1950 Third Avenue, with jewelry dealer at the corner of 107th Street visible in the foreground.

Saint Paul Roman Catholic Church ARCHITECT: Neville & Bagge DATE: 1907-08 STYLE: Romanesque Revival, Church Saint Paul Roman Catholic Church, completed in 1908, is significant as an excellent example of the late Romanesque Revival style. Designed by the firm of Neville & Bagge, the facade incorporates both medieval and classical features. It is also historically significant as one of the earliest Roman Catholic parishes in Manhattan, serving the East Harlem neighborhood since 1834. Dominating the street facade are symmetrical corner towers, an extraordinary row of five entry portals, and large round-arch stained-glass windows with simple geometric tracery. These dramatic windows on the front and side facades figure prominently in the design and their construction was facilitated by the building’s structural use of steel and concrete. Typical Romanesque Revival features include round-arch openings, towers, steep roofs, and carved medieval-style ornamentation.

The Manhattan Oddfellows Temple, 1929. The Oddfellows fraternal organization likely originated in 18th century Britain, and its earliest outposts in New York date to the early 19th century.

232 East 113th Street William Schickel & Co. 1886 Though it was built when East Harlem was largely rural, Our Lady Queen of Angels is located on a hidden cul-de-sac within NYCHA’s Jefferson Houses. The charming neo-Romanesque structure, flanked on either side by a convent and rectory, was constructed at the request of New York Archbishop Corrigan for East Harlem’s German immigrant population. It is known for its association with Father Bonaventure Frey, co-founder of the Capuchin Franciscan Catholic Order in the United States. Frey, an important figure in the Catholic Church, was given the task of building the church and its congregation, acting as Superior in the church’s infancy. Due to a lack of priests and declining attendance, and despite opposition from parishioners and elected officials, the Archdiocese closed dozens of churches in the region, including this one, in 2007. Its school remains open, but despite popular support for preservation, the future of the church itself is uncertain.

The Church of Saint Edward the Martyr, 1941. The church was designed by architect George A. Bagge and completed in 1887. A 1903 expansion, financed by philanthropist, lawyer, senior warden of the parish Elbridge T. Gerry included interior decoration such as stained glass, mosaics, and marble and metal work, designed and installed by famed decorative arts firm J. & R. Lamb.

The northwest corner of Third Avenue and 109th Street, 1912. Storefront signage includes "John Armstrong Real Estate"; "Conservatory of Music," offering lessons in piano, violin, mandolin, guitar, and bass; and "B. Rosenfeld Diamonds, Watches, and Jewelry."

In 1837, the New York and Harlem Railroad extended its Fourth Avenue (now Park Avenue) tracks to Harlem. In 1872, the tracks south of 98th Street were sunk below ground to reduce their street-level impact, and in 1874, a brownstone viaduct was built where the tracks emerged above ground (later the line continued northward with the construction of a steel viaduct). The viaduct, which, from 102nd to 110th Streets, allows vehicular and pedestrian crossing via rounded archways, had a lasting impact on the neighborhood. While the grand rowhouses west of Mount Morris Park (now Marcus Garvey Park) thrived, those to the east were replaced with subsidized housing. Beneath the tracks from 111th to 116th Streets is La Marqueta, a marketplace that originally served as an informal gathering place for pushcart vendors until the city officially sanctioned it in 1936. Around that time, Mayor Fiorello LaGuardia waged war against the city’s pushcarts, which were widely believed to be a traffic menace and sanitation hazard. La Marqueta became one of several enclosed markets operated by the city, with merchants renting stalls. It reached its apex in the 1950s and 1960s with over 500 vendors, and was an important cultural hub for the neighborhood’s Hispanic population. After decades of decline, the City Council allocated $3 million to revitalize the market in 2014.

Aguilar Branch, NYPL, 1928. The Aguilar Free Library was a library structure built between 1898 and 1899 in an Art Nouveau style by the architecture firm Herts & Tallant. The firm was well-known for their work on theaters. Largely funded through the philanthropic support of Grace Aguilar, a popular British novelist and essayist of Sephardic Jewish descent, the Free Library merged with NYPL in 1903. In 1904 the same architecture firm extensively renovated (and nearly tripled in size) the original building. Funded by the Carnegie bequest the new library had an exaggerated classical style with two massive columns flanking the three-story facade. This feature and the iron and glass structure that fills in most of the rest of the facade, this branch is distinctive among the Carnegie libraries.

The former Manhattan Oddfellows Temple, photographed in 1944 with the annotation "Diesel Electric Co. has purchased building for use of the television industry." The television production facility called Metropolis Studios is still active at 105 East 106th St. BET's popular new music program "106 & Park" was filmed here.

\*Odetta (1930- 2008), born Odetta Holmes, was an influential artist/activist of the civil rights generation. During her 60-year career, she influenced numerous performers, including Harry Belafonte, Bob Dylan, Joan Baez and Janis Joplin. Her signature song was “This Little Light of Mine.” Odetta took part in the historic freedom marches of the 1960s in Selma, Alabama, and in Washington, D.C. Martin Luther King, Jr. named her “Queen of American Folk Music.” President William J. Clinton honored her with the National Medal of Arts, saying, “Odetta reminds us all that songs have the power to change the heart and change the world.” \*Text from the Cultural Medallion placed on 1270 Fifth Avenue, Manhattan

The former Manhattan Odd Fellows Temple located at 105 E 106th Street has been home to numerous establishments throughout its nearly 100-year history.

Former Italian Savings Bank 204 East 116th Street Designed by C. P. H. Gilbert 1923 Presently the R. G. Ortiz Funeral Home, this handsome structure was originally the Italian Savings Bank, whose name was engraved in the limestone façade where the funeral home’s name is now located. The building, which has undergone some alterations, was designed by noted architect Cass Gilbert, whose many commissions include the Woolworth Building in Lower Manhattan. The former bank, resembling a triumphal Roman arch, stands as one of many reminders of East Harlem’s formerly sizable Italian immigrant population.

ST. PAUL’S RC CHURCH, MANHATTAN Address: 121 East 117th Street (aka 115-125 East 117th Street) Constructed: 1907-08 Architect: Neville & Bagge This grand church and school were designed by the noted firm of Neville & Bagge in the Romanesque Revival style of brick clad in Indiana limestone. In addition to commanding a strong presence on East 117th Street, the complex provides an important spiritual and cultural link to East Harlem’s past. The parish of St. Paul’s was established in 1834 to serve the northern reaches of the city, when Harlem was sparsely populated and rural, and bears the distinction of being one of the city’s first Roman Catholic churches. The present structures replaced the earlier church and school buildings, which were located roughly on the same site.

East Harlem/El Barrio is home to a great number of murals that build on a long tradition in Latin American art, wherein residents may express themselves and tell their stories. Protecting these significant cultural symbols has become a great challenge, but an important endeavor, in a rapidly changing neighborhood. East 107th Street between Lexington and Third Avenues Natalie del Villar, Marthalicia Matarrita and Xen Medina 2015 The original mural on this site paid tribute to two Puerto Rican political prisoners, Oscar López Rivera and Avelino Gonzalez Claudio. The project was conceived in 2010 by members of the National Boricua Human Rights Network along with local residents. The badly weathered and vandalized mural was re-imagined in 2015 by local artists commissioned by East Harlem Preservation, Inc., with support from the Historic Districts Council. Since Avelino Gonzalez Claudio was released in February 2013, the artists re-focused the mural on Oscar López Rivera, the last Puerto Rican political prisoner in the U.S. who is now 73 years old and has spent 35 years in prison. Because he often speaks about his desire to return to his homeland to walk along the seashore, the artists incorporated his wish into the design. Watch East Harlem Preservation's video on the creation of the mural \*image Photo courtesy Marina Ortiz, East Harlem Preservation, Inc.

Streetcar traffic on Lexington Avenue, north of East 109th Street, April 23, 1914. In the foreground, sidewalk grating above the IRT Lexington Avenue Line is visible. The IRT line would open four years later, in 1918.

151 East 116th Street Henry Devoe 1870 Since 1948, Casa Latina has sold sheet music and instruments to patrons from all over the city. In addition to being the longest-running music store in East Harlem, it also bears the distinction of being the nation’s first Spanish-language music store. Its founder, Bartolo Alvarez, was a Puerto Rican musician and record executive. The business moved to this location in 1962 and its colorful storefront has been a neighborhood icon and an important meeting place ever since. The building in which the store resides was built in 1870 as one in a row of brownstones, and has been heavily altered over the years.

East 106th Street, looking west toward Park Avenue and the Harlem line railroad tracks, June 1942.

(Henry C. Pelton, 1937) This grand brick, limestone and granite structure was the first city-owned and citybuilt health facility in Manhattan, authorized by Mayor LaGuardia and funded by the Public Works Administration. It was built to provide health clinics, hygiene services and health education for students and the broader public. The structure resembles a classical temple rendered in the streamlined Art Deco style, its vertical brick panels standing in for columns and its wide brick band inscribed with the words “DEPARTMENT OF HEALTH CITY OF NEW YORK” standing in as its pediment. The two-story rooftop and western annex additions likely date to the 1950s.

Storefronts on Madison Avenue, south of East 109th Street, undated photo. These deteriorating tenement buildings would be demolished and replaced by Public School 108.

Our Lady Queen of Angels Church 232 East 113th Street Designed by William Schickel & Co. 1886 Though it was built when East Harlem was largely rural, Our Lady Queen of Angels is located on a hidden cul-de-sac within NYCHA’s Jefferson Houses. The charming neo-Romanesque structure, flanked on either side by a convent and rectory, was constructed at the request of New York Archbishop Corrigan for East Harlem’s German immigrant population. It is known for its association with Father Bonaventure Frey, co-founder of the Capuchin Franciscan Catholic Order in the United States. Frey, an important figure in the Catholic Church, was given the task of building the church and its congregation, acting as Superior in the church’s infancy. Due to a lack of priests and declining attendance, and despite opposition from parishioners and elected officials, the Archdiocese closed dozens of churches in the region, including this one, in 2007. Its school remains open, but despite popular support for preservation, the future of the church itself is uncertain.