533 Leonard Street, formerly Public School No. 59, taken on May 19, 1931.

607 Humboldt Street 1903–04 This Gothic Revival church, with a capacity of 1,250 worshippers, houses the largest Polish Catholic congregation in Brooklyn. In fact, the flanking stretches of Humboldt Street and Driggs Avenue were renamed Pope John Paul II Square and Lech Walesa Place, who each made visits to the parish. The church’s most marked feature is its spires that stand tall over the neighborhood. They are asymmetrical to one another, octagonal in shape and richly ornate.

St. Stanislaus Kostka Roman Catholic Church, ca. 1900. In 1896, Fr. Leon Wysiecki of St. Casimir’s in Fort Greene purchased 10 contiguous lots in Greenpoint, where he built a new Polish-language church. The present Gothic Revival church was completed in 1904 and quickly became a center of North Brooklyn’s growing Polish community. St. Stanislaus continues to hold mass in Polish, seven days a week.

The future site of McCarren Park Pool, viewed from the corner of Bayard and Leonard Streets. September 10, 1935. In 1909, Greenpoint Park was renamed McCarren Park, after the 19th century New York State Assemblyman and Senator Patrick Henry McCarren. This photo shows the construction of the McCarren Park Pool, one of eleven public pools built during the LaGuardia Mayoral administration. The pool opened in the summer of 1936.

The Greenpoint War Memorial, dedicated in 1923, is a monument to the over one-hundred residents of Greenpoint who lost their lives fighting in World War I. The Greenpoint Memorial Association commissioned the statue. The group was spearheaded by Peter McGuiness, a famous local for whom McGuiness Boulevard is named. The statue, which stands at 17 feet tall, depicts a bronze winged Victory holding two symbols of peace, a laurel and palm frond. The granite pedestal the allegorical figure is perched atop is inscribed with French battle sites. The front of the pedestal bears the inscription: TO THE LIVING AND THE DEAD HEROES OF GREENPOINT WHO FOUGHT IN THE WORLD WAR BECAUSE THEY LOVED AMERICA REVERED ITS IDEALS UNDER GOD AND SUPPORTED ITS INSTITUTIONS AND GAVE THEIR ALL THAT OUR GOVERNMENT SHALL NOT PERISH FROM THE EARTH Poor lady Victory underwent fairly significant damage over the years. The statue was resurfaced and reset first in 1937. In 1962, an unfortunate accident left the statue scorched during the holiday season after a ring of Christmas Trees around the memorial caught ablaze, know only as the "Christmas Tree Fire." The memorial's palm frond was stolen in 1975, and vandals toppled the winged woman the following year. Luckily, the monument was repaired and reset immediately after her fall. The palm leaf and laurel were replaced and the lady Victory received surface patina, cleaning, and conservation work in 2000.

In 1832, Neziah Bliss (1790–1876) and Eliphalet Nott (1773–1866), business partners in steamship production, began purchasing acres of farmland in Greenpoint and laying out streets. Spurred by a period of economic growth and an influx of European immigrants during the 1850s, more than a dozen shipbuilding firms moved across the river from Manhattan and turned the neighborhood into a major shipbuilding center. Franklin Street, named after Benjamin Franklin, was established as its commercial strip with shops catering to local industries. During the Civil War, the United States Navy commissioned several major ironclad war ships from the Continental Iron Works, which occupied a seven-acre stretch of the Greenpoint waterfront and employed 1,400 men. The first of these, the Monitor, famously defeated the Merrimac, a Confederate ironclad ship, in a standoff in Virginia in 1862, just a month after its launch. The Monitor was a source of pride for the neighborhood and is commemorated to this day by a monument in Monsignor McGolrick Park. While shipbuilding declined after the Civil War, Greenpoint’s other industrial enterprises, which included porcelain making, glass making and oil refining, continued to thrive. The influential Union Porcelain Works on Eckford Street helped shape American porcelain design. Its owner, Thomas C. Smith, purchased a tract of land on Milton Street in the 1860s and constructed a number of homes there, decorating some of their hearths with blue and white porcelain tiles. It was claimed they were the only tiles manufactured in the United States that could withstand such heat. The Greenpoint Glass Works, another local company, gained such acclaim that Mary Todd Lincoln commissioned table settings for the White House. Greenpoint and Williamsburg also formed a hub for oil refineries. Greenpoint’s residential development was closely aligned with its industrial growth, as workers’ housing was built inland from the waterfront. Large, elaborate rowhouses were constructed for owners and managers, while modest rowhouses, tenements and apartment buildings were built for laborers. Much of this construction occurred during the second half of the 19th century, and the neighborhood still displays a variety of architectural styles popular at that time. Early rowhouses contain elements of the Italianate and Greek Revival styles, while later styles include French Second Empire, neo-Grec, Queen Anne and Romanesque Revival. Some of the neighborhood’s later institutional buildings, such as the Greenpoint Savings Bank and the Mechanics and Traders Bank, were designed in the Classical and Renaissance Revival styles. The neighborhood also boasts many fine churches, designed in the Gothic Revival, Victorian Gothic and Romanesque Revival styles, among others. There are two historic districts in Greenpoint: the Greenpoint Historic District, located in the neighborhood’s core, and the Eberhard Faber Pencil Company Historic District, which covers roughly one block. A section of the neighborhood is also a National Register of Historic Places District.

84 Herbert Street Thomas Henry Poole, 1891–93 The congregation of St. Cecilia’s formed in 1869 and originally occupied a small wood-frame church built in 1871. Over the course of the 50-year leadership of Monsignor McGolrick (1857–1938), the congregation vastly grew and the church set out to construct a larger building. This structure, which can hold roughly 1,400 people, is constructed of Georgia marble and limestone, and its altar is made of a cream-colored, French limestone called Caen stone. It features an imposing corner bell tower, capped with a copper roof.

McCarren Play Center, September 22, 1941. McCarren Pool was the eighth of eleven WPA pools to open in the summer of 1936. The pool had a capacity of 6800 swimmers. The pool and adjacent building (seen here) was designed by Aymar Embury II, who was also involved in some capacity with the other 11 pools. The play center was rendered in the same simple Art Moderne style of most of the other WPA pool buildings, here with massive, high arched entryway and ticket booth. The McCarren Pool has a unique later history. While many of the other pools underwent renovations in the early 1980s, this pool closed in 1984. A planned renovation never came to be and the pool deteriorated for the next few decades. In 2005 a local choreographer was granted permission to create a site-specific dance piece at the pool. For the next few years the space was used as a popular music venue. In 2008 the venue was closed in preparation for the reactivation of the pool. The pool and play center reopened in 2012 after a $50 million restoration.