This curated scavenger hunt celebrates Pride and tests your LGBT history knowledge. Where did civil rights activist and literary icon James Baldwin reside? At what community church did transgender activist Sylvia Rivera find community on the Far West Side (the congregation renamed the food pantry in her honor)? Know the answers? Take part in the hunt! To get credit for solving a clue, check in at the location (tap the lock button to the left; if you’re in the right place, it will turn green). Each location you check in to is worth a single point. For clues that start with a camera emoji (📸), tap the image to re-create the historical photo for an additional point. After you’ve lined up your re-creation, please remember to tap the “submit to hunt” button.

Where do you usually work? We asked this question to our Urban Archive community and mapped their answers. Take a look!

Lincoln Center, 1986. Lincoln Center, a world-class performing arts center, has had close connections to the LGBT community since planning began in the mid-1950s. It was also the location of the first AIDS Walk, sponsored by the Gay Men’s Health Crisis, in 1986.

When one speaks about the historic buildings of New York City, images of the stately brick rowhouses of Brooklyn, the cast-iron office buildings of SoHo, and the elaborate mansions of 5th Avenue come to mind. But the interesting architecture of the city is not limited to buildings constructed before 1900 in a classical style. Buildings built in the modern styles in the middle of the 20th century dot the streetscape and range from tall office buildings, to transportation structures, to private residences. These Mid-Century Modern buildings with their unique shapes, unusual massing, and uncommon materials (at least uncommon compared to architecture that came before) stand out from the earlier masonry buildings and the contemporary glassy structures that surround them.

Each month the Landmarks Conservancy highlights New York City’s extraordinarily rich architectural heritage by featuring a different building style or function. As the City we love continues to reopen we are proud to celebrate the return of Broadway and the magic of live theater and will feature many of the majestic houses that have hosted iconic music and memorable performances across the decades.

Metropolitan Opera House, ca. 1970. Opened in 1966 to replace the original 1883 Metropolitan Opera House at Broadway and 39th Street, this Mid-Century Modern building was designed by Wallace K. Harrison. Plans for a new opera house were discussed as early as the 1920s and plans were made to include a new venue into the development of Rockefeller Center, but financial troubles related to the stock market crash of 1929 halted those plans. In the early 1960s the Met and the New York Philharmonic Society commissioned Harrison, one of the architects in charge of Rockefeller Center, to create their new home and the centerpiece for the larger Lincoln Center complex. The distinctive facade is rendered in a white limestone, and its main entrance (seen here) includes five concrete arches and a stylish glass and bronze facade. Visible though the large glass front, the lobby is decorated with two massive murals by Marc Chagall. The stage technology in the auditorium is some of the most complex in the world. To create the magic of the opera the mechanisms include seven hydraulic, double decked elevators that are 60-feet-wide, three slipstages (that can accommodate a complete stage set), and a 60-foot turntable.

Any opera lover in New York knows one of the best places to hear an aria (or a couple dozen) is at the Metropolitan Opera. But many may not know about its contentious beginnings! It was at 39th and Broadway where one of the greatest Gilded Age dramas played out. And it wasn't on stage!

Caleb Smith, a librarian at Columbia University, walked the entirety of Broadway in the summer of 2001: from 262nd Street in the Bronx to Battery Park at the southern tip of Manhattan. The photographs, taken during the walk, capture his view of Broadway, New York's uncompromising main street. (He was later inspired to walk every street in Manhattan, which he did over a two-year period between 2002 and 2004.) This walk is a "best of" Caleb's Broadway expedition.

In 1981, a “rare cancer” first seen in a group of gay men primarily in New York and San Francisco eventually became a widespread epidemic more accurately known as acquired immune deficiency syndrome (AIDS). This curated collection includes the residences of influential AIDS activists and artists, venues where fundraising events were held, and meeting and demonstration locations of AIDS organizations.

Take a walk in the beautiful Upper West Side. Start at Columbus Circle and discover the cultural and religious landmarks and the extravagant apartment buildings of this affluent neighborhood.

The Forward’s fav opera and recording star Richard Riven Tucker was much beloved by Metroplitan Opera fans as well as Forward readers, including as a one time deli sandwich! Yes, to celebrate the centennial of his birth, he was given that special NYC honor of being a deli sandwich, and having then NYC Mayor Bloomberg honor his birthday, August 28, as “Richard Tucker Day”.

In December 2018, Supreme Court Justice Ruth Bader Ginsburg sat down with NPR’s Nina Totenberg for an exclusive interview presented by the Museum of the City of New York. During this sold-out discussion, Justice Ginsburg spoke about her love of opera, her New York City roots, and why, after years in Washington, she still considered herself a Brooklynite. Take a virtual look at RBG's NYC, through places she remembered fondly and those she would have frequented in her youth.

The Public Design Commission (PDC) was established as the Municipal Art Commission by the New York City Charter in 1898 (following the consolidation of NYC). The Commission was tasked with the oversight of all public artworks and monuments, but its purview quickly expanded to include public structures and open spaces. Renamed in 2008, the PDC reviews the design of permanent works of architecture, landscape architecture, and art proposed on or over City-owned property. Projects are submitted by City agencies and include the construction, renovation, or restoration of buildings; the creation or rehabilitation of parks, playgrounds, and plazas; installation of lighting and other streetscape elements; signage; and the installation and conservation of artwork, including monuments and memorials. The Commission also acts as caretaker and curator of the City’s public art collection, which is located throughout the city’s public buildings and open spaces, and maintains an extensive archive documenting the history of New York City's public works. The PDC Archive maintains a collection of projects reviewed by the Commission since 1902, documenting more than 7,000 sites throughout New York City and providing a unique view into the history of the City’s public works. The designs that have been reviewed by the PDC throughout its over 120-year history are representative of the policies and focus of Mayoral administrations while simultaneously following historical trends in public design, public health, and artistic and cultural movements in the city and country at large. The following examples illustrate the breadth of projects under the PDC's purview, from large scale developments to streetscape fixtures that often go unnoticed. For an in-depth history of the Public Design Commission, see Michele H. Bogart’s book, "The Politics of Urban Beauty."

Lorin Maazel was a Jewish American composer, conductor and musical prodigy. Seen here at age 9 conducting the National Music Camp Orchestra of the Interlochen Bowl Preparatory from the New York World's Fair Friday August 18, 1939.

Brooklyn-born Aaron Copland (1900-1990), known as the “Dean of American Music,” was one of the most influential and popular figures of 20th-century classical music. He grew up in an apartment at 628 Washington Avenue (demolished) in Prospect Heights, Brooklyn and heard his first symphony at the Brooklyn Academy of Music (BAM) when he was 16. In between extensive travels abroad, Copland lived in a number of Manhattan apartments, including his first at 135 West 74th Street from 1924 to 1926. His most significant city residence was a modest tenth-floor studio – furnished with a piano – at the Hotel Empire from 1936 to 1947. He also rented and worked in a nearby loft at 113 West 63rd Street (demolished for Lincoln Center). During this incredibly prolific period, Copland completed a number of important works, some of which are among the cornerstones of 20th-century American music. A selection of compositions completed while in residence at the Hotel Empire include Billy the Kid (1938), Fanfare for the Common Man (1942), Lincoln Portrait (1942), Rodeo (1942), Appalachian Spring (1944), and Symphony No. 3 (1944-46). Copland was given New York Music Critics Circle Awards for the latter two works; Appalachian Spring, composed for choreographer Martha Graham’s ballet in 1944, also earned him a Pulitzer Prize in Music.

New York City has three public library systems: the New York Public Library (in Manhattan, The Bronx and Staten Island), the Brooklyn Public Library and the Queens Borough Public Library. The reason for these independent systems was due to their origins prior to the 1898 consolidation of the five boroughs. The City of New York’s first free circulating library was established in 1878, even though multiple bills were passed by the New York Legislature for such a public service beginning in the 1830s. Over those decades, private libraries served as research facilities for scholars and students, but none were open to the general public. In 1880, the New York Free Circulating Library (NYFCL) was established, operating out of several rooms at 36 Bond Street and funded by private donors. The NYFCL was formally incorporated in 1884, and its first building opened at 135 Second Avenue (site 1). Between 1884 and 1901, 11 branches were built, consisting of 1.6 million volumes. In 1901, steel baron Andrew Carnegie retired and devoted his energy and wealth to the development of libraries throughout the English-speaking world, including New York City. This would forever change the institution. The New York Public Library (NYPL) was formed in 1895 with the consolidation of three private corporations: the Astor Library (founded by John Jacob Astor in 1849), the Lenox Library (founded by James Lenox in 1870) and The Tilden Trust (a fund established in 1886 by former New York Governor Samuel J. Tilden). The NYFCL also joined this consolidation in 1901 in order to benefit from Carnegie’s gift of $5.2 million for 67 library branches to be built between 1901 and 1929 (56 are still standing). Carnegie’s only stipulation was that the city acquire the sites and establish building maintenance plans. To design the buildings, the NYPL organized a committee of architects: Charles F. McKim, Walter Cook and John M. Carrère. In order to stylistically link the branches and save money, the committee decided on a uniform scale, interior layout, character and materials palette for the buildings. Construction for the main branch, a grand building in the heart of Manhattan, began in 1901. The NYPL became and remains one of the leading research institutions in the world. Queens’ first public library was established in Flushing in 1858, and became a free circulating library in 1869. In 1901, the borough’s independent libraries merged to become the Queens Borough Library, and were eventually housed in Carnegie- funded buildings. The system acquired its current name, the Queens Borough Public Library (QBPL), in 1907. Brooklyn’s first free public library was that of the Pratt Institute, which opened in 1888. In 1892, the Brooklyn Public Library (BPL) was created through state legislation, and in 1901, Carnegie signed a contract for the construction of libraries in Brooklyn. Both the QBPL and the BPL were established as independent corporations with trustees appointed by the mayor and civil service staff. In the broad sense, New York City’s library systems are one of its finest resources. In the local sense, its branches function as community anchors, both for the services they provide and for their architectural contributions to each neighborhood’s sense of place. While this brochure focuses on the origins of the city’s public library systems and offers a glimpse at some of its early extant branches, there are over 200 public libraries across the five boroughs, as well as private and institutional libraries that are also well worth visiting.