888 Grand Concourse, ca. 1985-2000. Designed by Emery Roth in 1937, the building has 84 apartments. According to promotional material, each apartment had a sunken living room, a bathroom for each bedroom and an abundance of closets. The Art Deco style checkered gold and black semi-circular entrance (a striking feature, dulled here due to the black and white film) remains.

The home that once stood where the Bronx County Courthouse was erected.

Lorelei Fountain, 1899 Constructed in the 1890s, the fountain was intended as a monument to German poet Heinrich Heine, to be put up in his hometown of Düsseldorf. The statue was based on one of Heine’s most well-known poems, “Die Lorelei,” about the German folktale of a siren who sits above the river Rhine, luring sailors to their deaths against a cliff face with her song. The fountain, designed by Ernst Herter, was originally commissioned by the Düsseldorf City Council and planned to be unveiled in 1897, for the poet’s 100th birthday. Unfortunately, this plan was met with resistance, due to rising antisemitism in Germany. The statue was proposed to city after city in Germany and was rejected by all. The plans for the fountain caught the attention of New York City's government, and Herter, the sculptor, came to America to work on it in 1893. An original proposal had the statue installed at the Grand Army Plaza entrance to Central Park. The opposition to this prominent location was strong, and eventually, the fountain was given a home in the Bronx; it was unveiled in 1899. The statue has been moved short distances twice since 1899 and has suffered vandalism since its installation. In the 1970s it was considered the statue in New York most affected by vandalism (which is saying a lot).

888 Grand Concourse, entrance, ca. 1970-2000.

Louis J. Heintz Sculpture, ca 1915. Louis J. Heintz was an early Bronx civic leader and the first Street Commissioner for the district of the Bronx. Heintz began his career in the beer industry, and for a time served as the president of the Brewers’ Board of Trade of New York. When sections of the Bronx were consolidated into the Greater New York City in 1898, Heintz was instrumental in the creation of a local board of improvements. The bronze statue of Heintz was designed by French sculptor Pierre Feitu and dedicated in 1909. It was placed on the Grand Concourse due to Heintz's work in advocating for the creation of that thoroughfare. The original statue had a female figure standing on the base of the pedestal who seemed to be inscribing the words carved there. She was removed after being vandalized.

Doorway of 860 Grand Concourse, ca. 1970.

Concrete is the most widely used man-made material in the world. It is hidden under the surface of the city: forming the foundations of skyscrapers, snaking underground as tunnels, retaining tons of earth laterally to clear space for inhabitation, or anchoring the steel structure of the elevated train lines. New York is, after all, the concrete jungle.

Bronx County Courthouse, 1938. The nine-story Bronx County Courthouse was built between 1931-1934, two blocks east of Yankee Stadium. When the court opened in 1934, Mayor Fiorello La Guardia celebrated its dedication by declaring it the seat of the city’s government for three days. The Art Deco courthouse, designed by architects Joseph H. Freedlander and Max Hausle, has four identical facades, each with matching six-column entrance porticoes. A continuous frieze by Charles Keck depicts various conditions of city residents industry, hardship, and glory throughout history. The courthouse has been the seat of Bronx borough administration since the closure of Bronx Borough Hall in 1969. In 1988, it was renamed in honor of former Bronx district attorney Mario Merola.

Entrance to the Bronx County Building, ca. 1980. The Art Deco courthouse, designed by architects Joseph H. Freedlander and Max Hausle, has four identical facades, each with identical six-column entrance porticoes.

Melrose Branch, ca. 1914. Opened on January 14, 1914, the Melrose Branch was the 10th of 13 branches designed by Carrère & Hastings, who also created the NYPL Main Branch. This library is perhaps the mostly substantially altered Carnegie in city (not considering those which were razed). Once a four-story classically proportioned building, the top two stories were removed during a rehabilitation project in 1959. The two-story building now has almost a mid-century design. During that renovation window and door openings were resized and the main facade was also refaced, similarly adding to its mid century look. Despite the drastic reduction of size, the library has continuously functioned since opening in 1914.

Construction on the elevated trestle at the 161st Street station of the IRT Jerome Avenue (Woodlawn) line, March 30, 1916. Today, the station sits in the shadow of the new Yankee Stadium, but at the time of the photo the Yankees were still playing across the river at the Polo Grounds.