Houston Street — that's HOW-stun, for the first-time visitors — has seen many changes since it was mapped as the southern boundary of Manhattan's famous street grid under the Commissioners' Plan of 1811. In fact, the 1811 plan was the first time the street, named for William Houstoun, was spelled "Houston." The misspelling stuck. Houstoun was the Georgia-born son of Sir Patrick Houstoun, a Scottish aristocrat and member of the state's colonial Government. The younger Houstoun represented Georgia at the Continental Congress and Constitutional Convention of 1787, where he met Mary Bayard, of the prominent Manhattan family, whom he married in 1788. The original segment of Houstoun's namesake street was part of the Bayard family's property. Over the ensuing decades, Houston was merged with neighboring thoroughfares (North Street on the east side; Hammersley Street on the west) until it spanned the breadth of the entire island. This walk covers the tumultuous early decades of the 20th century, when subway construction and increased automobile traffic molded Houston into its current form. Let's take a look!

St. Anthony of Padua, during subway and street construction on West Houston Street; June 15, 1930. The congregation of St. Anthony of Padua was established in 1859 and was the first Roman Catholic Italian congregation organized in New York City. The first services were conducted at former site of the Church of St. Vincent de Paul on Canal Street. In 1866, the community moved into an edifice that had previously been the Sullivan Street Methodist Episcopal Church. It was organized was a hybrid between a national parish and a territorial parish. It had permission to minister to all Italians, wherever they resided, but it also had geographic bounds and welcomed all those within its borders. It opened a school in 1872, with some 500 Italian and Irish students taught by the Franciscan Sisters of Allegheny. Finally the parish began raising funds for their own purpose-built church. The new church, seen here, was designed by Arthur Crooks in the Romanesque Revival style, and completed in 1888. The church has been featured in a number of motion pictures including the The Godfather, Part II, Moonstruck, and Men in Black.