Monument of McDonald Clarke (1798-1842), "The Mad Poet of Broadway," ca. 1870. Often referred to simply as "The Poet's Mound," the monument to McDonald Clarke is one of the oldest at Green-Wood, dating to 1842. Created by sculptor Robert E. Launitz, it bears a relief portrait of Clarke, is inscribed with one of the poet's verses, and bears the epitaph, "Poor McDonald Clarke - Let silence gaze, but curse not his grave." (Lot 7011, Sec. 34)

Monuments to Sarah Van Brunt Cashman, William Augustus Conklin, and Martha and Mary Titus, ca. 1890. (Lots 799 and 800, Sec. 64)

Viaduct along 5th avenue near Green-Wood’s Western Entrance of at 34th Street and 4th Avenue, ca. 1860. The viaduct was designed by Richard Upjohn.

Monument to Fannie L. Quintard, outside the mausoleum of Charles Morgan, ca. 1870. (Lot 3922, Sec. 81)

View of Sylvan Water, the largest glacial pond in The Green-Wood Cemetery, ca. 1860.

Monument of the Wardwell and Draper family, ca. 1870. (Lot 16063, Sec. 33/46)

The Arctic Monument, in the Brown Family lot, circa 1875. The Arctic Monument, standing at the center of the Brown family lot, was commissioned by James Brown (1791-1877), head of the powerful Brown Brothers banking firm, to honor those lost in the sinking of the steamship Arctic. When the Arctic went down in 1854, James Brown lost a number of family members: his son William Benedict Brown, William’s wife Clara Moulton Brown, their infant daughter Grace, his daughter Maria, his daughter Grace, and her son Herbert. Their names are carved into the front of the monument. Sculpted by artist John Moffitt, the marble monument features at its center a likeness of the sinking Arctic. Though the ship’s mast and sails have been lost over time, the monument’s stone canopy has protected much of the ship’s detailing from the elements. Look up above the ship at the detailed carving by Moffitt. (Lot 2134, Sec. 22)

Monument of James Gordon Bennett (1795-1872), founder of the New York Herald, ca. 1880. The monument was sculpted for the Bennett family in Italy and transported to its current location, overlooking New York Harbor. According to a description in a nineteenth century New York guide, the monument is “a life-sized female figure, kneeling on a cushion in an attitude of prayer, commending her child, which is held in suspense by an angelic figure, to the Almighty Giver.” It has lost much of its detailing due to acid rain. (Lot 14234, Sec. 37/42)

View west from the lots of the Bayard and Cutting families, overlooking Pastoral Dell, ca. 1860. (Lot 6615, Sec. 23)

Monument of the Tietjen family, ca. 1875. (Lot 9620, Sec. 15)

Mausoleum of Marc Chambettaz, 1904. Of the three angels that adorn the roof of the Chambettaz Mausoleum, only one remains to this day, though the bases upon which the others stood are still visible. (Lot 20844, Sec. 89)

View of Maple Ridge in Green-Wood, ca. 1860.

Monument of the Frost family, ca. 1870-1875. (Lot 8872, Sec.21)

Monument to Do-hum-me, "The Indian Princess," ca. 1875. In 1843, at the age of eighteen, Do-Hum-Me, came east with her father, a chief of the Sac tribe, who was representing his people at treaty negotiations with the United States government. Do-Hum-Me soon met Cow-Hick-Kee and they married. She became the toast of the town in New York City, performing at P.T. Barnum’s museum. It wasn't long, however, before she fell gravely ill and died - just five weeks after her wedding. Still in its early years, Green-Wood offered a lot for burial of the young woman, hoping to add an attraction to the struggling cemetery. Do-Hum-Me was buried on March 15, 1843, near Sylvan Water, wearing her wedding dress. Her monument was carved by sculptor Robert Launitz and paid for by Barnum. As skilled of an artist as he was, Launitz struggled with English spelling, inscribing the misspelling of "Cheif" to be seen by generations to follow. The epitaph to Do-Hum-Me reads, "Thou art Happy now for thou hast past; the cold dark journey of the grave; And in the land of light at last; has joined the good, the fair, the brave." (Lot 236, Sec. 41)

View near Fountain Hill, circa 1875.

Monument to John Matthews (1808-1870), ca. 1875.

Receiving Tomb, from across Arbor Water, ca. 1880.

Monument of James Gordon Bennett, Sr., founder of the New York Herald, ca. 1875.

View of Fountain Hill in Green-Wood, ca. 1865. Fountain Hill was so named for the large fountain that stood at its crest. The fountain has since been removed.

At the center of the photograph is Betania Baptist Kirke (Church), a Scandinavian church which was not an uncommon sight in Sunset Park in the early and middle of the 20th century. Danes, Swedes, and Norwegians made up a large population of the neighborhood, with a section of 8th Avenue from Sunset Park to Bay Bridge called Lapskaus Boulevard, after the Nordic beef stew. The building, though somewhat drastically altered, does retain some of its original features, most notably the slanted peak of the roof seen behind the new second floor facade. The building is still used for religious purposes as Iglesia de Dios Pentecostal Alpha y Omega.

Monument to Seth Grosvenor (d. 1861), ca. 1860. (Lot 10796, Sec. 12/13)

Mausoleums of Charles Howard Clayton and others, along Fountain Hill, ca. 1865. (Lot 7011, Sec. 34)

A series of Mausoleums along Lake Avenue, opposite Sylvan Water, ca. 1870. Mausoleums pictured include those of Mary Tileston and the Spofford family. (Lots 14451, 14452, Sec. 37)

Detail of the Arctic Monument, circa 1875.

View near Fountain Hill, undated photo.

Monument to sea captain and shipbuilder Menemon Sanford (d. 1852), ca. 1875. A competitor of Cornelius Vanderbilt in the shipping business, his monument reflects his maritime connection, with a ship at sea tossed by waves, ropes, mast, capstan, sextant, telescope, and calipers, all of marble. (Lot 1146, Sec. 43)

View of Spruce Hill in The Green-Wood Cemetery, ca. 1865.

Monument to John Matthews (1808-1870), ca. 1870.

Horse-drawn hearse in front of the Receiving Tomb, as seen across Arbor Tomb, ca. 1865.

A series of mausoleums along Sylvan Avenue, ca. 1875. Mausoleums pictured include those of Mary L. Adriance, Thomas Terry, and George H. and C. Moller. (Lots 19362, 19687, 14697, Sec. 41)

Monument to Horace Greeley (1811-1872), founder and editor of the New York Tribune, ca. 1875. Greeley's monument was erected by America's printers. Topped with a bronze bust of him by Charles Calverley, the pedestal has a bronze bas-relief on one side which shows Greeley as a youth, with composing stick in hand, standing over his type case. Another panel depicts a plow, an apparent allusion to Greeley's famous recommendation to the unemployed during the panic of 1837, "Go West, young man, and grow with the country." Greeley wrote his own epitaph, "Fame is a vapor; popularity an accident; riches take wings; the only earthly certainty is oblivion; no man can foresee what a day will bring forth; while those who cheer today will often curse tomorrow; and yet I cherish the hope that the journal I projected and established will live and flourish long after I have mouldered into forgotten dust.. and that the stone which covers my ashes may bear to future eyes the still intelligible inscription, Founder of The New York Tribune." (Lot 2344, Sec. 35).

"Precious Georgie," monument of George Sidney Cuyler, ca. 1880. The son of Theodore Ledyard Cuyler and Annie E. Cuyler, George Sidney Cuyler died at the age of four from scarlet fever, leaving behind a twin brother, Theodore, and two heartbroken parents. Theodore Ledyard Cuyler (1822-1909) was the longtime pastor of Brooklyn's Lafayette Avenue Presbyterian Church and nationally known for his work in both the temperance and abolitionist movements. Cuyler employed noted sculptor Charles Calverley to create a likeness of young Georgie to adorn his monument. The marble relief cameo, protected from the elements behind glass, remains in fine condition. (Lot 4228, Sec. 23/34)

Far view of the monument to the Pierrepont family, designed by Richard Upjohn in the Gothic Revival Style, ca. 1860. (Lot 534, Sec. 68)

Monument to Dixon Hall Lewis (1802-1848), circa 1870.

View of Valley Water in The Green-Wood Cemetery, ca. 1880.

Monument to Dixon Hall Lewis (1802-1848), circa 1865. Born in Virginia and educated in Georgia, Dixon Hall Lewis served as a states’ rights United States Senator and Representative from Alabama from 1829 until his death. Lewis was a strong advocate for nullification and secession. The stone obelisk monument to Dixon Hall Lewis at Green-Wood describes him as "A Patriot and a Statesman noted for integrity, candor and truth." Why would a states’ rights politician from the South be interred in Brooklyn? Lewis visited Green-Wood and was so impressed that he decided this was the place for him to be interred. (Lot 9931, Sec. 89)

View of Valley Water in The Green-Wood Cemetery, ca. 1870.

The chapel was constructed in 1911 after designs by Warren and Wetmore, architects of Grand Central Terminal, and is a reduced replica of Christopher Wren’s Thomas Tower at Christ Church College in Oxford, England.

Monument to Clara Bartlet Gregory (1807-1845), wife of famed painter George Catlin (1796-1872), ca. 1865.

Monument to John Matthews (1808-1870), known as the "Soda Fountain King," ca. 1875. Dating to the early 1870's, the Matthews monument was created by prolific sculptor Karl Muller. Executed in terra-cotta and marble for the great sum of $30,000, it was named the "Mortuary Monument of the Year" in the year is was unveiled. The Mathews monument is adorned with the likenesses of members of the Matthews family, including John Matthews laying atop a sarcophagus at the center, and the faces of his daughters atop the four columns. The statue seated at the second level, which has greatly deteriorated over the years, typifies grief. Various flora and fauna can be found throughout the monument, as well as four gargoyles on the corners which spit water when it rains. The spectacular monument was once even more elaborate, featuring a central spire that loosened and has since been removed. (Lot 1345, Sec. 66)

Monument of the Gassner family, ca. 1860. (Lot 5518, Sec. 45)

The Receiving Tomb, designed by Richard Upjohn, ca. 1875.

Mausoleum of shipping magnate Charles Morgan (1795-1878), ca. 1875. (Lot 2590, Sec. 81)

Delaplaine family mausoleum, ca. 1860.

Original structure that stood at the Western Entrance to Green-Wood, near 34th Street and 4th Avenue, ca. 1875.

The Receiving Tomb, designed by Richard Upjohn, ca. 1875. Receiving tombs were a staple in nineteenth century cemeteries, serving as a holding space for caskets until they were ready for interment. They were especially important during the cold winter months, when the frozen ground made digging impossible.

View of mausoleums along Cliff Path, ca. 1860.

Arbor Water, as seen from Sycamore Avenue, ca. 1875. Arbor Water, a glacial pond formerly located near the main entrance of the cemetery, was removed in 1911 to make way for Green-Wood's Historic Chapel. The pond is seen here from the rise of Bay Grove Hill, behind the angel sculptures that once adorned the Chambettaz Mausoleum. The spires of the Receiving Tomb are visible to the left.

View along Lake Avenue, bordering Sylvan Water, ca. 1875.

View of Sylvan Water, looking down Ravine Path from Oaken Bluff, ca. 1890.

Vandervoort monument, ca. 1860. (Lot 3832, Sec. 81)

Monument to John Ruthven, ca. 1860. (Lot 2169, Sec. 13/22)

View along the shore of Sylvan Avenue, looking toward Sylvan Cliff, circa 1870.

Monuments to Cornelia Polhemus and Jane D. Creed, ca. 1880. (Lots 182 and 1543, Sec. 61)

Rear entrance of the Receiving Tomb, ca. 1860.

Mausoleum of the Delaplaine family, including U.S. Congressman Isaac C. Delaplaine (1817-1866), ca. 1865. (Lot 8919, Sec. 12)

Monument to John Matthews (1808-1870), ca. 1870.

Frost family plot, prior to the construction of monument, ca. 1870

Monument to John Matthews (1808-1870), ca. 1870.

Arbor Water, a glacial pond formerly located near the entrance of The Green-Wood Cemetery, ca. 1870. Arbor water was one of several glacial ponds on the land that would become Green-Wood. It was filled in in 1911 to make space for Green-Wood's Historic Chapel, designed by architects Warren & Wetmore and completed in 1912. As seen in this photo, rowboats were once available for cemetery visitors to take out on the water.

Arbor Water, with a view of the Receiving Tomb along Willow Avenue, ca. 1865.

View in Green-Wood, near the intersection of Sylvan and Lake Avenues, ca. 1860.

View along Landscape Avenue, near Valley Water, ca. 1865.

Monument to Doctor Charles Isaacs (1811-1860), ca. 1865. (Lot 13421, Sec. 61.)

Monument of Jane Debevoise, ca. 1860. (Lot 6422, Sec. 57)

View along Sycamore Avenue in The Green-Wood Cemetery, ca. 1880.

View of Sylvan Water, from the intersection of Lake and Sylvan Avenues, circa 1875.

Kelsey monument, ca. 1875.