Citizen Savings Bank ARCHITECT: Clarence W. Brazer DATE: 1922-24 STYLE: Beaux-Arts Citizens Bank is an important example of the 20th-century Beaux-Arts bank building combining Renaissance and classical precedents, with the building’s unusual height and nearly square massing, conveying its financial strength and stability to depositors. The street facades have rusticated bases above which rise monumental, arched windows enframed by engaged pilasters supporting an entablature in the Roman Doric order. To identify the building and its purpose noted sculptor Charles Keck designed a sculptural group, with a clock, that incorporates elements from the seal of the Citizens Savings Bank, including a Native American, a sailor, an eagle, and beehives, traditional symbols of thrift.

American Theatre (Thalia Theatre) In the stratified world of New York City theaters, with their implicit class associations, the American Theatre, at the corner of Canal Street and the Bowery, was considered a middlebrow house. Designed by Ithiel Town with the innovative use of gas jets for interior lighting, it had opened in 1826 and, by 1833, had been twice remodeled after fires. Three thousand patrons could be accommodated within its large central pit and four tiers of galleries, which reached across the house and down each side almost to the stage. In the Jacksonian era, urban theaters like the American Theatre had assumed new importance as democratic gathering spaces, in which ticket holders could not only relax but also vent political opinions publicly and intermingle with allies and enemies seated, depending on allegiances, in the more boisterous pit or costlier boxes. Ungovernable audiences often interrupted performances.

"Thalia Theatre, 46-48 Bowery. Formerly Bowery Theatre. Photograph taken around 1881." Built originally in 1826, as the New York Theatre, the playhouse was established as direct competition to the Park Theatre on Park Row and Ann Street. The wealthy and fashionable citizens who had recently moved to the newly developing neighborhood on nearby Lafayette Street wanted access to high-class European theatre. The building itself was constructed on land that had once been occupied by the Bull's Head Tavern, one of George Washington's headquarters during the Revolution. After only two years in business, the theatre suffered a major fire in 1828, and the interior was rebuilt behind the surviving facade and renamed the Bowery Theatre. Though it would have a series of other names (American Theatre, Thalia Theatre , Fay's Bowery Theatre) it was from 1828 on generally referred to as the Bowery Theatre. The theatre's most successful period was from the 1830s to the 1850s, when it made a name for itself as a American nativist and populist hub (unsurprisingly it was during this period that it was renamed American Theatre). The building survived through the constantly changing neighborhood and populations of the mid to late 19th century and early 20th century. After a series of 19th century fires and rebuilding efforts, the theatre was finally destroyed by a fire in 1929.