A collection of schools across New York City.

No matter where you grew up, whether it was an instructor taking you through a course in a parking lot or a family member guiding you around the neighborhood, you probably experienced some sort of Drivers Ed. In 1953, the Automotive High School in Brooklyn had a new way to teach its students.

In 1902, the first Farm Garden was opened to provide city children the invaluable experience of cultivating and caring for the land. Its founder said of her creation: "I assure you that all the virtues can be taught from a little patch of ground, not eight feet square." Read on to learn of this history and legacy of New York's Farm Gardens.

One out of every seven WPA dollars was spent in New York City. Robert Moses oversaw the construction of 650 playgrounds while serving as the parks commissioner. These playgrounds, a rule-less respite for kids without backyards, are ubiquitous with WPA projects of the 1930's.

Automotive Vocational School for the City of New York, under construction, 1937. The school’s McCarren Park campus was completed that year. This view is from the corner of Bedford Avenue and North Twelfth Street.

What happens when two Urban Archive staff members are practically neighbors? They go on a walk capturing as many then-and-now pictures as they can! If you’re in North Brooklyn sometime soon, see if you can take some of your own!

This triangular lot at the northern edge of McCarren Park is named for Father Jerzy Popieluszko (1947-1984), a priest, martyr, and champion of the Polish Solidarity Movement. The square, though divided by Bedford Avenue, was originally part of McCarren Park. It was built in 1930 on land purchased by the city between 1903 and 1905 and named for Father Popieluszko in 1985. Jerzy Popieluszko was a Polish nationalist who spoke openly against the Soviet-controlled government in Poland from his small church, Saint Stanislav Kosta, in North Warsaw. His messages were amplified to the masses via Radio Free Europe where he encouraged "peaceful resistance to Communism," and utilized his position in the Catholic church to speak out openly during a time when the country was under martial law. Authorities arrested Popieluszko several times for opposing the communist regime. He later took part in the Solidarity Worker's strike in Warsaw on March 27, 1981, the largest strike in the Soviet Bloc. Reportedly, the priest crossed police lines to deliver communion to steelworkers on strike. Father Popieluszko couldn't speak so openly for very long. He was quickly considered one of the most dangerous enemies of the government. After dodging various assassination attempts, Popieluszko was kidnapped by Służba Bezpieczeństwa (Security Service of the Ministry of Internal Affairs) in 1984 and murdered. The priest's death caused a massive uproar throughout the country. Solidarity leader and friend of Popieluszko Lech Walesa said: "The worst has happened. Someone wanted to kill and he killed not only a man, not a Pole, not only a priest. Someone wanted to kill the hope that it is possible to avoid violence in Polish political life." Over 25,000 people attended Popieluszko's funeral and, after public pressure, President General Wojciech Jaruzelski arrested those directly responsible for his killing. Monuments in Chicago, Illinois; Trenton, New Jersey; Hartford, Connecticut; Rome, Italy; Budapest, Hungary; and Beziers, France commemorate his legacy. Father Popieluszko Square was dedicated in 1985. The square features both a bust of Father Popieluszko and a sculpture of Bound Hands Rising, a symbol of Poland's struggle for freedom.

Now that school is really back in swing, we thought we’d take a moment to stop and think about the history of schools in Brooklyn. Has the public school system always looked like it currently does? Have students always learned about the same subjects? Who picks school names? Our photographs show a very different type of schoolhouse in early Brooklyn:

The Public Design Commission (PDC) was established as the Municipal Art Commission by the New York City Charter in 1898 (following the consolidation of NYC). The Commission was tasked with the oversight of all public artworks and monuments, but its purview quickly expanded to include public structures and open spaces. Renamed in 2008, the PDC reviews the design of permanent works of architecture, landscape architecture, and art proposed on or over City-owned property. Projects are submitted by City agencies and include the construction, renovation, or restoration of buildings; the creation or rehabilitation of parks, playgrounds, and plazas; installation of lighting and other streetscape elements; signage; and the installation and conservation of artwork, including monuments and memorials. The Commission also acts as caretaker and curator of the City’s public art collection, which is located throughout the city’s public buildings and open spaces, and maintains an extensive archive documenting the history of New York City's public works. The PDC Archive maintains a collection of projects reviewed by the Commission since 1902, documenting more than 7,000 sites throughout New York City and providing a unique view into the history of the City’s public works. The designs that have been reviewed by the PDC throughout its over 120-year history are representative of the policies and focus of Mayoral administrations while simultaneously following historical trends in public design, public health, and artistic and cultural movements in the city and country at large. The following examples illustrate the breadth of projects under the PDC's purview, from large scale developments to streetscape fixtures that often go unnoticed. For an in-depth history of the Public Design Commission, see Michele H. Bogart’s book, "The Politics of Urban Beauty."