Saint Paul Roman Catholic Church ARCHITECT: Neville & Bagge DATE: 1907-08 STYLE: Romanesque Revival, Church Saint Paul Roman Catholic Church, completed in 1908, is significant as an excellent example of the late Romanesque Revival style. Designed by the firm of Neville & Bagge, the facade incorporates both medieval and classical features. It is also historically significant as one of the earliest Roman Catholic parishes in Manhattan, serving the East Harlem neighborhood since 1834. Dominating the street facade are symmetrical corner towers, an extraordinary row of five entry portals, and large round-arch stained-glass windows with simple geometric tracery. These dramatic windows on the front and side facades figure prominently in the design and their construction was facilitated by the building’s structural use of steel and concrete. Typical Romanesque Revival features include round-arch openings, towers, steep roofs, and carved medieval-style ornamentation.

2002–2008 5th Avenue Designed by Christian Brand 1868 These Italianate brownstone houses are survivors of the early development that started in Harlem beginning in the 1860s but was temporarily halted because of the Panic of 1873 and the economic depression that followed. They predate the oldest buildings in the designated Mount Morris Park Historic District and are virtually intact.

Renamed in honor of Marcus Garvey in 1973, the park was built largely as a green space for Boss Tweed's Tammany Hall cronies, many of whom lived uptown by the 1860s. The land for the park had been purchased by the city in 1839, but landscaping was long delayed. Its design was eventually supervised by Ignaz A. Pilat, who would later serve as an able associate of Frederick Law Olmsted during the creation of Central Park.

In 1837, the New York and Harlem Railroad extended its Fourth Avenue (now Park Avenue) tracks to Harlem. In 1872, the tracks south of 98th Street were sunk below ground to reduce their street-level impact, and in 1874, a brownstone viaduct was built where the tracks emerged above ground (later the line continued northward with the construction of a steel viaduct). The viaduct, which, from 102nd to 110th Streets, allows vehicular and pedestrian crossing via rounded archways, had a lasting impact on the neighborhood. While the grand rowhouses west of Mount Morris Park (now Marcus Garvey Park) thrived, those to the east were replaced with subsidized housing. Beneath the tracks from 111th to 116th Streets is La Marqueta, a marketplace that originally served as an informal gathering place for pushcart vendors until the city officially sanctioned it in 1936. Around that time, Mayor Fiorello LaGuardia waged war against the city’s pushcarts, which were widely believed to be a traffic menace and sanitation hazard. La Marqueta became one of several enclosed markets operated by the city, with merchants renting stalls. It reached its apex in the 1950s and 1960s with over 500 vendors, and was an important cultural hub for the neighborhood’s Hispanic population. After decades of decline, the City Council allocated $3 million to revitalize the market in 2014.

Accident on Lexington Avenue at the intersection of 121st Street, July 21, 1915.

Columbus Theatre, 1896. Oscar Hammerstein I opened the Columbus Theatre on 125th Street in 1890. It presented lighter theatrical fare than its sister theater down the street, the Harlem Opera House. The playhouse was sold to F.F. Proctor and renamed Keith & Proctor's 125th Street Theater, showing vaudeville acts. The Proctor/Keith partnership ended in 1911. Films had been added to the theater's program by the time, and it was renamed Proctor's 125th Street Theatre. The theater was taken over by RKO in the 1930s and closed in 1953.

Mount Morris Brownstones: 6–10 Mount Morris Park West Designed by James A. Ware 1891 This row of brownstone houses has recently been restored and is in beautiful condition. The architect, James A. Ware, is most recognized for his development of the dumbbell tenement.

Storefront law offices in East Harlem, May 18, 1938. These law offices, run by the two sons of founder David Flam, occupied 165 East 121st Street for 25 years. Located directly across the street from the Harlem Courthouse, the firm offered an array of court-related services. A variant image shows two lawyers, perhaps the brothers Flam, standing at the front door. Abbott rejected this version, however, in which the men detracted from the colorful names stenciled on the plate glass. Only weeks after Abbott’s photograph, the firm moved to larger quarters at 181 East 121st Street. Today no. 165 is an overgrown vacant lot, and the rest of the block is largely abandoned. The imposing courthouse, built in 1891 and long neglected, was granted landmark status in 1967 and is under renovation.

While the vast majority of people experiencing homelessness in New York City reside in homeless shelters there are reasons why this isn't a viable option for some: Safety Concerns: Fear of violence or theft within crowded and shelter environments. Mental Health Challenges: Mental health conditions may be exacerbated by the chaotic and crowded nature of shelters Bureaucratic Hurdles: Complex intake processes are not always accessible to people who lack documentation/identification requirements or the capacity to understand these hurdles Loss of Autonomy: Shelters often have strict rules and regulations, limiting personal freedom and autonomy. Maximum Capacity: Shelters are frequently either overcrowded or declared full. While not devoid of all of the issues prominent in homeless shelters, alternative spaces of refuge, have offered many people, Consistent communities of people whom they trust, Safety by means of public the mutual surveillance that occurs on streets and sidewalks A greater degree of autonomy and less strict regulation than a facility would require. For most, these places of refuge would be subway stations or sidewalks in proximity to prominent buildings. There are unique locations that have been consistent spaces of refuge embedded in communities and in proximity to historical landmarks. As the city battles the surmounting housing crisis, it can be easy to dismiss the issue due to lack of space. However, there are parts of the city that have been enveloped in history and can provide a substantial amount of real estate to accommodate a few hundred that have resorted to squatting or sleeping on the streets. While systemic change is necessary, the following examples of unusual spaces that have paved the way to affordable housing can provide a refreshed perspective. This City Story will engage with the subject of alternative places for refuge by exploring 3 locations in New York that are/have been used as such.

ST. PAUL’S RC CHURCH, MANHATTAN Address: 121 East 117th Street (aka 115-125 East 117th Street) Constructed: 1907-08 Architect: Neville & Bagge This grand church and school were designed by the noted firm of Neville & Bagge in the Romanesque Revival style of brick clad in Indiana limestone. In addition to commanding a strong presence on East 117th Street, the complex provides an important spiritual and cultural link to East Harlem’s past. The parish of St. Paul’s was established in 1834 to serve the northern reaches of the city, when Harlem was sparsely populated and rural, and bears the distinction of being one of the city’s first Roman Catholic churches. The present structures replaced the earlier church and school buildings, which were located roughly on the same site.

New York Public Library, Harlem Branch. March 20, 1928. A Carnegie Library designed by the McKim, Mead & White firm, the Harlem Branch opened to the public in January 1909. It replaced an earlier Harlem Branch library which, according to the NYPL, had been in operation as early as 1826.

The cast-iron frame watchtower predates the surrounding park's completion. Built in 1856 by Julius Kroehl, it occupies the highest point in the area. A watchman in the tower constantly looked out for fires and sounded the alarm by ringing an enormous bell. Samuel F. B. Morse's telegraph would eventually put such towers out of business. This tower, which ceased operations in the 1870s, is the only surviving watchtower in the city.

Also known as the Mount Morris Turkish Baths, June's Landmark Spotlight for NYC Pride Month is located at 28 East 125th Street. Built in 1889-90 by C. Abbott French & Co., the structure was designed as a blend of two popular styles at the time, neo-Grec and Queen Anne.

Protestant Episcopal Church of the Holy Trinity ca. 1932 Inspired by Henry Hobson Richardson's Trinity Church in Boston (1872-1877), Harlem's Holy Trinity is built of granite with bands of reddish brown Longmeadow sandstone. Its three buildings are highly individual but still coherent as a group. A particularly masterful touch is the cluster of homelike chimneys that balances the institutional center lantern. On the interior, the church is fifty feet square at the crossing, with shallow transepts and a raised chancel embellished with carving, stained glass, and mosaics. Because of two devastating fires, these decorations supplied by the Tiffany Studios no longer exist.

151 East 116th Street Henry Devoe 1870 Since 1948, Casa Latina has sold sheet music and instruments to patrons from all over the city. In addition to being the longest-running music store in East Harlem, it also bears the distinction of being the nation’s first Spanish-language music store. Its founder, Bartolo Alvarez, was a Puerto Rican musician and record executive. The business moved to this location in 1962 and its colorful storefront has been a neighborhood icon and an important meeting place ever since. The building in which the store resides was built in 1870 as one in a row of brownstones, and has been heavily altered over the years.

(Henry C. Pelton, 1937) This grand brick, limestone and granite structure was the first city-owned and citybuilt health facility in Manhattan, authorized by Mayor LaGuardia and funded by the Public Works Administration. It was built to provide health clinics, hygiene services and health education for students and the broader public. The structure resembles a classical temple rendered in the streamlined Art Deco style, its vertical brick panels standing in for columns and its wide brick band inscribed with the words “DEPARTMENT OF HEALTH CITY OF NEW YORK” standing in as its pediment. The two-story rooftop and western annex additions likely date to the 1950s.