913, marchers arranged themselves, as the New York Times described, “In straight and graceful lines which were brightened with resplendent decorations, passed in attractive and impressive dignity up Fifth Avenue…it was the greatest spectacular triumph ever won by women in this country in their pursuit of the ballot.”

Hoffman House Hotel, ca. 1905 Located in what was once an exclusive residential area, the Hoffman House Hotel was considered one of the first hotels/commercial ventures in the Madison Square area. Opened in 1864, the original hotel occupied the building one in from the corner (though this circa 1905 image depicts the original locale with a late 19th-century rooftop addition). In 1870 as Broadway and Fifth Avenue lined with newer and fancier hotels, the Hoffman opened a large annex at the corner The hotel was well known for its cuisine, artworks, and opulent decoration, and was a popular headquarters for Democratic politicians. On January 22, 1870, the New York Herald announced that sisters Victoria C. Woodhull and Tennessee (Tennie) C. Claflin had rented Parlors No. 25 and 26. They established a stock brokerage firm, becoming the first female brokers, before decamping to a Broad Street office with the help of friend Cornelius Vanderbilt. By the middle of the 1890s, the annex had been replaced with the grand Moorish-influenced building seen here at the corner. The original building gained an extra three stories around the same time, only to be completely demolished and replaced with a new gleaming white limestone structure in 1907. Alas, the loss of revenue during the reconstruction and the Panic of 1907 signaled the early death knell for the hotel. After entering bankruptcy in 1910, the hotel closed its doors (both of them) in 1915. Both of these buildings, and its hotel neighbor on the block, the Albermarle, were demolished for a 16-story loft building soon after.

The 51-foot monument to General William Jenkins Worth near Madison Square Park is the second oldest monument in NYC. (The oldest is the statue of Washington in Union Square.) It is also one of only two New York monuments that serve as a mausoleum. (The other is Grant’s Tomb.)

Roscoe Conkling Statue, ca. 1976. Mayor of Utica, New York, New York State Congressman and Senator, Roscoe Conkling was a well-established and popular politician until an 1881 dispute with President Garfield over patronage dispensation and federal appointments caused him to resign his Senate seat. He is perhaps best known as the most famous victim of the Great Blizzard of 1888. After leaving his law office, Conkling was walking to the New York Club on 25th Street. He ended up caught for some time in a nearly chest-high drift in Union Square. Though he made it to the club, his health soon began to decline, starting with an ear infection. He died April 18, 1888. In the early 1890s friends advocated for a statue of Conkling in Union Square. Park officials declined the proposed site, supposedly they did not feel he was an appropriate fit with Lincoln and Washington in Union Square. The statue, created by John Quincy Adams Ward, depicts the man while delivering a speech before the United States Senate. Installed in early December 1893, the eight-foot-tall statue did not have a dedication ceremony. The statue was moved 20 feet to its current location during the renovation and redesign of Madison Square Park in 2000.

Cedar Creek, once visible, still flows west to the East River under Madison Square Park. It was buried as the city industrialized during the 19th century.

The men and women of the New York City Department of Sanitation are vital first responders. History has thrown many challenges the agency’s way and each time DSNY has risen to the occasion.

Madison Square Arch, 1918. The Madison Square Arch, also known as the "Victory Arch," was built in 1918 to commemorate New York City's war dead. Conceived by Mayor John F. Hylan and designed by Thomas Hastings, the arch was made of temporary materials and modeled after the Arch of Constantine in Rome. Although the intent was for arch to be rebuilt out of permanent materials, the plan was scrapped over arguments about the cost and the design of the monument.

The early fight against fascism in the United States predates WWII and started in the city with a huge march for May Day in 1934. The Forward was there to march, and also to cover it in all its excitement and color.

Madison Square ca. 1900 The Seven-Acre Madison Square, bounded by Fifth and Madison Avenues, Broadway, 23rd and 26th Streets, opened on May 10, 1847. Having served as a paupers' burying ground and a military parade ground before its nineteenth-century metamorphosis into a gracious park, the tract became the object of extensive improvements. Between 1847 and 1851, the Common Council voted funds to supply Madison Square with new grading and lawn seeding, and gas-fired street lamps. In 1857 a granite monument honoring General William Jenkins Worth, by Henry Kirke Brown 91819-1886), was installed on a small plot on Fifth Avenue opposite Madison Square. In 1876 two bronze statues are dedicated; one, the work of Augustus St. Gardens (1818-1907), honoring Admiral David G. Farragut, and another, by Randolph Rogers (1825-1892), in memory of William H. Seward. In 1867 a fountain spraying water from the Croton Aqueduct system was moved from City Hall Park to Madison Square. The handsome area rapidly became a stylish locale for the homes of wealthy New Yorkers. As with most fashionable New York neighborhoods, the infiltration of commerce into Madison Square forced its residents to seek ever-more-northerly residential outposts. By the 1890s a multitude of shops along the side streets and Sixth Avenue encroached on the elegant homes around the square. Construction of the Metropolitan Life Building in 1890-1893 and Stanford White's Madison Square Garden in 1890 (the "Garden" is the twin-turreted white building visible above the trees at the extreme right of the square) gave the square an increasingly commercial aspect.

Arches are everywhere in New York. From bridges, to memorials, and many a Beaux-Arts facade, the arch is a motif that can blends seamlessly into the city’s architectural fabric or stand out — triumphally — in a place of honor. Take a look:

Since 2004, Madison Square Park Conservancy has commissioned some of the most distinguished artists of our time to realize temporary public art projects in the 6.2 acre park. Public art has the capacity to challenge, energize, inspire, and provoke people outside of designated indoor art spaces of museums and galleries. The fascination is heightened when art is placed in a public park. Here, art is vulnerable, accessible, and open to the environment and the minds of visitors from all over the world. The works on view are seen in the context of complete democracy: available to all, no admission fee, no threshold to cross. At Madison Square Park, artists have challenged themselves to create with these factors in mind. Below, we look at a few of the commissioned projects and reflect on their lasting impact.

Today’s Madison Square North neighborhood reflects successive waves of development, the earliest dating to the year Madison Square Park was created—1847. Until very recently, the neighborhood comprised almost exclusively buildings that pre-date 1930. From the park’s opening through the 1920s, Madison Square North evolved from being a fashionable residential enclave to an entertainment district of hotels, clubs, restaurants and theaters, to a commercial hub of offices and mercantile loft buildings. Examples of each are still prominent today, often in startling juxtaposition. The 19th century saw a northward development trend, as new residential neighborhoods were established in response to growing commerce to the south. This pattern repeated itself numerous times up the length of Manhattan. From roughly 1850 to 1865, Madison Square North was fashionable with the city’s elite. Such boldface families as the Stokes, Livingstons, Vanderbilts, and Stewarts (of A.T. Stewart department store fame) were residents. Rowhouse construction, largely built in the popular Italianate style, began first along Broadway and spread to the side streets. Extant rowhouses from this period include two on West 24th Street and four on West 29th Street. After the Civil War, the neighborhood became host to a number of theaters, restaurants, men’s clubs and hotels. The trailblazer in the latter category was the Fifth Avenue Hotel, completed in 1858 on the northwest corner of 23rd Street and Fifth Avenue. The hotel was a social, cultural and political hub until its closure in 1908, at which point it was replaced by the commercial structure at 200 Fifth Avenue. Many hotels also functioned as “bachelor flats” or “apartment hotels” for extended stays. One of the city’s first apartment houses, constructed in 1872 after designs by the noted New York architect George B. Post, still stands at 251 Fifth Avenue. The prevalence of entertainment and commercial ventures on Broadway made it a bustling night-life district. Thus, beginning in the 1890s, Broadway from about 13th to 45th Street became one of the first thoroughfares to be illuminated by electric street lamps and billboards, leading to its lasting moniker “The Great White Way.” By the 1890s and early 1900s, industries including photography, architecture, construction and banking planted roots in the area, constructing commercial high-rises designed in styles such as Gothic Revival, Beaux-Arts and Art Deco. Many of these buildings were also constructed for the wholesale garment industry to initially support the Ladies’ Mile shopping district to the south, which, until they moved to Herald Square in the early 1900s, was home to the R. H. Macy & Co. and B. Altman & Co. department stores. The neighborhood’s growth was spurred on by nationwide industrial trends for ready-to-wear clothing, and later, wholesale household décor. This period of prolific development left a lasting impact, as mercantile loft buildings remain the area’s architectural hallmark. In 2001, the Landmarks Preservation Commission designated the Madison Square North Historic District, 96 buildings from roughly 25th to 29th Streets between Sixth and Madison Avenues. Community members and preservationists are advocating for an extension to the district, to encompass roughly 374 buildings from 23rd to 34th Streets and Sixth to Park Avenues. This area includes the surviving buildings of Tin Pan Alley on West 28th Street, where the American popular music publishing industry was headquartered from roughly 1890 to 1910.