1005 Bedford Avenue, ca. 1960. This monolithic structure built in the Byzantine Romanesque style was originally the first temple for the Congregation of Temple Israel. The massive synagogue was constructed by the Parfitt Brothers, known for lavish townhouses, mansions, churches, and commercial buildings across the borough, including St. Augustine's Roman Catholic Church in Park Slope and 6 Pierrepont Street in Brooklyn Heights. The synagogue was dedicated in 1891 and completed in 1893. After years of catering towards the surrounding area's German Jewish population, membership dwindled in the 1920s, with many members moving to Manhattan or out of Brooklyn. The congregation joined K.K. Beth Eloheim, Brooklyn's oldest Jewish congregation, in 1929, thus vacating their synagogue at 1005 Bedford Avenue. Seeking to alleviate the crowded conditions of the Clermont Avenue Traffic Court, the city purchased the building and converted the temple into the Brooklyn Traffic Court, as seen in this image. Much of the interior was likely gutted to make way for courtrooms, detainment cells, and office cubicles. The Brooklyn Traffic Court later moved to the Downtown Department of Motor Vehicles Office. The building then became a Bergen Tile store. The building was demolished in 1969.

NYPD 88th Precinct ca. 1929 ARCHITECT: George Ingram DATE: 1889-90 STYLE: Romanesque Revival The former 4th (now 88th) Police Precinct Station House is an impressive example of Romanesque Revival style architecture. It replaced an earlier station house at Myrtle and Vanderbilt Avenues. Completed in November 1890, the 4th Police Precinct Station House was designed by George Ingram, a civil engineer who was associated with the Brooklyn Department of City Works in the 1880s. Faced with red pressed brick and sandstone, the fortress-like exterior is well-preserved, including a picturesque turret that rises asymmetrically above the entrance porch. The 4th Police Precinct originally had a separate patrol-stable-and-cells building which was demolished in the mid-1920s. This structure was replaced by a three-story brick extension that was designed by architect Thomas E. O’Brien, a lieutenant in the police force, to create the impression it was constructed at the same time as the earlier building

Crossing guard outside Ack’s Bar and Luncheonette at the corner of Classon and DeKalb Avenues, October 25, 1957.

St. Mary’s Episcopal Church ARCHITECT: Richard T. Auchmuty DATE: 1858-59 STYLE: Gothic Revival St. Mary’s Church is a beautiful Gothic Revival structure reminiscent of an English rural parish church. Built in 1858, it was designed by a relatively unknown architect, Richard T. Auchmuty, in accordance with the religious philosophy of ecclesiology. This movement laid out a strict set of rules for the design of Episcopal churches, which required the honest use of the best materials, the orientation of the church on an east-west axis, and the exterior design to reflect the plan and construction of the interior. In addition to its handsome form, St. Mary’s has beautiful ornamentation and attractive pointed-arched and rose windows.

Emmanuel Baptist Church ARCHITECT: Francis H. Kimball DATE: 1887 STYLE: French Gothic With its square twin towers and triple entrance porch, Emmanuel Baptist Church is reminiscent of a small French Gothic cathedral. The somber and solid character of this late nineteenth Century stone edifice is relieved by a varied and fanciful use of carved ornament and structural forms, creating an outstanding example of ecclesiastical architecture

Pratt Institute, general view, ca. 1917

315 Washington Street, 1957. In the years after the Civil War, the streets of Clinton Hill, particularly Washington Avenue and Clinton Street, saw a construction boom of new, lovely, and large brick and brownstone mansions. This brick home at 315 Washington Avenue was likely completed in the late 1860s. In the 1890s, well-known Brooklyn architects Parfitt Brothers designed an additional story and classic French style mansard roof. At some point in the early 20th century the building's use changed from private residence to a clubhouse (it was the Rankin Post No. 10 of the Grand Army of the Republic) before switching back. Today the home is a multi-unit residence.

In 1890, the Pratt Institute opened one of the country's first library schools, with the Pratt Free Library as its laboratory. The Daily Eagle reported on January 20, 1895: "Pratt Institute's new library building is gradually nearing completion. When ready for occupancy it will be one of the most imposing structures in this big city." The Pratt library had been earlier located in the main building and opened to the public in 1888 as the first free public library in Brooklyn- not limited to Pratt Students. Excessive demand for it services- it was, said the Daily Eagle in 1895, "thronged with students, literary workers, and bibliomaniacs every afternoon"- lead to the construction of a separate library building, dedicated on May 26, 1896. At the dedication, Pratt President Frederic Bayley Pratt presided; the Reverend John Humpstone, pastor of Emmanuel Baptist Church, said a prayer; and the famous Dannreuther Quarter performed Mendelssohn's overtire to Athalie, Anton Rubinstein's Music of the Spheres, and "Walther's Prize Song" From Wagner's Die Meistersinger. And then New York State Librarian Melvil Dewey (of decimal system fame) addressed the assembly, followed by a prayer from the Reverend Samuel McConnel, pastor of the Church of the Holy Trinity on Montague Street. It was a grand event. Architect William B. Tubby's Romanesque Revival building housed reference and circulating collections, including a children's collection, as well as an exhibition room, and classrooms for the library school. (In 1982 architect Giorgio Cavaglieri added the south terrace with views down onto new stacks. After 1940, with the opening of the new central library at Grand Army Plaza, Pratt's library was no longer the much-needed municipal resource it had been for 52 years and was restricted to institute students.

Pratt Institute Library ARCHITECT: William B. Tubby DATE: 1896 STYLE: Renaissance Revival The Pratt Institute Library was the first free public library in the City of Brooklyn. Pratt’s belief in self-help led him to an interest in the public library movement. The free-standing Renaissance Revival structure has slightly projecting end pavilions and a two-story stacks wing at the western end.

Engine #209 Taaffe Place, 1957. The Brooklyn Fire Department Engine 9 was organized in 1869 at 159 Taaffe Place (formerly Graham Street) in a building that had formerly housed the volunteer Engine 12. In 1892, Engine 9 was called to a massive fire at a series of buildings on Nostrand Avenue, and its firefighters performed a number of daring rescues. The engine company moved into a different building in 1966, and was eventually disbanded in 2003. The building at 159 Taaffe Place still stands and has a faded sign "American Refractories" above the large rolling metal gate. The top floor looks to be a residence.

Orthodox Friends Meeting House, 1927. The Rundbogenstil Romanesque Revival Meeting House was completed in 1868, following a design credited to architect Stephen Carpenter Earle (himself a Quaker). (The architectural style is sometimes credited as Lombardian Romanesque, proving that architectural styles are a slippery slope that not even architectural historians can always agree on.) The Brooklyn Daily Eagle called the building “new, neat and tasteful.” The red brick church remained a Quaker Meeting House until the 1950s and was sold to the Apostolic Faith Mission in 1965, who painted it white.

Emmanuel Baptist Church Inspired by French Gothic prototypes, this large church, with its twin towers, resembles a small cathedral. Yet the interior is novel in the arrangement, with a semicircular seating arrangement focused on the large baptismal font.