1950 Third Avenue, with jewelry dealer at the corner of 107th Street visible in the foreground.

The Manhattan Oddfellows Temple, 1929. The Oddfellows fraternal organization likely originated in 18th century Britain, and its earliest outposts in New York date to the early 19th century.

232 East 113th Street William Schickel & Co. 1886 Though it was built when East Harlem was largely rural, Our Lady Queen of Angels is located on a hidden cul-de-sac within NYCHA’s Jefferson Houses. The charming neo-Romanesque structure, flanked on either side by a convent and rectory, was constructed at the request of New York Archbishop Corrigan for East Harlem’s German immigrant population. It is known for its association with Father Bonaventure Frey, co-founder of the Capuchin Franciscan Catholic Order in the United States. Frey, an important figure in the Catholic Church, was given the task of building the church and its congregation, acting as Superior in the church’s infancy. Due to a lack of priests and declining attendance, and despite opposition from parishioners and elected officials, the Archdiocese closed dozens of churches in the region, including this one, in 2007. Its school remains open, but despite popular support for preservation, the future of the church itself is uncertain.

My Archive Spring 2019 "This photo was taken by my buddy "Willie" who was attending Manhattan Community College and was in the school's student photography club. Willie had taken me to visit his old neighborhood since moving to my neighborhood on West 145th Street." —JP Nieves

The Church of Saint Edward the Martyr, 1941. The church was designed by architect George A. Bagge and completed in 1887. A 1903 expansion, financed by philanthropist, lawyer, senior warden of the parish Elbridge T. Gerry included interior decoration such as stained glass, mosaics, and marble and metal work, designed and installed by famed decorative arts firm J. & R. Lamb.

The northwest corner of Third Avenue and 109th Street, 1912. Storefront signage includes "John Armstrong Real Estate"; "Conservatory of Music," offering lessons in piano, violin, mandolin, guitar, and bass; and "B. Rosenfeld Diamonds, Watches, and Jewelry."

St. Cecilia's Church, 1942. Construction on the brick Romanesque Revival structure began in 1883, and was completed in 1887. The completion of the upper church (the larger more ornate space) in 1887 was not only managed by the pastor at the time, but he, Reverend Michael J. Phelan, acted as general contractor and enlisted the skills of church members to finish the construction. Designed by Napoleon Le Brun & Sons, the firm was not involved in the construction at all. The red brick church, with terra cotta relief of St. Cecilia on the front facade, was designated a landmark in 1976 and continues to serve the East Harlem community today.

In 1837, the New York and Harlem Railroad extended its Fourth Avenue (now Park Avenue) tracks to Harlem. In 1872, the tracks south of 98th Street were sunk below ground to reduce their street-level impact, and in 1874, a brownstone viaduct was built where the tracks emerged above ground (later the line continued northward with the construction of a steel viaduct). The viaduct, which, from 102nd to 110th Streets, allows vehicular and pedestrian crossing via rounded archways, had a lasting impact on the neighborhood. While the grand rowhouses west of Mount Morris Park (now Marcus Garvey Park) thrived, those to the east were replaced with subsidized housing. Beneath the tracks from 111th to 116th Streets is La Marqueta, a marketplace that originally served as an informal gathering place for pushcart vendors until the city officially sanctioned it in 1936. Around that time, Mayor Fiorello LaGuardia waged war against the city’s pushcarts, which were widely believed to be a traffic menace and sanitation hazard. La Marqueta became one of several enclosed markets operated by the city, with merchants renting stalls. It reached its apex in the 1950s and 1960s with over 500 vendors, and was an important cultural hub for the neighborhood’s Hispanic population. After decades of decline, the City Council allocated $3 million to revitalize the market in 2014.

Aguilar Branch, NYPL, 1928. The Aguilar Free Library was a library structure built between 1898 and 1899 in an Art Nouveau style by the architecture firm Herts & Tallant. The firm was well-known for their work on theaters. Largely funded through the philanthropic support of Grace Aguilar, a popular British novelist and essayist of Sephardic Jewish descent, the Free Library merged with NYPL in 1903. In 1904 the same architecture firm extensively renovated (and nearly tripled in size) the original building. Funded by the Carnegie bequest the new library had an exaggerated classical style with two massive columns flanking the three-story facade. This feature and the iron and glass structure that fills in most of the rest of the facade, this branch is distinctive among the Carnegie libraries.

The former Manhattan Oddfellows Temple, photographed in 1944 with the annotation "Diesel Electric Co. has purchased building for use of the television industry." The television production facility called Metropolis Studios is still active at 105 East 106th St. BET's popular new music program "106 & Park" was filmed here.

\*Odetta (1930- 2008), born Odetta Holmes, was an influential artist/activist of the civil rights generation. During her 60-year career, she influenced numerous performers, including Harry Belafonte, Bob Dylan, Joan Baez and Janis Joplin. Her signature song was “This Little Light of Mine.” Odetta took part in the historic freedom marches of the 1960s in Selma, Alabama, and in Washington, D.C. Martin Luther King, Jr. named her “Queen of American Folk Music.” President William J. Clinton honored her with the National Medal of Arts, saying, “Odetta reminds us all that songs have the power to change the heart and change the world.” \*Text from the Cultural Medallion placed on 1270 Fifth Avenue, Manhattan

Public School 72, ca. 1920. Constructed as Public School 72, this neo-Grec structure is one of the oldest intact school buildings in Manhattan. Built to accommodate the growing immigrant population of East Harlem, it was the first full block school building in the city. Its architect, David I. Stagg, was Superintendent of Public School Buildings from 1872 to 1886. The original portion of the building was completed in 1882 and the annex (by C.B.J. Snyder) was added in 1913. The Board of Education closed the school in 1975, and for the next two decades it provided classroom and office space for various institutions. In 1994-95, the building was converted to a cultural center. The conversion was spearheaded by El Taller Boricua, an arts organization founded in 1969 to bring attention and relevancy to artists who were being ignored and systematically marginalized by the cultural gatekeepers of the times. Named in honor of the Puerto Rican teacher, journalist and, poet who died in East Harlem, the Julia de Burgos Latino Cultural Center is home to El Taller Boricua (the Puerto Rican Workshop), the Heritage School and Los Pleneros de la 21.

St. Cecilia Roman Catholic Church complex, built from 1883-87, is located at 120 East 106th Street in between Lexington and Park Avenues. St. Cecilia’s was one of the first religious institutions built in the area. The church has been in continuous use as a Roman Catholic parish church since the chapel was completed in 1884. The adjacent buildings that housed the Convent were finished in 1887.

The former Manhattan Odd Fellows Temple located at 105 E 106th Street has been home to numerous establishments throughout its nearly 100-year history.

This 1913 photo of Lexington Avenue, between 105th and 106th Streets in Manhattan shows a construction method called cut and cover. Like the name suggests, this method involved cutting or digging a trench in the street, installing the necessary infrastructure, and then covering with the street on top. During construction business went on as usual around construction. With temporary wooden structures placed over the work below, trolleys and other traffic were able to pass over top of the construction. Many of our first subway tunnels were built using this method beginning in 1900, which made construction faster, cheaper, and easier than trying to dig deep under the ground. It allowed sand hogs (the nickname given to tunnel workers) to avoid the difficult and unstable bedrock underneath most of Manhattan called Manhattan schist.

East Harlem/El Barrio is home to a great number of murals that build on a long tradition in Latin American art, wherein residents may express themselves and tell their stories. Protecting these significant cultural symbols has become a great challenge, but an important endeavor, in a rapidly changing neighborhood. East 107th Street between Lexington and Third Avenues Natalie del Villar, Marthalicia Matarrita and Xen Medina 2015 The original mural on this site paid tribute to two Puerto Rican political prisoners, Oscar López Rivera and Avelino Gonzalez Claudio. The project was conceived in 2010 by members of the National Boricua Human Rights Network along with local residents. The badly weathered and vandalized mural was re-imagined in 2015 by local artists commissioned by East Harlem Preservation, Inc., with support from the Historic Districts Council. Since Avelino Gonzalez Claudio was released in February 2013, the artists re-focused the mural on Oscar López Rivera, the last Puerto Rican political prisoner in the U.S. who is now 73 years old and has spent 35 years in prison. Because he often speaks about his desire to return to his homeland to walk along the seashore, the artists incorporated his wish into the design. Watch East Harlem Preservation's video on the creation of the mural \*image Photo courtesy Marina Ortiz, East Harlem Preservation, Inc.

Streetcar traffic on Lexington Avenue, north of East 109th Street, April 23, 1914. In the foreground, sidewalk grating above the IRT Lexington Avenue Line is visible. The IRT line would open four years later, in 1918.

This 1913 photo of Lexington Avenue, between 105th and 106th Streets in Manhattan shows a construction method called cut and cover. Like the name suggests, this method involved cutting or digging a trench in the street, installing the necessary infrastructure, and then covering with the street on top. During construction business went on as usual around construction. With temporary wooden structures placed over the work below, trolleys and other traffic were able to pass over top of the construction. Many of our first subway tunnels were built using this method beginning in 1900, which made construction faster, cheaper, and easier than trying to dig deep under the ground. It allowed sand hogs (the nickname given to tunnel workers) to avoid the difficult and unstable bedrock underneath most of Manhattan called Manhattan schist.

St. Cecilia’s Roman Catholic Church Designed by Napoleon LeBrun & Sons, 1883-87 116 East 106th Street Neville & Bagge, 1907 This beautiful Romanesque Revival style church was built for the parish of St. Cecilia’s Roman Catholic Church, which, beginning in the 1870s, worshipped in the former Old Red House, a hotel on East 105th Street. In 1881, the church purchased this property and hired Napoleon LeBrun & Sons to design proper church facilities. The result is a richly ornate brick and terra cotta church featuring a large relief of St. Cecilia, patron saint of music, embedded into an arched panel on the building’s central gable. The adjacent “Regina Angelorum” was originally two separate buildings, a four-story tenement built in 1883-84 and a school built in 1885-87. The two buildings were combined in 1906-07 with a façade by Neville & Bagge, but still had two separate functions: a home for working women and a convent. In the late 1930s, the convent took over the entire building until 2004, when the building was converted to the Cristo Rey New York High School.

Originally constructed as Public School 72, this neo-Grec structure is one of the oldest intact school buildings in Manhattan, built to accommodate the growing immigrant population of East Harlem. Its architect, David I. Stagg, was Superintendent of Public School Buildings from 1872 to 1886. For about 20 years after the Board of Education closed the school in 1975, it provided classroom and office space for various institutions. In 1994-95, the building was converted to a cultural center. The Julia de Burgos Latino Cultural Center is a designated New York City Individual Landmark.

Learn about the history of transportation in New York City, and the past through the lens of subway construction. (This can be viewed in its original context here)

151 East 116th Street Henry Devoe 1870 Since 1948, Casa Latina has sold sheet music and instruments to patrons from all over the city. In addition to being the longest-running music store in East Harlem, it also bears the distinction of being the nation’s first Spanish-language music store. Its founder, Bartolo Alvarez, was a Puerto Rican musician and record executive. The business moved to this location in 1962 and its colorful storefront has been a neighborhood icon and an important meeting place ever since. The building in which the store resides was built in 1870 as one in a row of brownstones, and has been heavily altered over the years.

In tandem with our exhibition, Cycling in the City: A 200 Year History, we are excited to invite you on a bike tour throughout our neighborhood. MCNY's little section of the world, nestled between the Upper East Side and East Harlem, has a plethora of amazing buildings and sites with an even more amazing history. We suggest that you stick to the labeled bike lanes and follow the safety rules of biking in the city. Never text and ride at the same time, and always wear a helmet!

East 106th Street, looking west toward Park Avenue and the Harlem line railroad tracks, June 1942.

(Henry C. Pelton, 1937) This grand brick, limestone and granite structure was the first city-owned and citybuilt health facility in Manhattan, authorized by Mayor LaGuardia and funded by the Public Works Administration. It was built to provide health clinics, hygiene services and health education for students and the broader public. The structure resembles a classical temple rendered in the streamlined Art Deco style, its vertical brick panels standing in for columns and its wide brick band inscribed with the words “DEPARTMENT OF HEALTH CITY OF NEW YORK” standing in as its pediment. The two-story rooftop and western annex additions likely date to the 1950s.

Storefronts on Madison Avenue, south of East 109th Street, undated photo. These deteriorating tenement buildings would be demolished and replaced by Public School 108.

Our Lady Queen of Angels Church 232 East 113th Street Designed by William Schickel & Co. 1886 Though it was built when East Harlem was largely rural, Our Lady Queen of Angels is located on a hidden cul-de-sac within NYCHA’s Jefferson Houses. The charming neo-Romanesque structure, flanked on either side by a convent and rectory, was constructed at the request of New York Archbishop Corrigan for East Harlem’s German immigrant population. It is known for its association with Father Bonaventure Frey, co-founder of the Capuchin Franciscan Catholic Order in the United States. Frey, an important figure in the Catholic Church, was given the task of building the church and its congregation, acting as Superior in the church’s infancy. Due to a lack of priests and declining attendance, and despite opposition from parishioners and elected officials, the Archdiocese closed dozens of churches in the region, including this one, in 2007. Its school remains open, but despite popular support for preservation, the future of the church itself is uncertain.