Before European colonization, the Hunts Point area of the Bronx was associated with the Siwanoy Native Americans, which were part of the broader Algonquian cultural and linguistic group. It was then known as Quinnahung, meaning “a long high place”, later taking its current name from 17th-century landowner Thomas Hunt Jr. During the late-17th to early-19th centuries the area was known as West Farms, and was composed of rural estates owned by a few English families who relied on an enslaved labor force to cultivate the land. Vestiges of these early inhabitants can still be found in the Joseph Rodman Drake Park, with recent studies pointing towards the existence of an enslaved African people burial ground. The arrival of the New York and Harlem railroad line, which crossed the Harlem River, brought a rise in population to The Bronx during the mid-19th century. Hunts Point, however, remained picturesque and undeveloped, attracting prominent, wealthy businessmen who purchased farmland and established grand country manors. Though most of the houses from this period have been demolished, the Peter S. Hoe House, known as Sunnyslope, is an unusual survivor of the neighborhood’s rural past. The construction of the Corpus Christi Monastery at the end of the 19th century was also motivated by this bucolic environment. After the area’s annexation to New York City in 1874, a series of infrastructure improvements were implemented to increase transportation communication with Manhattan. The opening of IRT stations at Simpson Street, Prospect Avenue and Intervale Avenue, provided more immediate access to Hunts Point, boosting the neighborhood’s development. City services were also expanded, with new buildings for the NYPD and the FDNY, as well as the Joseph R. Drake Public School. Industrial development was also fueled by the continuous improvements of transit to and from the area during the 20th century. Large companies like the American Bank Note established their operations in the area, also boosting residential development. One of the earliest examples of private homes for middle-class families are located in Manida Street. Urban growth continued throughout the first half of the 20th century, with population increases marked by immigration waves. This had a strong effect on the neighborhood’s character, most notably during the 1950s and 60s, when it became a hub for Latin American culture. Some of the most influential venues in Latin music were established in former theatres located alongside Southern Boulevard, attracting crowds from all boroughs. Community organizing has also been a constant element in Hunts Point, especially after the social and economic crisis of the 1970s and 80s. Organizations like Urban Health and The Point have had a strong impact in the neighborhood’s development, and continue to work towards its protection and improvement.

East 167th Street adjacent to the northwest corner of Simpson Street, 1942. On this block the only building still standing is the four-story brick structure at the far right. Both the large apartment house on the next corner and the small mansard roof structure mid-block have been razed and not replaced.

Holy Trinity Church, 1938. Constructed for the Free Magyar Reform Church, a Hungarian-speaking congregation in 1909, this church sits on a triangular lot. The apse of the building (the recess that usually includes the altar) is here at the narrowest point of the lot at the corner. A delightful, slim, polygonal cupola tops the variegated brickwork church. Later the Thompson & Frohling-designed building became the home of the Trinity Lutheran Church, as is depicted in this 1938 photograph. In the mid-1950s the church was sold to an A.M.E. Zion Church. In 1978 it was renamed for Dorothy L. Jordan Walls, wife of AMEZ Bishop. Mother Walls Church celebrated their 50th anniversary at this home in 2005.

Loew's Burland Theatre, 1938. The Loew's Burland originally opened in 1896 as an open air theatre that was only open during the warm summer months. The theatre seen in this photograph opened in 1913 and had both an indoor and outdoor theatre that could house more than 3000 patrons total. Not originally opened as a Loew's theatre, it is not clear when it became part of that circuit. The theatre closed in 1971 and is currently occupied by a laundromat.

FDNY Engine 82, early 20th century wagon.

Woodstock Presbyterian Church, 1938. This brick neo-Gothic church was constructed in 1906 for the Woodstock Presbyterian Church. That congregation occupied this building until it merged with the Home Street Presbyterian Church in 1938 and moved to their quaint wood-frame 1910 church at 1017 Home Street. Since 1938 the church had been owned by the St. Augustine Presbyterian Church, which was established that year. A popular community for African American and Puerto Rican neighbors, the church boomed during the 1940s and 1950s. The founder pastor, Edler Garnett Hawkins, was the first African-American moderator of the General Assembly of the United Presbyterian Church and active in the civil rights movement. St. Augustine is still an active congregation today.

Simpson Mansion, 1903. The Simpson estate was a 120-acre picturesque property anchored by two large stone mansions. Contemporary descriptions note that the interior was "sumptuously" decorated and a large pipe organ was the owner's prized possessions. The land surrounding the mansions were used to breed Shetland ponies and keep queen bees. The land and structures were sold in 1913 for the development of tenements in the then booming neighborhood.