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152 West 57th Street
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150 West 57th Street
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Russian Tea Room, c. 1935. The Russian Tea Room opened in 1927 as an after-hours hangout for the Russian Imperial Ballet and other ex-patriots. The restaurant, with an elite club-like atmosphere, was supposedly founded by a Jacob Zysman though 1929 records list dancer Albertina Rach as its president. The room opened at 145 West 57th Street but moved across the street to 150 West 57th Street after a short while. Before the tea room, this property was an Italianate brownstone residence owned by John F. Pupke. Originally, the building had a stoop occupying the ground floor, though this was removed in 1919 when an automobile showroom moved in. A 1988 issue of the New York Times called it a "brownstone peanut," compared to its towering modern-day neighbors. Kitty-corner of Carnegie Hall, the restaurant was known for its colorful clientele. A pamphlet for the establishment stated, "for more often than not the artist will come to the Russian Tea Room Restaurant straight from the performance, flowers and all." A Siberian émigré, Alexander "Sasha" Maeef is credited as orchestrating this lush environment. He took over the business from 1933 until 1946. In these formative years, patrons could find Russian luxuries like caviar on blini, chicken kiev, and pelmeni. Maeef sold the restaurant to first-generation Russian-American Sidney Kaye, who cloaked the establishment in the kitschy themed rooms that still exist today. Only the facade received a re-do in 2000 that divorced it from its brownstone past. The Russian Tea Room closed in 2002 but re-opened in 2006 with no visible update. Over the years, it has been visited by Michael Douglas, Mikhail Baryshnikov, Woody Allen, Mel Brooks, Jackie Kennedy, Anne Bancroft, Barbara Streisand, and Dustin Hoffman.
Carnegie Hall
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Completed in 1891, Andrew Carnegie’s Music Hall was opened as the new home for the Oratorio Society of New York, with a five-day musical festival during which Pyotr Ilyich Tchaikovsky, one of the world’s foremost composers of the day, conducted several of his own works. Often considered one of the premiere centers of American musical life and history, Carnegie Hall has continually featured the work and performances of countless LGBT artists. Few had as close an association with the Hall as Leonard Bernstein, who appeared more than 430 times between 1943 and 1990, as conductor, pianist, composer, and educator. Dimitri Mitropoulos was the conductor of the New York Philharmonic between 1950 and 1957, until he became the victim of McCarthy-era homophobia. Other conductors here included Jeffrey Tate and Michael Tilson Thomas. Premieres of classical works by LGBT composers Samuel Barber, Benjamin Britten, Aaron Copland, Virgil Thomson, David Diamond, Marc Blitzstein, Gian Carlo Menotti, Ned Rorem, and John Corigliano were conducted here. African-American composer and pianist, Don Shirley, also performed here. Innumerable LGBT performers have ranged from pianists Vladimir Horowitz and Van Cliburn, to dancer Isadora Duncan, leading Wagnerian heldentenor Lauritz Melchior, popular singers Chris Williamson, Meg Christian, and Rufus Wainwright, and the New York City Gay Men’s Chorus.
Carnegie Hall
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Carnegie Hall ARCHITECT: William B. Tuthill DATE: 1889-91 STYLE: Italian Renaissance This building with its 15 story tower has an intrinsic character and integrity of design which evoke considerable praise. Music lovers consider no building in the City with more reverence. Modified Italian Renaissance in style, its facades include a veritable vocabulary of Renaissance detail. The details for this building were selected with great taste and discrimination, producing an overall design that is truly fascinating. The reddish-brown Roman brick, which is used for the largest areas of the walls, combines with band courses, arches, pilasters, and other terracotta decorations, to produce a beautiful color, which has mellowed with age.
Carnegie Hall
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Carnegie Hall ca. 1979 In 1959 the owner of Carnegie Hall announced the decision to demolish the famed concert hall when its major tenant, the New York Philharmonic, moved to its new home at Lincoln Center. A skyscraper clad in bright red porcelain panels was set to rise on the valuable site at 57th Street and Seventh Avenue. Lovers of architecture, history, and music united in a preservation effort. Demonstrations and petitions demanded that the building be saved. But the hero of this battle was violinist Isaac Stern, who saw Carnegie Hall as "the be-all and end-all of musical life" in the United States. Stern teamed up with Jacob Kaplan, an entrepreneur who created the J.M. Kaplan Fund - a foundation that over the next 20 years supported preservation activism and organizations - to establish the Citizens Committee for Carnegie Hall, with Eleanor Roosevelt as honorary chair. The committee persuaded the city to buy the site, and a non-profit was established to run it. Carnegie Hall remains one of the world's great concert halls.
Carnegie Hall
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Carnegie Hall, 1895. The main structure of the world-renowned venue, Carnegie Hall was built in 1891 and designed in the Renaissance Revival style by William B. Tuthill with Richard Morris Hunt and Dankmar Adler as consultants. Funded by philanthropist Andrew Carnegie, it was originally called Music Hall. The official opening night performance on May 5, 1891 was a concert conducted by famed Russian composer Tchaikovsky. Renamed Carnegie Hall in 1893 the building had two residential towers added a year later, design by Henry J. Hardenbergh. Carnegie Hall became the preeminent concert hall in the United States during the 20th century, with performances in diverse genres. Slated for demolition in the late 1950s after the Philharmonic announced their plan to move to Lincoln Center, the building was saved through the advocacy of a group of musicians, including violinist Isaac Stern. Special legislature allowed the city to buy the building and a non-profit was created to run the venue. In the last decade, the last remaining residents of the towers were evicted prior to the redevelopment of those spaces into a new educational wing.
The Founding of Carnegie Hall: An Audio Story
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Listen to the Bowery Boys' podcast on the history of the iconic Carnegie Hall while examining these archival images!
Photos & Audio
(86)
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Carnegie Hall
Street Scenes, 1895, Seventh Ave. E. Side from Above 57th St. Carnegie Hall. Carnegie Hall and a much smaller building housing Smith and Stage Apothecaries is partially visible on the northeast corner of the intersection. The streets are almost completely deserted, although a single pedestrian can be seen in front of the 57th street steps of Carnegie Hall and one horse-drawn carriage is traveling northward on 7th Avenue.
Carnegie Hall
\[Dramatic School.]
Carnegie Hall
Dramatic School.
Carnegie Hall
Carnegie Lyceum. Stage and painted backdrop at the Carnegie Lyceum, 57th Street and 7th Ave.
Carnegie Hall
Carnegie Lyceum. A stairway leading down from lobby at the Carnegie Lyceum, 57th Street and 7th Ave.
Carnegie Hall
Carnegie Lyceum. Stairway leading down from lobby at the Carnegie Lyceum, 57th Street and 7th Ave.
Carnegie Hall
Carnegie Lyceum. Stairway leading down from lobby at the Carnegie Lyceum, 57th Street and 7th Ave.
Carnegie Hall
Carnegie Lyceum, 57th St. & Seventh Ave., Interior. Empy seats and stage switches/lighting from stage of the Carnegie Lyceum, W. 57nd Street and 7th Avenue.
Carnegie Hall
Carnegie Lyceum. Stage and painted backdrop at the Carnegie Lyceum, 57th Street and 7th Ave.
Carnegie Hall
Carnegie Lyceum. The stage with painted backdrop and music pit at the Carnegie Lyceum.
Carnegie Hall
Carnegie Lyceum, 57th St. & Seventh Ave., Interior. Empy seats and stage switches/lighting from stage of the Carnegie Lyceum, W. 57nd Street and 7th Avenue.
Carnegie Hall
Carnegie Lyceum. Stage and painted backdrop at the Carnegie Lyceum, 57th Street and 7th Ave.
Carnegie Hall
Carnegie Lyceum, 57 St. & Seventh Ave., Interior. Empy house seats from stage of the Carnegie Lyceum.
Carnegie Hall
Carnegie Lyceum. Empty house seats and light and curtain apparatus from stage of the Carnegie Lyceum, W. 57nd Street and 7th Avenue.
Carnegie Hall
West 56th Street and 7th Avenue. Carnegie Studio Building, 56th Street end.
Carnegie Hall
Manhattan: 7th Avenue - 56th Street Seventh Avenue, east side, north from and aCross West 56th Street. Occupying the 56th-57th Street frontage is Carnegie Hall. Tavern at the right is at the S.E. corner. June 15, 1915 Borough President of Manhattan No. 727 Ng'269
Carnegie Hall
Manhattan: 7th Avenue - 56th Street Seventh Avenue, east side, north from Wost 56th Street, showing pavement conditions outside of Carnegie Wall. June 18, 1915 Borough President of Manhattan No. 735 N. ' 2165
Carnegie Hall
Theatrical, School, Dramatic, Carnegie Hall, 57th Street & 6th Avenue. Female pupils of the American Academy of Dramatic Arts, receiving instruction on make-up in a classroom of the Academy, located at 57th Street & Sixth Avenue, New York City.
Carnegie Hall
Manhattan: 7th Avenue - 56th Street Seventh Avenue, east side, nrth from West 56th Street, showing pavement conditions outside of Carnegie Hall. June 18, 1915 Bornugh President of Manhattan No. 737
Carnegie Hall
Manhattan: 7th Avenue - 56th Street Seventh Avenue, east side, north from West 56th Shreet, showing pavement conditions outside of Carnegie Hall. June 18, 1915 Borough President of Manhattan No. 736 Nea ~2169
Carnegie Hall
Interior of studio, E. Presson Miller, Carnegie Hall.
Carnegie Hall
Dramatic School.
Carnegie Hall
\[Dramatic School.]
Carnegie Hall
Interior of kitchenette, E. Presson Miller, Carnegie Hall.
Carnegie Hall
Carnegie Hall, interior. \[The Russian Commission, July 1917.]
152 West 57th Street
152 West 57th Street. Detail of entrance.
Carnegie Hall
Bronze bust of Andrew Carnegie Inscription: "The bronze bust of Andrew Carnegie, sculpted by Massey Rhind, \[on tall pedestal] which has recently been placed in the westerly corner of the lobby of Carnegie Hall by the management."
Carnegie Hall
\[Little Carnegie movie theater.]
150 West 57th Street
150 West 57th Street
Carnegie Hall
Lily Pons, General Motors Radio Broadcast, Carnegie Hall, 1936.
Carnegie Hall
Lily Pons, General Motors Radio Broadcast, Carnegie Hall, 1936.
Carnegie Hall
Grace Moore, General Motors Radio Broadcast, circa 1937. Wide angle with orchestra.
Carnegie Hall
Kirsten Flagstad, General Motors Radio Broadcast, Carnegie Hall, 1937.
Carnegie Hall
Richard Crooks, General Motors Radio Broadcast, May 1937.
Carnegie Hall
Kirsten Flagstad, General Motors Radio Broadcast, Carnegie Hall, 1937.
Carnegie Hall
Kirsten Flagstad, General Motors Radio Broadcast, Carnegie Hall, 1937.
Carnegie Hall
Grace Moore, General Motors Radio Broadcast, circa 1937. Wide angle with orchestra.
Carnegie Hall
Richard Crooks, General Motors Radio Broadcast, May 1937.
Carnegie Hall
Grace Moore, General Motors Radio Broadcast, circa 1937. Wide angle with orchestra.
Carnegie Hall
Grace Moore, General Motors Radio Broadcast, circa 1937. Wide angle with orchestra.
Carnegie Hall
Kirsten Flagstad, General Motors Radio Broadcast, Carnegie Hall, 1937.
Carnegie Hall
Grace Moore, General Motors Radio Broadcast, circa 1937. Wide angle with orchestra.
Carnegie Hall
Grace Moore, General Motors Radio Broadcast, circa 1937. Wide angle with orchestra.
Carnegie Hall
Richard Crooks, General Motors Radio Broadcast, May 1937.
Carnegie Hall
Grace Moore, General Motors Radio Broadcast, circa 1937. Wide angle with orchestra.
Carnegie Hall
Richard Crooks, General Motors Radio Broadcast, May 1937.
Carnegie Hall
Richard Crooks, General Motors Radio Broadcast, May 1937.
Carnegie Hall
Richard Crooks, General Motors Radio Broadcast, May 1937.
Carnegie Hall
Grace Moore, General Motors Radio Broadcast, circa 1937. Wide angle with orchestra.
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