Lincoln Tunnel entrance roadway at Dyer Avenue and West 34th Street, February 10, 1938.

(1845-46, Minard Lafever; additions 1853-54, Lafever, and 1858, Charles Babcock of Richard Upjohn & Son) The Church of the Holy Apostles is another of Chelsea’s historic Episcopal congregations, founded as a mission of Trinity Church. It has long had a socially active congregation and been called “one of the most important meeting places in New York City for organizations of the early post-Stonewall gay rights movement.” Architecturally, it is a remarkably original work that defies precise stylistic categorization. Italianate and Romanesque influences can be seen, but it forges a new statement from them. During the urban renewal era of the mid-twentieth century, much of the area around it was officially labeled a slum and targeted for redevelopment. In the 1950’s, six entire blocks between Eighth and Ninth Avenues were condemned for the private, middle-income Penn South housing project. The developer agreed to save Holy Apostles, along with Manor Community Church and two other churches.

West 28th Street Bathhouse at 407 West 28th Street as seen from Ninth Avenue, 1927. The Public Bathhouse seen in the center of the frame was the second to last such public facility constructed in New York City. Built in 1914, the complex included showers, an indoor swimming pool, public laundry facilities, a gymnasium with an indoor track, a roof garden, and playground. The nearby Irish community used this facility. The pool facility was active until at least the 1960s, and was demolished sometime during the Lindsay administration (1966-1973). This block (between Ninth and Tenth Avenues and 28th and 29th Street) is currently occupied by an annex of the 1933-built Morgan Postal Facility, constructed in 1992.

Jim and Al Coffee Shop under the Ninth Avenue El at West 34th Street, 1932.

Manhattan Opera House, ca. 1907. Opera fanatic and theater mogul Oscar Hammerstein I opened his second Manhattan Opera House as an answer to his dissatisfaction with the Metropolitan Opera. (His first 1893-built Manhattan Opera House was also on 34th Street and was an unmitigated financial disaster.) His second Manhattan Opera House was meant to be an opera "for opera-philes like himself." This would be unlike the Met Opera, where patrons treated the shows as a social affair. This was Hammerstein's eighth theater and proved majorly successful. It offered productions of the classics: Aida, Carmen, La Traviata, Otello, Tosca, Rigoletto, among others. The Met Opera had found a worthy rival - the competition of the Hammerstein's opera house had inflated the costs of producing opera and re-saturated the public's interests in the medium. Eventually, the Met won out, and Hammerstein went bankrupt. He could not compete with the high price of bringing in the biggest opera stars that the Met could. Oscar Hammerstein's son, Arthur, negotiated a contract with the Met that awarded his father $1.2 million if he refrained from producing grand opera in the United States for the next 10 years. Otto Kahn, president of the Metropolitan Opera, gained possession of the theater in 1911. The space was leased from 1911 to 1917 to The Shuberts. From 1927 to 1940 the space was a Warner Brother's sound stage, and then a meeting hall.

Board of Health Building, Chelsea Center. Entrance, 1937.

Ninth Avenue east side, from West 34th to 33rd Streets. Building shown is the New York Asylum for the Blind, 1922. The New York Asylum for the Blind was established in 1831 and that same year a large building for the organization was constructed in the bucolic area that would later become the border between the Chelsea and Hell's Kitchen neighborhoods. In 1831 this area was far north of the city and the open space and park-like grounds were the perfect location for a school for the blind. The large neo-Gothic structure was designed by an unknown architect, but was constructed in a style very similar to James Renwick's buildings on Blackwell's Island. These facilities on today's Roosevelt Island included a smallpox hospital, insane asylum, debtors house, and a prison. The school had upwards of 150 students and whenever possible jobs in the institution were also filled by the blind, including teachers. The school roughed some harsh criticism in the second half of the 19th century. An article in 1854 said this of the school, "Neglect, slovenliness and bad management are visible in every part of the establishment." In the early 20th century the city had not only stretched to the Asylum but surrounded it on all sides with large urban development. After a number of failed attempts to move elsewhere, the renamed New York Institute for the Education of the Blind (a more politically correct moniker) finally relocated to Pelham Parkway in the Bronx in 1924. The following year the large, nearly 100 year old building was demolished. Today the plot that was once occupied by the Asylum is now the popular photography store B\&H.

Man and boy at fire hydrant, around 28th Street and 11th Avenue, with Empire State Building (1931) visible in background

The Church of the Holy Apostles in Chelsea was one of the most important meeting places in New York City for organizations of the early post-Stonewall gay rights movement, particularly from 1969 to 1974. The Episcopalian rector at Holy Apostles, Father Robert Weeks, was instrumental in allowing this to happen, in part because his church was financially strapped and needed the rental income that groups could provide. In the fall of 1967, Weeks had coordinated a gathering of regional Episcopal priests which put forth one of the first religious declarations that homosexuality was morally neutral. Weeks presided over a number of early gay marriages (“services of friendship”), and participated in the protest led by the Gay Liberation Front (GLF) and Gay Activists Alliance (GAA) after the police raid on the Snake Pit in March 1970, also praying for the injured Diego Vinales at St. Vincent’s Hospital. One of the earliest LGBT events at Holy Apostles (in the parish hall) was the First New York City All-College Gay Mixer on May 2, 1969, sponsored by Columbia University’s Student Homophile League (formed in 1966). The first LGBT group to meet here regularly, from August 1969 to 1971, was the West Side Discussion Group (WSDG), which held weekly meetings and dances. Initially part of the Mattachine Society of New York, WSDG became a separate organization in 1956, and dropped its affiliation with Mattachine in 1965 after more militant leaders took over Mattachine. GLF held its weekly Sunday meetings here from December 1969 to December 1970, also using Alternate U. for dances and events, and then moving to the Gay Community Center. Gay Youth was founded in 1970 and had its social meetings here until 1972. The first dance for GLF women was held here in June 1970. GAA had its Thursday meetings and its dances here between January 1970 and May 1971, when it moved to the Firehouse. Lesbian Liberation, a committee of GAA, was formed here. In July 1970, Father Weeks turned over Holy Apostles for Sunday afternoon services to the pioneering Church of the Beloved Disciple, “a church for gay people.” Beloved Disciple was founded by Father Robert M. Clement, a former priest in the Polish National Catholic Church and the first openly gay priest to participate in the Christopher Street Liberation Day March in June 1970, and his lover, John Noble. Clement officiated over a same-sex “union ceremony” at Holy Apostles in April 1971. Clement and Noble were married at 33 Wooster Street in July 1971 by Reverend Troy Perry, who had founded the gay Metropolitan Community Church in Los Angeles in 1968. New York’s City Clerk Howard Katz, incensed at these “illegal marriages” by Clement and Weeks, threatened arrest. GAA held one of its most famous and creative “zaps” at Katz’s office in the Municipal Building – an engagement party for two same-sex couples, complete with wedding cake. In 1972 the Metropolitan Community Church of New York began Sunday evening services at Holy Apostles, led by Howard Wells, who became the first openly gay student at Union Theological Seminary. Then, in 1973, Jacob Gubbay, a Jewish man from India, saw an ad for a gay Passover Seder to be held here, which he volunteered to lead. Less than a year later he was successful in negotiating space for a gay synagogue to host Friday night services at Holy Apostles. The congregation, later officially named Congregation Beit Simchat Torah, held services here until it found a permanent home in Westbeth in July 1975. By 1974, Father Weeks had begun an outreach ministry to the LGBT community, which had not especially participated in Holy Apostle’s own services and activities, and ended the church’s policy of leasing space to LGBT organizations. In 1977 at Holy Apostles, Ellen M. Barrett was ordained as a priest by Bishop Paul Moore. She was one of the first American women to be ordained and was also the very first openly gay Episcopal priest. She had previously served as a co-chairwoman of Daughters of Bilitis, New York, and as a moderator of Gay Students Liberation at NYU, and was a member of Radicalesbians of GLF.

(1849-50, Philo V. Beebe, builder of nos. 437-459) The 12 houses from no. 437-459 were developed by Beverley Robinson (an associate of the Clarke/Moore family) and George F. Talman. Architecturally, these residences mark a transition between the upright, rectilinear Greek Revival and the more curvilinear Italianate styles. Though several of the houses have received updates in later architectural styles—seen especially in the cornices—the row remains unified by its deep front yards, paired stoops, and twin entrances. Immediately to the west stands the smaller, likely somewhat earlier residence at no. 461, which lacks the Landmark status of nos. 437-459. It is a purer example of Greek Revival architecture, with the style’s characteristic flush window lintels and a simple molded cornice from which tiny attic windows peek. The little house would originally have stood on the Hudson Riverbank.

Board of Health Building, Chelsea Center, 1937. The simple Art Deco building was built in the mid 1930s for the Board of Health. The building, which has functioned as administrative offices and a medical clinic for the BOH and later the Department of Health, is currently (Spring 2017) undergoing a large scale renovation and should open again in late 2017.

329-339 West 30th Street, north side, between Eighth and Ninth Avenues. No. 333 was the Rural New Yorker Building which was formerly the old Chelsea Methodist Church. About 1910.

Tenth Avenue at northeast corner of 24th Street, March 12, 1929. The photograph notes on this image: "Boys on horseback riding ahead of a freight train. Under an old New York statute, never repealed, every surface train must be preceded by one or more horseback riders, to give warning. These riders are known as "Eleventh Avenue cowboys."

401 West 24th Street, April 18, 1941. Constructed in 1904, this six-story brick apartment building was designed by John E. Scharsmith. Best known for his high style buildings including the Beaux-Arts Chatsworth Apartments and the neo-Gothic Swiss House, both on the Upper West Side, he also designed less ornate structures like this one. Writer and gay rights and AIDS activist Vito Russo lived in an apartment in this building from the late 1960s until his death in 1990. He moved into apartment #1 at 401 West 24th Street in Chelsea just before witnessing the June 1969 Stonewall uprising and lived here until his death. The aftermath of the March 1970 police raid at the Snake Pit in Greenwich Village inspired him to become actively involved in the gay rights movement.

413 West 35th Street, 1932.

467 Ninth Avenue, 1938. The building in the foreground is one of New York City's ubiquitous corner markets. The building across the street at no. 469 is the North-Western Dispensary building. The dispensary was a municipal social welfare and medical facility for the poor. The three-story brick building was constructed for this facility in 1869. In 1938 when this photograph was taken, it is unclear if the dispensary still functioned. The signage on the building notes it is occupied by a cheese shop on the first floor and a flag and awning business on one of the upper floors.

300 Ninth Avenue (1845-46, Minard Lafever; additions 1853-54, Lafever, and 1858, Charles Babcock of Richard Upjohn & Son) NYC IL; S/NR Lacking the restrictive covenants imposed by Clement Clarke Moore to the south, the blocks of Chelsea north of 24th Street, called Chelsea Manor, were developed with a mixture of residences, shops, and industry in close proximity. By the mid-19th century, it was a notorious center of vice and threat to vulnerable youth. In 1855, Sunday school advocate R.G. Pardee with help from the South Reformed Dutch Church, set up a mission above a disreputable saloon at Ninth Avenue and 25th Street. In 1866, the mission became an arm of the church, which built Manor Chapel and Mission, now Manor Community Church. Incorporating classrooms and a library, it was completed 1873. Enlarged and given a new façade in 1907, the building’s picturesque Dutch Revival style acknowledges its roots. Two blocks north, the Church of the Holy Apostles is another of Chelsea’s historic Episcopal congregations, founded as a mission of Trinity Church. It has long had a socially active congregation and been called “one of the most important meeting places in New York City for organizations of the early post-Stonewall gay rights movement.” Architecturally, it is a remarkably original work that defies precise stylistic categorization. Italianate and Romanesque influences can be seen, but it forges a new statement from them. During the urban renewal era of the mid-twentieth century, much of the area around it was officially labeled a slum and targeted for redevelopment. In the 1950’s, six entire blocks between Eighth and Ninth Avenues were condemned for the private, middle-income Penn South housing project. The developer agreed to save Holy Apostles, along with Manor Community Church and two other churches.

339 West 29th Street, 1932. No. 339 (seen here covered in ivy) is a 19th-century rowhouse with a powerful abolitionist history and a sad and complicated recent history. Built in 1846-1867, the four-story house was constructed as part of a row for Cyrus Mason. James Gibbons, a banker, and financial writer purchased the home in 1852 and moved in with his wife Abigail Hopper Gibbons and family. The family was ardent abolitionists. The house served not only a station of the Underground Railroad, but the home hosted a school for African American children and a meeting place for black and white abolition leaders. The house was well known for these activities and so was targeted during the Draft Riots in 1863. After black homes and orphanages were burned, the rioters turned to the abolitionists. This house was set aflame on the second night (July 14), and the occupants were only saved from death (by fire or beating) via an escape route that included climbing to the roof, running over the neighboring homes, and climbing out through someone else's house. The home was designated a New York City landmark as part of the Lamartine Place Historic District in 2009. Around that same time, the current owner added a fifth floor (illegally). Over the next decade, the community members and preservationists fought to have the home returned to its original state. Through lawsuits and legal and landmark hearings, the community persisted, and in 2017 when the project came to the Landmarks Commission, the added floor was denied. The height of the building and the cornice would need to be restored. After more than a decade under scaffolding, the front of the building will soon be visible once again.

10th Avenue southwest corner and 29th Street, 1940. The lot that once included this Esso gas station remains empty today despite acquiring a new glassy neighbor in 2015. The West Side Line, a spur of the New York Central Railroad can be seen in the distance. Today this railroad infrastructure is the High Line.

R.C. Williams & Co. Warehouse, 1937. Built as the headquarters for a wholesale grocery company, the 10-story concrete R.C Williams & Co. Warehouse was well positioned near the elevated west side freight line (today, the High Line). Designed by concrete guru Cass Gilbert and completed in 1927, the building was a part of the company's export division, which shipped products all over the world. The interior of the building was designed for "maximum efficiency and the seamless flow of goods," according to the LPC designation report for the West Chelsea Historic District, in which the building is located. R.C Williams moved their warehouse to the Bronx in 1953. The building was used as a manufacturing space though the second half of the 20th century and in 1993 became a location for ABC prop and scenery storage.

Church of the Holy Apostles, April 17, 1941. This congregation was established in 1844 as an outreach mission by the downtown Trinity Church to serve immigrants who worked on the Hudson River waterfront. The church building was constructed between 1845 and 1848 and designed by famed 19th century church architect, Minard Lefever. In 1853 the same architect expanded the building to include a larger space around the altar. It was further expanded in 1858 by the firm of the firm of Richard Upjohn & Son, another superstar of 19th century churches. The Episcopal parish has a long history of social activism and advocacy. During the Civil War, the church was possibly a station on the Underground Railroad. In the 1970s the congregation was involved in the founding of an LGBT synagogue, which used the church building for services until they found a permanent home. Since 1982 the church has hosted a soup kitchen.

Church of the Holy Apostles ca. 1941 Extremely deceptive with regard to its age, this church looks as though it might have been built even as late as 1910. Actually, it was erected in the eighteen-forties in a very free, dynamic style using an ingenious array of bull's-eyes, curved pediments, and corbels. An indication that Minard Lafever may have been its architect is found in Plate XCVIII of his book The Architectural Inspector, published in 1858, where we see a small rural church that is quite similar in character.

James A. Farley Post Office Building, 1912. Formerly the General Post Office Building, the main branch of the United State Postal Service was built as part of the Pennsylvania Station construction plan. The firm of McKim, Mead, and White designed both the train station and the post office in a Beaux-Arts style. The General Post Office and Pennsylvania Station became twin symbols of American progress and industry. With its giant order Corinthian colonnade stretching the length of two city blocks, the Post Office matched the grandiosity of Penn Station across the avenue. Bracing either side of the colonnade are square pavilions, capped with low domes expressed as stepped pyramids on the exterior. From the street, continuous steps lead to the main floor, which hosted various customer services. A dry moat at the base of the building allows for natural light to flood into the basement level, occupied by workspaces. On the interior, the ceiling is coffered and its floor is Knoxville marble. The colossal structure housed nearly one-acre of mail sorting space. In 1967, the facility was praised for handling one-tenth of all U.S. mail during Christmastime. However, the facility became outdated, hand-sorting technology just didn't cut it any longer, and the size of the building became too much to maintain. The former post office hosted a variety of bizarre functionalities: Operation Santa, beginning in 1912, authorized postmasters to respond to children's letters to Santa Claus. Pneumatic mail tubes facilitated the transport of mail (up to 100 pounds) to 22 post offices in Manhattan (and one in Brooklyn) at speeds of 30 to 35 mph. A Museum of Postal History occupied a small portion of the main floor, displaying postal paraphernalia until 2017. Portions of the landmark are now being converted to house the Moynihan Station, an Amtrak concourse which would expand Penn Station.

Revillon Frères fur storage warehouse, 1925. Built in 1924 by the firm Cross & Cross, the building was both a storage facility and retail location for Revillon Frères, the French luxury furrier. After the company left the building, the upper cold storage floors were substantially altered, with the diaper-pattern brickwork replaced by rows of windows.