Salmagundi Club, November 24, 1937. The Salmagundi Club was an art club founded in 1871. Initially called New York Sketch Class and later the New York Sketch Club, the organization was a men's only group of artists, students, and friends who met once a week. It was renamed Salmagundi in 1877 and meet at a number of Greenwich Village locations during its first 40 years. In 1917 the club purchased and moved into the1853 Italianate-style townhouse at 47 Fifth Avenue. For the last century it has operated in this building as a center for fine arts, artists and collectors, exhibitions, classes, demonstrations,and auctions.

Often overlooked, doors are perhaps the most important feature of a building. They are the means by which we escape the often crowded and chaotic streets of the city. Every building has one (well, maybe except for the Raymond Street Jail which was accidentally constructed in 1836 sans front door), but some outfit this largely utilitarian feature with more panache than others. This collection highlights some the city's loveliest historic doorways, from the simple but classic columns of early 19th century Federal rowhouses to the gloriously geometric brickwork of Art Deco apartment houses, and everything in-between.

Salmagundi Club ca. 1965 As written in the designation report, the four-and-a-half story Italianate style building at 47 Fifth Avenue was constructed in 1852-1853 for Irad Hawley, the president of the Pennsylvania Coal Company, which had yards along the Hudson River in the West Village. The building’s arresting entrance, up a flight of wide steps, is framed in original stone ornament and flanked by French doors that open onto cast-iron balconies. And, the report indicates, the inside is no less stunning. The first floor of the building showcases Italianate-style carved marble chimney pieces, rose wood doors, and an arcaded Corinthian screen dividing the front and back parlors. The dining room features elements of the Gothic Revival style and is one of the few remaining interiors in New York to do so. The Salmagundi Club, by 1969, was one-of-a-kind, the last architectural relic of the swath of mid-nineteenth century Anglo-Italianate brownstone mansions that once lined the lower portion of Fifth Avenue. Its dignified, former northern neighbors at 49 and 51 Fifth Avenue were razed to make way for a 19-story apartment building, built-in 1929 by Thomas W. Lamb, but the Salmagundi Club stayed put. Beyond the architectural significance of 47 Fifth Avenue, the designation report cites the building’s cultural significance as a key reason for its designation. The Salmagundi Club, before moving into its longtime home, was organized in 1871 for the “the promotion of social intercourse among artists and the advancement of the art” and named for the “Salmagundi Papers,” a satirical magazine published by short-story writer Washington Irving in which he coined the term “Gotham.” The Club purchased the grand Fifth Avenue mansion in 1917, and has resided there ever since. The designation report credits the maintenance of the historic building to the club, which had been, and continues to be, a reliable and generous steward. Notable members of the Club include illustrators Edwin Abbey, N.C. Wyeth, and Howard Pyle; Impressionist painters William Merritt Chase and Childe Hassam; Arts and Crafts pioneer John LaFarge; designer Louis C. Tiffany; Hudson River School artist Thomas Moran; and architect Stanford White. But that’s not all there is to celebrate today. The building is not only a historic cross-section of Fifth Avenue history and an esteemed center of orbit in the city’s art world. It is noteworthy also as one of the first individual landmarks named and protected by the city. The designation report is a mere page long, absolutely minuscule compared to the over 50-page reports put together today, but it set a crucial precedent in New York City’s landmarking process. And, from April 1, 1982 until 1999, Village Preservation’s offices were located in the building’s attic!

Between 1954 and 1957, the Municipal Art Society surveyed historic buildings in all five boroughs to create a database of potential landmarks to preserve. Local residents and MAS staff compiled individual sheets devoted to about 200 buildings. Each sheet outlined the building’s date, location, and style and provided a description and a small photograph. This is the list of Manhattan buildings.