Jumel Building, 1925. In 1899, Frank Winfield Woolworth commissioned architect C.P.H Gilbert to design him a mansion at Fifth Avenue and 80th Street. Seven years later Woolworth hired him again, this time to build a two-story commercial building in Washington Heights for his retail store. Attractive but unremarkable for such as illustrious architect, the building is pictured here in 1925 during survey work for the IND Eighth Avenue Line. It still stands today, though most of the facade is obscured by oversized signage.

The vacant Singer’s Auto Service Station on West 166th Street, about 1926. The sign at left indicates that Singer's has moved to a new location on 167th Street. The large sign advertises Singer's as an authorized mechanic for Willys-Overland automobiles. Best known for the production of World War II-era Jeeps, Willys-Overland had earlier produced passenger cars. The sign in the photograph advertises the Whippet, a smaller model introduced in 1926.

512 West 167th Street, ca. 1932.

Large wooden houses at the corner of Edgecombe Avenue and Jumel Place, 1932. Today, the site is the NYPD’s 33rd precinct, designed by Dattner Architects and built between 1997-2002.

Wooden frame houses at 2123 and 2121 Amsterdam Avenue, 1932. The former is set back from the street, behind a picket fence that had likely seen better days. The storefront at no. 2121 is vacant and available for rent.

American League Base Ball Park, ca. 1910. Hilltop Park was the home of the New York Highlanders, as today’s Yankees were then known, between 1903 and 1912. The team moved to the Giants’ Polo Grounds on the Harlem River for the 1913 season and Hilltop Park was demolished in 1914. In 1925, Columbia-Presbyterian Hospital broke ground at this site.

Den Norske Frei Missions Menighed (Norwegian Free Lutheran Brethren Church), 1934. This brick structure replaced a 2-story frame house, still standing as late as 1922.

Though actually triangular, Mitchel Square is a small urban park that features the war memorial seen here. The plot was initially dedicated as a public space in 1911 and named Audubon Square. On February 8, 1919, the square was renamed in honor of John Purroy Mitchel. Mitchel was elected the youngest mayor of New York City (a record which still stands) in 1913. The "Boy Mayor" was known for his idealism and (perhaps uncommon in politics) honesty. Following his mayoral term (he lost a bid for reelection in the primaries), he enlisted in the Army Air Corps. In 1918 while on a training flight in Lousiana, Mitchel fell from his plane and died. The city (and state) mourned and eulogized the former mayor, naming this park after him, erecting a memorial at Fifth Avenue and East 91st Street, and naming a Long Island airfield for him. Theodore Roosevelt wrote of the man, “No stauncher American, no abler and more disinterested public servant, and no finer natural soldier than Purroy Mitchel was to be found in all our country.” Four years after the park's renaming, this World War I memorial sculpture was installed. Dedicated on May 30, 1923, and designed by Gertrude Vanderbilt Whitney, this public arts still stands on the north side of the park, while the south side remains benches and rock outcroppings.

The Roman Catholic Church and Rectory of St. Rose of Lima, viewed from across McKenna Square, 1934. The triangular park site was created in 1917, when the city cleared the ad-hoc cottages of Irish immigrant workers there as part of the widening of 165th Street. The roadway in the foreground had previously been known as Croton Street. In 1924, the square was named after Private William McKenna, a soldier killed in World War I. St. Rose of Lima, in the background was designed by architect Joseph H. McGuire and completed in 1905.

The first Washington Heights Library opened in 1868. The library moved twice before a generous gift from J. Hood Wright, a New York philanthropist, made its collection available free of charge to all residents of Washington Heights. In 1914, the library moved to its present building, designed by Carrère & Hastings, the architects of the New York Public Library’s Main Fifth Avenue Branch.

"St. Nicholas Avenue, east side, from 162nd Streets, seen from Amsterdam Avenue at 162nd Street." The streetcar tracks in the foreground are on Amsterdam Avenue. Between 161st and 160th Streets (at the center of the photograph) is the western end of Sylvan Terrace (formerly Sylvan Place), with its two-story wooden houses, a real estate development of the early 1860's when this part of town was practically suburban. St. Nicholas Avenue in its present form had been laid out up to this point since around 1870. North from here it was still Kingsbridge Road.

Built in 1765 by British military officer Roger Morris, the Morris-Jumel Mansion is the oldest house in Manhattan. During the Revolutionary War, the house was used as a headquarters by officers from both sides. The mansion was confiscated from Morris, a Loyalist, at the end of the Revolution and later converted to a tavern, the Calumet House. In 1810, the French merchant Stephen Jumel purchased the home, adding a Federal style entrance. Following Jumel’s death, his wife Eliza remarried to Vice President Aaron Burr, in a ceremony held in the front parlor. The City of New York purchased the house in 1903, converting it to a house museum.

563 West 169th Street, ca. 1932.

Storefronts selling “fancy groceries,” tobacco products, stationery, and “premium hams & bacon” along Amsterdam Avenue, 1914. Note the cobblestoned roadway.

White Tower Hamburger, 1933. White Tower Hamburger was a chain of fast food restaurants created as a copycat or imitator (if we are being generous) of White Castle. Founded in Milwaukee in 1926, they hired away White Castle employees, barely tweaked the chain's slogan, and mimicked the crenellated building design. By the 1950s White Tower had more than 250 locations all across the country., largely in urban areas. Despite the inevitable copyright lawsuit, the last batch of original White Towers remained in business through the 1980s. (A single location is still open in Toledo, Ohio, though it is long divorced from the original owners). New York City was home to at least a half a dozen White Tower Hamburger locations. This castle-like building at Broadway and West 167th Street is no longer extant, but at least one original White Tower building remains in Woodside, Queens.

517 West 161st Street, north side, between Amsterdam Ave., and Broadway. Building is a frame house. November of 1927.

455 West 164th Street, ca. 1932.

563-565 West 170th Street, 1932. The building at left (no.565) remains, though you might not realize it. Looking at the current structure directly from the sidewalk in front, it looks to be a late 20th century structure: simple, red brick, no style. But, if one walks just slightly down the block to the east and looks back, the wood-frame house, complete with peaked roof, is visible.

The earliest development of Madam Stephen Jumel’s property (at present-day St. Nicholas Avenue and 160th Street) was undertaken in 1882 by members of her family who were anxious to derive some income from her land-rich estate. By 1880 the old carriage drive from Kingsbridge Highway had been graded, widened, paved and renamed St. Nicholas Avenue in honor of the patron saint of the Netherlands. In 1882 architect Gilbert Robinson Jr. designed a row of wooden houses meant to be rented to working-class Irish immigrants. These structures, which seem so charming to us today, were quite commonplace in the poor sections of northern Manhattan at the end of the nineteenth century. Considered to be just a step above tenement houses, such small frame dwellings were discouraged in lower Manhattan by both the higher valuation of property and a more stringent enforcement of fire codes. Over the years, the owners of these houses fell victim to promises of maintenance-free living offered by high-pressure brick-face and stucco, asphalt, and aluminum-siding contractors. In 1979, through an almost unprecedented program, the Landmarks Preservation Commission used federal funds to restore the houses to their original appearance. This ambitious project was carried out by Polonia Restoration.

The most resplendent of all the theaters designed by Thomas W. Lamb, the Audubon Theatre and Ballroom on the east side of Broadway between West 165th and West 168th Streets was graced with segmented arches made of polychrome glazed terra-cotta. If the entrance's relief of a Viking ship guided through rough seas by a Titan goddess is inexplicable, droll fox-head trophies positioned at the springing of each arch are not. They allude to the builder of the Audubon, William "20th Century" Fox. A venue for Fanny Brice as well as for the Marx Brothers, who lived nearby, the Audubon is now best remembered as the place where Malcolm X was slain in 1965. After becoming the property of New York City, the Audubon deteriorated. Most of the building was demolished to make way for a new building constructed by Columbia Presbyterian Medical Center. The base of the new research center incorporates portions of the Audubon's original facade. Painstakingly restored, the elaborate terra cotta facade serves as a vivid reminder of an important neighborhood landmark, over half of which was destroyed to provide a parking lot.

447 West 163rd Street, ca. 1932.

Morris-Jumel Mansion, entrance detail, ca. 1970.

Frame houses at 464, 466, 468 West 166th Street, 1932.

A restaurant at the corner of West 163rd Street and Amsterdam Avenue advertises chop suey, 1934.

The New York Preservation Archive Project is a not-for-profit organization dedicated to documenting, preserving, and celebrating the history of historic preservation in New York City. The Archive Project is devoted to celebrating neglected narratives of New York historic preservation using the archives that hold these stories. This collection includes a selection of historic sites that became flashpoints of the city's preservation movement(s). For more information, visit: www.nypap.org/phd-category/places/

Columbia-Presbyterian Medical Center, Washington Heights; November 16, 1937.

Audubon Theatre, 1915. Built in 1912 by William Fox, the founder of the Fox Film Corporation, the Audubon was a film and vaudeville theatre with a second floor ballroom, and basement-level meeting rooms often used by political activists, trade unions, and religious groups. In 1950, Congregation Emes Wozedek purchased the building. After Malcolm X left the Nation of Islam in 1964, he founded the Organization of Afro-American Unity (OAAU), whose weekly meetings were held at the Audubon Ballroom. It was at one of those meetings, on February 21, 1965, that Malcolm X was assassinated as he was giving a speech. Thereafter, the building fell into disrepair. In 1992, the building was slated for demolition and redevelopment by Columbia University. Preservation groups resisted the development, eventually reaching a compromise: Columbia could build at the northern end of the block, but the building and facade closest to Broadway and 165th Street would be preserved.

This Presidents Day, we wanted to take a look back at some of the most iconic places that the nation's executives have occupied in New York over the years. Here is a list of a few of our favorites!

Manhattan's oldest surviving house, the 1765 Morris-Jumel Mansion, is today located at West 160th Street and St. Nicholas Avenue. Perched upon Mount Morris, Harlem Heights' highest elevation, the house is now set within a ten-acre city park and is flanked by Victorian row houses and apartment buildings of a later date. Originally, it dominated the open countryside, occupying some 130 acres between the Harlem and Hudson Rivers. Mary Phillipse Morris and Colonel Roger Morris moved into the mansion the year after it was completed in 1765. Public agitation against the English Crown soon forced Loyalist Morris, a member of the King's Council that governed New York, to flee to England with his family. In 1776, General George Washington established his headquarters there; after American forces evacuated Manhattan, Hessian soldiers fighting for England made it their camp. In 1779, the property was confiscated by the State of New York. It served for some years as an inn. The most imposing of houses built by English colonists in Harlem, the Morris Mansion also is among the earliest examples in the United States of a temple-fronted house with a giant order of columns. During the nineteenth century, the mansion was wrongly regarded as a rare example of southern architecture in the North. In fact, both the antebellum plantation house and the Morris Mansion were inspired by work of sixteenth-century Venetian architect Andrea Palladio, popularized and modified by British architects. In April 1810, French-born wine merchant Stephen Jumel and his wife, Eliza Bowen Jumel, purchased the mansion and the surrounding thirty-six acres. Along with many of his compatriots, Jumel had fled the Haitian revolution and settled in New York City. The Jumels renovated the mansion, generally preserving its interior. New additions included the front door, with a fanlight and leaded-glass sidelights inset with stained glass, a pioneering innovation. Madam Jumel died in 1865, leaving Harlem's finest house as a monument not only to its previous inhabitants but also to the entire eventful past and transforming fortunes of the area. Her heirs soon began a protracted fight over her estate that ended with a marathon auction. The house came into the possession of her great-nephew. In 1903, the City of New York purchased the property. The following year, it opened as a house museum, now administered by Morris-Jumel Mansion, Inc