Mother African Methodist Episcopal Zion Church ARCHITECT: George W. Foster, Jr. DATE: 1923-25 STYLE: Neo-Gothic The Mother African Methodist Episcopal Zion Church, built in 1923-25, is the sixth home of New York City’s first black congregation and the founding church of the A.M.E. Zion Conference of churches, which spread throughout the United States and Canada. Established in 1796, under the leadership of James Varick, Mother Zion has a long and illustrious history of religious and social activism. In the nineteenth century, the A.M.E. Zion conference was popularly known as the “Freedom Church” because of its important role in the abolitionist movement; many conference churches, including Mother Zion, served as stations on the Underground Railroad. The movement of the Mother Zion congregation northward, beginning in lower Manhattan, to the present location in Harlem, reflects the residential patterns of New York City’s black population. At the time the present church was constructed, Harlem contained the majority of New York’s black residents. A distinguished composition in the neo-Gothic style, reflecting the tradition of Protestant church design in the 1920s, the church building was designed by George W. Foster, Jr., one of the first black architects to be registered in the United States. During the twentieth-century leadership of Pastor James W. Brown and his successor, Dr. Benjamin C. Robeson, Mother Zion rose to even greater prominence as a religious and social institution. Robeson’s civil rights crusade attracted such notable Harlem residents as Langston Hughes and W.E.B. DuBois, and the Zion pulpit was often a platform for the social and political activism of Robeson’s brother, Paul Robeson. Mother Zion has continued its almost two-hundred year tradition of service to its congregation and community, not only addressing the spiritual needs of its members but also providing an array of social programs.

The Mother African Methodist Episcopal Zion Church at 140-148 West 137th Street is the sixth home of New York City’s very first black church, and the founding church of the A.M.E. Zion Conference of churches. Today, the gorgeous neo-Gothic structure, built in 1923-1925, stands as a symbol of the city’s black, religious, and civil rights history while continuing to serve as a touchstone for over 1.4 million followers. In honor of Black History Month, we delve into the remarkable story of Mother Zion, which takes us beyond the Village and back. This story is adapted from a Village Preservation blog, which can be viewed here.

Mother AME Zion Church, 1925. Designed by one of the first African American architects in the United States, George W. Foster Jr., Mother Zion was completed in 1925, as the sixth and final home of the religious community. The congregation that moved into this new Gothic Revival building dates to 1796 when it was founded as the first African American church in New York. The community became the "mother" church of the African Methodist Episcopal Zion Conference denomination when the church broke from the predominantly white Methodist Episcopal Church in 1820. During the 1930s the charismatic preacher of the this church was Reverend Dr. Benjamin C. Robeson, who spoke passionately of civil rights activism. Parishioners, both here and in its previous locations, included singer Paul Robeson (brother to the pastor) Langston Hughes, W.E.B. DuBois, Marian Anderson, and Madam C.J. Walker.

Harlem churches have been an important part of the historical shaping of the neighborhood. For decades, they have been centers for community bonding and healing. Many of these churches have been involved with social movements like the fight for civil rights and the abolition of slavery. Many historic Harlem churches have lost some of their popularity as time has passed, but they still hold spiritual importance in their neighborhoods. As property values rise in an ever-gentrifying city, a few churches have been struggling to stay open as tithes and parishioners have dwindled. However, the members remain hopeful. On this walk, interact with structures of beauty and importance in the Harlem community.

We stand alongside the Black community and all those speaking against systemic racism and violence with justice, hope, and truth. The fight for justice is one that we all need to play a role in, whatever form that might be. In our sphere of work, this means doing our part to help make archives more inclusive and equitable to communities that have historically been left out. As a start, this story is dedicated to honoring Black life and legacy in New York. Read on for stories of triumph in injustice.